Pub Date : 2022-05-01DOI: 10.1215/01636545-9566202
Patrick Doyle
This article traces the development of the living wage concept in the social thought of Irish Catholic intellectuals in the late nineteenth and early twentieth centuries, including Revs. John A. Ryan and Walter McDonald, and Edward Phelan, who helped establish the International Labour Organization. The debates in which these thinkers engaged highlight the importance of gendered understandings of work and the significance of the family unit in the development of a moral critique of the capitalist system. This led to their differing views on the role to be played by the state in regulating the economy, and revealed how inseparable religion and economics were in their social thought. Social Catholicism played an important role in framing social policy in Ireland after independence; through the living wage doctrine, it played a significant part in a wider transatlantic debate about the moral questions posed by capitalism, in ways that continue to reverberate today.
{"title":"Irish Social Catholicism and the Development of the Living Wage Doctrine","authors":"Patrick Doyle","doi":"10.1215/01636545-9566202","DOIUrl":"https://doi.org/10.1215/01636545-9566202","url":null,"abstract":"\u0000 This article traces the development of the living wage concept in the social thought of Irish Catholic intellectuals in the late nineteenth and early twentieth centuries, including Revs. John A. Ryan and Walter McDonald, and Edward Phelan, who helped establish the International Labour Organization. The debates in which these thinkers engaged highlight the importance of gendered understandings of work and the significance of the family unit in the development of a moral critique of the capitalist system. This led to their differing views on the role to be played by the state in regulating the economy, and revealed how inseparable religion and economics were in their social thought. Social Catholicism played an important role in framing social policy in Ireland after independence; through the living wage doctrine, it played a significant part in a wider transatlantic debate about the moral questions posed by capitalism, in ways that continue to reverberate today.","PeriodicalId":51725,"journal":{"name":"RADICAL HISTORY REVIEW","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2022-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49202868","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-05-01DOI: 10.1215/01636545-9566244
Michaela Appeltová
The text reviews four new books in Irish women’s history and the history of sexuality: Mary McAuliffe’s biography of the revolutionary Margaret Skinnider; Jennifer Redmond’s Moving Histories, exploring the discourses about Irish women migrants to Great Britain in the first few decades of the Irish state, and their everyday lives in Britain; Lindsey Earner-Byrne and Diane Urquhart’s The Irish Abortion Journey, which documents the repressive discourses and policies surrounding abortion in twentieth-century Ireland and relates stories of traveling to Great Britain to obtain it; and finally, Sonja Tiernan’s book examining the ultimately successful political and legal campaign for marriage equality in Ireland. These highly readable, well-researched books place gender and sexuality at the center of Irish history; provide insight into the contradictory political, religious, and medical discourses about Irish women, gays, and lesbians; and document the lives of women both in and out of Ireland.
{"title":"Women’s Agency, Catholic Morality, and the Irish State","authors":"Michaela Appeltová","doi":"10.1215/01636545-9566244","DOIUrl":"https://doi.org/10.1215/01636545-9566244","url":null,"abstract":"\u0000 The text reviews four new books in Irish women’s history and the history of sexuality: Mary McAuliffe’s biography of the revolutionary Margaret Skinnider; Jennifer Redmond’s Moving Histories, exploring the discourses about Irish women migrants to Great Britain in the first few decades of the Irish state, and their everyday lives in Britain; Lindsey Earner-Byrne and Diane Urquhart’s The Irish Abortion Journey, which documents the repressive discourses and policies surrounding abortion in twentieth-century Ireland and relates stories of traveling to Great Britain to obtain it; and finally, Sonja Tiernan’s book examining the ultimately successful political and legal campaign for marriage equality in Ireland. These highly readable, well-researched books place gender and sexuality at the center of Irish history; provide insight into the contradictory political, religious, and medical discourses about Irish women, gays, and lesbians; and document the lives of women both in and out of Ireland.","PeriodicalId":51725,"journal":{"name":"RADICAL HISTORY REVIEW","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2022-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42852247","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-05-01DOI: 10.1215/01636545-9566216
M. Morley, T. Flanagan
Curated Spaces features two projects by the artists and filmmakers Megs Morley and Tom Flanagan. The Question of Ireland (2013) is a cross-disciplinary film installation that attempts to provoke the relationship between the language of politics, performance, and cinema. A History of Stone, Origin and Myth (2016) is a nonnarrative film essay that explores the space between individual memory and national history through the lens of political monuments found throughout Ireland that relate to Irish rebellion, the 1916 Rising, and the foundation of the state.
{"title":"The Question of Ireland (2013) and A History of Stone, Origin and Myth (2016)","authors":"M. Morley, T. Flanagan","doi":"10.1215/01636545-9566216","DOIUrl":"https://doi.org/10.1215/01636545-9566216","url":null,"abstract":"\u0000 Curated Spaces features two projects by the artists and filmmakers Megs Morley and Tom Flanagan. The Question of Ireland (2013) is a cross-disciplinary film installation that attempts to provoke the relationship between the language of politics, performance, and cinema. A History of Stone, Origin and Myth (2016) is a nonnarrative film essay that explores the space between individual memory and national history through the lens of political monuments found throughout Ireland that relate to Irish rebellion, the 1916 Rising, and the foundation of the state.","PeriodicalId":51725,"journal":{"name":"RADICAL HISTORY REVIEW","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2022-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48533224","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.1215/01636545-9397002
H. Bauer, Melina Pappademos, Katie Sutton, Jennifer Tucker
Increased access to visual archives and the proliferation of digitized images related to sexuality have led a growing number of scholars in recent years to place images and visual practices at the center of critical historical inquiries of sexual desire, subjectivity, and embodiment. At the same time, new critical histories of sexual science serve both to expand the temporal and geographical frames for investigating the historical relationships of sex and visual production, and to generate new lines of inquiry and reshape visual studies more broadly. The contributors to this issue invite us to ask: What new questions and challenges for the study of sex and sexual science are posed by critical studies of the visual? How are new visual methodologies that focus on archives changing the contours of historical knowledge about sex and sexuality? What—and where—are new methodologies still needed? “Visual Archives of Sex” aims to illuminate current research that centers visual media in the history of sexuality and that interrogates contemporary historiographies.
{"title":"Visual Histories of Sex","authors":"H. Bauer, Melina Pappademos, Katie Sutton, Jennifer Tucker","doi":"10.1215/01636545-9397002","DOIUrl":"https://doi.org/10.1215/01636545-9397002","url":null,"abstract":"\u0000 Increased access to visual archives and the proliferation of digitized images related to sexuality have led a growing number of scholars in recent years to place images and visual practices at the center of critical historical inquiries of sexual desire, subjectivity, and embodiment. At the same time, new critical histories of sexual science serve both to expand the temporal and geographical frames for investigating the historical relationships of sex and visual production, and to generate new lines of inquiry and reshape visual studies more broadly. The contributors to this issue invite us to ask: What new questions and challenges for the study of sex and sexual science are posed by critical studies of the visual? How are new visual methodologies that focus on archives changing the contours of historical knowledge about sex and sexuality? What—and where—are new methodologies still needed? “Visual Archives of Sex” aims to illuminate current research that centers visual media in the history of sexuality and that interrogates contemporary historiographies.","PeriodicalId":51725,"journal":{"name":"RADICAL HISTORY REVIEW","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48372605","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.1215/01636545-9397044
Lynda Nead
Ruth Ellis was the last woman to be hanged in Britain. On April 10, 1955, in front of witnesses, she shot and killed her lover, David Blakely, and was immediately arrested and imprisoned. In so many other ways, however, her life was similar to those of many aspirational women of the working classes in postwar Britain; she achieved notoriety because of the murder and execution. This essay uses archives of press photography to examine the diverse ways in which Ellis constructed her identity and was represented to the public as a sexualized woman. It attempts a feminist encounter with the visual archive—an encounter not only with an individual woman but also, and as importantly, with 1950s sex, sexuality, class, and violence.
{"title":"A Bruise, a Neck, and a Little Finger","authors":"Lynda Nead","doi":"10.1215/01636545-9397044","DOIUrl":"https://doi.org/10.1215/01636545-9397044","url":null,"abstract":"\u0000 Ruth Ellis was the last woman to be hanged in Britain. On April 10, 1955, in front of witnesses, she shot and killed her lover, David Blakely, and was immediately arrested and imprisoned. In so many other ways, however, her life was similar to those of many aspirational women of the working classes in postwar Britain; she achieved notoriety because of the murder and execution. This essay uses archives of press photography to examine the diverse ways in which Ellis constructed her identity and was represented to the public as a sexualized woman. It attempts a feminist encounter with the visual archive—an encounter not only with an individual woman but also, and as importantly, with 1950s sex, sexuality, class, and violence.","PeriodicalId":51725,"journal":{"name":"RADICAL HISTORY REVIEW","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46941075","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.1215/01636545-9397030
Sunny Xiang
This article examines a range of mid-twentieth-century American fashions, particularly women’s intimate wear, that went by the name of “bikini.” In doing so, it identifies the bikini as an overt but unremarkable incident of racial and colonial violence. Treating the nuclear Pacific as conspicuously incidental in mainstream atomic culture enables new insights on the visual interplay between white femininity and primitive sexuality—an interplay that, the author argues, was integral to establishing domestic virtue and modern living as atomic age touchstones of “peace.” To elaborate on this argument, this article tracks the bikini’s achievement of propriety within a broader fashion revolution spurred by the use of high-tech fibers in swim, sleep, and support garments. It shows how an atomic ideal of “nature” arose from an imperial desire for security in the face of extreme risk—both the global risk of nuclear war and the domestic risk of sexual promiscuity.
{"title":"Bikinis and Other Atomic Incidents: The Synthetic Life of the Nuclear Pacific","authors":"Sunny Xiang","doi":"10.1215/01636545-9397030","DOIUrl":"https://doi.org/10.1215/01636545-9397030","url":null,"abstract":"\u0000 This article examines a range of mid-twentieth-century American fashions, particularly women’s intimate wear, that went by the name of “bikini.” In doing so, it identifies the bikini as an overt but unremarkable incident of racial and colonial violence. Treating the nuclear Pacific as conspicuously incidental in mainstream atomic culture enables new insights on the visual interplay between white femininity and primitive sexuality—an interplay that, the author argues, was integral to establishing domestic virtue and modern living as atomic age touchstones of “peace.” To elaborate on this argument, this article tracks the bikini’s achievement of propriety within a broader fashion revolution spurred by the use of high-tech fibers in swim, sleep, and support garments. It shows how an atomic ideal of “nature” arose from an imperial desire for security in the face of extreme risk—both the global risk of nuclear war and the domestic risk of sexual promiscuity.","PeriodicalId":51725,"journal":{"name":"RADICAL HISTORY REVIEW","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48315975","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.1215/01636545-9397086
C. McGrady
This Curated Spaces features an interview with Topher Campbell of rukus! archive. The rukus! archive was founded in 2005 by photographer Ajamu X and filmmaker and theatre director Topher Campbell. The archive is dedicated to collecting, preserving, and making available artistic, social, and cultural histories related to Black LGBTQ+ communities in the United Kingdom. Its intellectual origins reside in the work of Stuart Hall and British cultural studies, and the critical dialogue it establishes with both mainstream heritage practices and dominant Black and queer identity discourses.
{"title":"An Interview with Topher Campbell","authors":"C. McGrady","doi":"10.1215/01636545-9397086","DOIUrl":"https://doi.org/10.1215/01636545-9397086","url":null,"abstract":"\u0000 This Curated Spaces features an interview with Topher Campbell of rukus! archive. The rukus! archive was founded in 2005 by photographer Ajamu X and filmmaker and theatre director Topher Campbell. The archive is dedicated to collecting, preserving, and making available artistic, social, and cultural histories related to Black LGBTQ+ communities in the United Kingdom. Its intellectual origins reside in the work of Stuart Hall and British cultural studies, and the critical dialogue it establishes with both mainstream heritage practices and dominant Black and queer identity discourses.","PeriodicalId":51725,"journal":{"name":"RADICAL HISTORY REVIEW","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41323684","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.1215/01636545-9397101
David Serlin
In this wide-ranging conversation, David Serlin (University of California, San Diego) and Roland Betancourt (University of California, Irvine) discuss questions of sexual consent and sexual violence in the visual culture of early Christian art as inspired by Betancourt’s recent book, Byzantine Intersectionality: Sexuality, Gender, and Race in the Middle Ages (2020). Drawing on rare manuscripts and other objects of worship from institutional archives, Betancourt analyzes and contextualizes numerous Byzantine visual texts featuring often confounding representations of sexual acts or gendered behavior that later Christian interpreters would treat as conventional or settled. For Betancourt, early Christian authors and artists were far more open to troubling and experimenting with depictions of sexual and gendered narratives than many medievalists (and, importantly, non-medievalists) have been trained to see.
{"title":"Virgin Territories","authors":"David Serlin","doi":"10.1215/01636545-9397101","DOIUrl":"https://doi.org/10.1215/01636545-9397101","url":null,"abstract":"\u0000 In this wide-ranging conversation, David Serlin (University of California, San Diego) and Roland Betancourt (University of California, Irvine) discuss questions of sexual consent and sexual violence in the visual culture of early Christian art as inspired by Betancourt’s recent book, Byzantine Intersectionality: Sexuality, Gender, and Race in the Middle Ages (2020). Drawing on rare manuscripts and other objects of worship from institutional archives, Betancourt analyzes and contextualizes numerous Byzantine visual texts featuring often confounding representations of sexual acts or gendered behavior that later Christian interpreters would treat as conventional or settled. For Betancourt, early Christian authors and artists were far more open to troubling and experimenting with depictions of sexual and gendered narratives than many medievalists (and, importantly, non-medievalists) have been trained to see.","PeriodicalId":51725,"journal":{"name":"RADICAL HISTORY REVIEW","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42541079","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.1215/01636545-9397072
Kyle Frackman
Like other Eastern Bloc countries, East Germany sought to control even its citizens’ leisure time in the 1960s and 1970s, with the goal of making it useful or at least not subversive to state interests. Certain hobbies, like amateur photography, found support from the state in the form of increased access to equipment and supplies. Other scholarship has shown that sex was a locus of privacy and self-assertion in a society with a high degree of surveillance and state control. Focusing on a previously unanalyzed collection of erotic photographs of men, the article argues, first, that the support for amateur photography makes the state an unwitting participant in the creation and circulation of these illicit images and, second, that the images are an archive of queer men’s self-presentation and critique in a context wherein their existence and affect are transgressive.
{"title":"Homemade Pornography and the Proliferation of Queer Pleasure in East Germany","authors":"Kyle Frackman","doi":"10.1215/01636545-9397072","DOIUrl":"https://doi.org/10.1215/01636545-9397072","url":null,"abstract":"\u0000 Like other Eastern Bloc countries, East Germany sought to control even its citizens’ leisure time in the 1960s and 1970s, with the goal of making it useful or at least not subversive to state interests. Certain hobbies, like amateur photography, found support from the state in the form of increased access to equipment and supplies. Other scholarship has shown that sex was a locus of privacy and self-assertion in a society with a high degree of surveillance and state control. Focusing on a previously unanalyzed collection of erotic photographs of men, the article argues, first, that the support for amateur photography makes the state an unwitting participant in the creation and circulation of these illicit images and, second, that the images are an archive of queer men’s self-presentation and critique in a context wherein their existence and affect are transgressive.","PeriodicalId":51725,"journal":{"name":"RADICAL HISTORY REVIEW","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42886103","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.1215/01636545-9397016
A. Sepahvand, M. Slater, Annette F. Timm, Jeanne Vaccaro, H. Bauer, Katie Sutton
In this roundtable, four curators of exhibitions showcasing sexual archives and histories—with a particular focus on queer and trans experiences—were asked to reflect on their experiences working as scholars and artists across a range of museum and gallery formats. The exhibitions referred to below were Bring Your Own Body: Transgender between Archives and Aesthetics, curated by Jeanne Vaccaro (discussant) with Stamatina Gregory at The Cooper Union, New York, in 2015 and Haverford College, Pennsylvania, in 2016; Odarodle: An imaginary their_story of naturepeoples, 1535–2017, curated by Ashkan Sepahvand (discussant) at the Schwules Museum (Gay Museum) in Berlin, Germany, in 2017; Queer, curated by Ted Gott, Angela Hesson, Myles Russell-Cook, Meg Slater (discussant), and Pip Wallis at the National Gallery of Victoria, Melbourne, Australia, in 2022; and TransTrans: Transatlantic Transgender Histories, curated by Alex Bakker, Rainer Herrn, Michael Thomas Taylor, and Annette F. Timm (discussant) at the Schwules Museum in Berlin, Germany, in 2019–20, adapting an earlier exhibition shown at the University of Calgary, Canada, in 2016.
在这个圆桌会议上，四位展示性档案和历史的策展人——特别关注酷儿和跨性别者的经历——被要求反思他们作为学者和艺术家在一系列博物馆和画廊中工作的经历。下面提到的展览是:带来你自己的身体:档案与美学之间的跨性别者，由珍妮·瓦卡罗(讨论嘉宾)和斯塔玛蒂娜·格雷戈里策划，分别于2015年在纽约库珀联盟博物馆和2016年在宾夕法尼亚州哈弗福德学院;Odarodle: a imaginary their_story of naturepeoples, 1535-2017，由Ashkan Sepahvand(讨论嘉宾)策划，2017年德国柏林Schwules博物馆(同性恋博物馆);《酷儿》，由Ted Gott、Angela Hesson、Myles Russell-Cook、Meg Slater(讨论嘉宾)和Pip Wallis策划，澳大利亚墨尔本维多利亚国家美术馆，2022年;以及由Alex Bakker、Rainer Herrn、Michael Thomas Taylor和Annette F. Timm(讨论嘉宾)于2019 - 2020年在德国柏林Schwules博物馆策划的《跨大西洋:跨大西洋变性人的历史》(TransTrans: Transatlantic Transgender Histories)，改编自2016年在加拿大卡尔加里大学举办的展览。
{"title":"Curating Visual Archives of Sex","authors":"A. Sepahvand, M. Slater, Annette F. Timm, Jeanne Vaccaro, H. Bauer, Katie Sutton","doi":"10.1215/01636545-9397016","DOIUrl":"https://doi.org/10.1215/01636545-9397016","url":null,"abstract":"\u0000 In this roundtable, four curators of exhibitions showcasing sexual archives and histories—with a particular focus on queer and trans experiences—were asked to reflect on their experiences working as scholars and artists across a range of museum and gallery formats. The exhibitions referred to below were Bring Your Own Body: Transgender between Archives and Aesthetics, curated by Jeanne Vaccaro (discussant) with Stamatina Gregory at The Cooper Union, New York, in 2015 and Haverford College, Pennsylvania, in 2016; Odarodle: An imaginary their_story of naturepeoples, 1535–2017, curated by Ashkan Sepahvand (discussant) at the Schwules Museum (Gay Museum) in Berlin, Germany, in 2017; Queer, curated by Ted Gott, Angela Hesson, Myles Russell-Cook, Meg Slater (discussant), and Pip Wallis at the National Gallery of Victoria, Melbourne, Australia, in 2022; and TransTrans: Transatlantic Transgender Histories, curated by Alex Bakker, Rainer Herrn, Michael Thomas Taylor, and Annette F. Timm (discussant) at the Schwules Museum in Berlin, Germany, in 2019–20, adapting an earlier exhibition shown at the University of Calgary, Canada, in 2016.","PeriodicalId":51725,"journal":{"name":"RADICAL HISTORY REVIEW","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41936315","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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