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Folk Life-Journal of Ethnological Studies最新文献

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The classic fairy tales [second Norton critical edition] 经典童话[诺顿评论第二版]
IF 0.3 4区 社会学 Q3 Social Sciences Pub Date : 2018-07-03 DOI: 10.1080/04308778.2018.1507144
Ailbhe Nic Giolla Chomhaill
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引用次数: 0
‘Two hands over two sands’: Capel Bethel, Dulyn: the Welsh chapel in Dublin “两只手在两个沙滩上”:杜林的卡佩尔·伯特利:都柏林的威尔士教堂
IF 0.3 4区 社会学 Q3 Social Sciences Pub Date : 2018-07-03 DOI: 10.1080/04308778.2018.1503407
Dafydd G. Roberts
ABSTRACT No sense of inter-Celtic harmony underpinned the Wales-wide campaign to set up a Welsh Methodist chapel on Talbot Street, Dublin, in 1838. Rather, it was the Welsh community’s determination to take on the Church of Rome, and to ensure that the Welsh diaspora in Dublin – many of them seamen serving on vessels making the short crossing to Holyhead – would be ministered to in their native language. Bethel chapel proved to be remarkably successful, with its use of Welsh attracting the interest of members of the Gaelic League in the early twentieth century. Bethel chapel continued to be used by its Welsh congregation until 1939. The building survives as a cyber café, used by the Chinese community, and is on Dublin City Council’s record of protected structures.
摘要1838年,在都柏林塔尔博特街建立威尔士卫理公会小教堂的整个威尔士运动,没有凯尔特人之间的和谐感。相反,这是威尔士社区决心与罗马教会较量,并确保都柏林的威尔士侨民——其中许多是在前往霍利黑德的船只上服役的海员——能够用他们的母语得到服务。事实证明,伯特利小教堂非常成功,在20世纪初,它使用威尔士语吸引了盖尔联盟成员的兴趣。伯特利小礼拜堂继续被其威尔士会众使用,直到1939年。这座建筑是一座供华人社区使用的网吧,并被列入都柏林市议会的保护建筑记录。
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引用次数: 1
Fairies, demons, and nature spirits: ‘small gods’ at the margins of Christendom 仙女、恶魔和自然精灵:基督教世界边缘的“小神”
IF 0.3 4区 社会学 Q3 Social Sciences Pub Date : 2018-07-03 DOI: 10.1080/04308778.2018.1507140
P. Cowdell
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引用次数: 4
Liverpool cowkeepers 利物浦cowkeepers
IF 0.3 4区 社会学 Q3 Social Sciences Pub Date : 2018-07-03 DOI: 10.1080/04308778.2018.1507139
P. Brears
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引用次数: 0
Voices of ambiguity – The GDR folk music revival movement (1976–1990): exploring lived musical experience and post-war German folk music discourses 模糊的声音——民主德国民间音乐复兴运动(1976-1990):探索生活的音乐体验和战后德国民间音乐话语
IF 0.3 4区 社会学 Q3 Social Sciences Pub Date : 2018-07-03 DOI: 10.1080/04308778.2018.1501956
Felix Morgenstern
ABSTRACT Following the ideological co-option of German folk music by the Nazi regime during the Third Reich (1933–1945), the genre’s performative practice was highly marginalized. Revivalists in both German post-war states initially recast German folk music in a recourse to the soundscape and song themes of Irish vernacular music, before reconnecting with a 19th century oppositional German folk song repertoire. In the GDR, songs of the 1848 Revolution were curated as the state’s ‘democratic’ cultural heritage and could not be readily censored. This allowed artists to perform historical folk songs to metaphorically critique circumstances existing in East Germany. Drawing upon fieldwork conducted among former GDR folk musicians, this paper explores their encounters in relation to established post-war German folk music discourses on the relationship between artists and state authorities. Concrete analysis of a 19th century emigration song uncovers how folk musicians could subversively pass comment on state-imposed travel restrictions to the West.
摘要在第三帝国时期(1933-1945)纳粹政权对德国民间音乐进行意识形态上的选择之后,该流派的表演实践被高度边缘化。德国战后两个国家的复兴主义者最初都借鉴爱尔兰本土音乐的音景和歌曲主题,重新塑造了德国民间音乐,然后与19世纪对立的德国民歌曲目重新联系。在民主德国,1848年革命的歌曲被策划为国家的“民主”文化遗产,不容易被审查。这使得艺术家们可以表演历史民歌来隐喻性地批判东德的现状。本文以前德意志民主共和国民间音乐家的实地调查为基础,探讨了他们与战后德国民间音乐中关于艺术家与国家当局关系的话语的相遇。对一首19世纪移民歌曲的具体分析揭示了民间音乐家如何颠覆性地对国家实施的前往西方的旅行限制发表评论。
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引用次数: 4
Interpreting agriculture at museums and historic sites 在博物馆和历史遗迹中解读农业
IF 0.3 4区 社会学 Q3 Social Sciences Pub Date : 2018-07-03 DOI: 10.1080/04308778.2018.1507142
O. Douglas
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引用次数: 1
Recognizing food as part of Ireland’s intangible cultural heritage 承认食物是爱尔兰非物质文化遗产的一部分
IF 0.3 4区 社会学 Q3 Social Sciences Pub Date : 2018-07-03 DOI: 10.1080/04308778.2018.1502402
Máirtín Mac Con Iomaire
ABSTRACT Drawing on evidence from across a range of disciplines (literature, folklore, history, sociology, etc.), this paper explores the lack of an iconic link between Ireland and food, explaining the reasons why Ireland and food are not immediately linked in the popular imagination. It argues for recognition of foodways as a significant element in Ireland’s intangible cultural heritage. It highlights and interrogates constructs, such as ‘national’ and ‘regional’ cuisines, charting the growing scholarship around Irish food history from the ground breaking work of A.T. Lucas and Louis Cullen to a recent emerging cluster of doctoral researchers. The paper identifies the potential in ideas of the Annales School for the study of Irish food history. Finally, it argues for a serious engagement with Irish language sources claiming that this Gaelic heritage can provide a competitive advantage in a new age of innovation and creativity.
摘要:本文借鉴了一系列学科(文学、民俗学、历史学、社会学等)的证据,探讨了爱尔兰和食物之间缺乏标志性联系的问题,解释了爱尔兰和食物在大众想象中没有立即联系起来的原因。它主张承认食物方式是爱尔兰非物质文化遗产的重要组成部分。它突出和质疑诸如“国家”和“地区”美食等结构,描绘了围绕爱尔兰食物历史的不断增长的学术研究,从A.T.卢卡斯和路易斯卡伦的开创性工作到最近涌现的一批博士研究人员。这篇论文确定了年鉴学派在爱尔兰食物历史研究方面的潜力。最后,它主张认真对待爱尔兰语资源,声称这种盖尔语遗产可以在创新和创造力的新时代提供竞争优势。
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引用次数: 16
Malton goes to market, the recipes Malton上市,配方
IF 0.3 4区 社会学 Q3 Social Sciences Pub Date : 2018-01-02 DOI: 10.1080/04308778.2018.1448514
Catherine Wilson
This small book is a delight. It is attractively produced, easy to read, concisely written and interesting. It is a bonus that it is adorned with Peter Brears’ own most attractive illustrations whi...
这本小书很有趣。它制作精美,易于阅读,文字简洁,有趣。这是一个额外的奖励,它装饰着彼得·布里尔斯自己最吸引人的插图,其中……
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引用次数: 0
Singing the self: song, memory and identity: three views from Tom Munnelly’s field diaries for the Department of Irish Folklore* 歌唱自我:歌曲,记忆和身份:来自汤姆·蒙内利为爱尔兰民俗学部门写的野外日记的三个观点*
IF 0.3 4区 社会学 Q3 Social Sciences Pub Date : 2018-01-02 DOI: 10.1080/04308778.2018.1447321
Thérèse Smith
Abstract Drawing on primary documents from the Tom Munnelly collection in the Irish Folk Music Section of the National Folklore Collection at University College Dublin, this article offers three brief snapshots of fieldwork encounters and their documentation. I examine issues of recording, contemporaneous recollection, and retrospective evocation, placing fieldwork at the centre of the endeavours of ethnomusicologists and folklorists, and interrogating the relationships and reflections that these field documents may evoke many decades after the initial encounter. The article is focused on Tom Munnelly’s English-language song collecting, but the issues raised – identity, language, memory, relationships and respect – could fruitfully be examined in almost any field encounter. I demonstrate that the field documents we leave behind can teach us more about ourselves (and others) as collectors, and about those from whom we collect than can, perhaps, the learned theories we develop around them.
本文从都柏林大学学院国家民俗收藏的爱尔兰民间音乐部分的Tom Munnelly收集的主要文件中,提供了三个简短的实地考察的快照和他们的文件。我研究了记录、同时期回忆和回顾性唤起等问题,将田野调查置于民族音乐学家和民俗学家努力的中心,并询问了这些田野文件在初次相遇几十年后可能唤起的关系和反思。这篇文章关注的是Tom Munnelly的英语歌曲收集,但是所提出的问题——身份、语言、记忆、关系和尊重——几乎可以在任何实地遭遇中得到有效的检验。我证明,我们留下的实地文件可以教给我们更多关于自己(和他人)作为收藏家,以及我们收集的对象的知识,而不是我们围绕它们形成的学术理论。
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引用次数: 0
The real Wuthering Heights: the story of the Withins farms 真正的呼啸山庄:威辛农场的故事
IF 0.3 4区 社会学 Q3 Social Sciences Pub Date : 2018-01-02 DOI: 10.1080/04308778.2018.1448509
Steph Mastoris
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引用次数: 0
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Folk Life-Journal of Ethnological Studies
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