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The Romanization of poverty: Spatial stigmatization of Roma neighborhoods in Turkey 贫困的罗马化:土耳其罗姆人社区的空间污名化
IF 0.2 4区 社会学 Q2 Social Sciences Pub Date : 2017-06-01 DOI: 10.3828/RS.2017.4
A. Başak, M. Deniz, M. Ertan
Abstract: This article aims to reveal the multidimensional aspects of social exclusion of Roma in Turkey, which manifests itself in the stigmatized space of Roma neighborhood. In our analysis, we do not depict ‘Roma’ distinctively as an ethnic category but as a ‘low status’ in the society that is embedded in the stigmatized places. We argue that those from a Roma neighborhood hold a common “stigmatized spatial identity”, regardless of their ethnicity, which determines the processes of poverty and social exclusion in different spheres of life. In order to unfold the process of social exclusion that we refer to as the “Romanization of poverty”, our study provides analysis under the analytical category of spatial stigmatization intertwined with insecure livelihood.
摘要:本文旨在揭示土耳其罗姆人社会排斥的多维性,这种排斥表现在罗姆人社区的污名化空间中。在我们的分析中,我们并没有将“罗姆人”明确地描述为一个种族类别,而是将其描述为嵌入污名化地区的社会中的“低地位”。我们认为,罗姆人社区的人拥有一种共同的“污名化的空间身份”,无论他们的种族如何,这决定了不同生活领域的贫困和社会排斥过程。为了展开我们称之为“贫困罗马化”的社会排斥过程,我们的研究在与不安全的生计交织在一起的空间污名化的分析类别下进行了分析。
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引用次数: 8
Seven varieties of Arli: Skopje as a center of convergence and divergence of Romani dialects 阿利语的七个变种:斯科普里是罗马语方言融合和分化的中心
IF 0.2 4区 社会学 Q2 Social Sciences Pub Date : 2017-06-01 DOI: 10.3828/RS.2017.2
V. Friedman
Abstract: Before the 1963 earthquake, Skopje was home to Romani dialects representing three major groups: South Vlax (Džambaz), Balkan II (Kovač or Burgudži), and South Balkan I (Arli). According to local tradition, there were seven Arli dialects spoken in Skopje: Topaanli, Barutči, Madžur, Konopar, Prištevač, Gilanli, and Gavutno. The author’s research confirmed this. The article selects phonological, morphological, and lexical features based on words and features that speakers themselves find emblematic in an attempt to tease out the differences among these dialects. What emerges is a clear divide between Topaanli, the oldest urban dialect, and Gavutno, the most recently arrived village dialect. The other dialects show a range of features between these two, with Barutči, the earliest arrival, closest to Topaanli. The other four show sets of commonalities and differences associated with contact languages, dialect contact, and separate developments. The urban–rural divide emerges as particularly significant, but the picture that emerges is best described in terms of a wave model rather than a branching model.
摘要:1963年地震前,斯科普里是罗姆语方言的家园,代表了三个主要群体:南弗拉克斯(Džambaz),巴尔干二(kovakoor Burgudži)和南巴尔干一(Arli)。根据当地传统,斯科普里有七种Arli方言:Topaanli, barut, Madžur, Konopar, Prištevač, Gilanli和Gavutno。作者的研究证实了这一点。本文根据说话者自己认为具有象征意义的词语和特征,选择语音、形态和词汇特征,试图梳理出这些方言之间的差异。最古老的城市方言Topaanli和最近出现的乡村方言Gavutno之间出现了明显的分歧。其他方言表现出介于这两种方言之间的一系列特征,barut是最早到达的,最接近托帕安里语。其他四个显示了与接触语言、方言接触和单独发展有关的共同性和差异性。城乡差距显得尤为重要,但出现的情况最好用波浪模型来描述,而不是分支模型。
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引用次数: 6
The ‘Piano Nomadi’ and its pyramidal governance: The hidden mechanism underlying the ‘camps system’ in Rome “Piano Nomadi”及其金字塔治理:罗马“营地制度”的隐藏机制
IF 0.2 4区 社会学 Q2 Social Sciences Pub Date : 2017-06-01 DOI: 10.3828/RS.2017.3
Riccardo Armillei
Abstract: This article deals with the social exclusion of Romanies/‘Gypsies’ in Italy and the recent implementation of a state of emergency, the so-called Emergenza Nomadi (Nomad Emergency). It provides an investigation of the interactions between local institutions, civil society organisations and Romani people inside the so called campi nomadi (nomad camps) in Rome. The major contribution of this study is that it reveals the existence of a deeply rooted mechanism of marginalisation – the ‘camps system’ – in which corruption, lack of transparency and accountability, inefficiencies and antagonisms between a variety of competing actors have contributed to reify and crystallise the Romani condition.
摘要:本文讨论了意大利对罗姆人/“吉普赛人”的社会排斥以及最近实施的紧急状态,即所谓的“紧急状态”(Nomad emergency)。它提供了在罗马所谓的campi nomadi(游牧营地)内的当地机构,民间社会组织和罗姆人之间互动的调查。这项研究的主要贡献在于,它揭示了一种根深蒂固的边缘化机制——“营地系统”——的存在。在这种机制中,腐败、缺乏透明度和问责制、效率低下和各种竞争行为者之间的对抗,使罗姆人的状况具体化和具体化。
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引用次数: 5
‘Counterfeit Egyptians’: The construction and implementation of a criminal identity in early modern England “假埃及人”:近代早期英国犯罪身份的建构与实施
IF 0.2 4区 社会学 Q2 Social Sciences Pub Date : 2016-11-23 DOI: 10.3828/RS.2016.7
J. Morgan
Abstract: English law first began to mark out ‘Egyptians’ as a separate, criminalised group in the sixteenth century. This article examines how statute law constructed and implemented an Egyptian identity, and the effect this had on those prosecuted. A close reading of the four Tudor Egyptian statutes is provided, and relevant material from sixteenth- and seventeenth-century legal and judicial sources is compared to assess the implementation of the statutes. By focussing on the legal construction of the Egyptian identity, this article illuminates the ways in which the early modern state attempted to exert control over ‘Egyptians’. This was attempted through the application of loose definitions based around itinerancy and non-nativity that could be applied with great discretion. This ‘discretionary impulse’ connected the experience of ‘Egyptians’ with other travellers in the period, whilst enabling the agents of the State to exercise particularly close punishment and control. By examining a legally constructed identity, this article attempts to avoid reifying biases found in the traditional sources for Gypsy history in the period, and sheds light on the history of state-driven marginalisation and persecution.
摘要:在16世纪,英国法律首次将“埃及人”作为一个独立的犯罪群体。本文考察成文法如何构建和实施埃及身份,以及这对被起诉者的影响。仔细阅读四都铎埃及法规提供,并从16和17世纪的法律和司法来源的相关材料进行比较,以评估法规的实施。通过关注埃及身份的法律建构,本文阐明了早期现代国家试图对“埃及人”施加控制的方式。这是通过应用基于流动和非出生的松散定义来尝试的,这些定义可以非常谨慎地应用。这种“自由裁量的冲动”将“埃及人”的经历与这一时期的其他旅行者联系起来,同时使国家特工能够实施特别密切的惩罚和控制。通过研究法律建构的身份,本文试图避免在这一时期吉普赛人历史的传统来源中发现的物化偏见,并阐明国家驱动的边缘化和迫害的历史。
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引用次数: 6
Representing Rajasthani roots: Indian Gypsy identity and origins in documentary films 代表拉贾斯坦邦的根源:纪录片中的印度吉普赛人身份和起源
IF 0.2 4区 社会学 Q2 Social Sciences Pub Date : 2016-11-23 DOI: 10.3828/RS.2016.9
Ayla Joncheere, I. Vandevelde
Abstract: Over the past three decades, a series of documentary films featuring performing artists from Rajasthan have been produced. Extending the scholarly notion that the Roma historically migrated from India, these documentaries often portray present-day Rajasthani communities as descendants of Roma ancestors in India, and therefore as ‘Indian Gypsies’. These ‘realistic’ films have greatly influenced public perceptions on Gypsy cultural representations and express identity politics of Gypsy unity, but have hardly been studied so far. To gain insight into both the portrayal of Rajasthani artists as Gypsies and the representation of the Indian background of the Roma, this article presents the results of a contextualized content analysis of the films, complemented by ethnographic research. It shows that the image of the Indian Gypsy is grounded in the discursive interplay between Roma politics, commercial music industries and self-exoticizing marketing by Rajasthani artists.
摘要:在过去的三十年里,拉贾斯坦邦制作了一系列以表演艺术家为主题的纪录片。这些纪录片延伸了罗姆人历史上从印度迁移的学术概念,经常将今天的拉贾斯坦社区描绘为印度罗姆祖先的后裔,因此称为“印度吉普赛人”。这些“现实主义”电影极大地影响了公众对吉普赛人文化表征的看法,并表达了吉普赛人团结的身份政治,但迄今为止几乎没有研究。为了深入了解拉贾斯坦艺术家作为吉普赛人的形象,以及印度背景下罗姆人的形象,本文介绍了对这些电影进行情境化内容分析的结果,并辅以民族志研究。它表明,印度吉普赛人的形象是建立在罗姆政治、商业音乐产业和拉贾斯坦艺术家自我异国情调营销之间的话语相互作用的基础上的。
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引用次数: 3
Romani or Pseudo-Romani?: On the Lord’s Prayer in ‘Nubian’ by Jean-Baptiste Gramaye (1622) 罗姆人还是伪罗姆人?:《努比亚》中的主祷文,作者让-巴蒂斯特·格拉迈耶(1622)
IF 0.2 4区 社会学 Q2 Social Sciences Pub Date : 2016-11-23 DOI: 10.3828/RS.2016.10
I. Adiego
The alleged Romani version of the Lord’s Prayer edited by Jean-Baptiste Gramaye in his book Oratio Dominica centum et amplius diuersis expressa linguis seu dialectis ex uariis auctoribus laudatis in libro de litteris et linguis uniuersi orbis, Bruxelles, 1622, is in all probability a fraud. The same verdict can be delivered on the version of the same text in Rotwelsch (German cant) collected in the same publication.
让-巴蒂斯特·格拉马耶在1622年出版的《多明尼加世纪与扩大》一书中编辑的罗马语版《主祷文》很可能是一场骗局。在同一出版物中收集的Rotwelsch(德语cant)中的相同文本的版本上也可以做出相同的裁决。
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引用次数: 2
Authentic violence: The changing sameness of ‘real’ Romani discourse in Dominic Reeve’s life story 真实的暴力:多米尼克·里夫生活故事中“真实”罗姆人话语的同一性变化
IF 0.2 4区 社会学 Q2 Social Sciences Pub Date : 2016-11-23 DOI: 10.3828/RS.2016.8
M. Shaw
Abstract: The article focuses on the discourse of the real or true Romani/traveller in Dominic Reeve’s life story, which consists of five autobiographical texts published between 1958 and 2010. Reeve defends various factions of Romanies/travellers from a real/fake dichotomy that partially dominates negotiations of recognition. This discourse changes over time from biological to bio-cultural and then to cultural, but then on to bio-genetic and finally a conflation of bio-genetic and cultural discourse. However, throughout these changes there is a structural sameness that Reeve cannot quite escape, and which casts doubt on whether the discourse actually does change. Ultimately, Reeve attempts to settle on a traveller-gauje divide, but the real/fake discourse re-emerges, thus reproducing the dominant discourse itself. During these negotiations, Reeve communicates with three seemingly competitive views of Romani/traveller identity, and in a sense re-unites them. On a more subjective level, Reeve gradually negotiates a much-desired position of group belonging for himself and this brings the life story into the frame of the bildungsroman.
摘要:本文主要探讨多米尼克·里夫(Dominic Reeve)在1958年至2010年间出版的五篇自传体文本中真实或真实的罗姆人/旅行者话语。里夫为罗姆人/旅行者的各种派别辩护,使他们免受真假二分法的影响,这种二分法在一定程度上主导了承认谈判。随着时间的推移,这种论述从生物到生物文化,再到文化,然后到生物遗传,最后是生物遗传和文化论述的合并。然而,在这些变化中,有一种结构上的同一性是里夫无法完全逃脱的,这让人怀疑话语是否真的发生了变化。最终,里夫试图解决旅行者与gauje的分歧,但真实/虚假的话语再次出现,从而再现了主导话语本身。在这些谈判中,里夫与三种看似相互竞争的罗姆人/旅行者身份观点进行了沟通,并在某种意义上重新统一了它们。在更主观的层面上,里夫逐渐为自己争取到了一个非常渴望的群体归属地位,这将生活故事带入了成长小说的框架。
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引用次数: 0
Evangelical ethnographers and English Gypsies from the 1790s to the 1830s 福音派人种学家和英国吉普赛人从18世纪90年代到19世纪30年代
IF 0.2 4区 社会学 Q2 Social Sciences Pub Date : 2016-04-09 DOI: 10.3828/RS.2016.3
D. Cressy
Between 1792 and 1836 the Christian evangelists Thomas Tattershall, John Hoyland, Thomas Blackley, Samuel Roberts, and James Crabb published accounts of their efforts to ‘improve’ English Gypsies. Though their missionary activities failed, their writings preserve valuable ethnographic observations about pre-Victorian Gypsies. This article examines the prejudices, impressions, and influence of these five authors, and the information about Gypsies that their accounts and surveys yield.
1792年至1836年间,基督教福音传道者托马斯·塔特沙尔、约翰·霍伊兰、托马斯·布莱克利、塞缪尔·罗伯茨和詹姆斯·克拉布发表了他们为“改善”英国吉普赛人所做的努力。虽然他们的传教活动失败了,但他们的著作保留了对前维多利亚时代吉普赛人的宝贵的民族志观察。本文考察了这五位作者的偏见、印象和影响,以及他们的叙述和调查所产生的关于吉普赛人的信息。
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引用次数: 4
The figure of the imaginary gypsy in film: I Even Met Happy Gypsies (1967) 电影《我甚至遇到了快乐的吉普赛人》(1967)中想象中的吉普赛人形象
IF 0.2 4区 社会学 Q2 Social Sciences Pub Date : 2016-04-09 DOI: 10.3828/RS.2016.1
Radmila Mladenova
The article presents a critical study of Aleksandar Petrović’s celebrated work I Even Met Happy Gypsies (1967). The analysis focuses on the content and functions of the cinematic gypsy figure drawing its insights from Yuri M. Lotman’s spatial model of culture, Critical Whiteness Studies, Postcolonial Studies and Antigypsyism. The transposition of the fictional gypsy into the idiom of film is considered in detail on the level of plot, character delineation and visual aesthetics. The work of the renowned Serbian director makes a superb example of the artistic strategies by which the gypsy myth is rendered into an ‘authentic’ ethnographic document. Also, a parallel is drawn between gypsy films and blackface minstrelsy shows as a way of elucidating the three central functions of racial masquerade staged in effect in all gypsy films that make a claim to ethnographic truthfulness.
本文对亚历山大·彼得罗维奇的著名作品《我甚至遇到过快乐的吉普赛人》(1967)进行了批判性研究。本文从尤里·洛特曼的文化空间模型、批判性白人研究、后殖民研究和反吉普赛主义等方面分析了电影吉普赛人物的内容和功能。本文从情节、人物刻画和视觉美学三个层面详细探讨了吉普赛人在电影中的角色转换。这位著名的塞尔维亚导演的作品是一个极好的例子,通过艺术策略,吉普赛人的神话被渲染成一个“真实的”民族志文献。此外,吉普赛人电影和黑脸吟游诗人表演之间也有相似之处,以此来阐明种族假面舞会的三个核心功能,这些功能在所有吉普赛人电影中都有效地上演,并声称具有人种学的真实性。
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引用次数: 5
Is begging a Roma cultural practice?: Answers from the Italian legal system and anthropology 乞讨是罗姆人的文化习俗吗?:来自意大利法律体系和人类学的答案
IF 0.2 4区 社会学 Q2 Social Sciences Pub Date : 2016-04-09 DOI: 10.3828/RS.2016.2
Ilenia Ruggiu
Several Italian judges, including the members of the Supreme Court, have defined begging with children as a “Roma cultural practice”. In response, the Italian Parliament enacted law no. 94/2009, which severely represses the practice. The article contests that begging is a Roma cultural practice and claims, instead, that it is an economic practice which may sometimes connect to other elements of Roma culture. The article critiques both the cultural argument put forward by Italian judges, and Italian law no. 94/2009, neither of which serves to defend the rights of Roma children. It concludes by suggesting a different kind of legal approach to child begging, more respectful of the constitutional duty of solidarity and protection of the family, and based on social policies rather then criminal repression.
包括最高法院成员在内的几位意大利法官将带着孩子乞讨定义为“罗姆文化习俗”。作为回应,意大利议会颁布了第19号法律。94/2009号法令,严厉打压这种做法。这篇文章质疑乞讨是一种罗姆文化习俗,并声称这是一种经济习俗,有时可能与罗姆文化的其他元素有关。本文既批评了意大利法官提出的文化论点,也批评了意大利第11号法律。94/2009号决议,这两项决议都没有保护罗姆儿童的权利。最后,它建议对儿童乞讨采取一种不同的法律途径,更尊重团结和保护家庭的宪法义务,并以社会政策而不是刑事镇压为基础。
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引用次数: 15
期刊
Romani Studies
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