Abstract This paper addresses Walker Percy’s first novel, The Moviegoer, tracing the use of existentialist tropes in its narrative construction in order to delineate the problematic condition of the human individual in the postwar South. The protagonist’s search for an authentic self and his escape from the snares of everydayness are put into perspective in the context of Percy’s professed understanding of Kierkegaard and Sartre, against the background of a South increasingly alienated from her ancient traditions
{"title":"The Aesthetic Individual and the New South in the Age of Alienation in Walker Percy’S the Moviegoer","authors":"D. Popescu","doi":"10.1515/msas-2015-0002","DOIUrl":"https://doi.org/10.1515/msas-2015-0002","url":null,"abstract":"Abstract This paper addresses Walker Percy’s first novel, The Moviegoer, tracing the use of existentialist tropes in its narrative construction in order to delineate the problematic condition of the human individual in the postwar South. The protagonist’s search for an authentic self and his escape from the snares of everydayness are put into perspective in the context of Percy’s professed understanding of Kierkegaard and Sartre, against the background of a South increasingly alienated from her ancient traditions","PeriodicalId":53347,"journal":{"name":"Messages Sages and Ages","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2015-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67044805","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract The paper approaches contemporary Romanian media in order to outline negotiation and discursive conflict strategies in public storytelling about the country’s recent history. In the so-called Romanian social imaginary, notions of public versus private highlight the way public officials resort to the language of culture-specific communication-related concepts that are a starting point for much of the discourse on decision-making
{"title":"Negotiation and Discursive Conflict in Within Opinion: Public Vs. Private in the Social Romanian Imaginary","authors":"Petru Ioan Marian-Arnat","doi":"10.1515/msas-2015-0003","DOIUrl":"https://doi.org/10.1515/msas-2015-0003","url":null,"abstract":"Abstract The paper approaches contemporary Romanian media in order to outline negotiation and discursive conflict strategies in public storytelling about the country’s recent history. In the so-called Romanian social imaginary, notions of public versus private highlight the way public officials resort to the language of culture-specific communication-related concepts that are a starting point for much of the discourse on decision-making","PeriodicalId":53347,"journal":{"name":"Messages Sages and Ages","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2015-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1515/msas-2015-0003","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67044894","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract This paper focuses on the way in which cultural misrepresentations interfere with the reading of the Romanian versions of Shakespeare’s Hamlet and Macbeth by Adolphe Stern, a Romanian translator of Jewish descent. The two main critical articles are authored by two renowned intellectuals from the historic principality of Moldova, A.D. Xenopol and I. Botez. Despite the fact that the critical opinions issued in the two articles are not enrooted in ethnic discrimination, the potential negativity of the criticism is fully exploited by promoters of extreme nationalism. Two are the reasons that catalyse the negative valorisation of Stern’s translations: the growing xenophobic nationalism that influenced the political decisions at the end of the 19th century, on the one hand, and, on the other hand, the need to create a homogenous space for all Romanians, not only geographically, but also linguistically and culturally, translated in the emergence of a linguistic nationalism. Adolphe Stern, the embodiment of the foreigner, in spite of being born within the limits of the Romanian space, produces texts the value of which is denied, to compensate for the partial loss of identity inherent to all unification processes
{"title":"Ethnic Bias in the Reception of Adolphe Stern’S Translations of Hamlet and Macbeth","authors":"D. Marțole","doi":"10.1515/msas-2015-0005","DOIUrl":"https://doi.org/10.1515/msas-2015-0005","url":null,"abstract":"Abstract This paper focuses on the way in which cultural misrepresentations interfere with the reading of the Romanian versions of Shakespeare’s Hamlet and Macbeth by Adolphe Stern, a Romanian translator of Jewish descent. The two main critical articles are authored by two renowned intellectuals from the historic principality of Moldova, A.D. Xenopol and I. Botez. Despite the fact that the critical opinions issued in the two articles are not enrooted in ethnic discrimination, the potential negativity of the criticism is fully exploited by promoters of extreme nationalism. Two are the reasons that catalyse the negative valorisation of Stern’s translations: the growing xenophobic nationalism that influenced the political decisions at the end of the 19th century, on the one hand, and, on the other hand, the need to create a homogenous space for all Romanians, not only geographically, but also linguistically and culturally, translated in the emergence of a linguistic nationalism. Adolphe Stern, the embodiment of the foreigner, in spite of being born within the limits of the Romanian space, produces texts the value of which is denied, to compensate for the partial loss of identity inherent to all unification processes","PeriodicalId":53347,"journal":{"name":"Messages Sages and Ages","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2015-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67045161","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract In the aftermath of the 1989 Revolution, Romanian mainstream culture set out to reclaim the pre- Communist legacy of the country. The ‘golden age’ of interwar was the obvious choice; both popular and academic debates on Romanian identity looked back at the time of the so-called Greater Romania. The present day Suceava County is singular in its regional identification with the former Habsburg Duchy of Bukovina. The Austrian occupation of the Northern part of the historical principality of Moldova between 1775 and 1918 provides an identity building opportunity to the locals who seem to find fault with Moldovan regional designation. Bukovina comes into the picture of the hospitality industry mostly, yet there is more to the Bukovinian identification. The literature published by Suceava County Council appears to employ a marketing strategy for the same hospitality industry that dwells on what is, essentially, the colonial past of the area. At odds with Romanian self-identification, the narrative of Bukovina underpins the discourse of local government as a means to foster brand awareness for the entire county, although Southern Suceava was never incorporated into the Habsburg/Austro- Hungarian Empire
{"title":"Regional Identification in Present Day Romania. The Case Study of Suceava County","authors":"Onoriu Colăcel","doi":"10.1515/msas-2015-0001","DOIUrl":"https://doi.org/10.1515/msas-2015-0001","url":null,"abstract":"Abstract In the aftermath of the 1989 Revolution, Romanian mainstream culture set out to reclaim the pre- Communist legacy of the country. The ‘golden age’ of interwar was the obvious choice; both popular and academic debates on Romanian identity looked back at the time of the so-called Greater Romania. The present day Suceava County is singular in its regional identification with the former Habsburg Duchy of Bukovina. The Austrian occupation of the Northern part of the historical principality of Moldova between 1775 and 1918 provides an identity building opportunity to the locals who seem to find fault with Moldovan regional designation. Bukovina comes into the picture of the hospitality industry mostly, yet there is more to the Bukovinian identification. The literature published by Suceava County Council appears to employ a marketing strategy for the same hospitality industry that dwells on what is, essentially, the colonial past of the area. At odds with Romanian self-identification, the narrative of Bukovina underpins the discourse of local government as a means to foster brand awareness for the entire county, although Southern Suceava was never incorporated into the Habsburg/Austro- Hungarian Empire","PeriodicalId":53347,"journal":{"name":"Messages Sages and Ages","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2015-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67044751","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract The present paper starts from the assumptions and concepts of Zygmunt Bauman, George Ritzer and Jean Baudrillard concerning the regressive nature of the act of consumption and its “conceded freedoms” (Baudrillard), which infantilize the consumer and ensure high social integration and control. Barnes’s comic-satirical representation of the nation as theme-park may be interpreted in the light of the concept of post-tourism as a means of consumption (Ritzer), which encourages the preference for the replica and the simulacrum over the real and the authentic, as well as an inclination to playfulness, and which distinguishes itself from the traditional Grand Tour by its privileging of the pleasure principle over the reality principle. The touristification of historical memory accomplished in the extravagant project of “England, England,” meant to compensate for and redress the country from its state of decline, is shown to rely on the harnessing of the pleasure principle in the service of rational instrumentality, with its principles of calculability, efficiency and control, which commodify even the experience of regression.
{"title":"Post-Tourism And The Motif Of Regression In Julian Barnes’s England, England","authors":"Cornelia Macsiniuc","doi":"10.1515/msas-2015-0013","DOIUrl":"https://doi.org/10.1515/msas-2015-0013","url":null,"abstract":"Abstract The present paper starts from the assumptions and concepts of Zygmunt Bauman, George Ritzer and Jean Baudrillard concerning the regressive nature of the act of consumption and its “conceded freedoms” (Baudrillard), which infantilize the consumer and ensure high social integration and control. Barnes’s comic-satirical representation of the nation as theme-park may be interpreted in the light of the concept of post-tourism as a means of consumption (Ritzer), which encourages the preference for the replica and the simulacrum over the real and the authentic, as well as an inclination to playfulness, and which distinguishes itself from the traditional Grand Tour by its privileging of the pleasure principle over the reality principle. The touristification of historical memory accomplished in the extravagant project of “England, England,” meant to compensate for and redress the country from its state of decline, is shown to rely on the harnessing of the pleasure principle in the service of rational instrumentality, with its principles of calculability, efficiency and control, which commodify even the experience of regression.","PeriodicalId":53347,"journal":{"name":"Messages Sages and Ages","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2015-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1515/msas-2015-0013","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67045246","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract Though unrelated when it comes to their scientific occupations, Clérambault and M. R. James give to the 21st-century observer the impression that they were strikingly similar in their compulsive preoccupation with draped bodies or with what Gilles Deleuze names “the Fold”. The article investigates the manner in which the French psychiatrist exploited his passion in the innumerable photographs he took in Morocco and in which the English philologist exorcised his fear in fiction, especially in one of his best-known short stories, “Oh, Whistle and I’ll Come to You, My Lad”.
{"title":"“A Person Not In The Story”: Clérambault’s And M. R. James’s Textile/Textual Folds","authors":"L. Turcu","doi":"10.1515/msas-2015-0012","DOIUrl":"https://doi.org/10.1515/msas-2015-0012","url":null,"abstract":"Abstract Though unrelated when it comes to their scientific occupations, Clérambault and M. R. James give to the 21st-century observer the impression that they were strikingly similar in their compulsive preoccupation with draped bodies or with what Gilles Deleuze names “the Fold”. The article investigates the manner in which the French psychiatrist exploited his passion in the innumerable photographs he took in Morocco and in which the English philologist exorcised his fear in fiction, especially in one of his best-known short stories, “Oh, Whistle and I’ll Come to You, My Lad”.","PeriodicalId":53347,"journal":{"name":"Messages Sages and Ages","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2015-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67045176","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract A thorough checking of the data provided by three etymological dictionaries, namely Georgiev et al. 1971 (s.v. gospod), Vasmer 1986 (s.v. gospod’) and Derksen 2008 (s.v. *gospodь), would be enough to raise serious doubts about the application of the label “inherited” to *gospodь and its large Slavic family. Vasmer (1986, s.v. Russian gospod’ ‘the Lord, God’), states that the putative origin of the Russian word under discussion is a Proto-Slavic compound *gostьpodь; but it is also Vasmer who mentions that some outstanding linguists (including Antoine Meillet) objected to the mainstream etymological interpretation of gospod’. More recently, Derksen has stated that there is “no convincing explanation” for at least one element of the Proto-Slavic reconstruction *gospodь. By starting from such doubts and uncertainties, the authors of the present article will propound an etymology according to which *gospodъ and its derivatives – to be found in Slavic languages as well as in Romanian – actually reflect a very early borrowing of the Old Germanic compound which is still visible in English godspeed.
对Georgiev et al. 1971 (s.v. gospod)、Vasmer 1986 (s.v. gospod’)和Derksen 2008 (s.v. *gospod’)三本词源学词典提供的数据进行彻底的检查，就足以对将“继承”一词用于* gospod丶及其庞大的斯拉夫语系产生严重的怀疑。Vasmer (1986, s.v.s Russian gospod ' ' the Lord, God ')指出，正在讨论的这个俄语单词的假定起源是一个原斯拉夫语复合词*gostьpodь;但Vasmer也提到一些杰出的语言学家(包括Antoine Meillet)反对对gospod '的主流词源学解释。最近，Derksen表示，对于原始斯拉夫重建的至少一个因素，“没有令人信服的解释”。从这些疑虑和不确定性出发，本文的作者将提出一个词源学，根据这个词源学，在斯拉夫语和罗马尼亚语中都能找到的* gospod_及其衍生词实际上反映了一个非常早期的古日耳曼语词的借用，这个词在英语中仍然可见。
{"title":"An Etymological Proposition: Old Germanic Gōd-Spōd ‘Good Fortune’ As Source Of Old Church Slavonic Gospodь ‘Lord, Master’","authors":"A. Poruciuc, N. Poruciuc","doi":"10.1515/msas-2015-0006","DOIUrl":"https://doi.org/10.1515/msas-2015-0006","url":null,"abstract":"Abstract A thorough checking of the data provided by three etymological dictionaries, namely Georgiev et al. 1971 (s.v. gospod), Vasmer 1986 (s.v. gospod’) and Derksen 2008 (s.v. *gospodь), would be enough to raise serious doubts about the application of the label “inherited” to *gospodь and its large Slavic family. Vasmer (1986, s.v. Russian gospod’ ‘the Lord, God’), states that the putative origin of the Russian word under discussion is a Proto-Slavic compound *gostьpodь; but it is also Vasmer who mentions that some outstanding linguists (including Antoine Meillet) objected to the mainstream etymological interpretation of gospod’. More recently, Derksen has stated that there is “no convincing explanation” for at least one element of the Proto-Slavic reconstruction *gospodь. By starting from such doubts and uncertainties, the authors of the present article will propound an etymology according to which *gospodъ and its derivatives – to be found in Slavic languages as well as in Romanian – actually reflect a very early borrowing of the Old Germanic compound which is still visible in English godspeed.","PeriodicalId":53347,"journal":{"name":"Messages Sages and Ages","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2015-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67045206","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract Amphiboly is a matter of linguistic ambiguity, which, in its turn, is essentially related to the intractable natural issue of the disparity between what we can possibly think and what we can actually express through language. The papers on various types of ambiguity and the solutions to them are not few. However, as with almost everything of a theoretical nature in language, they are far from being enough to cover the complexity of the issue in point. The present paper does not claim to solve amphiboly once and for all: it only proposes a framework that can be followed easily by those interested in the interpretation of similar sentences and in the production of unequivocal ones. The material selected for analysis consists in a few sentences, collected mainly from online sources, in which amphiboly caused by prepositional-phrase attachment is present. Some instruments provided by Syntax and Morphology as branches of Linguistics are used to interpret them so that the framework of reasoning that we provide can be used whenever a similar structure needs disambiguation.
{"title":"Sentence-Identity Building: A Syntactic Resolution Of Amphiboly Caused By Prepositional-Phrase Attachment","authors":"Valentina Curelariu","doi":"10.1515/msas-2015-0009","DOIUrl":"https://doi.org/10.1515/msas-2015-0009","url":null,"abstract":"Abstract Amphiboly is a matter of linguistic ambiguity, which, in its turn, is essentially related to the intractable natural issue of the disparity between what we can possibly think and what we can actually express through language. The papers on various types of ambiguity and the solutions to them are not few. However, as with almost everything of a theoretical nature in language, they are far from being enough to cover the complexity of the issue in point. The present paper does not claim to solve amphiboly once and for all: it only proposes a framework that can be followed easily by those interested in the interpretation of similar sentences and in the production of unequivocal ones. The material selected for analysis consists in a few sentences, collected mainly from online sources, in which amphiboly caused by prepositional-phrase attachment is present. Some instruments provided by Syntax and Morphology as branches of Linguistics are used to interpret them so that the framework of reasoning that we provide can be used whenever a similar structure needs disambiguation.","PeriodicalId":53347,"journal":{"name":"Messages Sages and Ages","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2015-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67045333","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract The image that Romania has abroad represents, especially from a journalistic perspective, a more and more fashionable topic, although the westerners’ interest in this ‘different’ country is not that recent. What is recent is the self-awareness that Romanians are starting to develop, with regard to the westerners’ opinions, appreciative or deprecatory as they may be. The media play a very important role in the dissemination of national images and are the main provider of clichés and stereotypes. Ethnic groups are stereotyped and ‘otherized’ on the basis of popular media images. However, travel accounts are the literary works that carry imagological messages par excellence. My intention is to illustrate how the media influence the dissemination of images in travel writing and how images in travel writing can be approached through instruments normally used in journalistic discourse analysis
{"title":"National Images in the Media and in Travel Writing","authors":"Andi Sâsâiac","doi":"10.1515/msas-2015-0004","DOIUrl":"https://doi.org/10.1515/msas-2015-0004","url":null,"abstract":"Abstract The image that Romania has abroad represents, especially from a journalistic perspective, a more and more fashionable topic, although the westerners’ interest in this ‘different’ country is not that recent. What is recent is the self-awareness that Romanians are starting to develop, with regard to the westerners’ opinions, appreciative or deprecatory as they may be. The media play a very important role in the dissemination of national images and are the main provider of clichés and stereotypes. Ethnic groups are stereotyped and ‘otherized’ on the basis of popular media images. However, travel accounts are the literary works that carry imagological messages par excellence. My intention is to illustrate how the media influence the dissemination of images in travel writing and how images in travel writing can be approached through instruments normally used in journalistic discourse analysis","PeriodicalId":53347,"journal":{"name":"Messages Sages and Ages","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2015-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1515/msas-2015-0004","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67045038","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract This paper is constructed as an elaborate answer to the question “what is and what should be a public intellectual today?” Using a range of critical theorists I argue that the function of a public intellectual is connected to specific conceptions of truth, and reveal the inherent difficulty of conceiving a straight-forward role of such a public intellectual within a relativist context. I then resolve the difficulty by elaborating an idea of an “existential democracy” revealed in and by the context of our inter-connected information society (cyberspace). What is a public intellectual today then? A public intellectual would have to be a genealogist, a critic of culture that would be capable of letting truth speak through writing, and, ultimately, a true practitioner and adherent of democracy understood existentially – meaning rather on an ontological level than political, or political only insofar as ontological. The paper also opens up a series of intriguing questions that are worth investigating in separate inquiries similar to the one I attempt here: what happens to the process of knowledge within the bounds of this existential democracy, what happens to our educational systems, and what happens with our already solidified academic understanding of humanistic research?
{"title":"The Existential Democracy And Its Public Intellectual","authors":"C. Pralea","doi":"10.1515/msas-2015-0014","DOIUrl":"https://doi.org/10.1515/msas-2015-0014","url":null,"abstract":"Abstract This paper is constructed as an elaborate answer to the question “what is and what should be a public intellectual today?” Using a range of critical theorists I argue that the function of a public intellectual is connected to specific conceptions of truth, and reveal the inherent difficulty of conceiving a straight-forward role of such a public intellectual within a relativist context. I then resolve the difficulty by elaborating an idea of an “existential democracy” revealed in and by the context of our inter-connected information society (cyberspace). What is a public intellectual today then? A public intellectual would have to be a genealogist, a critic of culture that would be capable of letting truth speak through writing, and, ultimately, a true practitioner and adherent of democracy understood existentially – meaning rather on an ontological level than political, or political only insofar as ontological. The paper also opens up a series of intriguing questions that are worth investigating in separate inquiries similar to the one I attempt here: what happens to the process of knowledge within the bounds of this existential democracy, what happens to our educational systems, and what happens with our already solidified academic understanding of humanistic research?","PeriodicalId":53347,"journal":{"name":"Messages Sages and Ages","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2015-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1515/msas-2015-0014","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67045304","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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