Pub Date : 2021-05-23DOI: 10.20420/PHIL.CAN.2021.374
Cristián Basso Benelli
Current Argentinean Patagonian narrative possesses Nadine Alemán (Esquel, 1977) as one of its most suggestive and creative voices. This assertion is based on her capacity to construct a narrative imaginary that produces performance effects, derived from the confluence and evocation of other languages that can be found in the literary reception of 17 simples cuentos (2006) and of El cura y la sucia (2012). The traditional boundaries that tend to restrict literature to a specific field of critical action seem, in consequence, to become fuzzy. Thus, performance ―as a “methodological lense”, according to Diana Taylor― is made into a certain possibility that widens perspectives to approach this Spanish American writing proposal.
当前的阿根廷巴塔哥尼亚叙事将Nadine Alemán（Esquel，1977）视为最具暗示性和创造性的声音之一。这一断言是基于她构建叙事想象的能力，这种叙事想象产生了表演效果，源于其他语言的融合和唤起，这些语言可以在《17种简单的cuentos》（2006）和《El cura y la sucia》（2012）的文学接受中找到。因此，倾向于将文学限制在特定的批评行动领域的传统界限似乎变得模糊了。因此，表演——根据戴安娜·泰勒的说法，作为一种“方法论视角”——被赋予了某种可能性，从而拓宽了处理这一西班牙裔美国人写作建议的视角。
{"title":"\"Encontré tres palabras para jugar hoy: exacto, excéntrico, extremo\": el efecto performático en los cuentos de Nadine Alemán","authors":"Cristián Basso Benelli","doi":"10.20420/PHIL.CAN.2021.374","DOIUrl":"https://doi.org/10.20420/PHIL.CAN.2021.374","url":null,"abstract":"Current Argentinean Patagonian narrative possesses Nadine Alemán (Esquel, 1977) as one of its most suggestive and creative voices. This assertion is based on her capacity to construct a narrative imaginary that produces performance effects, derived from the confluence and evocation of other languages that can be found in the literary reception of 17 simples cuentos (2006) and of El cura y la sucia (2012). The traditional boundaries that tend to restrict literature to a specific field of critical action seem, in consequence, to become fuzzy. Thus, performance ―as a “methodological lense”, according to Diana Taylor― is made into a certain possibility that widens perspectives to approach this Spanish American writing proposal.","PeriodicalId":53723,"journal":{"name":"Philologica Canariensia","volume":"1 1","pages":"27-47"},"PeriodicalIF":0.4,"publicationDate":"2021-05-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41539568","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-05-23DOI: 10.20420/PHIL.CAN.2021.375
Mayron Estefan Cantillo-Lucuara
This article offers a close reading of Katharine Bradley and Edith Cooper’s lyric III in Long Ago, a Sapphic volume of verse published in 1889 under the collaborative nom de plume of Michael Field. This collection articulates a dramatic inquiry into the tragedy of unrequited love in a long cycle of lyrics whose third piece most effectively encapsulates the kernel of what the Fields reconstruct as Sappho’s ambivalent eroticism. The outcome of this reconstruction, as analysed in light of lyric III, is a consistent Hegelian view of desire that subsumes a complex system of tropes, myths, paradoxes and imaginative strategies under an overarching ideology of desire as a radical experience of appropriation, violence and self-destruction.
{"title":"Sappho, Hegel and Michael Field: Paradox and desire in lyric III","authors":"Mayron Estefan Cantillo-Lucuara","doi":"10.20420/PHIL.CAN.2021.375","DOIUrl":"https://doi.org/10.20420/PHIL.CAN.2021.375","url":null,"abstract":"This article offers a close reading of Katharine Bradley and Edith Cooper’s lyric III in Long Ago, a Sapphic volume of verse published in 1889 under the collaborative nom de plume of Michael Field. This collection articulates a dramatic inquiry into the tragedy of unrequited love in a long cycle of lyrics whose third piece most effectively encapsulates the kernel of what the Fields reconstruct as Sappho’s ambivalent eroticism. The outcome of this reconstruction, as analysed in light of lyric III, is a consistent Hegelian view of desire that subsumes a complex system of tropes, myths, paradoxes and imaginative strategies under an overarching ideology of desire as a radical experience of appropriation, violence and self-destruction.","PeriodicalId":53723,"journal":{"name":"Philologica Canariensia","volume":"1 1","pages":"49-63"},"PeriodicalIF":0.4,"publicationDate":"2021-05-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42596541","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-05-23DOI: 10.20420/PHIL.CAN.2021.378
Seda Pekşen
This article is a comparison between Mary Shelley’s Frankenstein and the 2012 Ridley Scott movie Prometheus focusing on the destructive consequences of the conflict between the creators and the created each deeming the other as monstrous. Both the novel and the movie are about finding answers to fundamental questions as to one’s nature of existence motivated by a human curiosity and desire for immortality leading to a conflict with one’s creator. The main concern here is to lay bare the blurriness of the lines allegedly separating the monsters from their creators, elucidating the monstrosity of the creators themselves as a product of hubris which eventually leads to a transgression of the boundaries between God/man, man/monster, good/evil and so forth.
{"title":"Of gods and men: Monsters in Mary Shelley’s Frankenstein and Ridley Scott’s Prometheus","authors":"Seda Pekşen","doi":"10.20420/PHIL.CAN.2021.378","DOIUrl":"https://doi.org/10.20420/PHIL.CAN.2021.378","url":null,"abstract":"This article is a comparison between Mary Shelley’s Frankenstein and the 2012 Ridley Scott movie Prometheus focusing on the destructive consequences of the conflict between the creators and the created each deeming the other as monstrous. Both the novel and the movie are about finding answers to fundamental questions as to one’s nature of existence motivated by a human curiosity and desire for immortality leading to a conflict with one’s creator. The main concern here is to lay bare the blurriness of the lines allegedly separating the monsters from their creators, elucidating the monstrosity of the creators themselves as a product of hubris which eventually leads to a transgression of the boundaries between God/man, man/monster, good/evil and so forth.","PeriodicalId":53723,"journal":{"name":"Philologica Canariensia","volume":"1 1","pages":"115-129"},"PeriodicalIF":0.4,"publicationDate":"2021-05-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46491585","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-05-23DOI: 10.20420/PHIL.CAN.2021.376
Luisa González Romero
It is widely held in the literature that English get-passives are only found with dynamic predicates, stative verbs being excluded from it. However, based on an extensive corpus-based analysis of occurrences with the verbs forget, know, remember, understand and believe, this article shows that the get-passive with stative verbs of cognition, although infrequent, does occur in English. The so-called cognitive get-passive is then examined in relation to the formal, semantic and pragmatic properties commonly claimed to define central get-passives with dynamic verbs. The analysis reveals, on the one hand, that these features are not equally relevant in the characterisation of these sentences and, on the other, that there exist strong interconnections between them and the lexical properties of the verbs analysed.
文献中普遍认为，英语get passive只存在于动态谓词中，静态动词被排除在外。然而，本文基于语料库对遗忘、知道、记住、理解和相信动词的出现进行了广泛的分析，表明认知的get passive with static verbs虽然不常见，但在英语中确实存在。然后，将所谓的认知get passive与通常声称用动态动词定义中心get passive的形式、语义和语用特性联系起来进行研究。分析表明，一方面，这些特征在这些句子的表征中并不同等相关，另一方面，它们与所分析动词的词汇特性之间存在着强烈的联系。
{"title":"I hope they don't get forgotten. A descriptive corpus-based approach to get-passives with verbs of cognition in English","authors":"Luisa González Romero","doi":"10.20420/PHIL.CAN.2021.376","DOIUrl":"https://doi.org/10.20420/PHIL.CAN.2021.376","url":null,"abstract":"It is widely held in the literature that English get-passives are only found with dynamic predicates, stative verbs being excluded from it. However, based on an extensive corpus-based analysis of occurrences with the verbs forget, know, remember, understand and believe, this article shows that the get-passive with stative verbs of cognition, although infrequent, does occur in English. The so-called cognitive get-passive is then examined in relation to the formal, semantic and pragmatic properties commonly claimed to define central get-passives with dynamic verbs. The analysis reveals, on the one hand, that these features are not equally relevant in the characterisation of these sentences and, on the other, that there exist strong interconnections between them and the lexical properties of the verbs analysed.","PeriodicalId":53723,"journal":{"name":"Philologica Canariensia","volume":"1 1","pages":"65-94"},"PeriodicalIF":0.4,"publicationDate":"2021-05-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43399666","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-05-23DOI: 10.20420/PHIL.CAN.2021.381
Pedro J. Plaza González
Rafael Ballesteros, Jardín de poco. Poesía inédita (2010-2018), estudio y edición de Alfredo López-Pasarín. Málaga: Centro Cultural Generación del 27, 2019. 216 páginas. ISBN 978-84-17457-17-4.
{"title":"Rafael Ballesteros, Jardín de poco. Poesía inédita (2010-2018)","authors":"Pedro J. Plaza González","doi":"10.20420/PHIL.CAN.2021.381","DOIUrl":"https://doi.org/10.20420/PHIL.CAN.2021.381","url":null,"abstract":"Rafael Ballesteros, Jardín de poco. Poesía inédita (2010-2018), estudio y edición de Alfredo López-Pasarín. Málaga: Centro Cultural Generación del 27, 2019. 216 páginas. ISBN 978-84-17457-17-4.","PeriodicalId":53723,"journal":{"name":"Philologica Canariensia","volume":"1 1","pages":"141-145"},"PeriodicalIF":0.4,"publicationDate":"2021-05-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42488973","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-05-23DOI: 10.20420/PHIL.CAN.2021.380
Míriam Librán Moreno
Dámaris Romero-González, Israel Muñoz-Gallarte y Gabriel Laguna-Mariscal (eds.), Visitors from beyond the grave. Ghosts in world literature. Coimbra: Universidade de Coimbra, 2019. 300 páginas. ISBN: 978-989-26-1763-3; e-ISBN: 978-989-26-1765-7.
{"title":"Dámaris Romero-González, Israel Muñoz-Gallarte y Gabriel Laguna-Mariscal (eds.), Visitors from beyond the grave. Ghosts in world literature","authors":"Míriam Librán Moreno","doi":"10.20420/PHIL.CAN.2021.380","DOIUrl":"https://doi.org/10.20420/PHIL.CAN.2021.380","url":null,"abstract":"Dámaris Romero-González, Israel Muñoz-Gallarte y Gabriel Laguna-Mariscal (eds.), Visitors from beyond the grave. Ghosts in world literature. Coimbra: Universidade de Coimbra, 2019. 300 páginas. ISBN: 978-989-26-1763-3; e-ISBN: 978-989-26-1765-7.","PeriodicalId":53723,"journal":{"name":"Philologica Canariensia","volume":"1 1","pages":"135-139"},"PeriodicalIF":0.4,"publicationDate":"2021-05-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46568674","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-05-23DOI: 10.20420/PHIL.CAN.2021.382
Paula Cabrera Castro
Yasmina Romero Morales, Moras. Imaginarios de género y alteridad en la narrativa española femenina del siglo XX. Pról. de Mohamed Abrighach. Madrid: Plaza y Valdés Editores, 2019. 350 páginas. ISBN: 978-84-17121-27-3.
亚斯米娜·罗梅罗·莫拉莱斯，莫拉斯。20世纪西班牙女性叙事中的性别想象和他者。普罗。穆罕默德·阿瓦查。马德里：Plaza y Valdes出版社，2019年。350页。ISBN:978-84-17121-27-3。
{"title":"Yasmina Romero Morales, Moras. Imaginarios de género y alteridad en la narrativa española femenina del siglo XX","authors":"Paula Cabrera Castro","doi":"10.20420/PHIL.CAN.2021.382","DOIUrl":"https://doi.org/10.20420/PHIL.CAN.2021.382","url":null,"abstract":"Yasmina Romero Morales, Moras. Imaginarios de género y alteridad en la narrativa española femenina del siglo XX. Pról. de Mohamed Abrighach. Madrid: Plaza y Valdés Editores, 2019. 350 páginas. ISBN: 978-84-17121-27-3.","PeriodicalId":53723,"journal":{"name":"Philologica Canariensia","volume":"1 1","pages":"131-133"},"PeriodicalIF":0.4,"publicationDate":"2021-05-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45480680","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-05-23DOI: 10.20420/PHIL.CAN.2021.373
Carlos van Arkel-Simón
In this paper we bring forward a comprehensive discussion on the grammatical development of the English progressive construction. From a set of progressive prototypes drawn from the family of corpora York-Toronto-Helsinki-Penn, we exemplify how the lexical and grammatical configuration of the construction which is characteristic of Present-Day English appears since Old English. Furthermore, we explain how the syntactic evolution of English enables the establishment of the obligatory grammatical nature of the verbal periphrastic construction. Finally, we explain how the grammatical patterns and the semantic and pragmatic features that describe the English progressive construction in the course of its evolution are manifested apparently through a functional-morphosyntactic and grammatical change gradient.
{"title":"Evolución gramatical de las construcciones progresivas del inglés: una discusión diacrónica","authors":"Carlos van Arkel-Simón","doi":"10.20420/PHIL.CAN.2021.373","DOIUrl":"https://doi.org/10.20420/PHIL.CAN.2021.373","url":null,"abstract":"In this paper we bring forward a comprehensive discussion on the grammatical development of the English progressive construction. From a set of progressive prototypes drawn from the family of corpora York-Toronto-Helsinki-Penn, we exemplify how the lexical and grammatical configuration of the construction which is characteristic of Present-Day English appears since Old English. Furthermore, we explain how the syntactic evolution of English enables the establishment of the obligatory grammatical nature of the verbal periphrastic construction. Finally, we explain how the grammatical patterns and the semantic and pragmatic features that describe the English progressive construction in the course of its evolution are manifested apparently through a functional-morphosyntactic and grammatical change gradient.","PeriodicalId":53723,"journal":{"name":"Philologica Canariensia","volume":"1 1","pages":"1-25"},"PeriodicalIF":0.4,"publicationDate":"2021-05-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47292748","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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