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Recorrido histórico por las razones para la admisión de voces nuevas en la lengua y en el diccionario 在语言和字典中接受新声音的原因的历史之旅
IF 0.4 0 LANGUAGE & LINGUISTICS Pub Date : 2015-11-21 DOI: 10.20420/PHILCAN.2015.0034
Enrique Jiménez Ríos
This article analyses the reasons used to incorporate new words to the language and the dictionary, reasons that oscillate between need and usage, and around which other criteria emerge, such as prestige, opportunity, and good grammatical formation. Purist tendencies and, above all, a desire to defend the unity of the language, owing to the danger of fragmentation, lead some authors to invoke the criterion of need; in contrast, others, supporters of innovation, defend the criterion of usage, not educated usage, but rather frequent and general usage.
本文分析了将新词纳入语言和词典的原因,在需要和用法之间摇摆不定的原因,以及围绕这些原因出现的其他标准,如声望、机会和良好的语法结构。纯粹主义倾向,最重要的是,由于分裂的危险,捍卫语言统一的愿望,导致一些作者援引需要的标准;相比之下,其他人,创新的支持者,捍卫使用标准,不是有教养的使用,而是频繁和普遍的使用。
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引用次数: 0
Margo Glantz, narrar la fascinación 玛戈·格兰茨,讲述魅力
IF 0.4 0 LANGUAGE & LINGUISTICS Pub Date : 2015-11-21 DOI: 10.20420/PHILCAN.2015.0037
J. Viú
A finales de los setenta y principios de los ochenta, Margo Glantz (1930) comienza a escribir, en diarios y revistas de Mexico, cronicas que abordan la moda en relacion con el cine, la pintura y la literatura. A principios del siglo XXI, la tematica de la moda ingresa en el terreno de la ficcion y se convierte en un topico. “Zapatos: andante con variaciones” resulta sumamente elocuente para reflexionar sobre esa ficcionalizacion que se concreta a traves de lo que denominamos “narrar la fascinacion”. Glantz construye una historia sobre las fantasias que genera acceder a objetos de lujo, y que alcanza a todos los consumidores independientemente de su posicion economica. En este sentido, es productivo analizar el relato a partir de la perspectiva del capitalismo como religion, propuesta por Walter Benjamin.
在20世纪70年代末和80年代初,Margo Glantz(1930)开始在墨西哥的报纸和杂志上撰写与电影、绘画和文学有关的时尚编年史。在21世纪初,时尚主题进入了虚构的领域,成为一个主题。《鞋子:变奏的行板》非常有说服力地反映了通过我们所谓的“叙述魅力”具体化的虚构化。Glantz构建了一个关于奢侈品产生的幻想的故事,并影响到所有的消费者,无论他们的经济地位。从这个意义上说,从沃尔特·本雅明提出的资本主义作为宗教的角度来分析故事是富有成果的。
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引用次数: 0
El yeísmo en el cómic: una aproximación a la caracterización de personajes 漫画中的叶教:一种人物塑造的方法
IF 0.4 0 LANGUAGE & LINGUISTICS Pub Date : 2015-11-21 DOI: 10.20420/PHILCAN.2014.0032
J. A. Rodríguez
This article aims to present the use of yeismo as a means of characterization in Spanish comic strips of the twentieth century. My study is based on the observation of this phenomenon in such comic strip writers asMari Benejam i Ferrer, Manuel Vazquez Gallego, Francisco Ibanez Talavera, Alejandro Maria Estivill (Nene Estivill), Jose Penarroya Penarroya, Joan Rafart i Roldan (Raf) and Joaquin Cera Barrios. The Catalan sociolinguistic context stands out as a determining factor.
本文旨在介绍yeismo作为二十世纪西班牙漫画人物塑造的一种手段。我的研究是基于对这些漫画作家的这种现象的观察,如玛丽·贝内亚姆·费雷尔、曼努埃尔·巴斯克斯·加莱戈、弗朗西斯科·伊巴涅斯·塔拉维拉、亚历杭德罗·玛丽亚·埃斯蒂维尔(内内·埃斯蒂维尔)、何塞·佩纳罗亚·佩纳罗亚、琼·拉夫特·罗尔丹(拉夫)和华金·塞拉·巴里奥斯。加泰罗尼亚社会语言学背景作为一个决定性因素脱颖而出。
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引用次数: 0
Esos negros paraos: humor, gufeo y subversión en la poesía niuyorriqueña 那些黑人paraos:幽默,gufeo和颠覆的新yorriqueno诗歌
IF 0.4 0 LANGUAGE & LINGUISTICS Pub Date : 2015-11-21 DOI: 10.20420/PHILCAN.2015.0035
Alejo López
El humor ocupa un lugar central en la poetica desplegada por los poetas de la diaspora puertorriquena en los Estados Unidos. El humor irreverente e impertinente (bautizado con el neologismo spanglish el gufeo1) de poetas como Victor Hernandez Cruz, Pedro Pietri o Tato Laviera exhibe la potencia desbordante de este humorismo de raiz afro-antillana que atraviesa la tradicion poetica niuyorriquena, al tiempo que se revela como uno de los instrumentos mas eficaces en la politica cultural contra-discursiva desarrollada por esta tradicion contestataria.
幽默在美国波多黎各侨民诗人的诗歌中占有中心地位。谦恭和不恰当的幽默(命名为与新词语不论诗人像维克托·埃尔南德斯克鲁斯gufeo1),佩德罗蒙赫或Tato Laviera展示这个幽默的迂回根afro-antillana越野传统poetica niuyorriquena,同时显示作为政治上最有效的手段之一contra-discursiva由这个传统文化责任。
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引用次数: 1
Begonya Pozo, Poemas a la intemperie Begonya Pozo,户外诗歌
IF 0.4 0 LANGUAGE & LINGUISTICS Pub Date : 2015-11-21 DOI: 10.20420/PHILCAN.2015.0039
Javier Bello
Begonya Pozo. Poemas a la intemperie. Santiago: Libros La Calabaza del Diablo, 2014. 94 paginas. ISBN: 978-956-9400-25-4 DOI: 10.20420/PhilCan.2015.0039
Begonya井中。诗歌在户外。圣地亚哥:《魔鬼的南瓜》,2014年。94个网页。ISBN: 978-956-9400-25-4 DOI: 10.20420/ philan .2015.0039
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引用次数: 0
El griot no ha muerto, viva el hip-hop 格里奥并没有死,嘻哈万岁
IF 0.4 0 LANGUAGE & LINGUISTICS Pub Date : 2015-11-21 DOI: 10.20420/PHILCAN.2014.0033
Francisco Javier González García-Mamely
Orature in Africa has played a vital role through millennia as a(n only) medium to preserve and transmit the history, culture and imagery of each community. The griot clearly represents the performer of oral arts, but has experienced severe changes in their way of life and the narrative resources available to them. From the time of the patronage of the ancient great kings to the arrival of Islam, colonialism and, finally, the processes of modernization and westernization, griots have been forced to adapt to new patrons, new audience demands and new mass media, and they have lately become politicians or showbiz stars. The appearance of rap and hip-hop from the US claiming to be the “modern griots” has brought about both critical response and viral attraction to this new phenomenon, whether it be a new genre or a reinvention of the ancient griot’s orature.
几千年来,作为保存和传播每个社区的历史、文化和形象的媒介,大自然在非洲发挥了至关重要的作用。格里奥显然代表了口头艺术的表演者,但他们的生活方式和可用的叙事资源经历了严重的变化。从古代伟大国王的庇护时期到伊斯兰教、殖民主义的到来,最后是现代化和西方化的进程,格里奥人被迫适应新的赞助人、新的观众需求和新的大众媒体,他们最近成为了政治家或娱乐圈明星。自称为“现代格里奥”的美国说唱和嘻哈音乐的出现,给这一新现象带来了批评性的反应和病毒式的吸引力,无论是一种新的流派,还是对古代格里奥作品的重新创造。
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引用次数: 1
Teresa Mª Rodríguez Ramalle, Las relaciones sintácticas Teresa Mªrodriguez Ramalle,句法关系
IF 0.4 0 LANGUAGE & LINGUISTICS Pub Date : 2015-11-21 DOI: 10.20420/PHILCAN.2015.0040
Doina Repede
Teresa Ma Rodriguez Ramalle. Las relaciones sintacticas. Madrid: Sintesis, 2015. 288 paginas. ISBN: 978-84-907707-3-3 DOI: 10.20420/PhilCan.2015.0040
特蕾莎·马·罗德里格斯·拉马尔。语法关系。他的父亲是一名律师,母亲是一名律师。288艾玛拉。ISBN: 978-84-907707-3-3 DOI: 10.20420/ philan .2015.0040
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引用次数: 0
EL PROEMIO A LAS ANTIGÜEDADES ROMANAS DE DIONISIO DE HALICARNASO: APUNTES PARA LOS PRIMEROS PASOS DEL CLASICISMO HISTORIOGRÁFICO 哈利卡那索斯的狄俄尼索斯的罗马古物序言:史学古典主义第一步的注释
IF 0.4 0 LANGUAGE & LINGUISTICS Pub Date : 2014-01-01 DOI: 10.20420/PHILCAN.2014.0022
Miguel Ángel Rodríguez Horrillo
This article examines the structural criteria of the proem of Dionysius’ Roman antiquities, with special attention to their relation with the author’s ideas about the general proem of Thucydides. It also pays attention to the phrase, in order to define the stylistic rules of the proem and its place in the literary polemic of Dionysius’ time.
本文考察了狄奥尼修斯《罗马古物》论证的结构标准,特别注意它们与作者关于修昔底德一般论证的思想的关系。它也注意到短语,以定义的文体规则的问题和它在迪奥尼修斯时代的文学论战中的地位。
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引用次数: 0
Germán Santana Henríquez (ed.), Y las letras encontraron su asiento: mujer y literatura german桑塔纳henriquez(编),歌词找到了它的位置:女人和文学
IF 0.4 0 LANGUAGE & LINGUISTICS Pub Date : 2014-01-01 DOI: 10.20420/PHILCAN.2014.0027
Lidia Martín Adán
GERMAN SANTANA HENRIQUEZ (ed.), Y las letras encontraron su asiento: mujer y literatura . Madrid: Ediciones Clasicas, 2011, 306 pp. ISBN: 84-7882-729-3 DOI: 10.20420/PhilCan.2014.0027
德国的桑塔纳·亨里克斯(SANTANA HENRIQUEZ)和歌词找到了它的位置:女人和文学。ISBN: 84-7882-729-3 DOI: 10.20420/PhilCan.2014.0027
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引用次数: 0
El pensamiento clásico en la poesía española de hoy: el Platón de los poetas 今天西班牙诗歌中的古典思想:诗人的柏拉图
IF 0.4 0 LANGUAGE & LINGUISTICS Pub Date : 2014-01-01 DOI: 10.20420/PHILCAN.2014.0017
J. Álvarez
Contemporary poetry, and its capacity to enter into a constant dialogue with different traditions and periods, contains interesting readings of Platonic philosophy. These readings, which can be traced in the work of such writers as Aurora Luque, Chantal Maillard, Maria Sanz, Josefa Parra or Alberto Tesan, revitalize Classical thought in the contemporary scene.
当代诗歌,以及它与不同传统和时期的持续对话的能力,包含了对柏拉图哲学的有趣解读。这些读物可以追溯到奥罗拉·卢克、尚塔尔·美拉德、玛丽亚·桑兹、约瑟法·帕拉或阿尔贝托·特桑等作家的作品中,在当代的场景中振兴了古典思想。
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引用次数: 0
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Philologica Canariensia
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