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Current Occupation of Kruger Cave, A Later Stone Age Site, South Africa 克鲁格洞穴的当前占领,一个晚石器时代的遗址,南非
0 ARCHAEOLOGY Pub Date : 2021-09-16 DOI: 10.1558/jca.43377
J. Bradfield, M. Lotter
Contemporary occupation of archaeological sites is fraught with challenges and conflicting priorities. While prevailing opinion on heritage management recognises the fluid and continuous nature of archaeological site formation, the role of present-day communities as agents of archaeological palimpsests is often not adequately acknowledged. Contemporary communities, often unrelated to the autochthonous inhabitants of the archaeological sites, occasionally use these sites and landscapes in similar or different ways to how they were used in the past. Their use of these sites, while potentially damaging to the archaeology, simultaneously adds to, and is part of, the life history of the site, of which the excavated material and rock art are but pictures in time. Squatters who appropriate archaeological heritage sites constitute ambiguous communities under current South African heritage legislation. Yet, their role as contributing agents to archaeological sites is no less real. This article presents the case study of Kruger Cave, a Later Stone Age hunter-gatherer rock art site in South Africa, currently occupied by a lay Christian pastor. We document how the pastor is using the site and offer some thoughts around the nuances of negotiating and reconciling archaeological preservation and living heritage management.
当代对考古遗址的占领充满了挑战和相互冲突的优先事项。虽然关于遗产管理的主流观点承认考古遗址形成的流动性和连续性,但当今社区作为考古重写本代理人的作用往往没有得到充分承认。当代社区通常与考古遗址的本地居民无关,偶尔会以与过去类似或不同的方式使用这些遗址和景观。他们对这些遗址的使用,虽然可能会对考古造成破坏,但同时也增加了遗址的生活史,并成为其一部分,挖掘出的材料和岩石艺术只是时间的图片。根据南非现行遗产立法,侵占考古遗址的人构成了模糊的社区。然而,他们作为考古遗址贡献者的作用同样真实。本文介绍了克鲁格洞穴的案例研究,克鲁格洞穴是南非石器时代晚期的狩猎采集岩石艺术遗址,目前由一位非宗教牧师居住。我们记录了牧师是如何使用该遗址的,并就谈判和协调考古保护和活遗产管理的细微差别提出了一些想法。
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引用次数: 1
Private Struggles in Public Spaces 公共空间中的私人斗争
0 ARCHAEOLOGY Pub Date : 2021-09-13 DOI: 10.1558/jca.43379
Dante Angelo, Kelly Britt, M. Brown, Stacey L. Camp
The COVID-19 pandemic has disrupted nearly every facet of our world, including some of the most fundamental forms of human behavior and our conception of the social. Everyday activities now pose a risk to individuals and to society as a whole. This radical shift in how we live has produced a wide array of material responses across the globe. This photo essay seeks to open up dialogue and ask questions about the numerous forms of COVID-19 materiality and altered landscapes that the authors have chronicled, witnessed, documented and cataloged in their communities, using archaeological and ethnographic methods. This materiality includes chalk art, graffiti, painted rocks and signage placed in both public and private spaces within the project authors’ communities. In framing our questions, we draw upon theoretical frameworks in the fields of cultural trauma studies, cultural anthropology and contemporary archaeology.
2019冠状病毒病大流行几乎扰乱了我们世界的方方面面,包括一些最基本的人类行为形式和我们的社会观念。日常活动现在对个人和整个社会构成了风险。我们生活方式的这种根本性转变在全球范围内产生了广泛的物质反应。这篇摄影文章旨在开启对话,并就作者利用考古和民族志方法在其社区中记录、目睹、记录和编目的多种形式的COVID-19物质性和改变的景观提出问题。这种材料包括粉笔艺术、涂鸦、彩绘岩石和标识,放置在项目作者社区的公共和私人空间中。在构建我们的问题时,我们借鉴了文化创伤研究、文化人类学和当代考古学领域的理论框架。
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引用次数: 7
Archaeology, Gender and Indian Tamil Films 考古学,性别和印度泰米尔电影
0 ARCHAEOLOGY Pub Date : 2021-09-13 DOI: 10.1558/jca.43382
P. Karupiah
This article analyses the depiction of archaeology and archaeologists in contemporary popular Tamil films made in India, including a focus on the gender portrayal of archaeologists in two films in particular – one an adventure film depicting archaeological activity and the other a romance film involving a male archaeologist. Content analysis shows that both films portray some similarities in how archaeology is presented and that male and female archaeologists are shown as professionals, but that the female archaeologist is still presented for, and objectified through, the male gaze. The paper contributes to the understanding of how archaeologists are portrayed in non-Western films, particularly among films produced in India.
本文分析了在印度制作的当代流行泰米尔电影中对考古学和考古学家的描绘,包括特别关注两部电影中考古学家的性别描绘-一部是描述考古活动的冒险电影,另一部是涉及男性考古学家的浪漫电影。内容分析表明,两部电影在考古学的呈现方式上都有一些相似之处,男性和女性考古学家都被视为专业人士,但女性考古学家仍然是为了男性的目光而呈现的,并通过男性的目光被物化。这篇论文有助于理解考古学家如何在非西方电影中被描绘出来,特别是在印度制作的电影中。
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引用次数: 1
Archaeology in the Shadow of Schindler’s List 辛德勒名单阴影下的考古学
0 ARCHAEOLOGY Pub Date : 2021-09-13 DOI: 10.1558/jca.43381
Kamil Karski, Dawid Kobiałka
This paper presents some of the preliminary results of non-invasive and invasive archaeological research on the terrain of a former German Nazi labour and concentration camp in P?aszów, a suburb of Kraków. The starting point is a reference to Schindler’s List – a film that is partially about the camp (KL Plaszow in German) and which created a certain social picture of it. This paper discusses the history of archaeological research relating to Holocaust landscapes in Poland, and sketches the historical context related to the opening, functioning, closing and later reusing of the campscape. The last section provides a glimpse into the archaeological field research and its results. The main thesis of this paper is that the history of World War II, including the Holocaust, is transforming in front of our eyes into archaeology. The paper shows how archaeology can play an active and crucial role in discovering, documenting and interpreting material remains related to the Holocaust and its manifold consequences.
本文介绍了一些非侵入性和侵入性考古研究的一些初步结果,这些研究是对德国前纳粹劳工和集中营的地形进行的。aszów, Kraków的郊区。出发点是参考《辛德勒的名单》——这部电影部分讲述了集中营(德语为KL Plaszow),并创造了它的某种社会图景。本文讨论了与波兰大屠杀景观有关的考古研究历史,并概述了与营地景观的开放,功能,关闭和后来再利用相关的历史背景。最后一节简要介绍了考古实地研究及其成果。本文的主要论点是,包括大屠杀在内的第二次世界大战的历史正在我们眼前转变为考古学。本文展示了考古学如何在发现、记录和解释与大屠杀及其多重后果有关的材料遗骸方面发挥积极和关键的作用。
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引用次数: 2
Spain’s Valley of the Fallen, Where Human Remains Disappear: A Funerary Monument for a Dictator 西班牙的堕落谷,人类遗骸消失的地方:独裁者的葬礼纪念碑
0 ARCHAEOLOGY Pub Date : 2021-05-12 DOI: 10.1558/JCA.41462
Laia Gallego-Vila, Queralt Solé i Barjau
This paper reflects on the Franco dictatorship's ideological use of the bodies of Spanish Civil War dead at the Valle de los Caidos (Valley of the Fallen) monument near Madrid. It examines how from 1958 onwards human remains were exhumed from cemeteries and mass graves across Spain and reinterred at the site, and it argues that, much like the setting and architecture of the memorial complex itself, they were used politically to make a distinction in Spain's national memory between the war's winners and losers. This served as the foundation for the necropolitical legitimacy of the Franco regime.
本文反思了佛朗哥独裁政权在意识形态上使用马德里附近的Valle de los Caidos(堕落谷)纪念碑上的西班牙内战死者尸体。它研究了从1958年起,人类遗骸是如何从西班牙各地的墓地和乱葬坑中挖掘出来并重新安置在该遗址的,并认为,与纪念建筑群本身的背景和建筑非常相似,它们在政治上被用来在西班牙的国家记忆中区分战争的胜利者和失败者。这是佛朗哥政权死气沉沉的政治合法性的基础。
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引用次数: 2
Undressing Corpses – An Archaeological Perspective on State Violence 脱衣尸体——国家暴力的考古学视角
0 ARCHAEOLOGY Pub Date : 2021-05-12 DOI: 10.1558/JCA.41494
M. L. Hattori
Trabajo presentado en el 6th CHEurope Joint Research Seminar >Doing Comparative Research in Critical Heritage Studies>, celebrado en Lisboa (Portugal), del 4 al 6 de diciembre de 2019
2019年12月4日至6日在葡萄牙里斯本举行的第六届Cheurope联合研究研讨会>在关键遗产研究中进行比较研究>上发表的论文
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引用次数: 4
A Decolonial Diary: Traversing the Colonial Pasts and Presents of the Cape of Good Hope 非殖民日记:穿越好望角的殖民历史和现在
0 ARCHAEOLOGY Pub Date : 2021-05-12 DOI: 10.1558/JCA.40432
Christian Ernsten, N. Shepherd
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引用次数: 2
Indigenous Remains, Colonialism and Ethical Dilemmas: A Case Study in the Canary Islands 土著遗迹、殖民主义与伦理困境——以加那利群岛为例
0 ARCHAEOLOGY Pub Date : 2021-05-12 DOI: 10.1558/JCA.41456
A. D. L. Rosa
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引用次数: 0
Archaeological Evidence of Gender Differences in Violent Repression: Exhumations of Women Killed during the Spanish Civil War and the Franco Dictatorship 暴力镇压中性别差异的考古证据:在西班牙内战和佛朗哥独裁统治期间被杀害的妇女的发掘
0 ARCHAEOLOGY Pub Date : 2021-05-12 DOI: 10.1558/JCA.41464
Eulàlia Díaz-Ramoneda, Lourdes Herrasti Erlogorri, Queralt Solé Barjau
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引用次数: 3
Repressed Bodies as a Research Topic: Archaeology, Memory and Political Uses 作为研究主题的被压抑的身体:考古学、记忆和政治用途
0 ARCHAEOLOGY Pub Date : 2021-05-12 DOI: 10.1558/JCA.42979
Queralt Solé i Barjau, Laia Gallego Vila
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引用次数: 0
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Journal of Contemporary Archaeology
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