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From the Exhumation of Bodies to Historical Knowledge: An Analysis of Francoist Repression in Southwest Spain 从尸体发掘到历史知识:分析佛朗哥在西班牙西南部的镇压
0 ARCHAEOLOGY Pub Date : 2021-05-12 DOI: 10.1558/JCA.41484
Laura Muñoz-Encinar
Recent research into the Spanish Civil War (1936–1939) and the first years of the Francoist dictatorship (1939–1975) estimates that approximately 200,000 people were executed in Spain during this period, either extrajudicially or after popular tribunals or court martials. The bodies of the victims were for the most part buried in mass graves, thrown into riverbeds or disposed of in mines or caves. In this paper, I discuss how forensic examination of the mass graves can yield new evidence about political repression and shed new light on documentary and oral sources. I employ a multidisciplinary approach that combines archaeology and forensic anthropology to reconstruct the facts around the killings and produce new historical knowledge about the traumatic past of contemporary Spanish society.
最近对西班牙内战(1936年至1939年)和弗朗索瓦独裁统治的头几年(1939年至1975年)的研究估计,在这一时期,西班牙约有20万人被处决,无论是法外处决,还是在人民法庭或军事法庭后处决。受害者的尸体大多埋在乱葬坑中,被扔进河床,或被丢弃在矿井或洞穴中。在这篇论文中,我讨论了对乱葬坑的法医检查如何产生关于政治镇压的新证据,并为文献和口头来源提供新的线索。我采用了一种多学科的方法,将考古学和法医人类学相结合,以重建谋杀事件的事实,并产生关于当代西班牙社会创伤过去的新的历史知识。
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引用次数: 2
Contemporary Archaeology as a Framework for Investigating the Impact of Disposable Plastic Bags on Environmental Pollution in Galápagos 当代考古学作为研究一次性塑料袋对加拉帕戈斯环境污染影响的框架
0 ARCHAEOLOGY Pub Date : 2021-05-12 DOI: 10.1558/JCA.41134
John C. Schofield, J. Aylmer, A. Donnelly, Jen S. Jones, J. Muñoz-Pérez, Elena Perez, C. Scott, K. Townsend
This paper presents contemporary archaeology as a novel framework for investigating environmental pollution, specifically marine pollution, which comprises a global “toxic assemblage” of an estimated 5.25 trillion plastic artefacts. The ideas behind this approach were developed in 2018 during a multidisciplinary “Science to Solutions” workshop held in Galapagos (Ecuador), led by the Galapagos National Park and Galapagos Conservation Trust and hosted by the Galapagos Science Center and the Charles Darwin Research Station. These ideas informed two studies which began separately but became increasingly aligned within a contemporary archaeology framework, in effect tackling the same problem from two very different perspectives: the first involving surface mapping, designed to inform an understanding of how plastic items enter the environment, including the marine environment, in the first place; and the second comprising utilization-focused evaluation, designed to better understand people’s behaviours and aspirations. Both of the studies centred on a specific and ubiquitous type of item or artefact: the disposable plastic bag. We conclude that the two studies together demonstrate that, through giving primacy to material culture, contemporary archaeology can (1) serve as a cross-disciplinary framework for tackling environmental pollution, and (2) provide a basis for shaping practice and informing policy.
本文将当代考古学作为调查环境污染的新框架,特别是海洋污染,其中包括估计5.25万亿塑料制品的全球“有毒组合”。这种方法背后的想法是在2018年在加拉帕戈斯(厄瓜多尔)举行的多学科“从科学到解决方案”研讨会上提出的,该研讨会由加拉帕戈斯国家公园和加拉帕戈斯保护信托基金领导,由加拉帕戈斯科学中心和查尔斯·达尔文研究站主办。这些想法启发了两项研究,这两项研究分别开始,但在当代考古学框架内变得越来越一致,实际上从两个截然不同的角度解决了同样的问题:第一个涉及地表测绘,旨在了解塑料物品首先是如何进入环境的,包括海洋环境;第二个包括以利用为重点的评估,旨在更好地了解人们的行为和愿望。这两项研究都集中在一种特定的、无处不在的物品或人工制品上:一次性塑料袋。我们的结论是,这两项研究共同表明,通过将物质文化放在首位,当代考古学可以(1)作为解决环境污染的跨学科框架,(2)为形成实践和告知政策提供基础。
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引用次数: 5
Towards an Integral Forensic Anthropology: Observations on the Search for Detained and Disappeared Persons in Argentina and Uruguay 迈向一个完整的法医人类学:关于在阿根廷和乌拉圭寻找被拘留和失踪人员的观察
0 ARCHAEOLOGY Pub Date : 2021-05-12 DOI: 10.1558/JCA.40041
C. M. Suárez, Bruno Rosignoli
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引用次数: 1
The Weight of History: Visual Narratives for an Autobiographic Archaeology 历史的重量:一部自传体考古学的视觉叙事
0 ARCHAEOLOGY Pub Date : 2020-11-24 DOI: 10.1558/jca.38946
M. Starzmann, Leila Papoli-Yazdi
In an attempt at situating the experiences of common people within larger historical structures, this paper takes inspiration from innovative historiographical approaches, in particular "history from below". After introductory thoughts on the practice of writing history, we trace several distinct yet interconnected moments in the political history of Iran that have unfolded over the course of three generations. Our textual narrative is accompanied by an artistic rendering, which not only encourages readers to recognize different formats through which the past can be accessed, but also invites them to experience history as an accumulation of storylines.  800x600 Normal 0 false false false EN-US ZH-CN AR-SA MicrosoftInternetExplorer4
为了将普通人的经历置于更大的历史结构中,本文从创新的史学方法中获得了灵感,特别是“来自下方的历史”。在对书写历史的实践进行了介绍性思考后,我们追溯了伊朗政治史上三代人经历的几个不同但相互关联的时刻。我们的文本叙事伴随着艺术渲染,这不仅鼓励读者识别可以访问过去的不同形式,还邀请他们将历史作为故事情节的积累来体验。800x600 Normal 0 false false EN-US ZH-CN AR-SA MicrosoftInternetExplorer4
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引用次数: 1
After the Tourists Depart: Visual Postmortem of a New Tourist Destination 游客离开后:一个新的旅游目的地的视觉剖析
0 ARCHAEOLOGY Pub Date : 2020-11-24 DOI: 10.1558/jca.37773
Sreedeep Bhattacharya
This essay explores multiple aspects of a domestic tourism boom that has occurred in Ladakh, India, over the past two decades. It considers the nature of tourism itself within the context of leisure as a commodity and how visual interventions and photographic practices brand a tourist destination as a consumable idea, making a case for the inseparability of image and destination and arguing that the constructed image of a destination attracts a collective gaze. This perspective is then applied to the consumerist trajectory/ tragedy of Ladakh, which since the economic liberalization of India has been visually negotiated through imageries of the area as a destination for adventure and exotica. This experience is enacted through the consumerist practices of packaged tourism, and through a visual exploration of material remains—the paper documents material leftovers discarded by tourists.
这篇文章探讨了过去二十年来印度拉达克国内旅游热潮的多个方面。它考虑了旅游本身的本质,在休闲作为一种商品的背景下,以及视觉干预和摄影实践如何将旅游目的地作为一种可消费的理念,为图像和目的地的不可分割性提出了一个案例,并认为目的地的构建图像吸引了集体的目光。这一观点随后被应用于拉达克的消费主义轨迹/悲剧,自印度经济自由化以来,通过将该地区作为冒险和异国情调的目的地的图像进行视觉谈判。这种体验是通过包装旅游的消费主义实践,以及通过对材料残留物的视觉探索而实现的——游客丢弃的纸质文件和材料残余物。
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引用次数: 1
Video supplement to Illustrating Scotland’s Community Heritage Conference by Alex G.C. Hale 视频补充说明苏格兰的社区遗产会议由亚历克斯G.C.黑尔
0 ARCHAEOLOGY Pub Date : 2020-11-24 DOI: 10.1558/jca.42566
A. Hale
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引用次数: 0
Visual Archaeologies: Editorial Introduction 视觉考古学:编辑导言
0 ARCHAEOLOGY Pub Date : 2020-11-24 DOI: 10.1558/jca.42565
Alfredo González-Ruibal
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引用次数: 0
(Uns)table assemblage (Uns)表格组合
0 ARCHAEOLOGY Pub Date : 2020-11-24 DOI: 10.1558/jca.37965
N. Finlay
An abandoned table in a forgotten avocational workroom exposes the temporalities of archaeological practice and conventional lithic artefact analysis, and reveals creative encounters around the co-creation of self and stone.
在一个被遗忘的业余工作室里,一张废弃的桌子暴露了考古实践和传统石器人工制品分析的临时性,并揭示了围绕自我和石头共同创造的创造性相遇。
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引用次数: 1
From a Laboratory of Power to a Laboratory of Violence: The Panoptic Layout of the Nazi Concentration Camp at Sachsenhausen and the Diverging Intentions of Disciplinary and Absolute Power 从权力实验室到暴力实验室:萨克森豪森纳粹集中营的全景布局与纪律与绝对权力的分化意图
0 ARCHAEOLOGY Pub Date : 2020-11-24 DOI: 10.1558/jca.40623
Leanne Rees
Drawing on the theories of Michel Foucault’s Discipline and Punish, Hannah Arendt’s Origins of Totalitarianism and Wolfgang Sofsky’s The Order of Terror, this article takes the panoptic layout of Sachsenhausen concentration camp as a case study to explore the diverging intentions of disciplinary and absolute power. Research into the history, architectural layout and social hierarchies of Sachsenhausen can help us to understand the psychological impacts of the built environment and the social structure of the camp on its inmates. The article is based not only on scientific literature but also on eyewitness reports of survivors in the form of written accounts and visual history. Moreover, archaeological material of excavations carried out at Sachsenhausen offers insights into – otherwise undocumented – aspects of daily life, strategies of survival and ways of resistance of the prisoners.
本文借鉴福柯的《规训与惩罚》、阿伦特的《极权主义的起源》和索夫斯基的《恐怖秩序》等理论,以萨克森豪森集中营的全景布局为例,探讨规训与绝对权力的不同意图。对萨克森豪森的历史、建筑布局和社会等级的研究可以帮助我们了解建筑环境和营地社会结构对囚犯的心理影响。这篇文章不仅以科学文献为基础,还以幸存者的书面叙述和视觉历史形式的目击者报告为基础。此外,在萨克森豪森进行挖掘的考古材料提供了对囚犯日常生活方面的见解,生存策略和抵抗方式-否则没有记录。
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引用次数: 0
By Drawing We Unframe Scotland’s Community Heritage Conference 通过绘画,我们解开了苏格兰社区遗产会议的框架
0 ARCHAEOLOGY Pub Date : 2020-11-24 DOI: 10.1558/jca.38192
A. Hale
This illustrated essay discusses the creative practice of 'live drawing' at an annual conference which brings together Scotland's community heritage practitioners. It discusses the application of drawing as documentation whilst people are giving talks about their projects, and critically explores the use of drawing as a 'way of seeing' events that are tied to the past. It develops the idea that the format of the conferences, just like the composition and content of the illustrations, applies framing devices that contain and constrain our creativity, but that can also enable imaginary opportunities when considering the past in the present.
这篇插图文章在一年一度的会议上讨论了“现场绘画”的创造性实践,该会议汇集了苏格兰的社区遗产从业者。它讨论了当人们谈论他们的项目时,绘画作为文件的应用,并批判性地探索了绘画作为一种“观看”与过去有关的事件的方式的使用。它发展了这样一种观点,即会议的形式,就像插图的构图和内容一样,应用框架设备来包含和限制我们的创造力,但在考虑过去和现在时,这也可以提供想象的机会。
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引用次数: 0
期刊
Journal of Contemporary Archaeology
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