tions in fairy-tale scholarship, this third iteration would certainly make a cherished addition to any library. And yet despite these revisions, contemporary readers may find that the volume does not adequately engage with the problematic and gendered history of the Grimms’ collection. While the Handbuch includes what information is available regarding the sources and contributors for each tale, a definitive resource in Grimm and fairy-tale studies such as this one could do more to problematize the subtle erasure of female collaborators and further contextualize the imbalance between unsung female labor and male fame. Nevertheless, any version of Uther’s text is highly recommended to anyone interested in the German fairy-tale tradition, and for those encountering this handbook for the first time, three just may be the magic number.
{"title":"Inspiration Bonaparte? German Culture and Napoleonic Occupation. Edited by Seán Allan and Jeffrey L. High. Rochester, NY: Camden House, 2021. 354 pages + 8 b/w images. $110.00/£95.00 hardcover, $29.95/£24.99 eBook.","authors":"C. Schmitt","doi":"10.3368/m.115.2.288","DOIUrl":"https://doi.org/10.3368/m.115.2.288","url":null,"abstract":"tions in fairy-tale scholarship, this third iteration would certainly make a cherished addition to any library. And yet despite these revisions, contemporary readers may find that the volume does not adequately engage with the problematic and gendered history of the Grimms’ collection. While the Handbuch includes what information is available regarding the sources and contributors for each tale, a definitive resource in Grimm and fairy-tale studies such as this one could do more to problematize the subtle erasure of female collaborators and further contextualize the imbalance between unsung female labor and male fame. Nevertheless, any version of Uther’s text is highly recommended to anyone interested in the German fairy-tale tradition, and for those encountering this handbook for the first time, three just may be the magic number.","PeriodicalId":54028,"journal":{"name":"Monatshefte","volume":"115 1","pages":"288 - 290"},"PeriodicalIF":0.1,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69653838","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
ebenso gewinnbringend gewesen wie der genaue Blick auf die Funktion spezifischer literarischer Formen. Fragen wirft vor diesem Hintergrund auch der Begriff der ,,Kultur“ auf, der sich im Titel des Bandes findet, allerdings ebenfalls nicht explizit reflektiert wird. Implizit gelingt es bereits den Beiträgen der ersten Sektion, den Blick nicht auf die Literatur zu verengen, sondern diese in ihren vielfältigen Kontexten zu verorten. Umso mehr gilt das für die vier spezifischen Zugänge zur ,,Kultur“, die die Beiträge der zweiten Sektion des Bandes eröffnen; allerdings wirkt die Auswahl der Bereiche etwas zufällig. Während sich die Beiträge kundig den politischen Schriften Jean Pauls (Helmut J. Schneider) und Saul Aschers (Bernd Fischer), den Verbindungen der napoleonischen Kampagnen mit den Naturwissenschaften (Mary Orr) und dem in ganz Europa adaptierten Modell der Écoles Polytechniques widmen (Andrew Cusack), bleiben Bereiche wie die Archäologie (für die die Ägypten-Kampagne Napoleons wichtig war), das Militär oder das Recht weitgehend unbeachtet. Ein blinder Fleck bleibt auch die politische Funktionalisierung Napoleons im Vormärz; letzterer wird dann im Titel der dritten Sektion – ,,from Vormärz to the Present“ (259) – zwar aufgerufen, aber untersucht werden die Napoleon-Rezeption im naturalistischen Drama (Michael White), in der Musik (Wolf Kittler) und im Film (Susanne Kord). In Susanne Kords Beitrag zu Napoleon als ,,Screen Icon“ (303) steht die Zeichenhaftigkeit der Figur Napoleon explizit zur Diskussion und Kord stellt zu Recht heraus, dass es sich bei dieser Figur um ein äußerst flexibles Zeichen handle, ein ,,empty vessel“ (322), das sogar gegensätzliche politische Haltungen ausdrücken kann. Die Bandbreite dieses Zeichens führen die vielfältigen Einschätzungen Napoleons, die die Beiträge des Bandes zitieren, eindrücklich vor. Insgesamt ermöglicht der Band informierte und vielgestaltige Einblicke in die ambivalente deutschsprachige Napoleon-Rezeption, bleibt allerdings manchmal zu sehr biografischen und einflussgeschichtlichen Modellen verpflichtet. Zu kurz kommen dabei die Reflexion auf die Funktionsweisen des einleitend lediglich schlagwortartig benannten ,,German cultural imaginary“ (2) und der Einbezug der medialen Dimensionen dieser Rezeptionsprozesse, die Napoleon als Medienspektakel (s.o.) verdient hätte. Als gewinnbringend stellen sich hingegen die in vielen Beiträgen diskutierten Bezugnahmen auf Eroberungs-, Gewaltund Besatzungserfahrungen dar, die dem Band von 2021 und seinem Thema zudem eine ungeahnte Aktualität verleihen, sind doch solche Erfahrungen auch im Europa der Jahre 2022 und 2023 wieder alltäglich.
{"title":"Heavenly Fatherland: German Missionary Culture and Globalization in the Age of Empire. By Jeremy Best. Toronto: University of Toronto Press, 2021. xiv + 322 pages + 5 b/w illustrations + 4 b/w maps. $79.00 hardcover, $75.05 eBook.","authors":"A. Blackler","doi":"10.3368/m.115.2.290","DOIUrl":"https://doi.org/10.3368/m.115.2.290","url":null,"abstract":"ebenso gewinnbringend gewesen wie der genaue Blick auf die Funktion spezifischer literarischer Formen. Fragen wirft vor diesem Hintergrund auch der Begriff der ,,Kultur“ auf, der sich im Titel des Bandes findet, allerdings ebenfalls nicht explizit reflektiert wird. Implizit gelingt es bereits den Beiträgen der ersten Sektion, den Blick nicht auf die Literatur zu verengen, sondern diese in ihren vielfältigen Kontexten zu verorten. Umso mehr gilt das für die vier spezifischen Zugänge zur ,,Kultur“, die die Beiträge der zweiten Sektion des Bandes eröffnen; allerdings wirkt die Auswahl der Bereiche etwas zufällig. Während sich die Beiträge kundig den politischen Schriften Jean Pauls (Helmut J. Schneider) und Saul Aschers (Bernd Fischer), den Verbindungen der napoleonischen Kampagnen mit den Naturwissenschaften (Mary Orr) und dem in ganz Europa adaptierten Modell der Écoles Polytechniques widmen (Andrew Cusack), bleiben Bereiche wie die Archäologie (für die die Ägypten-Kampagne Napoleons wichtig war), das Militär oder das Recht weitgehend unbeachtet. Ein blinder Fleck bleibt auch die politische Funktionalisierung Napoleons im Vormärz; letzterer wird dann im Titel der dritten Sektion – ,,from Vormärz to the Present“ (259) – zwar aufgerufen, aber untersucht werden die Napoleon-Rezeption im naturalistischen Drama (Michael White), in der Musik (Wolf Kittler) und im Film (Susanne Kord). In Susanne Kords Beitrag zu Napoleon als ,,Screen Icon“ (303) steht die Zeichenhaftigkeit der Figur Napoleon explizit zur Diskussion und Kord stellt zu Recht heraus, dass es sich bei dieser Figur um ein äußerst flexibles Zeichen handle, ein ,,empty vessel“ (322), das sogar gegensätzliche politische Haltungen ausdrücken kann. Die Bandbreite dieses Zeichens führen die vielfältigen Einschätzungen Napoleons, die die Beiträge des Bandes zitieren, eindrücklich vor. Insgesamt ermöglicht der Band informierte und vielgestaltige Einblicke in die ambivalente deutschsprachige Napoleon-Rezeption, bleibt allerdings manchmal zu sehr biografischen und einflussgeschichtlichen Modellen verpflichtet. Zu kurz kommen dabei die Reflexion auf die Funktionsweisen des einleitend lediglich schlagwortartig benannten ,,German cultural imaginary“ (2) und der Einbezug der medialen Dimensionen dieser Rezeptionsprozesse, die Napoleon als Medienspektakel (s.o.) verdient hätte. Als gewinnbringend stellen sich hingegen die in vielen Beiträgen diskutierten Bezugnahmen auf Eroberungs-, Gewaltund Besatzungserfahrungen dar, die dem Band von 2021 und seinem Thema zudem eine ungeahnte Aktualität verleihen, sind doch solche Erfahrungen auch im Europa der Jahre 2022 und 2023 wieder alltäglich.","PeriodicalId":54028,"journal":{"name":"Monatshefte","volume":"115 1","pages":"290 - 293"},"PeriodicalIF":0.1,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69653899","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Aesthetics of Kinship: Form and Family in the Long Eighteenth Century.<i>By Heidi Schlipphacke. Lewisburg, PA: Bucknell University Press, 2023. 354 pages + 1 b/w and 5 color images. $39.95 paperback or eBook, $130.00 cloth.</i>","authors":"Sarah Vandegrift Eldridge","doi":"10.3368/m.115.3.483","DOIUrl":"https://doi.org/10.3368/m.115.3.483","url":null,"abstract":"","PeriodicalId":54028,"journal":{"name":"Monatshefte","volume":"60 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135267011","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Antikerezeption in Deutschland von der Renaissance bis in unsere Zeit.<i>Von Niklas Holzberg. Baden-Baden: Rombach Wissenschaft, 2022. 290 Seiten + 1 Abbildung. €59,00 broschiert oder eBook.</i>","authors":"Ellwood Wiggins","doi":"10.3368/m.115.3.468","DOIUrl":"https://doi.org/10.3368/m.115.3.468","url":null,"abstract":"","PeriodicalId":54028,"journal":{"name":"Monatshefte","volume":"29 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135311619","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Germany: A Nation in Its Time: Before, During and After Nationalism, 1500–2000.<i>By Helmut Walser Smith. New York: Liveright, 2020. 608 pages + 80 b/w images. $39.95 hardcover, $22.95 paperback or eBook.</i>","authors":"James A. Parente","doi":"10.3368/m.115.3.478","DOIUrl":"https://doi.org/10.3368/m.115.3.478","url":null,"abstract":"","PeriodicalId":54028,"journal":{"name":"Monatshefte","volume":"131 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135311633","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"German Pop Music in Literary and Transmedial Perspectives.<i>Edited by Uwe Schütte. Oxford: Peter Lang, 2021. 260 pages. $85.45 hardcover, $82.95 eBook.</i>","authors":"Juliane Schicker","doi":"10.3368/m.115.3.501","DOIUrl":"https://doi.org/10.3368/m.115.3.501","url":null,"abstract":"","PeriodicalId":54028,"journal":{"name":"Monatshefte","volume":"34 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135311976","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Die große Mischkalkulation: Institutions, Social Import, and Market Forces in the German Literary Field. Edited by William Collins Donahue and Martin Kagel. Paderborn: Fink, 2021. 251 pages + 7 b/w and 7 color images. $57.00 paperback or e-book.","authors":"E. Revesz","doi":"10.3368/m.115.1.140","DOIUrl":"https://doi.org/10.3368/m.115.1.140","url":null,"abstract":"","PeriodicalId":54028,"journal":{"name":"Monatshefte","volume":"115 1","pages":"140 - 143"},"PeriodicalIF":0.1,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69653115","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
fan of Dresen’s films, Stonecipher had coincidentally seen the film the night before receiving the e-mail translation offer. As the editors of this impressively diverse volume emphasize, its title Mischkalkulation reaches beyond the off-set pricing model in the industry to include the myriad other factors that come “into the mix.” Indeed, the volume itself is conceived as an eclectic “mix” through its juxtaposition of well-known and lesser-known scholars, authors, and other players within the field. Bringing Germany’s literary institutions into dialogue with American German Studies makes this transnational publication unique and a timely analysis of the material conditions that produce the books we teach.
{"title":"Decolonizing German and European History at the Museum. By Katrin Sieg. Ann Arbor: The University of Michigan Press, 2021. 312 pages. $80.00 hardcover, $34.95 paperback or e-book.","authors":"D. Osborne","doi":"10.3368/m.115.1.143","DOIUrl":"https://doi.org/10.3368/m.115.1.143","url":null,"abstract":"fan of Dresen’s films, Stonecipher had coincidentally seen the film the night before receiving the e-mail translation offer. As the editors of this impressively diverse volume emphasize, its title Mischkalkulation reaches beyond the off-set pricing model in the industry to include the myriad other factors that come “into the mix.” Indeed, the volume itself is conceived as an eclectic “mix” through its juxtaposition of well-known and lesser-known scholars, authors, and other players within the field. Bringing Germany’s literary institutions into dialogue with American German Studies makes this transnational publication unique and a timely analysis of the material conditions that produce the books we teach.","PeriodicalId":54028,"journal":{"name":"Monatshefte","volume":"115 1","pages":"143 - 145"},"PeriodicalIF":0.1,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69653178","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
of the contributors are active journalists and curators, which lends the volume an important public-facing dimension as well. The volume makes a significant intervention in existing scholarship on the visual representation of the Holocaust by moving beyond photography and film through the focus on drawing. As the editors state, “the vast number of drawings by prisoners are overlooked. These drawings bear witness and resist closure in many ways—and provide a singular perspective on the extermination of the Jews” (13). Building on Jörn Wendland’s foundational research in this area (Das Lager von Bild zu Bild. Narrative Bildserien von Häftlingen aus NS-Zwangslagern, 2017), several contributions explore early representations of the Holocaust while also considering the specifics and variations among works that use both text and image (see in particular the contributions by Kathrin Hoffman-Curtius on “post-war graphic cycles” and Emil Gruber who explores “early representations of the Holocaust between caricature and comic book”). From this we see that early illustrations, specifically drawn representations of the Holocaust, need to be considered alongside the documentary films that helped establish what Daniel Magilow and Lisa Silverman have termed “a visual lexicon of Holocaust representation” (Holocaust Representations in History, 2015: 24). Furthermore, the volume provides many examples of how contemporary comics, since Spiegelman’s MAUS, both repeat and reflect upon the images in this lexicon. The integration of illustrations within the articles, as opposed to in an appendix at the end of the book, invites the reader to follow along with the authors’ analyses. However, many of the reproductions are so small that they impede this. Like Mickey in the cover image, one needs to reach for a magnifying glass. Regrettable further are the significant number of typos and linguistic infelicities, which at times hinder comprehension. These reservations aside, the volume deserves to be read widely, and hopefully a future edition will provide an opportunity to address the copyediting issues and consider increasing the size of reproductions.
贡献者中有活跃的记者和策展人，这也为这本书提供了一个面向公众的重要维度。这本书对现有的关于大屠杀视觉表现的学术研究进行了重大干预，超越了摄影和电影，重点放在绘画上。正如编辑们所说，“囚犯的大量画作被忽视了。这些图画在许多方面见证了犹太人的灭绝，并提供了一个独特的视角。基于Jörn Wendland在这一领域的基础研究(Das Lager von Bild zu Bild)。《叙事画报》(Narrative Bildserien von Häftlingen aus NS-Zwangslagern, 2017)，几篇文章探讨了大屠杀的早期表现，同时也考虑了使用文本和图像的作品之间的细节和差异(特别是凯瑟琳·霍夫曼-柯蒂斯关于“战后图形周期”的贡献，以及埃米尔·格鲁伯关于“漫画和漫画之间的大屠杀早期表现”的贡献)。由此我们看到，早期的插图，特别是描绘大屠杀的插图，需要与纪录片一起考虑，这些纪录片帮助建立了丹尼尔·马吉洛和丽莎·西尔弗曼所说的“大屠杀再现的视觉词典”(《历史上的大屠杀再现》，2015:24)。此外，这本书还提供了许多当代漫画的例子，因为Spiegelman的MAUS，既重复又反映了这个词汇中的图像。文章中插图的整合，而不是在书末的附录中，邀请读者跟随作者的分析。然而，许多复制品太小，阻碍了这一点。就像封面上的米奇一样，一个人需要拿着放大镜。更令人遗憾的是，大量的错别字和语言缺陷有时会妨碍理解。撇开这些保留意见不谈，这本书值得广泛阅读，希望未来的版本将提供一个解决编辑问题的机会，并考虑增加复制的规模。
{"title":"A State of Secrecy: Stasi Informers and the Culture of Surveillance. By Alison Lewis. Lincoln: Potomac, 2021. 342 pages + 6 photographs + 16 images. $60.00 hardcover or eBook.","authors":"S. Brockmann","doi":"10.3368/m.115.2.319","DOIUrl":"https://doi.org/10.3368/m.115.2.319","url":null,"abstract":"of the contributors are active journalists and curators, which lends the volume an important public-facing dimension as well. The volume makes a significant intervention in existing scholarship on the visual representation of the Holocaust by moving beyond photography and film through the focus on drawing. As the editors state, “the vast number of drawings by prisoners are overlooked. These drawings bear witness and resist closure in many ways—and provide a singular perspective on the extermination of the Jews” (13). Building on Jörn Wendland’s foundational research in this area (Das Lager von Bild zu Bild. Narrative Bildserien von Häftlingen aus NS-Zwangslagern, 2017), several contributions explore early representations of the Holocaust while also considering the specifics and variations among works that use both text and image (see in particular the contributions by Kathrin Hoffman-Curtius on “post-war graphic cycles” and Emil Gruber who explores “early representations of the Holocaust between caricature and comic book”). From this we see that early illustrations, specifically drawn representations of the Holocaust, need to be considered alongside the documentary films that helped establish what Daniel Magilow and Lisa Silverman have termed “a visual lexicon of Holocaust representation” (Holocaust Representations in History, 2015: 24). Furthermore, the volume provides many examples of how contemporary comics, since Spiegelman’s MAUS, both repeat and reflect upon the images in this lexicon. The integration of illustrations within the articles, as opposed to in an appendix at the end of the book, invites the reader to follow along with the authors’ analyses. However, many of the reproductions are so small that they impede this. Like Mickey in the cover image, one needs to reach for a magnifying glass. Regrettable further are the significant number of typos and linguistic infelicities, which at times hinder comprehension. These reservations aside, the volume deserves to be read widely, and hopefully a future edition will provide an opportunity to address the copyediting issues and consider increasing the size of reproductions.","PeriodicalId":54028,"journal":{"name":"Monatshefte","volume":"233 1","pages":"319 - 321"},"PeriodicalIF":0.1,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69653641","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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