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“The Writer Is Essentially Indiscrete.” On the Literary Gossip of a Dutch Literary Celebrity “作家本质上是不连续的。”一位荷兰文学名人的文学八卦
Pub Date : 2017-11-27 DOI: 10.1515/werk-2017-0014
S. Bax
Abstract In contemporary media culture, literary writers arouse the fascination of media fans by awakening in them the desire for the authentic by publishing autobiographical novels or other forms of life narrative. In doing so, they run the risk of becoming part of media’s large gossip mechanism that plays such a central role nowadays. The public conversation about the books of writers such as the Dutch author Connie Palmen - whose Logboek van een onbarmhartig jaar will be the main case study of this article - becomes focused on the elements of truth and authenticity and ignores the literary or fictional construction of the work. This article discusses the question whether this leaves any room for contemporary star authors to distinguish themselves from media gossipers.
在当代媒介文化中,文学作家通过发表自传体小说或其他形式的生活叙事,唤醒媒介迷对真实的渴望,从而引起媒介迷的迷恋。在这样做的过程中,他们冒着成为媒体庞大的八卦机制的一部分的风险,而这种机制在当今起着如此重要的作用。公众对作家作品的讨论,比如荷兰作家康妮•帕尔曼(Connie Palmen)——她的《日记》(logbook van een onbarmhartig jaar)将是本文的主要案例研究——变得集中在真实和真实性的元素上,而忽略了作品的文学或虚构结构。本文讨论的问题是,这是否给当代明星作家留下了区别于媒体八卦者的空间。
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引用次数: 0
The Annexation of the Transvaal in 1877: The First Boer Reactions 1877年兼并德兰士瓦:布尔人的第一次反应
Pub Date : 2017-06-27 DOI: 10.1515/werk-2017-0003
M. Leśniewski
Abstract In April 1877 The South African Republic was annexed by the British Empire. This was a part of a wider scheme to unify the sub-continent under the British rule. The story is well known. Many works deals with the motives of Lord Carnarvon and other British decision-makers. Much less deals with the question of immediate Boer reaction, or to be exact, the reasons behind their inaction. This article deals with this problem. Tries to evaluate the attitudes of both, the British and the Boers, and to show why the Transvaal Boers mostly ignored the annexation declaration? This text is just an excursion into field which demands much wider and more detailed studies.
1877年4月,南非共和国被大英帝国吞并。这是将次大陆统一在英国统治下的更广泛计划的一部分。这个故事是众所周知的。许多作品涉及卡纳文勋爵和其他英国决策者的动机。更不用说直接的布尔反应问题,或者更确切地说,他们不作为背后的原因。本文讨论这个问题。试图评估双方的态度,英国人和布尔人,并说明为什么德兰士瓦布尔人大多无视兼并宣言?这篇文章只是对这个需要更广泛和更详细研究的领域的一次短途旅行。
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引用次数: 0
From Central Asia to South Africa: In Search of Inspiration in Rock Art Studies 从中亚到南非:寻找岩石艺术研究的灵感
Pub Date : 2017-06-27 DOI: 10.1515/werk-2017-0002
A. Rozwadowski
Abstract The paper describes the story of discovering South African rock art as an inspiration for research in completely different part of the globe, namely in Central Asia and Siberia. It refers to those aspect of African research which proved to importantly develop the understanding of rock art in Asia. Several aspects are addressed. First, it points to importance of rethinking of relationship between art, myth and ethnography, which in South Africa additionally resulted in reconsidering the ontology of rock images and the very idea of reading of rock art. From the latter viewpoint particularly inspiring appeared the idea of three-dimensionality of rock art ‘text’. The second issue of South African ‘origin,’ which notably inspired research all over the world, concerns a new theorizing of shamanism. The paper then discusses how and to what extent this new theory add to the research on the rock art in Siberia and Central Asia.
本文描述了发现南非岩石艺术的故事,作为对全球完全不同地区,即中亚和西伯利亚研究的灵感。它指的是非洲研究的那些方面,这些方面被证明对亚洲对岩石艺术的理解有重要的促进作用。讨论了几个方面。首先,它指出了重新思考艺术、神话和民族志之间关系的重要性,这在南非也导致了对岩石图像本体和岩石艺术阅读观念的重新思考。从后者的观点来看,岩石艺术“文本”的三维性思想尤其具有启发性。南非“起源”的第二个问题涉及萨满教的新理论,这一问题显著地启发了全世界的研究。然后,本文讨论了这一新理论如何以及在多大程度上对西伯利亚和中亚岩石艺术的研究有所贡献。
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引用次数: 0
Gender and Eroticism in Contemporary Art from South Africa 南非当代艺术中的性别与色情
Pub Date : 2017-06-27 DOI: 10.1515/werk-2017-0006
A. Pawłowska
Abstract The aim of this article is to present the interaction between the history of lesbian and gay culture and its identity on the one hand, and the connection between the visual art or visual culture on the other hand. This essay endeavors to interpret the different meanings attached to sexual identities by examining the diverse artistic activities of a variety of artists: both men and women (e.g. Steven Cohen, Clive van den Berg, Andrew Verster, Nicolas Hlobo, Jean Brundrit, Zanele Muholi). Employing an intersectional analytical approach, the article shows that the identity of art is constructed alongside a person’s multiple identities, such as race, gender, family ties, religion and class. The main research question is whether in today’s visual art originating from South Africa, which is characterized by a hegemony of heterosexual stereotypes, there is a significant place for gender oriented art?
摘要本文旨在呈现男女同性恋文化的历史与身份之间的互动,以及男女同性恋文化与视觉艺术或视觉文化之间的联系。这篇文章试图通过研究各种艺术家的不同艺术活动来解释性别身份的不同含义:包括男性和女性(例如史蒂文·科恩,克莱夫·范登伯格,安德鲁·沃斯特,尼古拉斯·赫洛博,让·布伦德里特,扎内勒·穆霍利)。本文采用交叉分析的方法,表明艺术的身份是与一个人的多重身份(如种族、性别、家庭关系、宗教和阶级)一起构建的。主要研究的问题是,在以异性恋刻板印象霸权为特征的南非今天的视觉艺术中,性别取向的艺术是否有显著的地位?
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引用次数: 0
Long Distance Solidarity: Polish Public Opinion and the Boer War 1899–1902 《远距离团结:波兰舆论与布尔战争1899-1902》
Pub Date : 2017-06-27 DOI: 10.1515/WERK-2017-0004
Piotr Szlanta
Abstract The bloody conflict which was taking place in South Africa in the years 1899-1902 was followed with a great interest by Polish public opinion. Its greatest part strongly sympathized with the Boer republics. Their burgers were idealized and presented by the Polish press as brave fighters for independence, who dared to stand up against the world empire to defend their rights while Great Britain was attributed full responsibility for the outbreak of the war. For many Poles the Boers personified the general idea of freedom fighters and symbolized all suppressed nations. Their sad fate seemed to be quite similar to the Polish one and this similarity was the main source of sympathy toward defenders of the Transvaal and Free Orange State. Voices of few Polish intellectuals, who called for a more objective and not so emotional view on the war, could not change the pro-Boers stance of the greatest part of Polish public opinion.
1899-1902年发生在南非的血腥冲突引起了波兰舆论的极大兴趣。它的大部分强烈同情布尔共和国。他们的汉堡被波兰媒体理想化,并被描绘成勇敢的独立战士,他们敢于站起来反对世界帝国,捍卫自己的权利,而英国则被认为对战争的爆发负有全部责任。对许多波兰人来说,布尔人是自由战士的化身,是所有被压迫民族的象征。他们的悲惨命运似乎与波兰人非常相似,而这种相似之处正是人们同情德兰士瓦省和自由橘州捍卫者的主要原因。少数波兰知识分子呼吁对战争采取更客观、不那么情绪化的观点,但他们的声音无法改变波兰公众舆论中绝大多数人支持布尔人的立场。
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引用次数: 2
Land Reform in the Republic of South Africa: Social Justice or Populism? 南非共和国的土地改革:社会正义还是民粹主义?
Pub Date : 2017-06-27 DOI: 10.1515/werk-2017-0005
Arkadiusz Żukowski
Abstract In the paper land reform in South African political discourse will be investigated, especially the process of its politicization. How the topic of land reform is used by political forces, especially the ruling party; the African National Congress and current President Jacob Zuma. Does the Republic of South Africa take a populist turn on land reform or is it some kind of social justice after the suppression of the apartheid era and decades before? The political disputes and decisions will be analysed in confrontations with the fundamentals and values of a democratic state as a guarantee of property rights, private ownership and free market principles (dilemma of the problem of willing buyer - willing seller). It will be necessary to present the historical background of land problem in the RSA. The problem will be investigated in connection with the socio-economic situation of the RSA. The study will also tackle the problem of social and economic inequality from the perspective of politics. In the paper, a mix of primary and secondary research methods of data collection and analysing will be used. Theoretical framework will be based on assumptions of political discourse and the paradigm of “classic” land reform.
本文将调查南非政治话语中的土地改革,特别是其政治化的过程。政治力量,特别是执政党如何利用土地改革的话题;非洲人国民大会和现任总统雅各布·祖马。南非共和国是在土地改革上转向民粹主义,还是在种族隔离时代和几十年前的镇压之后,这是一种社会正义?政治纠纷和决策将与民主国家的基本原则和价值观(作为财产权、私有制和自由市场原则的保障)(自愿买方-自愿卖方问题的困境)相对抗。有必要介绍RSA土地问题的历史背景。将结合卢旺达的社会经济情况对这个问题进行调查。该研究还将从政治角度解决社会和经济不平等问题。在本文中,将使用数据收集和分析的主要和次要研究方法的混合。理论框架将基于政治话语的假设和“经典”土地改革的范式。
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引用次数: 3
The Historical Taboo: Colonial Discourses and Postcolonial Identities in Belgium 历史禁忌:比利时的殖民话语和后殖民身份
Pub Date : 2017-06-27 DOI: 10.1515/werk-2017-0007
Julien Bobineau
Abstract This article examines so-called colonial discourses in Belgium related to the former Sub-Saharan colony owned by Leopold II of Belgium which today is known as the Democratic Republic of Congo (DR Congo) or the Congo-Kinshasa. Having introduced the colonial history of the DR Congo from the 15th century until 1910, the study starts with a discussion of Van den Braembussche’s concept of a ‘historical taboo’ and four ways of engaging with such implicit interdictions. Finally, an empirical analysis of colonial discourses in Belgium from the 1890s until today will be presented in conjunction with Belgium’s linguistic-cultural division, taking into account age-related divergence.
本文考察了比利时所谓的殖民话语,这些话语涉及比利时利奥波德二世拥有的前撒哈拉以南殖民地,今天被称为刚果民主共和国(刚果民主共和国)或刚果金沙萨。在介绍了刚果民主共和国从15世纪到1910年的殖民历史之后,本研究首先讨论了Van den Braembussche的“历史禁忌”概念,以及参与这种隐性禁令的四种方式。最后,从19世纪90年代到今天,比利时殖民话语的实证分析将与比利时的语言文化分裂结合在一起,考虑到与年龄相关的分歧。
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引用次数: 4
Africa and Its People in the Polish Media 波兰媒体中的非洲及其人民
Pub Date : 2017-06-27 DOI: 10.1515/werk-2017-0008
Paweł Średziński
Abstract The African continent is treated by the Polish media marginally and usually seen through the lens of four domains of stereotypical perceptions that are associated with difficult life conditions, threats and dangers, beautiful and wild nature, as well as original and diverse cultures. Monitoring of the Polish media has become very important in this situation. That is why the results of first media monitoring report were published in 2011 by ‘Africa Another Way’ Foundation. Five years later the monitoring was repeated. It is hard to resist the impression that Africa is still viewed as this poor, underdeveloped and dangerous continent. And the way it is presented translates into the way individuals of African descent are perceived.
波兰媒体对非洲大陆的报道是边缘化的,通常通过四个刻板印象的视角来看待非洲大陆,这些刻板印象与艰难的生活条件、威胁和危险、美丽和野生的自然以及原始和多样化的文化有关。在这种情况下,对波兰媒体的监测变得非常重要。这就是为什么“非洲另一条路”基金会于2011年发布了第一份媒体监测报告的结果。五年后,再次进行了监测。非洲仍然被视为一个贫穷、不发达和危险的大陆,这一印象令人难以抗拒。它被呈现的方式转化成了人们对非洲人后裔的看法。
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引用次数: 5
The Australopithecines – An Extinct Group of Human Ancestors: My Scientific Interest in South Africa 南方古猿——一个已经灭绝的人类祖先群体:我在南非的科学兴趣
Pub Date : 2017-06-27 DOI: 10.1515/werk-2017-0001
K. Kaszycka
Abstract I introduce the subject of my research interest in South Africa - the australopithecines - a group of bipedal, small-brained and large-toothed creatures from the Plio-Pleistocene, from which the human genus arose. I then briefly discuss various topics of my research, concerning: (1) Taxonomic status and morphological description of the extinct human relative from the Kromdraai site (Australopithecus robustus); (2) Graphic reconstruction of the partial skull from Kromdraai - specimen numbered TM 1517; (3) Assessment of size sexual dimorphism of the South African australopithecines (Australopithecus robustus and Australopithecus africanus), which, in terms of facial features, was pronounced - being almost gorilla-sized; (4) Social behavior of a fossil hominid species from around 2 million years ago, which, in terms of the social structure, was most likely a multimale-multifemale one; and (5) An event from the history of paleoanthropology, concerning the content of the 1924/25 photographs of the Taung Child (Australopithecus africanus) - the first australopithecine skull discovered.
我介绍了我在南非的研究兴趣——南方古猿——一群来自上新世-更新世的两足、小脑袋、大牙齿的生物,人类属就是从那里产生的。然后,我简要地讨论了我研究的各个主题,涉及:(1)Kromdraai遗址中已灭绝的人类近亲(南方古猿粗犷种)的分类地位和形态描述;(2) Kromdraai部分颅骨的图像重建-编号TM 1517;(3)对南非南方古猿(粗壮南方古猿和非洲南方古猿)的体型和性别二型性进行了评估,从面部特征上看,南非南方古猿的体型与大猩猩相近;(4)一个200万年前的原始人类化石物种的社会行为,从社会结构来看,该物种极有可能是多雄多雌的社会结构;(5)古人类史上的一个事件,涉及到1924/25年发现的第一个南方古猿头骨——非洲南方古猿(Taung Child)的照片内容。
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引用次数: 3
“It Is Really a Big Achievement for a Small Community Like the One of Curaçao.” Jan Greshoff (1888–1971) and De Stoep (1940–1951): An Exploration “对于像库拉帕拉奥这样的小社区来说,这真的是一项巨大的成就。”简·格雷肖夫(1888-1971)和德·斯托普(1940-1951):探索
Pub Date : 2016-11-01 DOI: 10.1515/werk-2016-0010
Willem Bant
Abstract During the Second World War, both in the Dutch East Indies and in Curaçao, journals were published in which Dutch authors could publish their works unhampered by German censorship. In addition, literary works in Dutch were published in the Dutch East Indies, South Africa and New York. A man involved in all these initiatives was Jan Greshoff, an author who had played an important role in Dutch literature during the time between the two world wars. In this article, the role of Greshoff in relation to the literary journal De Stoep, which originated in Curaçao after the German occupation of Holland in 1940, will be explored. Although he never went to Curaçao and never met the journal’s founder, Luc. Tournier, in person, Greshoff played an important role in the history of De Stoep during the years of the war, and thus indirectly in the development of Dutch literature in Curaçao.
在第二次世界大战期间,无论是在荷属东印度群岛还是在库拉帕拉索,荷兰作家都可以在期刊上发表他们的作品,而不受德国审查制度的阻碍。此外,荷兰语文学作品也在荷属东印度群岛、南非和纽约出版。简·格雷肖夫(Jan Greshoff)参与了所有这些倡议,他是一位作家,在两次世界大战之间的那段时间里,他在荷兰文学界发挥了重要作用。本文将探讨格列肖夫与1940年德国占领荷兰后起源于库拉帕拉奥的文学杂志《德·斯托普》之间的关系。虽然他从不去库拉索岛和从未见过《华尔街日报》的创始人,卢克。图尼埃本人,格列肖夫在德·斯托普的历史上扮演了重要的角色,在战争年代,从而间接地在库拉帕拉奥荷兰文学的发展。
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引用次数: 0
期刊
Werkwinkel-Journal of Low Countries and South African Studies
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