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(Non)curating the Creative City: From 100 Grad to Performing Arts Festival Berlin (非)策划创意城市:从100届毕业生到柏林表演艺术节
IF 0.1 4区 艺术学 0 THEATER Pub Date : 2021-12-16 DOI: 10.2357/FMTH-2021-0003
Benjamin Hoesch
Abstract:The independent performing arts in Berlin, counterpart to the established city and state theatre system, have undergone fundamental change over the last decades. As part of this change, the 100 Grad Festival, a crucial event for the scene for over twelve years, ended in 2015 and was replaced by the Performing Arts Festival (PAF), which addresses the city of Berlin as a whole. This paper will trace the institutional transition from 100 Grad to PAF by highlighting organizational continuity and differences, and by analyzing the discourse accompanying the shift in the field of Berlin’s independent performing arts. The point of departure for the paper are questions of curation, which both festivals reject, yet re-employ in different strategies, especially towards emergent artists. However, contextualizing the festivals within broader tendencies in city development – the governmentality of the ‘creative city’– shows that opposing strategies may equally fall in line with aesthetic capitalism, leading to a paradoxical outcome.
摘要:柏林的独立表演艺术在过去的几十年里发生了根本性的变化,与已建立的城市和国家剧院系统相对应。作为这一变化的一部分,100届毕业生节,一个超过12年的重要事件,于2015年结束,被表演艺术节(PAF)所取代,该艺术节将柏林作为一个整体。本文将通过强调组织的连续性和差异,以及分析伴随柏林独立表演艺术领域转变的话语,来追溯从100 Grad到PAF的机构转型。本文的出发点是策展问题,这两个节日都拒绝,但又以不同的策略重新使用,特别是对新兴艺术家。然而,将节日置于城市发展的更广泛趋势中——“创意城市”的治理——表明,相反的策略可能同样与审美资本主义一致,导致矛盾的结果。
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引用次数: 0
Sruti Bala, The Gestures of Participatory Art. Manchester: Manchester University Press 2018, 156 Seiten. 斯鲁提·巴拉,参与式艺术的姿态。曼彻斯特:曼彻斯特大学出版社,2018,156页。
IF 0.1 4区 艺术学 0 THEATER Pub Date : 2021-01-01 DOI: 10.2357/FMTH-2021-0014
Katharina Pewny
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引用次数: 0
Leon Gabriel und Nikolaus Müller-Schöll (Hg.), Das Denken der Bühne. Szenen zwischen Theater und Philosophie, Bielefeld: transcript 2019, 276 Seiten. 莱昂·加布里尔和尼古拉斯·穆勒·舒勒(Hg),他们都是舞台的思想。从戏剧和哲学《超越2019》,276页
IF 0.1 4区 艺术学 0 THEATER Pub Date : 2021-01-01 DOI: 10.2357/FMTH-2021-0012
Lutz Ellrich
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引用次数: 0
Katarina Kleinschmidt. Artistic Research als Wissensgefüge. Eine Praxeologie des Probens im zeitgenössischen Tanz. München: epodium Verlag 2018, 305 Seiten 卡特拉Kleinschmidt .当今科技的精髓是一个当代舞蹈作品的表演素材。慕尼黑:德云出版社,2018年305页
IF 0.1 4区 艺术学 0 THEATER Pub Date : 2021-01-01 DOI: 10.2357/FMTH-2021-0028
Katja Schneider
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引用次数: 0
Evelyn Annuß. Volksschule des Theaters. Nationalsozialistische Massenspiele. Paderborn: Fink 2019, 569 Seiten 艾芙琳Annuß.德古拉盟军Massenspiele .156页
IF 0.1 4区 艺术学 0 THEATER Pub Date : 2021-01-01 DOI: 10.2357/FMTH-2021-0027
Marén Möhring
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引用次数: 0
Autorinnen und Autoren 作者与作家
IF 0.1 4区 艺术学 0 THEATER Pub Date : 2021-01-01 DOI: 10.1353/fmt.2021.0013
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引用次数: 0
Gender und Kritik 性别与批评
IF 0.1 4区 艺术学 0 THEATER Pub Date : 2021-01-01 DOI: 10.2357/FMTH-2021-0004
R. Brucher, Jenny Schrödl
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引用次数: 0
Autorinnen und Autoren 作者与作家
IF 0.1 4区 艺术学 0 THEATER Pub Date : 2021-01-01 DOI: 10.1353/fmt.2021.0030
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引用次数: 0
Lore Knapp. Formen des Kunstreligiösen. Peter Handke—Christoph Schlingensief. Paderborn: Wilhelm Fink, 2015. 379 Seiten 罗拉·.食物配给奇妙的好奇心彼得·安克2015年Wilhelm Fink379页
IF 0.1 4区 艺术学 0 THEATER Pub Date : 2021-01-01 DOI: 10.2357/FMTH-2021-0030
Sarah Pogoda
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引用次数: 0
Henning Fülle. Freies Theater. Die Modernisierung der deutschen Theaterlandschaft (1960–2010). Theater der Zeit Recherchen 125. Berlin: Theater der Zeit 2016, 500 Seiten 海宁.圆满自由剧院.德国剧院的现代化(1960—2010年)。时间剧场研究1。柏林:2016年剧院,500页
IF 0.1 4区 艺术学 0 THEATER Pub Date : 2021-01-01 DOI: 10.2357/FMTH-2021-0029
Anna Volkland
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引用次数: 0
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FORUM MODERNES THEATER
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