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“I Pray We Won’t Let This Moment Pass Us By”: Christian Concert Films and Numinous Experiences “我祈祷我们不会让这个时刻从我们身边溜走”:基督教音乐会电影和灵性体验
IF 0.8 0 RELIGION Pub Date : 2016-10-01 DOI: 10.1080/15348423.2016.1248185
Jim Y. Trammell
ABSTRACT This article analyzes the Christian concert film Live in Miami: Welcome to the Aftermath to investigate how mass media evoke numinous experiences. Using a framework that locates technological determinism within theories of religious encounters, the analysis explores how Christian concert films create numinous experiences through shot composition, editing, and content selection. The article argues that mass media technologies and aesthetics can create expectations of religious encounters and challenges the use of mass media to manufacture religious experiences.
本文分析了基督教音乐会电影《迈阿密现场:欢迎来到善后》,探讨大众媒体是如何唤起精神体验的。通过将技术决定论定位于宗教相遇理论的框架,分析探讨了基督教音乐会电影如何通过镜头构图、剪辑和内容选择创造出神圣的体验。文章认为,大众传媒技术和美学可以创造宗教相遇的期望,并挑战使用大众传媒制造宗教体验。
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引用次数: 2
EOV Editorial Board EOV编委会
IF 0.8 0 RELIGION Pub Date : 2016-10-01 DOI: 10.1080/15348423.2016.1267535
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引用次数: 0
Consumers’ Insights About Spirituality in Advertising 消费者对广告精神性的洞察
IF 0.8 0 RELIGION Pub Date : 2016-10-01 DOI: 10.1080/15348423.2016.1248182
Galit Marmor-Lavie, P. Stout
ABSTRACT While the study of spirituality in advertising is an emerging area of scholarship, previous research tends to focus more on the spiritual message rather than on the consumer. Although some studies report on the meanings consumers derive from spiritual advertising messages, the definitions of spirituality as religion in these studies are not in alignment with the holistic approach applied here. In this article, we interview consumers and ask what meanings may emerge from their responses to spiritually dense commercials. (By spiritually dense we mean commercial messages rich with spiritual core ideas, as described in the Spirituality in Advertising Framework). Four themes have emerged from the data: authenticity, the journey, inspiration, and nature. We analyze these findings in light of both theory and practice. Consideration of ethical issues and the positive dimension of spirituality in advertising are also discussed.
虽然广告中的灵性研究是一个新兴的学术领域,但以往的研究往往更多地关注精神信息而不是消费者。尽管一些研究报告了消费者从灵性广告信息中获得的意义,但这些研究中灵性作为宗教的定义与这里应用的整体方法并不一致。在这篇文章中,我们采访了消费者,并询问他们对精神密集的广告的反应可能会产生什么意义。(所谓精神密集,我们指的是富含精神核心思想的商业信息,正如《广告框架中的灵性》所描述的那样)。从这些数据中出现了四个主题:真实性、旅程、灵感和自然。我们从理论和实践两个方面对这些发现进行分析。在广告中考虑伦理问题和积极的灵性维度也进行了讨论。
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引用次数: 11
Third-Person Effect, Religiosity and Support for Censorship of Satirical Religious Cartoons 第三人称效应、宗教性和对讽刺宗教漫画审查制度的支持
IF 0.8 0 RELIGION Pub Date : 2016-10-01 DOI: 10.1080/15348423.2016.1248183
Larry James Webster, J. Li, Yicheng Zhu, A. Luchsinger, Anan Wan, M. Tatge
ABSTRACT The violent attack on the staff of Charlie Hebdo and an earlier plot to kill cartoonists from the Danish newspaper Jyllands-Posten raise the issue of censorship of satirical religious cartoons to avoid potential retaliatory violence from those offended by the cartoons. With third-person effect (TPE) as the theoretical underpinning, this study examined the relationship among TPE, religiosity, and support for censorship of religious satirical cartoons. Data were collected in May 2015. A national sample of participants (N=374) was acquired through Amazon’s Mechanical Turk. The results show that individuals with a higher degree of religiosity are more likely to support censorship of satirical religious cartoons, and though TPE is not positively correlated to support for censorship, respondents’ perception of the effect of the cartoons on themselves may indicate an increased propensity for supporting censorship.
针对《查理周报》工作人员的暴力袭击,以及早先针对丹麦《日德兰邮报》漫画家的暗杀阴谋,引发了对讽刺宗教漫画进行审查的问题,以避免被漫画冒犯的人可能采取报复性暴力。本研究以第三人称效应(TPE)为理论基础,探讨了第三人称效应、宗教虔诚度和宗教讽刺漫画审查支持度之间的关系。数据收集于2015年5月。参与者的全国样本(N=374)是通过亚马逊的土耳其机器人获得的。研究结果显示,具有较高宗教信仰程度的个人更倾向于支持对讽刺宗教漫画的审查,虽然TPE与支持审查的正相关,但受访者对漫画对自己的影响的感知可能表明支持审查的倾向增加。
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引用次数: 4
A Moderate Manifesto: Mormon Feminism, Agency, and Internet Blogging 温和的宣言:摩门教女权主义、代理和网络博客
IF 0.8 0 RELIGION Pub Date : 2016-07-02 DOI: 10.1080/15348423.2016.1209393
Gavin Feller
ABSTRACT The recent excommunication of Utah feminist-activist Kate Kelly demonstrates the precariousness of activism within the Church of Jesus Christ of Latter-day Saints (LDS/Mormon). This article performs a textual analysis of a popular blog post written by an influential LDS employee, women’s activist, and blogger: Neylan McBaine. I argue that McBaine’s separation of doctrine from culture and her use of strategic ambiguity construct an effective argument applicable to a broad range of Mormon readers and leaders. The technological affordances of Internet blogging are also considered, in particular, how such affordances enable McBaine to embody her Manifesto by linking it to her personal and professional life, establishing her ethos as a mediator of differing women’s voices, offering a promising path to positive policy and cultural change for Mormon women. This analysis demonstrates the utility of calls to unity in light of increasing tensions surrounding Mormon women’s visibility, decision-making, and priesthood ordination.
最近犹他州女权主义活动家凯特·凯利被逐出教会,这表明了耶稣基督后期圣徒教会(LDS/摩门教)内部激进主义的不稳定性。本文对一篇颇受欢迎的博客文章进行了文本分析,这篇文章的作者是一位颇有影响力的摩门教员工、女性活动家和博主Neylan McBaine。我认为,麦克贝恩将教义与文化分离,以及她对战略歧义的使用,构建了一个有效的论点,适用于广泛的摩门教读者和领袖。互联网博客的技术支持也被考虑在内,特别是,这种支持如何使麦克贝恩通过将其与她的个人和职业生活联系起来,体现她的宣言,建立她作为不同女性声音的调解人的精神,为摩门教妇女提供积极的政策和文化变革的有希望的途径。这个分析显示了呼召合一的效用,在围绕摩尔门妇女的能见度、决策和圣职祝圣的日益紧张的情况下。
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引用次数: 5
What would Jesus read? Popular religious books and everyday life in twentieth-century America, by Erin A. Smith 耶稣会读什么?流行的宗教书籍和日常生活在20世纪的美国,艾琳A.史密斯
IF 0.8 0 RELIGION Pub Date : 2016-07-02 DOI: 10.1080/15348423.2016.1209394
J. Ferré
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引用次数: 0
Pop Music and the Search for the Numinous: Exploring the Emergence of the “Secular Hymn” in Post-Modern Culture 流行音乐与对灵性的追寻:探索后现代文化中“世俗圣歌”的出现
IF 0.8 0 RELIGION Pub Date : 2016-07-02 DOI: 10.1080/15348423.2016.1209392
Steven R. Thomsen, Quint Randle, Matthew J Lewis
ABSTRACT A growing body of research suggests that traditional religious institutions are failing to meet the spiritual needs of their adherents, who are now abandoning traditional worship and turning to pop music to fill the void. This article defines and explores the phenomenon of the “secular hymn.” While nonreligious in nature or intent, the secular hymn is a pop song that allows the listener to experience the numinous by creating an affective state that parallels a spiritual or religious state of mind. This article outlines the phenomenon of the secular hymn in pop culture, defines its characteristics, and evaluates several pop songs against these criteria. While some secular hymns may be used in some church settings, the overall trend may exemplify the continuing erosion of traditional religion and the use of explicitly religious music in both public and private settings.
越来越多的研究表明,传统的宗教机构无法满足其信徒的精神需求,他们现在正在放弃传统的崇拜,转而用流行音乐来填补空虚。本文对“世俗圣歌”现象进行了界定和探讨。世俗圣歌是一种流行歌曲,它通过创造一种与精神或宗教状态相似的情感状态,让听者体验到灵性的境界。本文概述了流行文化中的世俗圣歌现象,定义了其特征,并根据这些标准对几首流行歌曲进行了评价。虽然一些世俗的赞美诗可能在一些教堂环境中使用,但总体趋势可能表明传统宗教的持续侵蚀以及在公共和私人环境中使用明确的宗教音乐。
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引用次数: 2
Journalists’ and Educators’ Perspectives on News Media Reporting of Islam and Muslim Communities in Australia and New Zealand 记者和教育工作者对澳大利亚和新西兰伊斯兰教和穆斯林社区的新闻媒体报道的看法
IF 0.8 0 RELIGION Pub Date : 2016-07-02 DOI: 10.1080/15348423.2016.1209391
J. Ewart, M. Pearson, G. Healy
ABSTRACT We know much about how the news media report on the topic of Muslims and Islam, but we know very little about the journalistic practices and processes that contribute to the way these issues are framed and reported. Whereas research has until now largely focused on the ways in which Islam and Muslims are represented in various news media, there is relatively little research that explores the issue from the perspective of key people working in the news media. In order to address what we perceive as a significant gap in the research, we draw on data from interviews with 29 journalists, editors, media trainers, and journalism educators located in Australia and New Zealand to explore their understandings of the ways stories about Islam and Muslims are reported and why. The article also investigates the interviewees’ perceptions of the effects of news media coverage of Muslims and Islam. Our findings present a starting point to improving practice for those reporting on Islam and Muslim and inform the development of training modules in the reporting of Islam for journalists and journalism students.
我们很了解新闻媒体如何报道穆斯林和伊斯兰教的话题,但我们对促成这些问题的框架和报道方式的新闻实践和过程知之甚少。到目前为止,研究主要集中在伊斯兰教和穆斯林在各种新闻媒体中的表现方式上,而从新闻媒体中工作的关键人物的角度来探讨这一问题的研究相对较少。为了解决我们认为研究中存在的重大差距,我们利用对澳大利亚和新西兰的29名记者、编辑、媒体培训师和新闻教育者的采访数据,探讨他们对报道伊斯兰教和穆斯林故事的方式及其原因的理解。文章还调查了受访者对新闻媒体报道穆斯林和伊斯兰教的影响的看法。我们的研究结果为改善报道伊斯兰教和穆斯林的实践提供了一个起点,并为记者和新闻专业学生报道伊斯兰教的培训模块的开发提供了信息。
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引用次数: 16
Religion and the Representative Anecdote: Replacement and Revenge in AMC’s The Walking Dead 宗教与代表性轶事:AMC美剧《行尸走肉》中的替代与复仇
IF 0.8 0 RELIGION Pub Date : 2016-07-02 DOI: 10.1080/15348423.2016.1209390
Erik J. Engstrom, Joseph M. Valenzano
ABSTRACT The current study examines how the horror-based AMC television series The Walking Dead portrays religion in terms of a reframing of the role, if any, of faith in a higher power, and the portrayal of the faithful. The religious-themed discourse of this highly successful story about survivors of a zombie apocalypse as presented through dialogic and visual imagery serves as the text analyzed here; specifically, related episodes set in churches at two separate points in the series that combine to offer a metaphor of “structure” used to disassemble and reconstruct the role of religion. These episodes interlace religious themes to develop an overarching message that forms a representative anecdote of replacement in which the notion of “faith” becomes redefined.
当前的研究考察了AMC电视台以恐怖为基础的电视剧《行尸走肉》如何在角色重构方面描绘宗教,如果有的话,对更高权力的信仰,以及对信徒的描绘。这个关于僵尸末日幸存者的非常成功的故事的宗教主题话语通过对话和视觉图像呈现,作为本文分析的文本;具体来说,相关的剧集发生在教堂里,在剧集的两个不同的点上,结合起来提供了一个“结构”的隐喻,用来拆解和重建宗教的角色。这些情节交织着宗教主题,形成了一个总体信息,形成了一个代表性的替代轶事,其中“信仰”的概念被重新定义。
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引用次数: 2
“Get to Know the Unknown”: Understanding Religion and Advertising “了解未知”:了解宗教与广告
IF 0.8 0 RELIGION Pub Date : 2016-04-02 DOI: 10.1080/15348423.2016.1177349
Stefanie Knauss
ABSTRACT The relationship between religion and advertising has mostly been theorized in terms of “religion in advertising” or “advertising as religion.” This article pursues two goals: First, it offers a substantial critique of previous studies of advertising and religion in order to take stock and discern future directions of research. Second, it presents the results of an empirical qualitative study of print advertisements which responds to some of the open questions of previous research. It shows that advertising partially fulfills religious functions, focusing on those to do with self-actualization and meaning making within an immanent horizon, and less so on community-related functions. Based on these results, I argue that in the study of religion and advertising, “religion” cannot be limited to specific religious traditions, but has to be understood more broadly. Also, the conventional distinction between “religion in advertising” and “advertising as religion” has to be overcome in order to understand the phenomenon.
关于宗教与广告的关系,人们大多从“广告中的宗教”或“广告即宗教”的角度进行理论化。本文追求两个目标:首先,它对先前的广告和宗教研究提出了实质性的批评,以便评估和辨别未来的研究方向。其次,它提出了一项对平面广告的实证定性研究的结果,该研究回应了先前研究中的一些开放性问题。研究表明,广告在一定程度上实现了宗教功能,主要集中在内在视界内的自我实现和意义创造方面,而社区相关功能较少。基于这些结果,我认为在宗教和广告的研究中,“宗教”不能局限于特定的宗教传统,而必须得到更广泛的理解。此外,为了理解这一现象,必须克服“广告中的宗教”和“作为宗教的广告”之间的传统区别。
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引用次数: 6
期刊
Journal of Media and Religion
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