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Reconstructing Philosophical Genealogy from the Ground Up: What Truly Is Philosophical Genealogy and What Purpose Does It Serve? 从头开始重建哲学谱系学:哲学谱系学究竟是什么?
Q3 ETHNIC STUDIES Pub Date : 2023-12-10 DOI: 10.3390/genealogy7040098
Brian Lightbody
What is philosophical genealogy? What is its purpose? How does genealogy achieve this purpose? These are the three essential questions to ask when thinking about philosophical genealogy. Although there has been an upswell of articles in the secondary literature exploring these questions in the last decade or two, the answers provided are unsatisfactory. Why do replies to these questions leave scholars wanting? Why is the question, “What is philosophical genealogy?” still being asked? There are two broad reasons, I think. First, on the substantive side, the problem is that genealogical models will get certain features of the method right but ignore others. The models proffered to answer the first question are too restrictive. The second reason is that the three essential questions to ask regarding the nature of genealogy are run together when they should be treated separately. In the following paper, I address these problems by attempting to reconstruct genealogy from the ground up. I provide what I hope is an ecumenical position on genealogy that will accommodate a wide variety of genealogical thinkers, from Hobbes to Nietzsche, rather than a select few. Therefore, I examine two of the three questions above: What is philosophical genealogy and its purpose? I argue there are seven main features of genealogy and that these features may be used as a yardstick to compare how one genealogist stacks up to another along the seven aspects I outline in the paper.
什么是哲学谱系学?其目的是什么?谱系学如何实现这一目的?这是思考哲学谱系学时必须提出的三个基本问题。尽管在过去的一二十年里,二手文献中探讨这些问题的文章不断涌现,但所提供的答案并不令人满意。为什么对这些问题的回答让学者们意犹未尽?为什么 "什么是哲学谱系学?"这个问题仍在被提出?我认为大致有两个原因。首先,在实质方面,问题在于谱系学模式会正确地把握方法的某些特征,却忽略了其他特征。为回答第一个问题而提出的模式限制性太强。第二个原因是,关于家谱学性质的三个基本问题本应分开处理,却被放在一起。在下文中,我试图从根本上重建家谱学,从而解决这些问题。我希望提供一种关于家谱学的普世立场,以容纳从霍布斯到尼采的各种家谱学思想家,而不是少数人。因此,我将探讨上述三个问题中的两个:什么是哲学谱系学及其目的?我认为谱系学有七个主要特征,这些特征可以作为一把尺子,用来比较一个谱系学家与另一个谱系学家在我在文中概述的七个方面的差距。
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引用次数: 0
Apsara Aesthetics and Belonging: On Mixed-Race Cambodian American Performance 阿普萨拉美学与归属感:论美国柬埔寨混血儿的表演
Q3 ETHNIC STUDIES Pub Date : 2023-12-08 DOI: 10.3390/genealogy7040097
Tiffany J. Lytle
The image of the Apsara, a celestial dancer in Cambodian myth, is closely associated with Cambodian cultural preservation practices like Cambodian classical dance. The Apsara, its aesthetic features and its association with Cambodian cultural preservation have taken on new meaning in Cambodia’s diasporic communities. In the diaspora, Apsara aesthetics have come to symbolize Cambodian heritage, history and identity, becoming a major feature of performances by Cambodian diasporic artists. However, orientalist expectations of Asian performers in the diaspora, paired with both the forgotten history of colonial intervention in Cambodian arts and state-sanctioned initiatives towards Cambodian nationalism, contributes to orientalist (and thus racialized) expectations of Cambodian diasporic performance. Mixed-race artists fail to fit neatly into the dominant narratives of Cambodian performance and have been marginalized by the Cambodian diasporic community’s dominant conceptions of performance that are rooted in cultural preservation. As people that sit outside of the aestheticized markers of Cambodian-ness, mixed-race artists often struggle to have their work and their subjectivities recognized by their communities. To circumvent questions of their racial legibility, mixed-race Cambodian American artists construct performances that are strategically padded with markers of Khmer identity by engaging with Apsara aesthetics. This article will explore how three different SoCal-based artists have negotiated their Cambodian American identity and cultural politics through performance and/or performance related materials (ads, images, etc.). I will be using examples from the work of music artist and violinist Chrysanthe Tan, theater practitioner Kalean Ung, and autoethnographic engagement with my own creative projects to show how examining the work of multi-racial Cambodian American performing artists can bring forth the complex dynamics of Cambodian diasporic cultural politics and belonging.
在柬埔寨神话中,飞天女(Apsara)是一位天上的舞者,她的形象与柬埔寨古典舞等文化保护活动密切相关。飞天,它的美学特征和它与柬埔寨文化保护的联系在柬埔寨的流散社区中有了新的意义。在散居的柬埔寨,飞天美学已经成为柬埔寨遗产、历史和身份的象征,成为柬埔寨散居艺术家表演的主要特征。然而,东方主义者对散居海外的亚洲表演者的期望,加上柬埔寨艺术中被遗忘的殖民干预历史和国家批准的针对柬埔寨民族主义的举措,促成了东方主义者(因此也是种族化的)对散居海外的柬埔寨表演的期望。混血儿艺术家无法完全融入柬埔寨表演的主流叙事,并被柬埔寨流散社区植根于文化保护的主流表演观念所边缘化。作为处于柬埔寨人的审美标记之外的人,混血儿艺术家往往很难让他们的作品和他们的主体性得到社区的认可。为了规避种族易读性的问题,混血儿的柬埔寨裔美国艺术家通过运用Apsara美学,在表演中战略性地填充了高棉身份的标记。本文将探讨三位不同的社会艺术家如何透过表演及/或与表演相关的材料(广告、影像等),来探讨他们的柬埔寨裔美国人身份与文化政治。我将以音乐艺术家兼小提琴家陈菊(Chrysanthe Tan)、戏剧从业者Kalean Ung的作品为例,并以我自己的创意项目为例,展示审视多种族柬埔寨裔美国表演艺术家的作品如何带来柬埔寨流散文化政治和归属感的复杂动态。
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引用次数: 0
Family Name Adoption in the Dutch Colonies at the Abolition of Slavery in the Context of National Family Name Legislation: A Reflection on Contemporary Name Change 国家姓氏立法背景下荷兰殖民地废除奴隶制时的姓氏采用:对当代姓氏变化的思考
Q3 ETHNIC STUDIES Pub Date : 2023-12-04 DOI: 10.3390/genealogy7040096
Leendert Brouwer
Name change can only take place in the Netherlands under strict conditions and according to patronizing regulations. At the moment, an amendment of name law is being drafted that would give descendants of Dutch citizens whose ancestors lived in slavery an exemption. If they have a family name that their ancestors received upon their release, they may change it free of charge. It remains to be seen, however, whether the desire to adopt new names in keeping with a reclaimed African identity can also be granted. After all, that would conflict with the general regulations when creating a new name. The whole issue shows political opportunism. First, it would be useful to get a good picture of name adoption in light of surnaming in general. Is it right to consider the names in question as slave names? Are they really that bad? It is more likely that precisely the exceptional position now obtained leads to undesirable profiling. In fact, the only solution to embarrass no one is a wholesale revision of the name law that does away with outdated 19th century limitations. Why should anyone be unhappy with their name? Why should someone who insists on having a different name be prevented from doing so? This essay examines the announced change in the law against the background of surnaming in general and the acquisition of family names in Suriname and the Netherlands Antilles in particular.
在荷兰,只有在严格的条件下,并根据光顾规定,才能更改名称。目前,一项关于姓名法的修正案正在起草中,该修正案将给予祖先生活在奴隶制下的荷兰公民的后代豁免。如果他们的姓氏是他们的祖先在他们被释放时得到的,他们可以免费更改姓氏。然而,采用新名字以保持重新获得的非洲身份的愿望是否也能得到批准,还有待观察。毕竟,这将与创建新名称时的一般规则相冲突。整个问题显示出政治机会主义。首先,根据一般的姓氏,对名字的采用有一个很好的了解是很有用的。把这些名字看作奴隶的名字对吗?他们真的那么糟糕吗?更有可能的是,正是现在获得的特殊位置导致了不受欢迎的侧写。事实上,唯一不会让任何人感到尴尬的解决方案是全面修改姓名法,废除过时的19世纪限制。为什么会有人对自己的名字不满意呢?为什么要阻止一个坚持要用不同名字的人这样做呢?本文考察了在苏里南和荷属安的列斯群岛的姓氏的背景下宣布的法律变化。
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引用次数: 0
Gender Justice and Feminist Politics: Decolonizing Collaborative Research 性别公正与女权主义政治:合作研究的非殖民化
Q3 ETHNIC STUDIES Pub Date : 2023-11-29 DOI: 10.3390/genealogy7040095
Dolores Figueroa Romero
The most prominent social effects of the drug war in Mexico are the criminalization of poverty and increased rates of feminicide. Feminist academics and community leaders have been developing and working hand in hand to find the most appropriate methods to document gender-based violence and feminicide to shed light on the impunity that hides the systemic dismissal of women’s lives. This essay presents a critical analysis of my own positionality as a feminist and academic ally in building a collaborative research alliance with indigenous women leaders who are politically engaged in the production of knowledge from an intersectional perspective that adequately reflects the matrix of violence that affects the lives of indigenous women in urban and rural areas. This process has been fruitful and promising, although it has also entailed challenges and contradictions arising from disparate meanings of gender justice and the lack of encounter of feminist/indigenous politics of resistance.
墨西哥毒品战争最突出的社会影响是将贫穷定为犯罪,并增加了杀害妇女的比率。女权主义学者和社区领袖一直在携手合作,寻找最合适的方法来记录基于性别的暴力和杀害女性的行为,以揭示隐藏在系统性漠视妇女生活背后的有罪不罚现象。在与土著妇女领袖建立合作研究联盟的过程中,我作为一名女权主义者和学术盟友,从政治角度参与了知识的创造,从交叉角度充分反映了影响城市和农村地区土著妇女生活的暴力矩阵,本文对我自身的立场进行了批判性分析。这一进程硕果累累,前景光明,但也面临着挑战和矛盾,因为性别公正的含义不同,而且女权主义者/土著人的抵抗政治缺乏交锋。
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引用次数: 0
Family Dynamics in Colonial La Rioja: A Case Analysis of Five Generations 殖民地时期拉里奥哈的家庭动态:对五代人的个案分析
Q3 ETHNIC STUDIES Pub Date : 2023-11-28 DOI: 10.3390/genealogy7040094
J. Villafañe
This study constitutes a preview of a broader research project on kinship, family, and society in colonial La Rioja. In this context, the results obtained from the study of five generations of the Villafañe and Guzmán family are presented. Various aspects such as family organization, inheritance system, conflicts between families, the construction of a distinct identity, and the strategies that allowed this family to preserve its heritage and maintain a prominent status in the local elite are examined and analyzed in detail.
这项研究是拉里奥哈殖民地时期亲缘关系、家庭和社会更广泛研究项目的预演。在此背景下,介绍了对 Villafañe 和 Guzmán 家族五代人的研究成果。研究详细考察和分析了家族组织、继承制度、家族间冲突、独特身份的构建以及使该家族得以保护其遗产并在当地精英阶层中保持显赫地位的策略等各个方面。
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引用次数: 0
Transracial Adoption, Memory, and Mobile, Processual Identity in Jackie Kay’s Red Dust Road 杰基-凯《红尘路》中的跨种族收养、记忆和流动的、过程性的身份认同
Q3 ETHNIC STUDIES Pub Date : 2023-11-25 DOI: 10.3390/genealogy7040093
P. Ahokas
Representations of adoptions tend to concentrate on normatively conceived forms of identity, which prioritize the genetic lineage of adoptees. In contrast, scholarship on autobiographical writing emphasizes that identities are not fixed but are always in process and intersectional because they are formed in within inequal power relations. Kay’s experimental, autobiographical narrative Red Dust Road (2010) tackles the themes of adoption, the search for close relatives, and reunion. Many scholars of her autobiographical writings describe the fluidity of the diasporic adoptee identities created by her. My aim is more specific: I examine what I call Kay’s continuously mobile, processual identity construction as a transracial adoptee in Red Dust Road. I argue that her identity formation, which is also intersectional, is interconnected with her multidirectional networks of attachments and the experimental form of her adoption narrative. In addition to an intersectional approach and autobiographical studies, I draw on insights from adoption studies. In my reading of Kay’s work, I pay special attention to the inequalities derived from the intersecting vectors of adoption and race, which also intersect with other dimensions of difference, such as nation, gender, class, and sexual orientation. I employ the notion of the multidirectional in the sense in which McLeod applies it to the study of adoption writing. As I demonstrate, multidirectionality and the complex form of Red Dust Road provide versatile means of conveying Kay’s fragmented acts of memory, which assist her ongoing mobile, processual identity construction. Her multidirectional lines of transformative attachments finally bond her to her adoptive and biogenetic families as well as other affective connections. While Kay’s socially significant narrative indicates, amongst other adoption issues, that transracial adoptions can be successful, it is significant that it has no closure. The last chapter gestures toward potential new beginnings, which indicates that the story of adoption has no end.
关于收养的表述往往集中于规范性的身份形式,优先考虑被收养者的遗传血统。与此相反,有关自传体写作的学术研究强调,身份不是固定不变的,而是始终处于过程之中,具有交叉性,因为它们是在不平等的权力关系中形成的。凯的实验性自传叙事作品《红尘路》(2010 年)探讨了领养、寻找近亲和团聚等主题。许多研究她自传体作品的学者描述了她所创造的散居领养者身份的流动性。我的目标更为具体:我将研究凯在《红尘路》中作为跨种族领养人的持续流动性、过程性身份建构。我认为,她的身份形成也是交叉性的,与她的多向依恋网络和收养叙事的实验形式相互关联。除了交叉方法和自传研究,我还借鉴了领养研究的见解。在解读凯的作品时,我特别关注领养和种族这两个相互交叉的矢量所产生的不平等,这两个矢量也与民族、性别、阶级和性取向等其他差异维度相互交叉。我在麦克劳德将其应用于领养写作研究的意义上采用了多向性的概念。正如我所展示的,《红尘路》的多向性和复杂形式为传达凯支离破碎的记忆行为提供了多变的手段,这有助于她持续流动的、过程性的身份建构。她的多向性转化依恋关系最终将她与收养家庭、亲生家庭以及其他情感联系联系在一起。凯的叙述具有重要的社会意义,除其他收养问题外,还表明跨种族收养是可以成功的,但重要的是它没有结束。最后一章描绘了潜在的新开端,表明收养故事没有结束。
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引用次数: 0
The Genesis of Jewish Genealogy 犹太族谱的起源
Q3 ETHNIC STUDIES Pub Date : 2023-11-21 DOI: 10.3390/genealogy7040091
Aaron Demsky
This paper examines the structure, message, and content of biblical genealogies in light of literary analysis and social anthropology. In particular, the focus is on the so-called “Table of Nations” in Genesis 10. My basic assumption is that most biblical genealogies are a literary genre employing various devices that carry a message using symbolic numbers, chiastic structure, and anticipation. These lists interact and supplement the narrative, sometimes as a foil to the story line. They are inserted at relevant points of change in the story of mankind from Adam and Eve to Joseph and his brothers. I even propose that these insertions are the earliest form of dividing the book of Genesis into installments, a precursor to weekly Torah readings and to the later division into chapters as in the printed text. The underlying message of this chapter is the value concept of the brotherhood of mankind stemming from one father—Noah. This innovative idea of universal kinship breaks with the common pagan view prevalent in antiquity that man’s place is to serve the gods and to have little or no personal identity. Note that the great urban cultures of ancient Egypt and Mesopotamia have left us no real records of family lineage other than the long king lists that reflect dynastic power. No doubt the importance of oral and written lineage stems from a tribal culture like that of the ancient Hebrews and their kindred. This overriding view even shaped the Nimrud pericope, describing his founding the urban centers of Babylon and Assyria. Genealogy became the natural medium expressing this message of universal kinship. Basic to understanding biblical genealogies is discerning two patterns of kinship, one, linear, stretching up to ten generations, and two, segmented genealogies, noting an eponymous “father” and his segmented offspring or wives. Our understanding of these structures in the Bible is shaped by the research of social anthropologists who studied oral genealogy among analphabetic tribes in Africa and the Middle East. I apply these observations and methodology in a detailed commentary on the Table of Nations.
本文从文学分析和社会人类学的角度探讨了圣经家谱的结构、信息和内容。尤其是《创世纪》第 10 章中所谓的 "万国表"。我的基本假设是,《圣经》中的大多数家谱都是一种文学体裁,采用了各种手段,利用象征性的数字、楔形结构和预期来传递信息。这些清单与叙事相互影响、相互补充,有时甚至是故事主线的陪衬。从亚当和夏娃到约瑟和他的兄弟,它们被插入人类故事的相关变化点。我甚至认为,插入这些列表是将《创世记》分成几部分的最早形式,是每周诵读《托拉》的先驱,也是后来印刷文本中将《创世记》分成章节的先驱。这一章的基本信息是人类兄弟情谊的价值理念,这种情谊源自同一个父亲--挪亚。这种普世亲情的创新理念打破了古代流行的异教观点,即人的地位是侍奉神灵,几乎没有个人身份。请注意,古埃及和美索不达米亚的伟大城市文化除了反映王朝权力的长长的国王名单之外,没有给我们留下任何关于家族世系的真实记录。毫无疑问,口头和书面世系的重要性源于像古希伯来人及其同族那样的部落文化。这种压倒一切的观点甚至影响了《尼姆鲁德》的经文,描述了他建立巴比伦和亚述城市中心的过程。家谱成为表达这种普遍亲缘关系信息的自然媒介。理解《圣经》家谱的基本要素是辨别两种亲属关系模式,一种是线性的,长达十代;另一种是分段的家谱,指出一个同名的 "父亲 "及其分段的后代或妻子。我们对《圣经》中这些结构的理解是由社会人类学家的研究形成的,他们研究了非洲和中东猿人部落的口头家谱。我将这些观察和方法应用于对《万国表》的详细注释中。
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引用次数: 0
Surnames in Adoption: (Re)creating Identities of Belonging 收养中的姓氏:(重新)创造归属身份
Q3 ETHNIC STUDIES Pub Date : 2023-11-21 DOI: 10.3390/genealogy7040092
Jane Pilcher, Jan Flaherty, Hannah Deakin-Smith, Amanda Coffey, Eve Makis
Names are increasingly recognised in sociology as important routes for understanding family relationships, as well as familial and individual identities. In this article, we use qualitative ‘name story’ data to examine the meanings of surnames for adults who were adopted as a child and for adults who have adopted a child. Our findings suggest that adult adoptees and adopters can feel differently about surnames and how these connect them—or otherwise—to familial identities of belonging and to their own individual identities. Especially for adopters, shared surnames are understood as important for ‘family-making’ through the way they cement and display familial belonging. Adult adoptees’ feelings about belonging, birth surnames and adoptive surnames appeared more complicated and often changed over time. For some, adoption enabled a flexibility in the choice and use of different surnames. Cultures of patronymic and patrilineal surnaming meant that women adoptees and women adopters also faced an additional layer of complexity that shaped decisions made about surnames and family belonging. Through examining experiences of and feelings about family names in adoption, our article highlights the complexities of surname praxis in identity construction, adoptive family life and lineages.
社会学界越来越认识到,姓名是理解家庭关系以及家庭和个人身份的重要途径。在本文中,我们使用定性的 "姓名故事 "数据来研究童年时被领养的成年人和领养过孩子的成年人对姓氏的理解。我们的研究结果表明,成年被收养人和收养人对姓氏的感受可能不同,以及这些姓氏如何将他们--或以其他方式--与家庭归属身份和他们自己的个人身份联系在一起。特别是对于收养者来说,共同的姓氏通过巩固和显示家庭归属感的方式,被理解为 "家庭建立 "的重要因素。成年被收养人对归属感、亲生姓氏和收养姓氏的感受似乎更为复杂,而且往往随着时间的推移而发生变化。对一些人来说,收养使他们能够灵活地选择和使用不同的姓氏。父系和父系姓氏文化意味着女性被收养人和女性收养人还面临着另外一层复杂性,这影响了她们对姓氏和家庭归属感的决定。通过研究收养中姓氏的经验和感受,我们的文章强调了姓氏在身份构建、收养家庭生活和血缘关系中的复杂性。
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引用次数: 0
Like Water, We Re-Member: A Conceptual Model of Identity (Re)formation through Cultural Reclamation for Indigenous Peoples of Mexico in the United States 像水一样,我们重新记忆:美国墨西哥土著居民通过文化开垦(重新)形成身份认同的概念模型
Q3 ETHNIC STUDIES Pub Date : 2023-11-20 DOI: 10.3390/genealogy7040090
My Ngoc To, Ramona Beltrán, Annie Zean Dunbar, M. Valdovinos, Blanca-Azucena Pacheco, David W. Barillas Chón, Olivia Hunte, Kristina Hulama
Background: Diasporic Indigenous peoples of Mexico living in the United States continue to survive and reclaim their cultures despite multiple disruptions to identity formation resulting from systematic violence and cultural silencing enacted through white settler colonialism in the United States and Mexico. Honoring Indigenous survivance, the authors present a conceptual model of Indigenous identity healing and reformation that mirrors the dynamic qualities of water for Indigenous Mexican peoples living in the United States. Methods: The conceptual model arose from a ceremony-based, participatory, digital archiving project documenting Indigenous oral histories. The model is illustrated through case analysis of three Indigenous Mexican individuals living in the United States whose stories holistically represent the model’s components. Results: The case narratives illustrate how Indigenous Mexican identities are (re)formed by moving through the model components of Rift (disconnection from land, culture, and community), Longing (yearning to find what was lost), Reconnecting (reclaiming cultural practices), and Affirmation (strengthening of identity through community), via Reflection (memory work which propels movement through each stage). Conclusions: Findings suggest that identities can be (re)formed through reclaiming cultural practices and reconnecting with the community. This conceptual model may be useful for further understanding Indigenous Latinx identity development and healing.
背景:尽管美国和墨西哥白人定居者殖民主义实施的系统性暴力和文化沉默对土著身份的形成造成了多重破坏,但散居在美国的墨西哥土著人仍在继续生存并重新找回自己的文化。为了纪念土著人的生存,作者提出了一个土著人身份愈合和改革的概念模型,该模型反映了生活在美国的墨西哥土著人水的动态特性。方法:该概念模型源于一个以仪式为基础的、参与性的、记录土著口述历史的数字存档项目。通过对居住在美国的三位墨西哥原住民的案例分析来说明该模式,他们的故事从整体上体现了该模式的各个组成部分。结果:这些案例说明了墨西哥原住民身份是如何通过裂痕(与土地、文化和社区脱节)、渴望(渴望找到失去的东西)、重新连接(重拾文化习俗)和肯定(通过社区加强身份认同)等模型组成部分,并通过反思(记忆工作推动每个阶段的发展)来(重新)形成的。结论研究结果表明,身份可以通过恢复文化习俗和重新与社区建立联系来(重新)形成。这一概念模型可能有助于进一步理解拉丁裔土著人的身份发展和愈合。
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引用次数: 0
Transformations: A Personal History of Introducing Complicité into Academic Life and Learning Communities 变革:将 "共犯 "引入学术生活和学习社区的个人历程
Q3 ETHNIC STUDIES Pub Date : 2023-11-18 DOI: 10.3390/genealogy7040089
N. Canefe
This essay documents my three-decade-long journey of connections and resultant transformations between scholarly knowledge and artistic production in my work. In reinvestigating my history with stage and visual arts, I trace the relationship between traditionally ‘alien’ practices and academic understandings of societal and political mass violence and invite the reader to reconsider what academia stands for in order to engage with borderless histories of conflict, violence, and displacement. This essay dwells on how artistic engagement is both a personal and a profoundly political process through which the experience of violence is communicated through thoughts, emotions, hopes, and expressions of trauma. There are also significant ethical concerns present concerning the portrayal of violence, death, and suffering, which the paper discusses under the aegis of ethics of witnessing as responsibility.
这篇文章记录了我三十年来在学术知识和艺术创作之间的联系和由此产生的转变。在重新探究我与舞台和视觉艺术的历史时,我追溯了传统上 "外来 "的实践与学术界对社会和政治大规模暴力的理解之间的关系,并邀请读者重新考虑学术界代表着什么,以便参与到无边界的冲突、暴力和流离失所的历史中。这篇文章探讨了艺术参与如何既是一个个人过程,又是一个深刻的政治过程,通过这一过程,暴力的体验通过思想、情感、希望和创伤的表达得以传达。对于暴力、死亡和苦难的描绘也存在着重大的伦理问题,本文在作为责任的见证伦理的框架下对此进行了讨论。
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引用次数: 0
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Genealogy
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