Pub Date : 2023-07-18DOI: 10.46272/2409-3416-2023-11-2-182-188
M. Larionova
Book Review: Ibero-America: The role of culture in the formation and evolution of national identity. / Konstantinova, Natalia S. (Ed.) Ibero-America: The role of culture in the formation and evolution of national identity. – Moscow: ILA RAS, 2022 (in Russian). – 244 p.
书评:伊比利亚美洲:文化在国家认同的形成和演变中的作用。/ Natalia S. Konstantinova主编:《伊比利亚-美洲:文化在民族认同形成和演变中的作用》。-莫斯科:ILA RAS, 2022年(俄语)。- 244 p。
{"title":"Iberoamerican Civilizational Discourse: Cultural Dominants of Identity","authors":"M. Larionova","doi":"10.46272/2409-3416-2023-11-2-182-188","DOIUrl":"https://doi.org/10.46272/2409-3416-2023-11-2-182-188","url":null,"abstract":"Book Review: Ibero-America: The role of culture in the formation and evolution of national identity. / Konstantinova, Natalia S. (Ed.) Ibero-America: The role of culture in the formation and evolution of national identity. – Moscow: ILA RAS, 2022 (in Russian). – 244 p.","PeriodicalId":93419,"journal":{"name":"Cadernos ibero-americanos de direito sanitario = Cuadernos iberoamericanos de derecho sanitario","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-07-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79415356","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Сooperation of Russian and Spanish Researchers Facing the Challenges of Time","authors":"I. Krivushin","doi":"10.46272/2409-3416-2023-11-2-189-198","DOIUrl":"https://doi.org/10.46272/2409-3416-2023-11-2-189-198","url":null,"abstract":"Book Review: Spain and Russia Facing the Challenges of Time. O. Volosyuk (ed.), — Moscow: Mezhdunarodnye otnoshenia, 2022. — 648 p.","PeriodicalId":93419,"journal":{"name":"Cadernos ibero-americanos de direito sanitario = Cuadernos iberoamericanos de derecho sanitario","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-07-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88740659","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-07-18DOI: 10.46272/2409-3416-2023-11-2-14-29
S. G. Zagorskaya
Russia holds the first largest collection of canvas by great Spanish masters outside of Spain, including paintings by El Greco, Murillo, Ribera, Zurbaran, Goya, and others. In November 2023 the Pushkin State Museum of Fine Arts presents an exhibition of Spanish paintings from its own collections, as well as the works of art from the Hermitage and regional museums. In this interview, Svetlana Zagorskaya, curator of Spanish painting at the Pushkin Museum, talks about the collections of Spanish painting in Russia, the history of their acquisition and meticulous work of attributing paintings. Particular attention is paid to Svetlana Zagorskaya’s discoveries of the authorship of the canvas by Jusepe de Ribera «Saint James the Greater» and the painting by Bartolomeo Murillo «Saint Catherine of Alexandria», which open the exposition of old masters in the main building of the Museum. The purpose of the upcoming exhibition, apart from being educational, is to show the cultural attraction of Spain and Russia, two countries at the extreme ends of Europe. Since the end of the 19th century many Russian artists visited Spain and looked for new motives for inspiration, at the same time Russian collectors bought a lot of works by Spanish artists. Thus, an invisible but strong cultural bridge was being built between the two countries, and it still exists in our time.
俄罗斯拥有西班牙以外最大的西班牙大师画布收藏，包括埃尔·格列柯、穆里略、里贝拉、祖巴兰、戈雅等人的作品。2023年11月，普希金国家美术博物馆将展出自己收藏的西班牙绘画作品，以及艾尔米塔什和地区博物馆的艺术作品。在这次采访中，普希金博物馆西班牙绘画策展人斯维特拉娜·扎戈尔斯卡娅(Svetlana Zagorskaya)谈到了俄罗斯的西班牙绘画收藏、它们的收购历史和绘画归属的细致工作。特别值得注意的是，Svetlana Zagorskaya发现了Jusepe de Ribera的油画作者“圣詹姆斯大”和Bartolomeo Murillo的油画“亚历山大的圣凯瑟琳”，在博物馆的主楼里打开了老主人的展览。此次展览的目的除了教育外，还在于展示位于欧洲两端的西班牙和俄罗斯的文化吸引力。自19世纪末以来，许多俄罗斯艺术家访问西班牙，寻找新的灵感来源，与此同时，俄罗斯收藏家购买了大量西班牙艺术家的作品。因此，两国之间正在架起一座无形但坚固的文化桥梁，它在我们这个时代仍然存在。
{"title":"Spanish Paintings From Russian Collections. The Pushkin State Museum of Fine Arts will open an exhibition of Spanish painting from the collections in Russia","authors":"S. G. Zagorskaya","doi":"10.46272/2409-3416-2023-11-2-14-29","DOIUrl":"https://doi.org/10.46272/2409-3416-2023-11-2-14-29","url":null,"abstract":"Russia holds the first largest collection of canvas by great Spanish masters outside of Spain, including paintings by El Greco, Murillo, Ribera, Zurbaran, Goya, and others. In November 2023 the Pushkin State Museum of Fine Arts presents an exhibition of Spanish paintings from its own collections, as well as the works of art from the Hermitage and regional museums. In this interview, Svetlana Zagorskaya, curator of Spanish painting at the Pushkin Museum, talks about the collections of Spanish painting in Russia, the history of their acquisition and meticulous work of attributing paintings. Particular attention is paid to Svetlana Zagorskaya’s discoveries of the authorship of the canvas by Jusepe de Ribera «Saint James the Greater» and the painting by Bartolomeo Murillo «Saint Catherine of Alexandria», which open the exposition of old masters in the main building of the Museum. The purpose of the upcoming exhibition, apart from being educational, is to show the cultural attraction of Spain and Russia, two countries at the extreme ends of Europe. Since the end of the 19th century many Russian artists visited Spain and looked for new motives for inspiration, at the same time Russian collectors bought a lot of works by Spanish artists. Thus, an invisible but strong cultural bridge was being built between the two countries, and it still exists in our time.","PeriodicalId":93419,"journal":{"name":"Cadernos ibero-americanos de direito sanitario = Cuadernos iberoamericanos de derecho sanitario","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-07-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85594118","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-07-18DOI: 10.46272/2409-3416-2023-11-2-199-204
G. Gorenko
Three «Iberoamerican» anniversaries were celebrated at MGIMO in April, 2023: 30 years since the establishment of the Iberoamerican Centre and the Spanish Theatre of students, and 10 years since the academic journal «Iberoamerican Papers» was founded. MGIMO University has a famous scientific school of Iberoamerican academic studies, carried out in different areas. Great importance is given to intercultural communication and to the study of the history, languages and cultures of the Iberoamerican world, which obtains a special dimension in the current conditions.
{"title":"Anniversary of the Iberoamerican Center of MGIMO University","authors":"G. Gorenko","doi":"10.46272/2409-3416-2023-11-2-199-204","DOIUrl":"https://doi.org/10.46272/2409-3416-2023-11-2-199-204","url":null,"abstract":"Three «Iberoamerican» anniversaries were celebrated at MGIMO in April, 2023: 30 years since the establishment of the Iberoamerican Centre and the Spanish Theatre of students, and 10 years since the academic journal «Iberoamerican Papers» was founded. MGIMO University has a famous scientific school of Iberoamerican academic studies, carried out in different areas. Great importance is given to intercultural communication and to the study of the history, languages and cultures of the Iberoamerican world, which obtains a special dimension in the current conditions.","PeriodicalId":93419,"journal":{"name":"Cadernos ibero-americanos de direito sanitario = Cuadernos iberoamericanos de derecho sanitario","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-07-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86922756","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-04-24DOI: 10.46272/2409-3416-2023-11-1-99-112
M. E. Kabitski
Fado, sometimes called Portuguese urban romance, is a cultural phenomenon whose meaning goes far beyond this definition and generally beyond the framework of musical culture at all. It has become an important part of the traditional culture of Portugal, an iconic element of the image of the country, having gone through several phases of evolution in its relatively short (slightly less than two centuries) history. Having arisen and being at the initial stage an element of the folklore of the urban lower classes of Lisbon, fado later underwent cultural appropriation by the aristocracy and the bourgeoisie, who saw in it the features of the national spirit and the expression of the mentality of the Portuguese. In particular, it was associated with such properties of the national character, which are generalised in the concept of «saudade» – melancholic or tragic longing for the distant, unattainable, often gone into the past. On the other hand, fado was condemned and stigmatised as a low genre associated with marginal strata, as well as with the backwardness and decline of the country. In the first half of the 20th century, the professionalisation and prestige of the fado is increasing, it penetrates the theatre scene, grows popular with the general public, becomes famous abroad. To a large extent, this is due to the innovations of a new generation of authors and performers, in particular, Alfredo Marceneiro, Hermínia Silva and Amália Rodrigues, sometimes defined as the «fado triangle». The significance of fado for Portuguese and world culture was marked by its inclusion in the UNESCO Intangible Cultural Heritage List in 2011.
{"title":"The Lisbon fado and its study in the context of the history of Portugal","authors":"M. E. Kabitski","doi":"10.46272/2409-3416-2023-11-1-99-112","DOIUrl":"https://doi.org/10.46272/2409-3416-2023-11-1-99-112","url":null,"abstract":"Fado, sometimes called Portuguese urban romance, is a cultural phenomenon whose meaning goes far beyond this definition and generally beyond the framework of musical culture at all. It has become an important part of the traditional culture of Portugal, an iconic element of the image of the country, having gone through several phases of evolution in its relatively short (slightly less than two centuries) history. Having arisen and being at the initial stage an element of the folklore of the urban lower classes of Lisbon, fado later underwent cultural appropriation by the aristocracy and the bourgeoisie, who saw in it the features of the national spirit and the expression of the mentality of the Portuguese. In particular, it was associated with such properties of the national character, which are generalised in the concept of «saudade» – melancholic or tragic longing for the distant, unattainable, often gone into the past. On the other hand, fado was condemned and stigmatised as a low genre associated with marginal strata, as well as with the backwardness and decline of the country. In the first half of the 20th century, the professionalisation and prestige of the fado is increasing, it penetrates the theatre scene, grows popular with the general public, becomes famous abroad. To a large extent, this is due to the innovations of a new generation of authors and performers, in particular, Alfredo Marceneiro, Hermínia Silva and Amália Rodrigues, sometimes defined as the «fado triangle». The significance of fado for Portuguese and world culture was marked by its inclusion in the UNESCO Intangible Cultural Heritage List in 2011.","PeriodicalId":93419,"journal":{"name":"Cadernos ibero-americanos de direito sanitario = Cuadernos iberoamericanos de derecho sanitario","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-04-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75073124","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-04-24DOI: 10.46272/2409-3416-2023-11-1-81-98
D. V. Rykova
The article deals with the impact of the Russian immigration and the activities undertaken by the Russian Orthodox Church on the Argentine Republic. The aim of the article is to assess the contribution made by the Russian migrants to the formation and history of the Argentine nation. From 1881 to 1914, more than 4.2 million migrants moved to Argentina, with the Russians being the fourth largest group. By 1914, the migrants accounted for 30% of the population (3.9% were Russians); thus, Argentina was developing as a country of immigration. Today, by contrast, Argentina is becoming a country of emigration, as there is a worrying human capital outflow. Therefore, it is useful to recall and evaluate the positive potential of the Russian migration to Argentina. The methodological basis of the article comprises the induction, the logical intuitive method, the method of periodization, the historical interpretative method and the institutional approach. The article examines Argentina’s policy of attracting migrants, its reasons and the response to this policy in the form of six waves of migration from Russia to Argentina. It analyses the contribution of the representatives of the waves to the industrial and intellectual areas in Argentina, and the impact of the immigration flows on the country’s identity. It also considers the historical and contemporary influence of the Russian Orthodox Church on the Argentine religious field. It is concluded that the Russian migration contributed to the development of the Argentine rural and urban areas, culture and science, as well as reinforced Argentina’s identity as a multi-ethnic and multicultural, arrogant and self-critical country. The Russian Orthodox Church historically has been the centre of the Russian diaspora´s cultural life in Argentina, and at present it has undertaken numerous cultural and religious initiatives facilitating the intercultural dialogue.
{"title":"Russian imprint in the peculiar mosaic of Argentine identity","authors":"D. V. Rykova","doi":"10.46272/2409-3416-2023-11-1-81-98","DOIUrl":"https://doi.org/10.46272/2409-3416-2023-11-1-81-98","url":null,"abstract":"The article deals with the impact of the Russian immigration and the activities undertaken by the Russian Orthodox Church on the Argentine Republic. The aim of the article is to assess the contribution made by the Russian migrants to the formation and history of the Argentine nation. From 1881 to 1914, more than 4.2 million migrants moved to Argentina, with the Russians being the fourth largest group. By 1914, the migrants accounted for 30% of the population (3.9% were Russians); thus, Argentina was developing as a country of immigration. Today, by contrast, Argentina is becoming a country of emigration, as there is a worrying human capital outflow. Therefore, it is useful to recall and evaluate the positive potential of the Russian migration to Argentina. The methodological basis of the article comprises the induction, the logical intuitive method, the method of periodization, the historical interpretative method and the institutional approach. The article examines Argentina’s policy of attracting migrants, its reasons and the response to this policy in the form of six waves of migration from Russia to Argentina. It analyses the contribution of the representatives of the waves to the industrial and intellectual areas in Argentina, and the impact of the immigration flows on the country’s identity. It also considers the historical and contemporary influence of the Russian Orthodox Church on the Argentine religious field. It is concluded that the Russian migration contributed to the development of the Argentine rural and urban areas, culture and science, as well as reinforced Argentina’s identity as a multi-ethnic and multicultural, arrogant and self-critical country. The Russian Orthodox Church historically has been the centre of the Russian diaspora´s cultural life in Argentina, and at present it has undertaken numerous cultural and religious initiatives facilitating the intercultural dialogue.","PeriodicalId":93419,"journal":{"name":"Cadernos ibero-americanos de direito sanitario = Cuadernos iberoamericanos de derecho sanitario","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-04-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86821916","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-04-24DOI: 10.46272/2409-3416-2023-11-1-16-40
A. Kofman
There are two main strategies for a world view formation in a literary work: the first one is direct, when the writer focuses on the national reality itself recreating it as a self-sufficient phenomenon independent of «someone else’s view»; the second one is «reverse». Its main feature is that the world view is formed in the process of a constant comparison with another culture, exploring and evaluating their own culture through the eyes of a foreigner. In Western European literature, the direct strategy is extremely dominant, whereas in Latin American literature, the reverse strategy has acquired the significance it has never had in the European one. It is proved by two ways in which the reverse strategy manifests itself: the first one is «looking outside», that is, the assertion of the uniqueness of Latin American reality through its juxtaposition with the European one; the second one is «looking from outside», which offers the perception of Latin American reality by an «outsider». The question arises: what factors have determined the dominance of the reverse strategy in Latin American literature? One of the reasons is that the latter has evolved by absorbing and processing the European literary patterns: this path of evolution is defined as «the search for one’s own in someone else’s». But this is not the only factor. Since the 16th century, the era of the birth of Latin American culture, the mode of perception of America has been formed as the opposition of the New World to the Old World and contained the motive of amazement at the «miraculous» reality, which was preserved in the genetic memory of culture materializing in the 20th century as magic realism.
{"title":"Specifics of the Latin American world view construction","authors":"A. Kofman","doi":"10.46272/2409-3416-2023-11-1-16-40","DOIUrl":"https://doi.org/10.46272/2409-3416-2023-11-1-16-40","url":null,"abstract":"There are two main strategies for a world view formation in a literary work: the first one is direct, when the writer focuses on the national reality itself recreating it as a self-sufficient phenomenon independent of «someone else’s view»; the second one is «reverse». Its main feature is that the world view is formed in the process of a constant comparison with another culture, exploring and evaluating their own culture through the eyes of a foreigner. In Western European literature, the direct strategy is extremely dominant, whereas in Latin American literature, the reverse strategy has acquired the significance it has never had in the European one. It is proved by two ways in which the reverse strategy manifests itself: the first one is «looking outside», that is, the assertion of the uniqueness of Latin American reality through its juxtaposition with the European one; the second one is «looking from outside», which offers the perception of Latin American reality by an «outsider». The question arises: what factors have determined the dominance of the reverse strategy in Latin American literature? One of the reasons is that the latter has evolved by absorbing and processing the European literary patterns: this path of evolution is defined as «the search for one’s own in someone else’s». But this is not the only factor. Since the 16th century, the era of the birth of Latin American culture, the mode of perception of America has been formed as the opposition of the New World to the Old World and contained the motive of amazement at the «miraculous» reality, which was preserved in the genetic memory of culture materializing in the 20th century as magic realism.","PeriodicalId":93419,"journal":{"name":"Cadernos ibero-americanos de direito sanitario = Cuadernos iberoamericanos de derecho sanitario","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-04-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78589912","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"«Divine Comedy» of Spain","authors":"M. V. Kharkevich","doi":"10.46272/2409-3416-2023-11-1-183-188","DOIUrl":"https://doi.org/10.46272/2409-3416-2023-11-1-183-188","url":null,"abstract":"Book review: Astakhova E.V. Spain as a metaphor. Moscow: MGIMO-University/EKSMO, 2023. 287 p.","PeriodicalId":93419,"journal":{"name":"Cadernos ibero-americanos de direito sanitario = Cuadernos iberoamericanos de derecho sanitario","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-04-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82315118","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-04-24DOI: 10.46272/2409-3416-2023-11-1-68-80
I. V. Davtian
The diversity of Latin American hats is determined by the climatic and geographical characteristics of the area of residence of different nations, as well as socio-economic factors, however, inter-ethnic ties play a key role, as well as the historically accumulated cultural experience of the ethnic group, which is reflected in the national costume. The purpose of this study is to substantiate the thesis that the headdress, in addition to protective, informational, aesthetic and other functions, has a function of self-identification and, as a result, an educational function, which consists in transfering from generation to generation the knowledge about national culture and history, as well as in the formation in the subconscious of younger generations of ethnodifferentiating and ethno-consolidating signs. To achieve this goal, methods of description, comparison and observation, classic for cultural research, as well as a hypothetical-deductive method are used. Studying the history of the emergence and peculiarities of hat-wear in a number of countries in Latin America, as well as comparing them with each other, it is concluded that the Latin American hats concentratively reflects the worldview of the people. It is a kind of cultural metasymbol, through which the transfer of spiritual values takes place and the mechanism of ethnocultural self-identification of the people is preserved. Being an element of the national costume, one of the forms of public consciousness, it reflects reality, but in a special way, being a carrier of both national and personal, as well as class cultural values. Wearing a hat is not just a tradition for Ecuadorians, Bolivians, Mexicans, Colombians and other peoples of the region. The headdress represents a symbol of the commonality of the nation.
{"title":"The role of hat in the self-identification of Latin American peoples","authors":"I. V. Davtian","doi":"10.46272/2409-3416-2023-11-1-68-80","DOIUrl":"https://doi.org/10.46272/2409-3416-2023-11-1-68-80","url":null,"abstract":"The diversity of Latin American hats is determined by the climatic and geographical characteristics of the area of residence of different nations, as well as socio-economic factors, however, inter-ethnic ties play a key role, as well as the historically accumulated cultural experience of the ethnic group, which is reflected in the national costume. The purpose of this study is to substantiate the thesis that the headdress, in addition to protective, informational, aesthetic and other functions, has a function of self-identification and, as a result, an educational function, which consists in transfering from generation to generation the knowledge about national culture and history, as well as in the formation in the subconscious of younger generations of ethnodifferentiating and ethno-consolidating signs. To achieve this goal, methods of description, comparison and observation, classic for cultural research, as well as a hypothetical-deductive method are used. Studying the history of the emergence and peculiarities of hat-wear in a number of countries in Latin America, as well as comparing them with each other, it is concluded that the Latin American hats concentratively reflects the worldview of the people. It is a kind of cultural metasymbol, through which the transfer of spiritual values takes place and the mechanism of ethnocultural self-identification of the people is preserved. Being an element of the national costume, one of the forms of public consciousness, it reflects reality, but in a special way, being a carrier of both national and personal, as well as class cultural values. Wearing a hat is not just a tradition for Ecuadorians, Bolivians, Mexicans, Colombians and other peoples of the region. The headdress represents a symbol of the commonality of the nation.","PeriodicalId":93419,"journal":{"name":"Cadernos ibero-americanos de direito sanitario = Cuadernos iberoamericanos de derecho sanitario","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-04-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72434116","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-04-24DOI: 10.46272/2409-3416-2023-11-1-199-201
S. Kerimova
20 февраля 2023 г. в диссертационном совете университета МГИМО МИД России доцент кафедры испанского языка Марина Владимировна Ларионова успешно защитила диссертацию на соискание учёной степени доктора филологических наук.
{"title":"New times, new horizons for the discourse and digital culture. The defense of the doctoral thesis of M.V. Larionova","authors":"S. Kerimova","doi":"10.46272/2409-3416-2023-11-1-199-201","DOIUrl":"https://doi.org/10.46272/2409-3416-2023-11-1-199-201","url":null,"abstract":"20 февраля 2023 г. в диссертационном совете университета МГИМО МИД России доцент кафедры испанского языка Марина Владимировна Ларионова успешно защитила диссертацию на соискание учёной степени доктора филологических наук.","PeriodicalId":93419,"journal":{"name":"Cadernos ibero-americanos de direito sanitario = Cuadernos iberoamericanos de derecho sanitario","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-04-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87276965","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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