Percival Everett has published almost thirty books of fiction in forty years, and The Trees is his 22nd novel. It revisits ideas from Everett’s earlier works while asking questions that, in some ways, tie his oeuvre together—these questions can be linked to temporality and history, problematic literary ideas such as post-postmodernism, and both racialised trauma and the flawed cultural concept of the postracial. In this article, I argue that The Trees specifically problematises claims of the postmodern end of history by suggesting that African American literary narrative can productively reckon with a history of mistreatment by literally digging up the past and actively (impossibly) changing it.
{"title":"Digging Up the Past, Complicating the Present, and Damaging the Future: Post-Postmodernism and the Postracial in Percival Everett’s The Trees","authors":"George Kowalik","doi":"10.3390/h12040086","DOIUrl":"https://doi.org/10.3390/h12040086","url":null,"abstract":"Percival Everett has published almost thirty books of fiction in forty years, and The Trees is his 22nd novel. It revisits ideas from Everett’s earlier works while asking questions that, in some ways, tie his oeuvre together—these questions can be linked to temporality and history, problematic literary ideas such as post-postmodernism, and both racialised trauma and the flawed cultural concept of the postracial. In this article, I argue that The Trees specifically problematises claims of the postmodern end of history by suggesting that African American literary narrative can productively reckon with a history of mistreatment by literally digging up the past and actively (impossibly) changing it.","PeriodicalId":93761,"journal":{"name":"Humanities (Basel, Switzerland)","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-08-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44526367","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Higher education in Australia is in a period of crisis and transition. While COVID-related events and their impacts have made it difficult for all areas of university academic endeavour, among the hardest hit have been humanities. Drawing on live interviews with professors in a range of humanities disciplines, the paper elucidates various elements of the crisis, which includes a summary of the impacts of the last three decades’ rise in neoliberalist imperatives within the university sector. The paper then argues that a robust defence of the humanities needs to be made and uses literary studies as its focus. Today, we are more in need of the humanities than ever. But this is a complex undertaking as research in higher education and live interviews reveal; the dictates of measurement, accountability, and questions of value within the humanities remain vexed; and while the aims and requirements of humanities studies may be at odds with neoliberalist demands and corporatisation, the humanities themselves may also be contributing to their own demise. Therefore, I offer future directions: I argue for the urgent need for the humanities to reinvigorate their ethical and critical functions, the need to demonstrate the connections between the humanities and wellbeing, the imperative to slow down and to eradicate the over-casualisation of academia, and the necessity for the humanities to articulate more clearly their connections with employment outcomes for a dynamic and evolving future.
{"title":"The Humanities: What Future?","authors":"Deborah Pike","doi":"10.3390/h12040085","DOIUrl":"https://doi.org/10.3390/h12040085","url":null,"abstract":"Higher education in Australia is in a period of crisis and transition. While COVID-related events and their impacts have made it difficult for all areas of university academic endeavour, among the hardest hit have been humanities. Drawing on live interviews with professors in a range of humanities disciplines, the paper elucidates various elements of the crisis, which includes a summary of the impacts of the last three decades’ rise in neoliberalist imperatives within the university sector. The paper then argues that a robust defence of the humanities needs to be made and uses literary studies as its focus. Today, we are more in need of the humanities than ever. But this is a complex undertaking as research in higher education and live interviews reveal; the dictates of measurement, accountability, and questions of value within the humanities remain vexed; and while the aims and requirements of humanities studies may be at odds with neoliberalist demands and corporatisation, the humanities themselves may also be contributing to their own demise. Therefore, I offer future directions: I argue for the urgent need for the humanities to reinvigorate their ethical and critical functions, the need to demonstrate the connections between the humanities and wellbeing, the imperative to slow down and to eradicate the over-casualisation of academia, and the necessity for the humanities to articulate more clearly their connections with employment outcomes for a dynamic and evolving future.","PeriodicalId":93761,"journal":{"name":"Humanities (Basel, Switzerland)","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-08-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45662673","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Drawing on new media scholarship, the article suggests that Percival Everett’s poetry can be understood through the lens of hypergraphical knowledge. In this context, Everett’s poetry operates as a synchronic and diachronic exploration of poetic movements, genres, forms, and inheritances, embodying network-temporal relations similar to the hypernarrator(s) of his fiction. Ultimately, this analysis observes the expansive and cohesive nature of Everett’s work, inviting readers to refocus their attention on the indeterminate surface of, and the intricate web of meaning in his poetry.
{"title":"Network Temporality in Percival Everett’s Poetry","authors":"Zach Linge","doi":"10.3390/h12040084","DOIUrl":"https://doi.org/10.3390/h12040084","url":null,"abstract":"Drawing on new media scholarship, the article suggests that Percival Everett’s poetry can be understood through the lens of hypergraphical knowledge. In this context, Everett’s poetry operates as a synchronic and diachronic exploration of poetic movements, genres, forms, and inheritances, embodying network-temporal relations similar to the hypernarrator(s) of his fiction. Ultimately, this analysis observes the expansive and cohesive nature of Everett’s work, inviting readers to refocus their attention on the indeterminate surface of, and the intricate web of meaning in his poetry.","PeriodicalId":93761,"journal":{"name":"Humanities (Basel, Switzerland)","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-08-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46614641","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In January 2017, millions of people occupied various public places across the southern Indian state of Tamil Nadu, protesting the Supreme Court’s ban on Jallikattu, a bull-wrangling contest considered central to Tamil identity. Social media was thought to have triggered this ‘leaderless’ protest. Seven days in, a police crackdown splintered the protest’s seemingly unified front. Academic commentators have argued that social media present radical possibilities, ‘short-circuiting’ older forms of broadcast media, which had already been colonized by the state. Taking as discursive sites two videos, one of them posted by a popular Facebook group and another by a YouTube channel centred around Dalit issues, I argue that an a priori claim of new media having a lesser or greater potential to resist colonization is largely untenable. The possibility of such resistance is contingent on the micropolitics of contestation within concrete, localized sites. I analyse narratives of loss and rage on two different social media spaces, elicited from a fishing community near one of the protest sites, after their homes were attacked and their local market had been burnt down by the police. By focusing on tactics of interviewing, I demonstrate that, in the span of a week, the same technological platform credited with sparking the protests that brought the Tamils together as one, now constitutes the limits of the formation of radical subjectivity, as Tamil society finds itself fractured once again.
{"title":"Power and Subjectification at the Edge of Social Media Interfaces in the Aftermath of the Jallikattu Protest","authors":"Deepak Prince","doi":"10.3390/h12040082","DOIUrl":"https://doi.org/10.3390/h12040082","url":null,"abstract":"In January 2017, millions of people occupied various public places across the southern Indian state of Tamil Nadu, protesting the Supreme Court’s ban on Jallikattu, a bull-wrangling contest considered central to Tamil identity. Social media was thought to have triggered this ‘leaderless’ protest. Seven days in, a police crackdown splintered the protest’s seemingly unified front. Academic commentators have argued that social media present radical possibilities, ‘short-circuiting’ older forms of broadcast media, which had already been colonized by the state. Taking as discursive sites two videos, one of them posted by a popular Facebook group and another by a YouTube channel centred around Dalit issues, I argue that an a priori claim of new media having a lesser or greater potential to resist colonization is largely untenable. The possibility of such resistance is contingent on the micropolitics of contestation within concrete, localized sites. I analyse narratives of loss and rage on two different social media spaces, elicited from a fishing community near one of the protest sites, after their homes were attacked and their local market had been burnt down by the police. By focusing on tactics of interviewing, I demonstrate that, in the span of a week, the same technological platform credited with sparking the protests that brought the Tamils together as one, now constitutes the limits of the formation of radical subjectivity, as Tamil society finds itself fractured once again.","PeriodicalId":93761,"journal":{"name":"Humanities (Basel, Switzerland)","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-08-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46830455","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Christine Robins, Zêdan Xelef, Emad Bashar, A. Levinson-LaBrosse
This response to Jason Moralees’ article comes from members and associates of the Êzidi (Yazidi) team working on Sinjar Lives/Shingal Lives, a community-driven oral history project funded by the UK’s Arts and Humanities Research Council. They are all survivors of the Êzidi genocide committed by ISIS in 2014. They explore Moralee’s themes of securitisation, imperialism and violence—especially the ‘village war’, its roots in imperialist thought and its consequences—from the perspective of those who call the village home. Beyond securitisation, they discuss borders both geographical and socio-cultural and the contemporary political significance of the elusive victim voice.
{"title":"Comment on Moralee (2018). It’s in the Water: Byzantine Borderlands and the Village War. Humanities 7: 86","authors":"Christine Robins, Zêdan Xelef, Emad Bashar, A. Levinson-LaBrosse","doi":"10.3390/h12040080","DOIUrl":"https://doi.org/10.3390/h12040080","url":null,"abstract":"This response to Jason Moralees’ article comes from members and associates of the Êzidi (Yazidi) team working on Sinjar Lives/Shingal Lives, a community-driven oral history project funded by the UK’s Arts and Humanities Research Council. They are all survivors of the Êzidi genocide committed by ISIS in 2014. They explore Moralee’s themes of securitisation, imperialism and violence—especially the ‘village war’, its roots in imperialist thought and its consequences—from the perspective of those who call the village home. Beyond securitisation, they discuss borders both geographical and socio-cultural and the contemporary political significance of the elusive victim voice.","PeriodicalId":93761,"journal":{"name":"Humanities (Basel, Switzerland)","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-08-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44840854","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The current article is an exploration into the colonial inheritance of digital games. It argues that the pervasiveness and persistence of discursive practices, like imagining the play world as the otherworld and valuing the play world for its pedagogical potential, are tied to the colonial logic of exclusion, extraction and exploitation. Perpetuation of these colonial conceptualizations in the discourse surrounding digital games makes attempts at decolonization ineffective. The essay seeks to explicate the colonial in these discursive formulations.
{"title":"Divide and the Rules: A Study on the Colonial Inheritance of Digital Games","authors":"Prabhash Tripathy","doi":"10.3390/h12040083","DOIUrl":"https://doi.org/10.3390/h12040083","url":null,"abstract":"The current article is an exploration into the colonial inheritance of digital games. It argues that the pervasiveness and persistence of discursive practices, like imagining the play world as the otherworld and valuing the play world for its pedagogical potential, are tied to the colonial logic of exclusion, extraction and exploitation. Perpetuation of these colonial conceptualizations in the discourse surrounding digital games makes attempts at decolonization ineffective. The essay seeks to explicate the colonial in these discursive formulations.","PeriodicalId":93761,"journal":{"name":"Humanities (Basel, Switzerland)","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-08-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48643005","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Elena Isayev, Evan Jewell, Gerawork Teferra Gizaw, Marcia C. Schenck
When we conceived of the volume, Displacement and the Humanities: Manifestos from the Ancient to the Present, six years ago, important and urgent studies on the subject of migration had increased substantially over the past decade in response to what has been termed the ‘migration crisis’ [...]
{"title":"On Displacement and the Humanities—An Introduction","authors":"Elena Isayev, Evan Jewell, Gerawork Teferra Gizaw, Marcia C. Schenck","doi":"10.3390/h12040081","DOIUrl":"https://doi.org/10.3390/h12040081","url":null,"abstract":"When we conceived of the volume, Displacement and the Humanities: Manifestos from the Ancient to the Present, six years ago, important and urgent studies on the subject of migration had increased substantially over the past decade in response to what has been termed the ‘migration crisis’ [...]","PeriodicalId":93761,"journal":{"name":"Humanities (Basel, Switzerland)","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-08-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45981287","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Toni Morrison represents the improvisations of life in the 1920s and posits her novel Jazz as a work that negotiates sound as a distinguishing characteristic of her writing genre. Many critics have described Morrison’s approach as a Jazzthetic strategy and as such, her rhetorical move enables a renovation of traditional aspects of the novel to render life as complex as a jazz composition itself. This article analyzes Morison’s methods and posits the use of jazz strategies to mimic the displacement, fragmentation, and strife experienced by African Americans during the Great Migration. This essay also intervenes in the debate between the relationship of language and music to examine the ways that Morrison oralizes fiction and engages in a form of cultural circularity, thereby asserting the authenticity of jazz alongside the tension of the Great Migration. Additionally, this essay explains the ways that Morrison makes clear the implications of migrant cultural expression in service of identity formation, suggesting that the micro-novels in the novel Jazz are contributors to a larger ensemble that functions epistemologically to render the African American experience as central to American identity.
{"title":"Jazzthetic Technique: Oralizing Fiction and Jazz Strategies in Toni Morrison’s Jazz","authors":"Trivius Gerard Caldwell","doi":"10.3390/h12040079","DOIUrl":"https://doi.org/10.3390/h12040079","url":null,"abstract":"Toni Morrison represents the improvisations of life in the 1920s and posits her novel Jazz as a work that negotiates sound as a distinguishing characteristic of her writing genre. Many critics have described Morrison’s approach as a Jazzthetic strategy and as such, her rhetorical move enables a renovation of traditional aspects of the novel to render life as complex as a jazz composition itself. This article analyzes Morison’s methods and posits the use of jazz strategies to mimic the displacement, fragmentation, and strife experienced by African Americans during the Great Migration. This essay also intervenes in the debate between the relationship of language and music to examine the ways that Morrison oralizes fiction and engages in a form of cultural circularity, thereby asserting the authenticity of jazz alongside the tension of the Great Migration. Additionally, this essay explains the ways that Morrison makes clear the implications of migrant cultural expression in service of identity formation, suggesting that the micro-novels in the novel Jazz are contributors to a larger ensemble that functions epistemologically to render the African American experience as central to American identity.","PeriodicalId":93761,"journal":{"name":"Humanities (Basel, Switzerland)","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-08-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44009859","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article explores the relationship between the alcahueta or bawd, the evil eye, and midwifery in the early modern Spanish cultural imaginary. The evil eye, though an ancient belief, received renewed attention in theological and medical texts, including midwifery manuals, from the late fifteenth until the mid-sixteenth century, coinciding with the popularity of texts such as La Celestina featuring bawds. This article explores cultural debates regarding whether the evil eye was a natural phenomenon caused by corrupted bodily fluids emanating from post-menopausal women, or a result of witchcraft. Midwifery manuals list the evil eye as one of the principal dangers to newborns and give advice regarding how to prevent it, perhaps implicitly providing another justification for women’s gradual exclusion from midwifery in the early modern period. Fictional texts portray the bawd as engaging in women’s healing practices such as midwifery and newborn care, and as casting and curing the evil eye. I argue that the literary archetype of the bawd-midwife reflects academic disagreements that alternatively portray the evil eye as a physical illness, superstitious nonsense, or the result of witchcraft. As such, the bawd becomes a focal point for expressing anxiety over perceived decadence and decline, often tied to witchcraft. By tracing the evil eye through the characterization of bawds, we can perceive subtle indications of ambiguity regarding women’s magical and medical practices that question whether their influence comes from the devil or from women’s inherently malevolent nature.
{"title":"Bawds, Midwifery, and the Evil Eye in Golden Age Spanish Literature and Medicine","authors":"E. Kuffner","doi":"10.3390/h12040078","DOIUrl":"https://doi.org/10.3390/h12040078","url":null,"abstract":"This article explores the relationship between the alcahueta or bawd, the evil eye, and midwifery in the early modern Spanish cultural imaginary. The evil eye, though an ancient belief, received renewed attention in theological and medical texts, including midwifery manuals, from the late fifteenth until the mid-sixteenth century, coinciding with the popularity of texts such as La Celestina featuring bawds. This article explores cultural debates regarding whether the evil eye was a natural phenomenon caused by corrupted bodily fluids emanating from post-menopausal women, or a result of witchcraft. Midwifery manuals list the evil eye as one of the principal dangers to newborns and give advice regarding how to prevent it, perhaps implicitly providing another justification for women’s gradual exclusion from midwifery in the early modern period. Fictional texts portray the bawd as engaging in women’s healing practices such as midwifery and newborn care, and as casting and curing the evil eye. I argue that the literary archetype of the bawd-midwife reflects academic disagreements that alternatively portray the evil eye as a physical illness, superstitious nonsense, or the result of witchcraft. As such, the bawd becomes a focal point for expressing anxiety over perceived decadence and decline, often tied to witchcraft. By tracing the evil eye through the characterization of bawds, we can perceive subtle indications of ambiguity regarding women’s magical and medical practices that question whether their influence comes from the devil or from women’s inherently malevolent nature.","PeriodicalId":93761,"journal":{"name":"Humanities (Basel, Switzerland)","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-08-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43240448","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
It seemed unimaginable that the eye, denoting visuality and deemed accurate and reliable in accordance with Aristotelian theories in circulation during the Spanish Golden Age could be considered as anything other than a revered hallmark of guidance and intellect. Nevertheless, the literary phenomenon) of the picaresque emerged at the onset of the seventeenth century to defy the chivalric and pastoral fantasies that were masking the real anxieties faced by an era of decline. The picaresque genre brought warning that turning a blind eye to Spain’s already-waning fortunes could not last forever. Yet, by doing so, it lent favour to such blindness, underlining how the eye, both symbolically and substantially, actually evoked a sense of ill-fatedness and misfortune. This paper calls for an exploration of how an ominous utilisation of the eye is presented in the most canonical picaresque works: Lazarillo de Tormes and Mateo Alemán’s Guzmán de Alfarache. From the imperative role of the blind man in opening the eyes of the young protagonist, to the doomed interpolated cosplay of seeing and unseeing throughout Lazarillo’s trajectory, and from Guzmán’s receptivity to appearances and Alemán’s lending of visual lexicon to his picaro protagonist, one must ask: how and why does the bodily organ of the eye, through both notion and function, serve as a depiction of hardship and disaster within these picaresque texts, and how does it reflect the overarching societal views towards intellect and religion during this epoch of “ocularcentrism”?
根据西班牙黄金时代流传的亚里士多德理论，眼睛代表着视觉，被认为是准确可靠的，除了被认为是受人尊敬的指导和智慧的标志之外，它还被认为是其他任何东西，这似乎是不可想象的。然而，17世纪初出现的流浪汉文学现象，挑战了骑士和田园幻想，这些幻想掩盖了一个衰落时代所面临的真正焦虑。流浪汉题材给人们带来了警告:对西班牙已经衰落的财富视而不见的做法不可能永远持续下去。然而，通过这样做，它为这种失明提供了支持，强调了眼睛是如何象征性地和实质上唤起了一种不幸和不幸的感觉。本文呼吁探索如何不祥的利用眼睛是呈现在最典型的流浪汉作品:Lazarillo de Tormes和Mateo Alemán的Guzmán de Alfarache。从盲人在打开年轻主人公的眼睛中扮演的重要角色，到拉萨里洛一生中注定要穿插的看见和看不见的角色扮演，从Guzmán对外表的接受和Alemán对他的皮卡罗主人公的视觉词汇的借用，人们必须问:眼睛这个身体器官是如何以及为什么通过概念和功能，在这些流浪汉文本中作为对苦难和灾难的描述，以及它如何反映在这个“以眼为中心”时代对智力和宗教的总体社会观点?
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