Pub Date : 1900-01-01DOI: 10.28995/2073-6401-2022-1-201-214
A. V. Shvetsova
The article substantiates the need to analyze the mechanisms for realizing the right to work of women during maternity leave from the standpoint of gender theory and notes the internal and external reasons that encourage mothers to become professionally active. It describes existing and potential support mechanisms: legal regulation of employment and employment protection; availability of preschool institutions for children under 3 years old; vocational training, retraining and advanced training; organization of an environment loyal to young mothers in the workplace; flexible tax laws for women entrepreneurs; stimulation of the leadership and entrepreneurial activity; promoting the principles of equal participation of both parents in the upbringing and care of children. The author draws a conclusion on the relevance and effectiveness of existing mechanisms, the most important of which is their fragmentation and lack of a conceptual understanding of the situation, what makes the specific issues of mothers unnoticed by the state and the public
{"title":"MECHANISMS FOR REALIZING THE RIGHT TO WORK AND PROFESSIONAL DEVELOPMENT OF WOMEN DURING MATERNITY LEAVE","authors":"A. V. Shvetsova","doi":"10.28995/2073-6401-2022-1-201-214","DOIUrl":"https://doi.org/10.28995/2073-6401-2022-1-201-214","url":null,"abstract":"The article substantiates the need to analyze the mechanisms for realizing the right to work of women during maternity leave from the standpoint of gender theory and notes the internal and external reasons that encourage mothers to become professionally active. It describes existing and potential support mechanisms: legal regulation of employment and employment protection; availability of preschool institutions for children under 3 years old; vocational training, retraining and advanced training; organization of an environment loyal to young mothers in the workplace; flexible tax laws for women entrepreneurs; stimulation of the leadership and entrepreneurial activity; promoting the principles of equal participation of both parents in the upbringing and care of children. The author draws a conclusion on the relevance and effectiveness of existing mechanisms, the most important of which is their fragmentation and lack of a conceptual understanding of the situation, what makes the specific issues of mothers unnoticed by the state and the public","PeriodicalId":127301,"journal":{"name":"RSUH/RGGU Bulletin. Series Philosophy. Social Studies. Art Studies","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129779072","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.28995/2073-6401-2022-3-125-145
Andrei N. Fomenko
In 2001 Meldibekov created the work called Pastan – a video-performance in which the author is being methodically beaten and insulted in the process. Pastan is the first in the series that show four different scenarios involving a humiliated and suffering subject. That character represents regression to some kind of a primary state, assimilation with other living creatures and even inanimate objects. This anthropological and psychological ascesis is in line with the formal treatment of the video-performances, going back to the neo-avant-garde of the 1960s and 1970s. The main medium here is also the body of the artist, almost free of any trappings of sociocultural identity. However, unlike the “classics”, Meldibekov is interested not so much in the boundaries of art as in the boundaries of humanity. In general, his works form a visual anthropology based on two poles. On the one hand, one can see monumental and triumphant forms in which political power is expressing itself, using esthetic mechanisms to rise vainly above the perishable human nature. But ironically, it is these monuments that Meldibekov sees as a symbol of the ephemeral. On the opposite pole one can see something over which power rises, but which inevitably forms its substrate, its perishable flesh, the expendable of history. The character in those video-performances is an antipode to the hero of a monument: he is miserable and unmonumental. But he is much sturdier; he persistently faces the strikes of destiny and is not so easy to break.
{"title":"THE HEROES AND NONENTITIES, OR TELEVISION VERSUS SCULPTURE. YERBOSSYN MELDIBEKOV’S VISUAL ANTHROPOLOGY","authors":"Andrei N. Fomenko","doi":"10.28995/2073-6401-2022-3-125-145","DOIUrl":"https://doi.org/10.28995/2073-6401-2022-3-125-145","url":null,"abstract":"In 2001 Meldibekov created the work called Pastan – a video-performance in which the author is being methodically beaten and insulted in the process. Pastan is the first in the series that show four different scenarios involving a humiliated and suffering subject. That character represents regression to some kind of a primary state, assimilation with other living creatures and even inanimate objects. This anthropological and psychological ascesis is in line with the formal treatment of the video-performances, going back to the neo-avant-garde of the 1960s and 1970s. The main medium here is also the body of the artist, almost free of any trappings of sociocultural identity. However, unlike the “classics”, Meldibekov is interested not so much in the boundaries of art as in the boundaries of humanity. In general, his works form a visual anthropology based on two poles. On the one hand, one can see monumental and triumphant forms in which political power is expressing itself, using esthetic mechanisms to rise vainly above the perishable human nature. But ironically, it is these monuments that Meldibekov sees as a symbol of the ephemeral. On the opposite pole one can see something over which power rises, but which inevitably forms its substrate, its perishable flesh, the expendable of history. The character in those video-performances is an antipode to the hero of a monument: he is miserable and unmonumental. But he is much sturdier; he persistently faces the strikes of destiny and is not so easy to break.","PeriodicalId":127301,"journal":{"name":"RSUH/RGGU Bulletin. Series Philosophy. Social Studies. Art Studies","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128418269","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.28995/2073-6401-2023-2-141-155
Ilya Pechenkin
The article deals with the latter stage of creative career of one of the top Soviet architects, Ivan Zholtovsky (1867–1959). In the 1950s, this master, who had the status of the patriarch of the Soviet architectural school and the leader of his own workshop-school, was in charge of the designing several large buildings in which monumental classical forms got a strongly marked crisis character. Perhaps the main work in a number of Zholtovsky’s later pieces is the reconstruction of the Central Moscow Hippodrome (1951–1955), which clearly embodied literary centrism as well as some obsession with decorative in late Stalinist architecture. Solving a major urban planning problem, Zholtovsky used a non-standard composition of the building. In such a case he rejected the canons of classicism and renaissance, which he usually sacredly honored. Instead, he apparently considered ensembles of the Hellenistic era as sources of compositional logic, and such a choice is stunningly accurate for a conclusion opus of the grand Stalinist style. Along with that, the building of the hippodrome can be described as a kind of compendium of quotes taken from earlier buildings of Zholtovsky, including the first one – the nearby mansion of the Racing Society (1903–1905). Loquacious pomposity and a tendency to self-repetition are symptoms of decline, but this final phase of style and its specific manifestations in the work of the architect are certainly worth research attention.
{"title":"“THE AUTUMN OF THE PATRIARCH”. ARCHITECTURE OF THE CENTRAL MOSCOW HIPPODROME CREATED BY I.V. ZHOLTOVSKY","authors":"Ilya Pechenkin","doi":"10.28995/2073-6401-2023-2-141-155","DOIUrl":"https://doi.org/10.28995/2073-6401-2023-2-141-155","url":null,"abstract":"The article deals with the latter stage of creative career of one of the top Soviet architects, Ivan Zholtovsky (1867–1959). In the 1950s, this master, who had the status of the patriarch of the Soviet architectural school and the leader of his own workshop-school, was in charge of the designing several large buildings in which monumental classical forms got a strongly marked crisis character. Perhaps the main work in a number of Zholtovsky’s later pieces is the reconstruction of the Central Moscow Hippodrome (1951–1955), which clearly embodied literary centrism as well as some obsession with decorative in late Stalinist architecture. Solving a major urban planning problem, Zholtovsky used a non-standard composition of the building. In such a case he rejected the canons of classicism and renaissance, which he usually sacredly honored. Instead, he apparently considered ensembles of the Hellenistic era as sources of compositional logic, and such a choice is stunningly accurate for a conclusion opus of the grand Stalinist style. Along with that, the building of the hippodrome can be described as a kind of compendium of quotes taken from earlier buildings of Zholtovsky, including the first one – the nearby mansion of the Racing Society (1903–1905). Loquacious pomposity and a tendency to self-repetition are symptoms of decline, but this final phase of style and its specific manifestations in the work of the architect are certainly worth research attention.","PeriodicalId":127301,"journal":{"name":"RSUH/RGGU Bulletin. Series Philosophy. Social Studies. Art Studies","volume":"16 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128464793","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.28995/2073-6401-2022-4-142-169
Valentin Golubev
The article deals with the history of the creation, iconography, and style of a family icon of the Piramidovs nobles from Kaluga. According to the inscription on its back the reason for ordering was Olga Piramidova’s satisfaction at the court claim. That event took place at the end of 1800. Based on historical evidence the litigation can be associated with the “Pyramidovs’ case”. The iconographic program of the monument is typical for the noble taste: the patronal saints of the family members are depicted with dialogical express in their figures. The images of St. Luke and St. Philip reflect the memorial character of the icon, since their ecclesiastical commemoration coincided with beginning and the end of the court case. Careful analysis of those and other details helps to understand the principles of identity formation scenarios and memory strategies among the Russian provincial nobility. Thanks to precise dating and a confirmed connection to a noble family permanently residing in Kaluga province, the icon becomes an important point of reference in determining the distinctive stylistic features of certain Kaluga icons. Through a series of analogies, a stylistically unified group is formed, oriented towards samples of late Moscow Baroque and associated with the aesthetic preferences of the nobility
{"title":"“WAS FOUNDED THIS ICON IN REMEMBRANCE OF GOD’S GOODNESS”. THE FAMILY ICON OF THE KALUGA NOBLES PIRAMIDOVS","authors":"Valentin Golubev","doi":"10.28995/2073-6401-2022-4-142-169","DOIUrl":"https://doi.org/10.28995/2073-6401-2022-4-142-169","url":null,"abstract":"The article deals with the history of the creation, iconography, and style of a family icon of the Piramidovs nobles from Kaluga. According to the inscription on its back the reason for ordering was Olga Piramidova’s satisfaction at the court claim. That event took place at the end of 1800. Based on historical evidence the litigation can be associated with the “Pyramidovs’ case”. The iconographic program of the monument is typical for the noble taste: the patronal saints of the family members are depicted with dialogical express in their figures. The images of St. Luke and St. Philip reflect the memorial character of the icon, since their ecclesiastical commemoration coincided with beginning and the end of the court case. Careful analysis of those and other details helps to understand the principles of identity formation scenarios and memory strategies among the Russian provincial nobility. Thanks to precise dating and a confirmed connection to a noble family permanently residing in Kaluga province, the icon becomes an important point of reference in determining the distinctive stylistic features of certain Kaluga icons. Through a series of analogies, a stylistically unified group is formed, oriented towards samples of late Moscow Baroque and associated with the aesthetic preferences of the nobility","PeriodicalId":127301,"journal":{"name":"RSUH/RGGU Bulletin. Series Philosophy. Social Studies. Art Studies","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128752287","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.28995/2073-6401-2022-3-123-134
Denis E. Nifontov
The article considers the distinctive architectural features of the complexes of the Ural factories at the beginning of the 19th century in the context of the spread of Classicist architecture in Russia. It highlights the main reasons for the mass restructuring of factories in the region at the beginning of the 19th century – the dilapidation depletion of wooden structures, the fire hazard of factory buildings and the depletion of wood resources for new buildings. The connection between the Ural factory architectural tradition and the tradition of Moscow and St. Petersburg is indicated. On the example of the Kamensk and Votkinsk factories, the author marks distinctive regional features of the application of the style to factory buildings and analyzes their similar features by using the example of those typical buildings, summarizing it all in general trends such as avarice in the use of decorative techniques, ensemble character, and a utilitarian combination of all buildings, taking into account the established regional industrial traditions in order to optimize production.
{"title":"FEATURES OF THE INDUSTRIAL ARCHITECTURE OF THE URAL FACTORIES IN THE AGE OF CLASSICISM","authors":"Denis E. Nifontov","doi":"10.28995/2073-6401-2022-3-123-134","DOIUrl":"https://doi.org/10.28995/2073-6401-2022-3-123-134","url":null,"abstract":"The article considers the distinctive architectural features of the complexes of the Ural factories at the beginning of the 19th century in the context of the spread of Classicist architecture in Russia. It highlights the main reasons for the mass restructuring of factories in the region at the beginning of the 19th century – the dilapidation depletion of wooden structures, the fire hazard of factory buildings and the depletion of wood resources for new buildings. The connection between the Ural factory architectural tradition and the tradition of Moscow and St. Petersburg is indicated. On the example of the Kamensk and Votkinsk factories, the author marks distinctive regional features of the application of the style to factory buildings and analyzes their similar features by using the example of those typical buildings, summarizing it all in general trends such as avarice in the use of decorative techniques, ensemble character, and a utilitarian combination of all buildings, taking into account the established regional industrial traditions in order to optimize production.","PeriodicalId":127301,"journal":{"name":"RSUH/RGGU Bulletin. Series Philosophy. Social Studies. Art Studies","volume":"06 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129436895","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.28995/2073-6401-2021-1-209-217
L. A. Brushkova, I. Prokhorova
The subject of the article is an issue of the gender equality in the scientific sphere in modern Russian society. The paper notes the successful involvement of women in higher education and science, achieved during the years of socialism. Currently, Russia lags behind not only the developed countries, but also the countries of the former Soviet republics in terms of women’s participation in scientific research. At the same time, it is noted that a significant number of Russians consider a career in science and technology as one of the most attractive for their daughters. The article focuses on the negative trend of the last decade towards the stagnation of the number of women with PhD and doctorate degrees. The authors conclude that, despite the high level of feminization of the spheres of science and higher education in Russia, the country is still far from achieving gender equality in that area. Along with the negative phenomena, there is also a positive trend towards an increase in the number of young women interested in a scientific career
{"title":"GENDER EQUALITY IN SCIENCE. ACHIEVEMENTS AND CHALLENGES","authors":"L. A. Brushkova, I. Prokhorova","doi":"10.28995/2073-6401-2021-1-209-217","DOIUrl":"https://doi.org/10.28995/2073-6401-2021-1-209-217","url":null,"abstract":"The subject of the article is an issue of the gender equality in the scientific sphere in modern Russian society. The paper notes the successful involvement of women in higher education and science, achieved during the years of socialism. Currently, Russia lags behind not only the developed countries, but also the countries of the former Soviet republics in terms of women’s participation in scientific research. At the same time, it is noted that a significant number of Russians consider a career in science and technology as one of the most attractive for their daughters. The article focuses on the negative trend of the last decade towards the stagnation of the number of women with PhD and doctorate degrees. The authors conclude that, despite the high level of feminization of the spheres of science and higher education in Russia, the country is still far from achieving gender equality in that area. Along with the negative phenomena, there is also a positive trend towards an increase in the number of young women interested in a scientific career","PeriodicalId":127301,"journal":{"name":"RSUH/RGGU Bulletin. Series Philosophy. Social Studies. Art Studies","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130517133","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.28995/2073-6401-2022-1-75-85
E. Fadeeva
The application of the precarious employment criteria [Toshchenko 2020, p. 90] to the group of mid-level medical personnel is very limited. The number of employees with an unguaranteed social and legal status is rather small in that group as mid-level medical workers stay at their jobs for a long time. However, in terms of the economic dimension, the precarity features, e. g., active secondary employment, high debt load, and low self-evaluation of social and financial status, can still be found in the group of mid-level medical personnel. All those difficulties, along with the negative effects of the pandemic, have aggravated the already challenging staffing situation in the labor market for mid-level medical personnel, while within one year and half of the fight against COVID-19 the skills drain in the middle level has been significantly greater than the shortage of mid-level health staff in the pre-pandemic period.
{"title":"SOCIAL AND ECONOMIC STATUS OF MID-LEVEL MEDICAL PERSONNEL DURING THE CORONAVIRUS PANDEMIC","authors":"E. Fadeeva","doi":"10.28995/2073-6401-2022-1-75-85","DOIUrl":"https://doi.org/10.28995/2073-6401-2022-1-75-85","url":null,"abstract":"The application of the precarious employment criteria [Toshchenko 2020, p. 90] to the group of mid-level medical personnel is very limited. The number of employees with an unguaranteed social and legal status is rather small in that group as mid-level medical workers stay at their jobs for a long time. However, in terms of the economic dimension, the precarity features, e. g., active secondary employment, high debt load, and low self-evaluation of social and financial status, can still be found in the group of mid-level medical personnel. All those difficulties, along with the negative effects of the pandemic, have aggravated the already challenging staffing situation in the labor market for mid-level medical personnel, while within one year and half of the fight against COVID-19 the skills drain in the middle level has been significantly greater than the shortage of mid-level health staff in the pre-pandemic period.","PeriodicalId":127301,"journal":{"name":"RSUH/RGGU Bulletin. Series Philosophy. Social Studies. Art Studies","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129127576","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.28995/2073-6401-2019-4-61-70
V. Dvoinev
{"title":"ENVIRONMENTAL ISSUES OF AN URBAN AREA REPRESENTED IN LOCAL PRESS","authors":"V. Dvoinev","doi":"10.28995/2073-6401-2019-4-61-70","DOIUrl":"https://doi.org/10.28995/2073-6401-2019-4-61-70","url":null,"abstract":"","PeriodicalId":127301,"journal":{"name":"RSUH/RGGU Bulletin. Series Philosophy. Social Studies. Art Studies","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129188028","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.28995/2073-6401-2022-1-345-351
M. Bakanova
The article compares the so-called political face of women in Western, Eastern countries and Russia. The main characteristics of women politicians in Western countries are: common descent and personal qualities as means to achieve a high position, specialized education and a good place to work before entering politics, early and late political careers, strong family ties with a minimum of children, and the high effectiveness of political decisions with a low failure rate. Women politicians in the Eastern group of countries are determined by heredity and continuity of political power, specialized or humanitarian education, a rather late start of a political career, often relying on a spouse, strong family ties and small families, a high percentage of political scandals, corruption charges and low management efficiency. Women politicians in Russia are more often characterized by a common descent with high personal qualities as means to achieve a political office and a specialized education, including at the level above the bachelor’s degree, they have to enter the political path early, sacrificing the opportunity to have an alternative job, the possibility of having more than one child or interrupting the career of a politician, while the effectiveness of the work of Russian women politicians is high, although political scandals are not rare. Thus, with a greater orientation of women politicians in Russia towards the West, they have both Eastern and their own personal characteristics associated with various reasons, the elimination of which will improve the political sphere for the advancement of women in this area.
{"title":"THE FEMALE FACE OF RUSSIAN POLITICS. BETWEEN EAST AND WEST","authors":"M. Bakanova","doi":"10.28995/2073-6401-2022-1-345-351","DOIUrl":"https://doi.org/10.28995/2073-6401-2022-1-345-351","url":null,"abstract":"The article compares the so-called political face of women in Western, Eastern countries and Russia. The main characteristics of women politicians in Western countries are: common descent and personal qualities as means to achieve a high position, specialized education and a good place to work before entering politics, early and late political careers, strong family ties with a minimum of children, and the high effectiveness of political decisions with a low failure rate. Women politicians in the Eastern group of countries are determined by heredity and continuity of political power, specialized or humanitarian education, a rather late start of a political career, often relying on a spouse, strong family ties and small families, a high percentage of political scandals, corruption charges and low management efficiency. Women politicians in Russia are more often characterized by a common descent with high personal qualities as means to achieve a political office and a specialized education, including at the level above the bachelor’s degree, they have to enter the political path early, sacrificing the opportunity to have an alternative job, the possibility of having more than one child or interrupting the career of a politician, while the effectiveness of the work of Russian women politicians is high, although political scandals are not rare. Thus, with a greater orientation of women politicians in Russia towards the West, they have both Eastern and their own personal characteristics associated with various reasons, the elimination of which will improve the political sphere for the advancement of women in this area.","PeriodicalId":127301,"journal":{"name":"RSUH/RGGU Bulletin. Series Philosophy. Social Studies. Art Studies","volume":"106 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116217629","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.28995/2073-6401-2020-3-24-35
I. Kurilovich
The Religion-Science relationship is often understood as problematic one and they themselves as sides in the confrontation between clericalism and scientism. The background of those polemic party positions contributes to standing out the study of the positive significance of theological toposes, tropes, mythologemes in science when it is conducted secularly, and even more emphatically atheistically. One of the vivid examples for that occurs in the reflections of two French philosophers of Russian origin, Alexandre Koyré and Alexandre Kojève. By studying the genesis of science, Koyré discovers that modern mathematical physics requires a homogeneous world, and it became so for the first time in Christian Europe in the 16–17th centuries. Kojève continues Koyré’s reflections – according to him, the application of the celestial science of mathematics to terrestrial physics became possible through the habit of European thinkers to the scandalous thought about the Incarnation of God, about the possibility for the infinity and for the perfection to be born in the flesh and thus “heal” it. The positions of both have their origin in Hegel’s thoughts, but in some points they do not agree with him. The research consists of three parts published in three separate articles on the foundation of Modern science at Koyré, Kojève and Hegel. The first part is about Alexandre Koyré.
{"title":"THE CRUCIFIED GOD AT THE BASIS OF MODERN EUROPEAN SCIENCE AND SOURCES OF THE INTERNALIST ANTIPOSITIVISM. ARTICLE ONE: KOYRÉ","authors":"I. Kurilovich","doi":"10.28995/2073-6401-2020-3-24-35","DOIUrl":"https://doi.org/10.28995/2073-6401-2020-3-24-35","url":null,"abstract":"The Religion-Science relationship is often understood as problematic one and they themselves as sides in the confrontation between clericalism and scientism. The background of those polemic party positions contributes to standing out the study of the positive significance of theological toposes, tropes, mythologemes in science when it is conducted secularly, and even more emphatically atheistically. One of the vivid examples for that occurs in the reflections of two French philosophers of Russian origin, Alexandre Koyré and Alexandre Kojève. By studying the genesis of science, Koyré discovers that modern mathematical physics requires a homogeneous world, and it became so for the first time in Christian Europe in the 16–17th centuries. Kojève continues Koyré’s reflections – according to him, the application of the celestial science of mathematics to terrestrial physics became possible through the habit of European thinkers to the scandalous thought about the Incarnation of God, about the possibility for the infinity and for the perfection to be born in the flesh and thus “heal” it. The positions of both have their origin in Hegel’s thoughts, but in some points they do not agree with him. The research consists of three parts published in three separate articles on the foundation of Modern science at Koyré, Kojève and Hegel. The first part is about Alexandre Koyré.","PeriodicalId":127301,"journal":{"name":"RSUH/RGGU Bulletin. Series Philosophy. Social Studies. Art Studies","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127715941","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：