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Preventive law in early Ireland. Rereading the Additamenta in the Book of Armagh 爱尔兰早期的预防法律。重读《阿玛之书》的附录
Pub Date : 2021-01-26 DOI: 10.26818/NORTAMERCELTSTUD.2.1.0037
Andrew Rabin
Abstract:This article argues that the so-called Additamenta, found on ff. 16r–18v of the Book of Armagh, may have functioned as a form of preventive law. Reading the Additamenta in this fashion suggests that the evidence they adduce to legitimize Armagh's property rights reflects those categories of claims thought most likely to prevail should the foundation's landholdings fall into dispute. As an archive of documents that both preserved and shaped institutional memory, they provided a historical frame that limited the possibility of challenges to Armagh's standing or, if those challenges did come to trial, shaped the court's perception to the foundation's benefit. Consequently, even if these documents do not necessarily reflect an ongoing charter tradition, we may still use them as case studies revealing one way in which early Irish landowners—especially those associated with ecclesiastical foundations like Armagh—utilized text and narrative to influence the progress of legal disputes.
摘要:本文认为所谓的增补,是在ff上发现的。《阿玛书》第16r-18v段,可能起到了预防法律的作用。以这种方式解读《附加条款》表明,他们用来使阿马的财产权合法化的证据,反映了那些被认为最有可能在基金会的土地所有权陷入争议时占上风的主张类别。作为保存和塑造机构记忆的文件档案,它们提供了一个历史框架,限制了对阿马地位提出挑战的可能性,或者,如果这些挑战真的进入审判阶段,也会影响法院对基金会的看法。因此,即使这些文件不一定反映持续的宪章传统,我们仍然可以用它们作为案例研究,揭示早期爱尔兰土地所有者——尤其是那些与教会基金会(如阿马)有关的土地所有者——利用文本和叙事来影响法律纠纷的进展。
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引用次数: 0
The story of Plea 抗辩的故事
Pub Date : 2021-01-26 DOI: 10.26818/nortamerceltstud.2.1.0056
D. Bray
Abstract:The story of the underwater monastery of Plea, told in a gloss to Broccán's hymn (Ní car Brigit), is an unusual tale in Brigit's tradition; however, it contains several well-known tropes from Irish immrama. The story has been associated with changing attitudes toward pilgrimage and the idea that the monastic rule of Kildare differed significantly from other Irish monasteries up to the twelfth century. This paper ex-amines the elements of the story and traces its possible connections to other, earlier elements in Brigit's tradition, including her association with St. Brendan of Clonfert, as well as the motifs in the genre of the immram. The tale may reflect contemporary concerns over perceived unorthodox practices in Irish churches and monasteries as the twelfth-century reform of the Irish Church got under way.
摘要:本文以Broccán的赞美诗(Ní car Brigit)为背景,讲述了水下修道院的故事,是Brigit传统中一个不寻常的故事;然而,它包含了几个来自爱尔兰immrama的著名比喻。这个故事与人们对朝圣态度的改变以及基尔代尔修道院的统治与12世纪前其他爱尔兰修道院的显著不同有关。本文分析了这个故事的元素,并追溯了它与布里吉特传统中其他早期元素的可能联系,包括她与圣布伦丹的联系,以及伊玛目流派的主题。这个故事可能反映了当时人们对爱尔兰教堂和修道院的非正统做法的担忧,因为12世纪爱尔兰教会的改革正在进行中。
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引用次数: 0
Gwerzioù for all! A look at the field 为所有人Gwerzioù !看看田野
Pub Date : 2021-01-26 DOI: 10.26818/nortamerceltstud.2.2.0179
Matthieu Boyd
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引用次数: 0
Guaranteeing what cannot be guaranteed. Defending and adapting bardic patronage in Ag so an chomairce, a Chormaic (ca. 1585) by Tadhg Dall Ó hUiginn 保证不能保证的事情。捍卫和改编《agso and chomairce》(约1585年)中的吟游诗人赞助,由Tadhg Dall Ó hUiginn撰写
Pub Date : 2021-01-26 DOI: 10.26818/nortamerceltstud.2.1.0001
Sarah E. McKibben
Abstract:This paper offers a historicized close reading of Ag so an chomairce, a Chormaic ‘Here is the guarantee, Cormac’ (ca. 1585) by Tadhg Dall Ó hUiginn (ca. 1550–ca. 1591), a 27-quatrain appeal to loyalist Sligo lord Cormac Ó hEadhra to be the master-poet's guarantor under the legal mechanism of booking (a form of legal registration or recording of dependents or followers of a given lord). The paper argues that the poem richly repays close literary-critical attention of the kind not usually accorded bardic poetry, displaying a remarkable rhetorical and political artistry in its deeply traditional, yet simultaneously richly innovative, defense of the patronly relationship, the native nobility that upheld it, and the bardic institution itself, as all were under threat from the transformations wrought by the expanding Tudor state.
摘要:本文对Tadhg Dall Ó hUiginn (ca. 1550-ca . 1550-ca . 1550)的Chormaic《Here is the guarantee, Cormac》(约1585年)进行了历史性的细读。1591年),在27首四行诗中呼吁忠诚的斯莱戈领主科马克Ó海德拉在登记的法律机制下成为主诗人的担保人(一种法律登记或记录特定领主的家属或追随者的形式)。本文认为,这首诗充分回报了通常不被给予吟游诗的那种密切的文学批评关注,在其深厚的传统中展示了非凡的修辞和政治艺术,同时又富有创新,捍卫了庇护关系,维护它的本土贵族,以及吟游诗制度本身,因为所有这些都受到了扩张的都铎国家所带来的变革的威胁。
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引用次数: 0
Walter Map and the matter of Britain by Smith, Joshua Byron (review) 《沃尔特·地图与英国问题》,史密斯,约书亚·拜伦著(书评)
Pub Date : 2021-01-26 DOI: 10.1353/cel.2018.a781218
D. Helbert
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引用次数: 0
Medieval Powys. Kingdom, principality and lordships, 1132-1293 by David Stephenson (review) 中世纪的波伊斯。《王国,公国和领主,1132-1293》大卫·斯蒂芬森著(书评)
Pub Date : 2021-01-26 DOI: 10.1353/cel.2018.a781219
C. McKenna
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引用次数: 0
Ys celuit ae dehoglho. Interpreting a dream? 他的头发已经褪了色。解梦?
Pub Date : 2021-01-26 DOI: 10.26818/NORTAMERCELTSTUD.1.2.0121
Myriah Williams
Abstract:The second poem in the Black Book of Carmarthen (NLW Peniarth MS 1) is known by its first line as Breuddwyd a welwn neithiwr ‘I had a dream last night’. This poem is incomplete due to the loss of a leaf or, more probably, a quire, and it is the only poem in the Black Book which A. O. H. Jarman did not fit into a category in his edition of the manuscript. Indeed, the poem has been little studied, with discussion generally amounting to a passing reference to the form of the work being a list of metricized proverbs. It is this disconnect between a poem which purports, or is purported, to be about a dream, but that is said to be composed of proverbs, which has led to difficulties in its categorization, and it is this same disconnect which is immediately interesting. By breaking the verse down into its constituent parts, it is possible to argue that the poem as it now stands is a composite work and that, at its core, there is a coherent proverbial poem around which marginal verses were accumulated through several stages of copying. The first part of this paper seeks to explore this possibility, while the second part presents a discussion of the potential relationship between Breuddwyd a welwn neithiwr and later proverb lists.
摘要:《卡马森黑皮书》(NLW Peniarth MS 1)中的第二首诗以其第一行“我昨晚做了一个梦”而闻名。这首诗是不完整的,因为失去了一片叶子,或者更可能的是,一个quire,这是唯一一首a . O. H. Jarman在他的手稿版本中没有属于一个类别的诗。事实上,这首诗几乎没有被研究过,讨论通常相当于对作品形式的一种传递参考,即一份韵律化的谚语清单。这首诗声称,或被声称,是关于一个梦的,但据说是由谚语组成的,这导致了它的分类困难,这同样是有趣的。通过把诗分解成它的组成部分,我们可以认为,现在的诗是一个合成的作品,在它的核心,有一个连贯的谚语诗,周围的边缘诗句是通过几个阶段的复制积累起来的。本文的第一部分试图探讨这种可能性,而第二部分则讨论了布鲁德维德与后来的谚语表之间的潜在关系。
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引用次数: 0
Fionn mac Cumhaill in twenty-first-century Ireland 21世纪爱尔兰的菲昂·麦克·坎希尔
Pub Date : 2021-01-26 DOI: 10.2307/NORTAMERCELTSTUD.1.1.0082
N. Sumner
Abstract:This article surveys the corpus of Fenian narrative available in twenty-first-century Ireland. The socio-political situation during the Celtic Revival era that enabled the continued production of Fenian texts into the present moment is first examined. Revivalist engagements with Fenian narrative, including publishing, folklore collection, and educational activities, are briefly traced. The connection between cultural and political nationalism in late nineteenth- and early twentieth-century Ireland emerges as a key factor in the establishment of the Fianna as cultural symbols for the modern Irish nation—a position which they continue to hold. The remainder of the article explores the twenty-first-century Fenian narrative corpus and traces areas of continuity and development with relation to the revival-era corpus. Areas of consideration include Fenian material in school textbooks, in children's literature and media, and in literature and media for older audiences, including books of heritage and tourist interest. Consideration is given to both English- and Irish-language sources.
摘要:本文调查了21世纪爱尔兰芬尼亚叙事的语料库。首先考察了凯尔特复兴时期的社会政治形势,这使得芬尼亚文本的持续生产进入了现在。复兴主义者与芬尼亚叙事的接触,包括出版、民间传说收集和教育活动,被简要地追溯。在19世纪末和20世纪初的爱尔兰,文化民族主义和政治民族主义之间的联系成为确立菲安娜作为现代爱尔兰民族文化象征的关键因素,他们一直保持着这一地位。文章的其余部分探讨了二十一世纪的汾年叙事语料库,并追踪了与复兴时代语料库相关的连续性和发展领域。考虑的领域包括学校教科书、儿童文学和媒体以及面向老年受众的文学和媒体中的芬尼语材料,包括遗产和旅游兴趣书籍。考虑到英语和爱尔兰语的来源。
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引用次数: 1
Poems to the medieval O'Donnell chiefs and their historical context 中世纪奥唐奈酋长的诗歌及其历史背景
Pub Date : 2021-01-26 DOI: 10.2307/NORTAMERCELTSTUD.1.1.0045
K. Simms
Abstract:A bardic ode which survives in written form is normally of the highest quality, an expensive prestige purchase. Consequently, the 31 extant poems to the medieval O'Donnell chieftains of Tír Conaill, or Donegal, reflect the rise and fall of that family's fortunes from the thirteenth to the fifteenth centuries. Both O'Donnells and O'Neills had newly risen to power around 1200, and the idea that the two families should alternate in leadership of the Northern Uí Néill is a recurring theme in the thirteenth-century poems. The fourteenth century saw O'Donnell power collapse as a result of a prolonged succession struggle, and many chieftains of that period have no surviving poems to their name. When, in the fifteenth century, the O'Neills in turn became enmeshed in civil strife, the O'Donnell poems begin to boast that in early days their ancestors had supplied 10 kings of Tara, where the O'Neills' forebears had produced only seven. In addition to the perceptible relationship of such broad themes with the politics of their day, many details in the texts of the poems confirm and supplement the information on the history of the O'Donnell rulers of Tír Conaill found in the Irish annals.
摘要:以书面形式保存下来的吟游诗通常具有最高的质量,是一种昂贵的声望购买。因此,现存的31首写给Tír Conaill或Donegal的中世纪O'Donnell酋长的诗,反映了这个家族从13世纪到15世纪的兴衰。O' donnell和O' neill都是在1200年左右新掌权的,这两个家族应该轮流领导北方Uí nassiill的想法是13世纪诗歌中反复出现的主题。14世纪,由于长期的继承权斗争,奥唐奈的权力崩溃了,那个时期的许多酋长都没有留下他们的名字。15世纪,奥尼尔家族陷入了内乱,他的诗歌开始夸口说,在早期,他们的祖先为塔拉提供了10位国王,而奥尼尔的祖先只产生了7位。除了这些广泛的主题与当时政治的明显关系之外,诗歌文本中的许多细节证实并补充了康纳尔在爱尔兰编年史中发现的Tír奥唐纳统治者的历史信息。
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引用次数: 0
The timeless tale of Bricriu's feast 布里留盛宴的永恒故事
Pub Date : 2021-01-26 DOI: 10.26818/NORTAMERCELTSTUD.1.2.0151
Matthieu Boyd
Abstract:The early Irish tale Fled Bricrenn ‘Bricriu's feast’ is set at an impossible time relative to the centerpiece of the Ulster Cycle, the epic Táin bó Cúailnge. Key characters, including Bricriu himself, are not available after the Táin, while the integral episodes involving Ailill and Medb would make no sense before the Táin. The embarrassing behavior of the heroes Lóegaire and Conall is also inconsistent with the way they are portrayed in other texts. Although there are limited parallels with other kinds of medieval literature, such as the verse tradition of French Arthurian romance, these problems are most helpfully addressed by recourse to contemporary Fan Fiction studies in conjunction with the medieval concept of glossing. Even if it does contain authentic lore, Bricriu's feast comes into focus as a comically distorted, but serious-minded reflection on the rest of the Ulster Cycle, including the Táin. The major themes of this reflection include the devaluation of fame through excess of praise, and the worthiness of the hero's community to benefit from him, even as the hero's own status depends on serving their interests and enacting their values.
摘要:早期的爱尔兰故事《逃离布里克伦》(Bricrenn’Bricriu’s feast)发生在一个与阿尔斯特循环的核心史诗Táin bó Cúailnge不可能的时代。关键人物,包括bririu本人,在Táin之后就没有了,而涉及Ailill和Medb的完整剧集在Táin之前是没有意义的。主人公Lóegaire和Conall的尴尬行为也与其他文本中对他们的描绘方式不一致。尽管它与其他类型的中世纪文学(如法国亚瑟王传奇的诗歌传统)有有限的相似之处,但这些问题最有帮助的解决方法是求助于与中世纪注释概念相结合的当代同人小说研究。即使它确实包含了真实的爱情,布里瑞乌的盛宴也成为了人们关注的焦点,因为它被滑稽地扭曲了,但却严肃地反映了阿尔斯特循环的其余部分,包括Táin。这种反思的主要主题包括通过过度的赞美来贬低名声,以及英雄的社区从他身上受益的价值,即使英雄自己的地位取决于服务于他们的利益和制定他们的价值观。
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引用次数: 0
期刊
North American journal of Celtic studies
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