{"title":"Meeting Minutes 10 May 1852","authors":"R. Chambers","doi":"10.9750/psas.001.72.73","DOIUrl":"https://doi.org/10.9750/psas.001.72.73","url":null,"abstract":"Meeting minutes from 10 May 1852. ","PeriodicalId":161764,"journal":{"name":"Proceedings of the Society of Antiquaries of Scotland","volume":"35 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-04-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122234302","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
A memorial to the Chief Commissioner of Her Majesty's Board of Works, submitted to the Meeting by order of the Council, was unanimously approved of, praying the interference of the Board to prevent the erection of galleries, partition-walls, and other injurious additions to the Cathedral of St Magnus, Kirkwall ; which it was understood were now contemplated, with a view to the adaptation of that venerable edifice for a Presbyterian place of worship.
{"title":"St Magnus, Kirkwall","authors":"Daniel Wilson","doi":"10.9750/psas.001.71","DOIUrl":"https://doi.org/10.9750/psas.001.71","url":null,"abstract":"A memorial to the Chief Commissioner of Her Majesty's Board of Works, submitted to the Meeting by order of the Council, was unanimously approved of, praying the interference of the Board to prevent the erection of galleries, partition-walls, and other injurious additions to the Cathedral of St Magnus, Kirkwall ; which it was understood were now contemplated, with a view to the adaptation of that venerable edifice for a Presbyterian place of worship.","PeriodicalId":161764,"journal":{"name":"Proceedings of the Society of Antiquaries of Scotland","volume":"296 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-04-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133134258","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The paper considers the significance of one of the largest collections of earlier prehistoric artefacts associated with a Scottish dune system. It came from a narrow spit, formerly an offshore island, at the mouth of Loch Fleet and was dominated by large numbers of arrowheads dating from the Early Neolithic period and the Beaker phase. They seem to have been made there, and many were unfinished. The original findspots are inaccessible today, but a programme of field walking in the surrounding area confirmed their exceptional character. Perhaps this remote location was chosen as a production site because of the specialised roles played by the artefacts made there. The results of this project are compared with similar evidence from the Culbin and Luce Sands.
{"title":"Littleferry, Sutherland","authors":"R. Bradley, A. Watson, Ronnie Scott, A. Jack","doi":"10.9750/psas.147.1248","DOIUrl":"https://doi.org/10.9750/psas.147.1248","url":null,"abstract":"The paper considers the significance of one of the largest collections of earlier prehistoric artefacts associated with a Scottish dune system. It came from a narrow spit, formerly an offshore island, at the mouth of Loch Fleet and was dominated by large numbers of arrowheads dating from the Early Neolithic period and the Beaker phase. They seem to have been made there, and many were unfinished. The original findspots are inaccessible today, but a programme of field walking in the surrounding area confirmed their exceptional character. Perhaps this remote location was chosen as a production site because of the specialised roles played by the artefacts made there. The results of this project are compared with similar evidence from the Culbin and Luce Sands.","PeriodicalId":161764,"journal":{"name":"Proceedings of the Society of Antiquaries of Scotland","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130602742","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This project seeks to recover and record the archaeological evidence associated with the extraction of sulfur (and perhaps other minerals as well) by James Stevenson, a Glasgow industrialist, from the volcanic island of Vulcano, Aeolian Islands, Italy, in the second half of the 19th century. This short preliminary report sets the scene by linking archival material with present conditions and by carrying out select mineralogical analyses of the type of the mineral resource Stevenson may have explored. New 3D digital recording tools (structure-from-Motion photogrammetry) have been introduced to aid future multidisciplinary research. This is a long-term project which aims to examine a 19th-century Scottish mining venture in a southern European context and its legacy on the communities involved. It also aims to view Stevenson’s activities in a diachronic framework, namely as an integral part of a tradition of minerals exploration in southern Italy from the Roman period or earlier.
{"title":"Stevenson at Vulcano in the late 19th century","authors":"E. Photos-Jones, B. Barrett, G. Christidis","doi":"10.9750/PSAS.147.1255","DOIUrl":"https://doi.org/10.9750/PSAS.147.1255","url":null,"abstract":"This project seeks to recover and record the archaeological evidence associated with the extraction of sulfur (and perhaps other minerals as well) by James Stevenson, a Glasgow industrialist, from the volcanic island of Vulcano, Aeolian Islands, Italy, in the second half of the 19th century. This short preliminary report sets the scene by linking archival material with present conditions and by carrying out select mineralogical analyses of the type of the mineral resource Stevenson may have explored. New 3D digital recording tools (structure-from-Motion photogrammetry) have been introduced to aid future multidisciplinary research. This is a long-term project which aims to examine a 19th-century Scottish mining venture in a southern European context and its legacy on the communities involved. It also aims to view Stevenson’s activities in a diachronic framework, namely as an integral part of a tradition of minerals exploration in southern Italy from the Roman period or earlier.","PeriodicalId":161764,"journal":{"name":"Proceedings of the Society of Antiquaries of Scotland","volume":"30 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-11-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125069353","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article presents the results of a programme of investigation which aimed to construct a more detailed understanding of the character and chronology of crannog occupation in north-east Scotland, targeting a series of sites across the region. The emerging pattern revealed through fieldwork in the region shows broad similarities to the existing corpus of data from crannogs in other parts of the country. Crannogs in north-east Scotland now show evidence for origins in the Iron Age. Further radiocarbon evidence has emerged from crannogs in the region revealing occupation during the 9th–10th centuries ad, a period for which there is little other settlement evidence in the area. Additionally, excavated contexts dated to the 11th–12th centuries and historic records suggest that the tradition of crannog dwelling continued into the later medieval period. Overall, the recent programme of fieldwork and dating provides a more robust foundation for further work in the region and can help address questions concerning the adoption of the practice of artificial island dwelling across Scotland through time.
{"title":"A new chronology for crannogs in north-east Scotland","authors":"Michael J. Stratigos, G. Noble","doi":"10.9750/PSAS.147.1254","DOIUrl":"https://doi.org/10.9750/PSAS.147.1254","url":null,"abstract":"This article presents the results of a programme of investigation which aimed to construct a more detailed understanding of the character and chronology of crannog occupation in north-east Scotland, targeting a series of sites across the region. The emerging pattern revealed through fieldwork in the region shows broad similarities to the existing corpus of data from crannogs in other parts of the country. Crannogs in north-east Scotland now show evidence for origins in the Iron Age. Further radiocarbon evidence has emerged from crannogs in the region revealing occupation during the 9th–10th centuries ad, a period for which there is little other settlement evidence in the area. Additionally, excavated contexts dated to the 11th–12th centuries and historic records suggest that the tradition of crannog dwelling continued into the later medieval period. Overall, the recent programme of fieldwork and dating provides a more robust foundation for further work in the region and can help address questions concerning the adoption of the practice of artificial island dwelling across Scotland through time.","PeriodicalId":161764,"journal":{"name":"Proceedings of the Society of Antiquaries of Scotland","volume":"89 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-11-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126069256","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Surviving visual culture from the early modern period that can be described as particularly Scottish in style is scarce. As a result, any evidence of such artistry is of national significance. The purpose of this article is to draw attention to a form of lettering which was used for the display of short inscriptions and initials in Scotland throughout the 16th century. Surviving examples are almost exclusively carved in relief in durable wood and stone. This distinctive letterform is drawn from the transitional styles which briefly appeared at the end of the 15th century as French artists and scribes transferred their allegiance from their traditional ornate Gothic capitals to the bold, simple Roman forms of the Renaissance. While a number of experimental letterforms fleetingly appeared elsewhere across northern Europe, Scottish scholars absorbed these new influences in France and developed them into a distinctive form which persisted in Scotland for over a century. After its first known appearance at the marriage of King James IV to Margaret Tudor in Edinburgh in 1503, the evidence suggests that the use of Scottish Lettering became confined to Aberdeen and the north-east, primarily in pre Reformation ecclesiastical applications. Following the Reformation, it became largely restricted to secular and funerary inscriptions.
{"title":"Scottish Lettering of the 16th century","authors":"Aidan Harrison, C. Burnett","doi":"10.9750/psas.147.1247","DOIUrl":"https://doi.org/10.9750/psas.147.1247","url":null,"abstract":"Surviving visual culture from the early modern period that can be described as particularly Scottish in style is scarce. As a result, any evidence of such artistry is of national significance. The purpose of this article is to draw attention to a form of lettering which was used for the display of short inscriptions and initials in Scotland throughout the 16th century. Surviving examples are almost exclusively carved in relief in durable wood and stone. This distinctive letterform is drawn from the transitional styles which briefly appeared at the end of the 15th century as French artists and scribes transferred their allegiance from their traditional ornate Gothic capitals to the bold, simple Roman forms of the Renaissance. While a number of experimental letterforms fleetingly appeared elsewhere across northern Europe, Scottish scholars absorbed these new influences in France and developed them into a distinctive form which persisted in Scotland for over a century. After its first known appearance at the marriage of King James IV to Margaret Tudor in Edinburgh in 1503, the evidence suggests that the use of Scottish Lettering became confined to Aberdeen and the north-east, primarily in pre Reformation ecclesiastical applications. Following the Reformation, it became largely restricted to secular and funerary inscriptions.","PeriodicalId":161764,"journal":{"name":"Proceedings of the Society of Antiquaries of Scotland","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-11-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115444511","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
A Viking Age or Late Norse gold finger-ring in Glasgow Museums (A.1979.19), previously thought to have been found in the Isle of Skye, is here identified with a ring said to have been found in the Isle of Jura in 1869 (together with another, now lost). This identification is based on an illustration published in 1875 by the ring’s then owner, the Rev Dr P H Waddell (1816–91). Waddell’s use of the ring as a piece of evidence in his attempts to prove the authenticity of James Macpherson’s Ossianic poems is discussed. The ring subsequently passed into the possession of the Austrian Countess Vincent Baillet de Latour (d 1942), who had developed an interest in the archaeology of Skye during her first marriage to Norman Macleod of Macleod (d 1895). Focusing on the ring as a collector’s possession, the paper takes a biographical approach, following its trajectory from antiquarian discovery to museum object.
格拉斯哥博物馆(A.1979.19)中发现的一枚维京时代或挪威晚期的金戒指，之前被认为是在斯凯岛发现的，现在与据说于1869年在汝拉岛发现的一枚戒指(连同另一枚现已丢失)相吻合。这一鉴定是基于戒指当时的主人P H Waddell Rev Dr(1816-91)在1875年发表的一幅插图。本文讨论了Waddell在试图证明James Macpherson的Ossianic诗的真实性时使用戒指作为证据的做法。这枚戒指后来落入了奥地利伯爵夫人文森特·拜勒·德·拉图尔(1942年出生)的手中，她在第一次嫁给麦克劳德的诺曼·麦克劳德(1895年出生)时，就对斯凯岛的考古产生了兴趣。这篇论文以这枚戒指作为收藏家的收藏为重点，采用了传记的方式，遵循了它从古董发现到博物馆藏品的轨迹。
{"title":"Ossianic gold: an enhanced object biography of a Viking Age or Late Norse finger-ring from the Isle of Jura in the collection of Glasgow Museums","authors":"Katinka Dalglish, J. Graham‐Campbell","doi":"10.9750/PSAS.147.1230","DOIUrl":"https://doi.org/10.9750/PSAS.147.1230","url":null,"abstract":"A Viking Age or Late Norse gold finger-ring in Glasgow Museums (A.1979.19), previously thought to have been found in the Isle of Skye, is here identified with a ring said to have been found in the Isle of Jura in 1869 (together with another, now lost). This identification is based on an illustration published in 1875 by the ring’s then owner, the Rev Dr P H Waddell (1816–91). Waddell’s use of the ring as a piece of evidence in his attempts to prove the authenticity of James Macpherson’s Ossianic poems is discussed. The ring subsequently passed into the possession of the Austrian Countess Vincent Baillet de Latour (d 1942), who had developed an interest in the archaeology of Skye during her first marriage to Norman Macleod of Macleod (d 1895). Focusing on the ring as a collector’s possession, the paper takes a biographical approach, following its trajectory from antiquarian discovery to museum object.","PeriodicalId":161764,"journal":{"name":"Proceedings of the Society of Antiquaries of Scotland","volume":"114 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-11-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123336869","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The portrait of St Columba was made on the last page of a version of The Life of St Columba by Adomnán. The book, Cod Sang 555, was written at the monastery of St Gallen in the later 9th century and the drawing possibly added shortly afterwards. The image shows Columba both on a mountain and inside a church, both alive with hands raised in prayer and dead, represented by his adjacent reliquary. The shape of the reliquary is matched by an illustration of the Ark of the Covenant, made at St Gallen at about the same time. This reveals the meaning of the picture: as God spoke to his people from the mercy seat on the Ark of the Covenant, Columba speaks directly to his reader and devotees through his relics in the shrine. It is proposed that the smaller container beside the reliquary is a satchel, possibly for containing this book itself. Typological exegesis relating the Old Testament to Columba explains Columba’s mystical appearance simultaneously on the mountain and in a church; and his ability to appear in person after his death. The concept of praesentia accounts for his active role as intercessor for his followers. The picture was composed at a time when illustrated saints’ lives were beginning to develop with detailed narrative sequences. This image stands apart because it does not illustrate events from the accompanying text. The text of Cod Sang 555 had already excised details of Columba’s Irish/ Scottish background on Iona to make it more relevant to a continental audience. Likewise, this image places Columba, through the power of his relics, no longer on Iona but directly before his followers in St Gallen Abbey.
{"title":"The earliest portrait of St Columba: Cod Sang 555, p 166","authors":"J. Geddes","doi":"10.9750/PSAS.147.1245","DOIUrl":"https://doi.org/10.9750/PSAS.147.1245","url":null,"abstract":"The portrait of St Columba was made on the last page of a version of The Life of St Columba by Adomnán. The book, Cod Sang 555, was written at the monastery of St Gallen in the later 9th century and the drawing possibly added shortly afterwards. The image shows Columba both on a mountain and inside a church, both alive with hands raised in prayer and dead, represented by his adjacent reliquary. The shape of the reliquary is matched by an illustration of the Ark of the Covenant, made at St Gallen at about the same time. This reveals the meaning of the picture: as God spoke to his people from the mercy seat on the Ark of the Covenant, Columba speaks directly to his reader and devotees through his relics in the shrine. It is proposed that the smaller container beside the reliquary is a satchel, possibly for containing this book itself. Typological exegesis relating the Old Testament to Columba explains Columba’s mystical appearance simultaneously on the mountain and in a church; and his ability to appear in person after his death. The concept of praesentia accounts for his active role as intercessor for his followers. The picture was composed at a time when illustrated saints’ lives were beginning to develop with detailed narrative sequences. This image stands apart because it does not illustrate events from the accompanying text. The text of Cod Sang 555 had already excised details of Columba’s Irish/ Scottish background on Iona to make it more relevant to a continental audience. Likewise, this image places Columba, through the power of his relics, no longer on Iona but directly before his followers in St Gallen Abbey.","PeriodicalId":161764,"journal":{"name":"Proceedings of the Society of Antiquaries of Scotland","volume":"11 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-11-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116104243","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Caisteal Ormacleit [Ormiclate Castle], on the west side of South Uist, was constructed in the early 18th century by Clanranald for his wife Penelope, reputedly in the style of a French chateau, incorporating building materials imported from or via the east coast of South Uist at a time when there were neither roads nor carts. This high-status building (arguably more a fine house than a castle) and its origins and construction are reviewed in the context of historical sources, geology and topography. The history of the building and that of the couple for whom it was built had close associations with the Jacobite battles of 1689 (Killiecrankie) and 1715 (Sheriffmuir). The possible canal sections are reviewed in detail and a convincing case is provided for the existence of a canal network between the east coast of the Uists and the western situation of Caisteal Ormacleit, linking the Olaidh lochs, thus confirming the local tradition that the inland lochs of the Uists were used for boat-based transport and supporting the case for the existence of a wider navigable network within the Uist interior. Past intervention in water management has to be investigated in order to plan for future climate change impacts, and the Olaidh network is reviewed in this context.
{"title":"The aquatic context of Caisteal Ormacleit, South Uist, Outer Hebrides","authors":"Stewart Angus","doi":"10.9750/psas.147.1246","DOIUrl":"https://doi.org/10.9750/psas.147.1246","url":null,"abstract":"Caisteal Ormacleit [Ormiclate Castle], on the west side of South Uist, was constructed in the early 18th century by Clanranald for his wife Penelope, reputedly in the style of a French chateau, incorporating building materials imported from or via the east coast of South Uist at a time when there were neither roads nor carts. This high-status building (arguably more a fine house than a castle) and its origins and construction are reviewed in the context of historical sources, geology and topography. The history of the building and that of the couple for whom it was built had close associations with the Jacobite battles of 1689 (Killiecrankie) and 1715 (Sheriffmuir). The possible canal sections are reviewed in detail and a convincing case is provided for the existence of a canal network between the east coast of the Uists and the western situation of Caisteal Ormacleit, linking the Olaidh lochs, thus confirming the local tradition that the inland lochs of the Uists were used for boat-based transport and supporting the case for the existence of a wider navigable network within the Uist interior. Past intervention in water management has to be investigated in order to plan for future climate change impacts, and the Olaidh network is reviewed in this context.","PeriodicalId":161764,"journal":{"name":"Proceedings of the Society of Antiquaries of Scotland","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-11-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129632308","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The people of the Hebrides have long been associated with a heroic tradition of seafaring – the image of the medieval birlinn or galley has become emblematic of Norse and Gaelic power. Coastal communities in the 19th century would have been familiar with this tradition as it was a common theme of the song and story which was a ubiquitous part of their lives. However, the waters around the Hebrides in the years around 1800 were largely the preserve of merchantmen or warships of friendly and enemy navies.Gaels who farmed the coasts of the Hebrides could have little influence over this largely Englishspeaking maritime world of international trade and global conflict in the surrounding seas, although it had profound and wide-ranging impacts on their daily lives. By drawing on a case study from Loch Aoineart, South Uist, this paper seeks to consider some aspects of how Gaelic-speaking coastal communities interacted with the sea. Whilst this article will serve as an introduction to some common archaeological features relating to post-medieval coastal life, it is intended to encourage archaeologists to consider the sea as part of a wider Gaelic cultural landscape. It will also argue that critical use of evidence for the Gaelic oral tradition is vital to an understanding of life in the period. This study draws on the rich and varied evidence available for the early 19th century, but it is hoped that its conclusions may be of interest to those studying coastal communities in earlier periods where the archaeological record provides little evidence.
{"title":"Hebridean Gaels and the sea in the early 19th century","authors":"K. Grant","doi":"10.9750/PSAS.147.1249","DOIUrl":"https://doi.org/10.9750/PSAS.147.1249","url":null,"abstract":"The people of the Hebrides have long been associated with a heroic tradition of seafaring – the image of the medieval birlinn or galley has become emblematic of Norse and Gaelic power. Coastal communities in the 19th century would have been familiar with this tradition as it was a common theme of the song and story which was a ubiquitous part of their lives. However, the waters around the Hebrides in the years around 1800 were largely the preserve of merchantmen or warships of friendly and enemy navies.Gaels who farmed the coasts of the Hebrides could have little influence over this largely Englishspeaking maritime world of international trade and global conflict in the surrounding seas, although it had profound and wide-ranging impacts on their daily lives. By drawing on a case study from Loch Aoineart, South Uist, this paper seeks to consider some aspects of how Gaelic-speaking coastal communities interacted with the sea. Whilst this article will serve as an introduction to some common archaeological features relating to post-medieval coastal life, it is intended to encourage archaeologists to consider the sea as part of a wider Gaelic cultural landscape. It will also argue that critical use of evidence for the Gaelic oral tradition is vital to an understanding of life in the period. This study draws on the rich and varied evidence available for the early 19th century, but it is hoped that its conclusions may be of interest to those studying coastal communities in earlier periods where the archaeological record provides little evidence.","PeriodicalId":161764,"journal":{"name":"Proceedings of the Society of Antiquaries of Scotland","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-11-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129157152","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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