Pub Date : 2023-06-30DOI: 10.12731/2576-9782-2023-2-27-51
I. Makarov
The article is devoted to the problem of cardiognosia as the leading one for Russian theological-philosophical and secular religious thought. A special place in Russian (especially in religious) philosophy is occupied by the theme of love and the heart. The main question that we pose in this article is whether the domestic cardiognosy has remained in line with purely Byzantine religious philosophy, or whether our tradition has found an original approach to the study of the heart. This problem is quite relevant due to the fact that modern Russia has often been compared with the Byzantine Empire, such comparative studies have been found for the third decade in various historical, cultural and philosophical studies. The study of the topic of the heart also falls into the piggy bank of spiritual and moral values, to the preservation of which the strategic interests of modern Russian society are addressed. Russian Orthodox culture reveals the theme of the heart in the ascetic tradition of asceticism, and Russian religious philosophy calls the heart the key to understanding the mentality of the Russian person. Modern researchers focus on the integrative function of the heart. Russian Russian Orthodox culture acts as a bridge between Byzantine traditions and Russian philosophy, and modern Russian philosophy considers the heart to be a place of synthesis of science and art culture. The results of the article can be applied in the framework of the creation of the concept of spiritual and moral development and education of the personality of a citizen of Russia.
{"title":"THE THEME OF THE HEART IN THE BYZANTINE TRADITION, RUSSIAN ORTHODOX CULTURE AND RUSSIAN PHILOSOPHY","authors":"I. Makarov","doi":"10.12731/2576-9782-2023-2-27-51","DOIUrl":"https://doi.org/10.12731/2576-9782-2023-2-27-51","url":null,"abstract":"The article is devoted to the problem of cardiognosia as the leading one for Russian theological-philosophical and secular religious thought. A special place in Russian (especially in religious) philosophy is occupied by the theme of love and the heart. The main question that we pose in this article is whether the domestic cardiognosy has remained in line with purely Byzantine religious philosophy, or whether our tradition has found an original approach to the study of the heart. This problem is quite relevant due to the fact that modern Russia has often been compared with the Byzantine Empire, such comparative studies have been found for the third decade in various historical, cultural and philosophical studies. The study of the topic of the heart also falls into the piggy bank of spiritual and moral values, to the preservation of which the strategic interests of modern Russian society are addressed. \u0000Russian Orthodox culture reveals the theme of the heart in the ascetic tradition of asceticism, and Russian religious philosophy calls the heart the key to understanding the mentality of the Russian person. Modern researchers focus on the integrative function of the heart. Russian Russian Orthodox culture acts as a bridge between Byzantine traditions and Russian philosophy, and modern Russian philosophy considers the heart to be a place of synthesis of science and art culture. \u0000The results of the article can be applied in the framework of the creation of the concept of spiritual and moral development and education of the personality of a citizen of Russia.","PeriodicalId":212111,"journal":{"name":"Russian Studies in Culture and Society","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116896404","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-30DOI: 10.12731/2576-9782-2023-2-106-129
N. Malshina, I. Kamenskaya
The project activity of the cultural industry can be considered as an integrative indicator of the entire social system, capable of controlling individual subsystems, such as financial, behavioral and semantic ones. The cultural system, which serves as an intermediary in the structure of the social system, is easily transferred from one subsystem to another, and with the help of training and socialization – from one personality system to another. The symbolic nature of culture gives it the ability to control other systems of action. The application of the modeling method within the framework of the sociological approach to the Russian cultural industry allows us to form a general model of the cultural industry. The use of tools of sociological analysis of the audience to understand its needs and cultural values helps to build correlations with both the production of a cultural product and its implementation. At the same time, the survey of the target audience should not be of an evaluative nature, but should proceed from the analysis of problems of concern to consumers of culture, as well as assistance in solving them by modern cultural institutions. The study of the target audience by means of sociological analysis will modernize the activities of cultural organizations, make it more effective, help both in the preparation of individual projects and in the process of ongoing activities.
{"title":"PROJECT ACTIVITY OF THE CULTURAL INDUSTRY: NEW SOCIOLOGICAL APPROACHES","authors":"N. Malshina, I. Kamenskaya","doi":"10.12731/2576-9782-2023-2-106-129","DOIUrl":"https://doi.org/10.12731/2576-9782-2023-2-106-129","url":null,"abstract":"The project activity of the cultural industry can be considered as an integrative indicator of the entire social system, capable of controlling individual subsystems, such as financial, behavioral and semantic ones. The cultural system, which serves as an intermediary in the structure of the social system, is easily transferred from one subsystem to another, and with the help of training and socialization – from one personality system to another. The symbolic nature of culture gives it the ability to control other systems of action. The application of the modeling method within the framework of the sociological approach to the Russian cultural industry allows us to form a general model of the cultural industry. The use of tools of sociological analysis of the audience to understand its needs and cultural values helps to build correlations with both the production of a cultural product and its implementation. At the same time, the survey of the target audience should not be of an evaluative nature, but should proceed from the analysis of problems of concern to consumers of culture, as well as assistance in solving them by modern cultural institutions. The study of the target audience by means of sociological analysis will modernize the activities of cultural organizations, make it more effective, help both in the preparation of individual projects and in the process of ongoing activities.","PeriodicalId":212111,"journal":{"name":"Russian Studies in Culture and Society","volume":"150 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133918555","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-30DOI: 10.12731/2576-9782-2023-2-130-147
Yanran Zhao
After World War II, the socialist camp opposed capitalism, and socialist realism became the official art school and style of socialist countries in the Soviet Union. This article analyzes how the realistic music style of the 19th century Soviet Union was inherited and developed in the 20th century, thus forming a music style that can be called “socialist realism”. This style had a profound impact on the development of Chinese piano music in the 20th century, including the creation of the Yellow River Piano Concerto by six Chinese composers, including Yin Chengzong, which is one of the typical music works of socialist realism style and the product of a specific historical period. It uses a revolutionary musical language, filled with inner passion and motivation. The paper applies the historical-structural approach, as well as the method of analysis of musical works and structural analysis of musicological literature published in Chinese and Russian on the subject of research. This article aims to reveal the significant impact of Russian and Soviet music styles on the development of Chinese piano art. The author concludes that due to the “socialist realism” style, the Yellow River piano works have a strong appeal and revolutionary nature, inspiring people to participate in national struggles and becoming a model of piano music at that time.
{"title":"THE REFLECTION OF SOCIALISM REALISM IN RUSSIAN MUSIC IN THE MUSIC IN THE CHINESE PIANO CONCERTO “THE YELLOW RIVER”","authors":"Yanran Zhao","doi":"10.12731/2576-9782-2023-2-130-147","DOIUrl":"https://doi.org/10.12731/2576-9782-2023-2-130-147","url":null,"abstract":"After World War II, the socialist camp opposed capitalism, and socialist realism became the official art school and style of socialist countries in the Soviet Union. This article analyzes how the realistic music style of the 19th century Soviet Union was inherited and developed in the 20th century, thus forming a music style that can be called “socialist realism”. This style had a profound impact on the development of Chinese piano music in the 20th century, including the creation of the Yellow River Piano Concerto by six Chinese composers, including Yin Chengzong, which is one of the typical music works of socialist realism style and the product of a specific historical period. It uses a revolutionary musical language, filled with inner passion and motivation. The paper applies the historical-structural approach, as well as the method of analysis of musical works and structural analysis of musicological literature published in Chinese and Russian on the subject of research. This article aims to reveal the significant impact of Russian and Soviet music styles on the development of Chinese piano art. The author concludes that due to the “socialist realism” style, the Yellow River piano works have a strong appeal and revolutionary nature, inspiring people to participate in national struggles and becoming a model of piano music at that time.","PeriodicalId":212111,"journal":{"name":"Russian Studies in Culture and Society","volume":"39 3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125037649","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-30DOI: 10.12731/2576-9782-2023-2-67-77
Zixuan Yue
Traditional Chinese waterscape design is a profound cultural symbol and a perfect embodiment of the natural landscape. The philosophical ideas, aesthetic concepts and cultural connotations embedded in traditional Chinese culture have played an important role in the design of traditional water features. However, traditional water features have struggled to maintain their lasting beauty due to their impact on the environment and ecology. With the development of modern technology and advances in water management theory and techniques, modern water treatment systems have become an important means of solving water management and ecological and environmental problems. Combining traditional cultural elements with modern water self-purification systems has become an effective way to optimise traditional water features. This paper focuses on the cultural elements and water self-purification systems embedded in the design of traditional Chinese water features, and ways to optimise them with the help of modern technology. Firstly, the cultural background of traditional Chinese garden water features is analysed in terms of their unique traditional cultural elements, design methods and characteristics. Then, through the analysis and study of modern water management theories and technologies, the principles of realisation and optimisation strategies of water treatment are discussed. Finally, the combination of traditional cultural elements and modern water purification is used to explore in depth how traditional Chinese waterscape design can integrate traditional and modern elements, making it convenient for people while having a positive impact on the natural environment and ecology. The findings of this paper help to promote the combination of traditional culture and modern technology, and provide references and lessons for the environmental development of traditional Chinese waterscape design.
{"title":"INTEGRATION OF TRADITIONAL CULTURE AND MODERN TECHNOLOGY: AN EXPLORATION OF THE OPTIMIZATION OF CULTURAL ELEMENTS AND WATER SELF-PURIFICATION SYSTEMS IN THE TRADITIONAL CHINESE WATERSCAPE DESIGN","authors":"Zixuan Yue","doi":"10.12731/2576-9782-2023-2-67-77","DOIUrl":"https://doi.org/10.12731/2576-9782-2023-2-67-77","url":null,"abstract":"Traditional Chinese waterscape design is a profound cultural symbol and a perfect embodiment of the natural landscape. The philosophical ideas, aesthetic concepts and cultural connotations embedded in traditional Chinese culture have played an important role in the design of traditional water features. However, traditional water features have struggled to maintain their lasting beauty due to their impact on the environment and ecology. With the development of modern technology and advances in water management theory and techniques, modern water treatment systems have become an important means of solving water management and ecological and environmental problems. Combining traditional cultural elements with modern water self-purification systems has become an effective way to optimise traditional water features. \u0000This paper focuses on the cultural elements and water self-purification systems embedded in the design of traditional Chinese water features, and ways to optimise them with the help of modern technology. Firstly, the cultural background of traditional Chinese garden water features is analysed in terms of their unique traditional cultural elements, design methods and characteristics. Then, through the analysis and study of modern water management theories and technologies, the principles of realisation and optimisation strategies of water treatment are discussed. Finally, the combination of traditional cultural elements and modern water purification is used to explore in depth how traditional Chinese waterscape design can integrate traditional and modern elements, making it convenient for people while having a positive impact on the natural environment and ecology. The findings of this paper help to promote the combination of traditional culture and modern technology, and provide references and lessons for the environmental development of traditional Chinese waterscape design.","PeriodicalId":212111,"journal":{"name":"Russian Studies in Culture and Society","volume":"359 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122160860","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-30DOI: 10.12731/2576-9782-2023-2-4-26
I. Makarov, V.V. Pasechnik
This article analyzes the experience of Orthodox asceticism and its practical expression as the realization of the meaning of human existence. In Russia, the ascetics of faith and spirit have always received special attention from society, they were asked for advice, monastic communities arose around them, a special cultural tradition was formed. The authors tried to answer the question of whether the ascetic tradition has been preserved in modern Russia. We have made assumptions on which vector its further development can take place. As an example of the manifestation of the intentions of Orthodox asceticism in modern life, the activities of public Orthodox volunteer and youth organizations are given.
{"title":"ASCETICISM AS A PRACTICAL EXPRESSION OF TRADITIONAL VALUES IN RUSSIAN ORTHODOX CULTURE","authors":"I. Makarov, V.V. Pasechnik","doi":"10.12731/2576-9782-2023-2-4-26","DOIUrl":"https://doi.org/10.12731/2576-9782-2023-2-4-26","url":null,"abstract":"This article analyzes the experience of Orthodox asceticism and its practical expression as the realization of the meaning of human existence. In Russia, the ascetics of faith and spirit have always received special attention from society, they were asked for advice, monastic communities arose around them, a special cultural tradition was formed. The authors tried to answer the question of whether the ascetic tradition has been preserved in modern Russia. We have made assumptions on which vector its further development can take place. As an example of the manifestation of the intentions of Orthodox asceticism in modern life, the activities of public Orthodox volunteer and youth organizations are given.","PeriodicalId":212111,"journal":{"name":"Russian Studies in Culture and Society","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128631477","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-03-31DOI: 10.12731/2576-9782-2023-1-144-156
Lv Dan, Fu Hongtao, Wu Hao
Project description. This article is the result of the research project in the field of art of Heilongjiang Province "Research on the spread of non-material culture of Heilongjiang Province, bordering Russia, within the framework of the One Belt, One Road Initiative" (No. 20180028). With the rapid development of the economy, the preservation of national and local cultural heritage acquires new features. The era of new media provides new opportunities for the dissemination of the intangible cultural heritage of ethnic minorities. This article explores the strategy for disseminating the intangible cultural heritage of ethnic minorities in the era of new media from the point of view of the subjects of communication, the platform of communication and the content of communication, in order to transfer experience in the preservation, updating and promotion of the intangible cultural heritage to ethnic minority areas. Relevance. Nowadays in the era of globalization of all aspects of the life of countries and peoples, it is very important to preserve their national roots, not to lose their culture and identity. Therefore, intangible cultural heritage is a powerful evidence of the development of Chinese history. The task is to analyze the strategies for disseminating the intangible cultural heritage of ethnic minorities in the era of modern media. The scientific novelty of this work lies in the dissemination of intangible cultural heritage in the era of modern media and their transfer to the future generation. China and Russia have centuries-old history and excellent intangible cultural heritage. Each country has its own unique national culture. Cultural ties between Russia and China today have reached a new level, are actively developing, covering almost all areas: science, tourism, education, art, etc. Russians and Chinese have a growing interest in all spheres of life of each other's peoples. The fascination of Russian contemporaries (especially young people) with the cultural traditions of the Chinese is associated with the process of globalization of culture and the consequences of national identity.
{"title":"STUDY OF THE COMMUNICATION STRATEGY OF THE INTANGIBLE CULTURAL HERITAGE OF ETHNIC MINORITIES IN THE ERA OF NEW MEDIA","authors":"Lv Dan, Fu Hongtao, Wu Hao","doi":"10.12731/2576-9782-2023-1-144-156","DOIUrl":"https://doi.org/10.12731/2576-9782-2023-1-144-156","url":null,"abstract":"Project description. This article is the result of the research project in the field of art of Heilongjiang Province \"Research on the spread of non-material culture of Heilongjiang Province, bordering Russia, within the framework of the One Belt, One Road Initiative\" (No. 20180028). \u0000With the rapid development of the economy, the preservation of national and local cultural heritage acquires new features. The era of new media provides new opportunities for the dissemination of the intangible cultural heritage of ethnic minorities. \u0000This article explores the strategy for disseminating the intangible cultural heritage of ethnic minorities in the era of new media from the point of view of the subjects of communication, the platform of communication and the content of communication, in order to transfer experience in the preservation, updating and promotion of the intangible cultural heritage to ethnic minority areas. \u0000Relevance. Nowadays in the era of globalization of all aspects of the life of countries and peoples, it is very important to preserve their national roots, not to lose their culture and identity. Therefore, intangible cultural heritage is a powerful evidence of the development of Chinese history. \u0000The task is to analyze the strategies for disseminating the intangible cultural heritage of ethnic minorities in the era of modern media. \u0000The scientific novelty of this work lies in the dissemination of intangible cultural heritage in the era of modern media and their transfer to the future generation. \u0000China and Russia have centuries-old history and excellent intangible cultural heritage. Each country has its own unique national culture. Cultural ties between Russia and China today have reached a new level, are actively developing, covering almost all areas: science, tourism, education, art, etc. Russians and Chinese have a growing interest in all spheres of life of each other's peoples. The fascination of Russian contemporaries (especially young people) with the cultural traditions of the Chinese is associated with the process of globalization of culture and the consequences of national identity.","PeriodicalId":212111,"journal":{"name":"Russian Studies in Culture and Society","volume":"11 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-03-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"120960371","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-03-31DOI: 10.12731/2576-9782-2023-1-54-68
Natalia S. Kondakova
The article discusses the architectonics of the socio-cultural space of the city. The relevance of the work is due to the modern processes of changing the socio-cultural space in general and the city in particular. Transformations are caused by a variety of interrelated factors, such as the intensification of the urbanization process; the layering of various spaces; the influence of the economic and environmental situation in the region; migration processes. The author, relying on a comprehensive methodology, seeks to present the urban space as an integrative whole, including subject and semantic fullness, to identify the features of its transformation. The analysis of the socio-cultural space of the city is based on the study of the space of the city of Chita, its correlation with the factors contributing to the emergence of this space and the reasons transforming it. The author notes the great importance of Chita of the historical past for the formation of urban space. To change the appearance of the socio-cultural space of the city.
{"title":"ARCHITECTONICS OF THE SOCIO-CULTURAL SPACE OF THE CITY (ON THE EXAMPLE OF CHITA)","authors":"Natalia S. Kondakova","doi":"10.12731/2576-9782-2023-1-54-68","DOIUrl":"https://doi.org/10.12731/2576-9782-2023-1-54-68","url":null,"abstract":"The article discusses the architectonics of the socio-cultural space of the city. The relevance of the work is due to the modern processes of changing the socio-cultural space in general and the city in particular. Transformations are caused by a variety of interrelated factors, such as the intensification of the urbanization process; the layering of various spaces; the influence of the economic and environmental situation in the region; migration processes. The author, relying on a comprehensive methodology, seeks to present the urban space as an integrative whole, including subject and semantic fullness, to identify the features of its transformation. The analysis of the socio-cultural space of the city is based on the study of the space of the city of Chita, its correlation with the factors contributing to the emergence of this space and the reasons transforming it. The author notes the great importance of Chita of the historical past for the formation of urban space. To change the appearance of the socio-cultural space of the city.","PeriodicalId":212111,"journal":{"name":"Russian Studies in Culture and Society","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-03-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132766348","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-03-31DOI: 10.12731/2576-9782-2023-1-121-125
A. Tarasov
The article reveals the key characteristics that distinguish Russian civilization from others.
文章揭示了俄罗斯文明区别于其他文明的主要特征。
{"title":"ON THE QUESTION OF THE SPECIFICITY OF THE RUSSIAN CIVILIZATION","authors":"A. Tarasov","doi":"10.12731/2576-9782-2023-1-121-125","DOIUrl":"https://doi.org/10.12731/2576-9782-2023-1-121-125","url":null,"abstract":"The article reveals the key characteristics that distinguish Russian civilization from others.","PeriodicalId":212111,"journal":{"name":"Russian Studies in Culture and Society","volume":"111 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-03-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115728225","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-03-31DOI: 10.12731/2576-9782-2023-1-131-143
Yulia V. Khvastunova
Since the beginning of the 21st century, a new artistic direction has been formed in biohacking – “the cyborg art” (cyborgism), whose leaders (cyborg artist Moon Ribas and “transhuman” or “the first cyborg” Neil Harbisson), promote a transhumanist project of improvements or technological additions implanted directly into the human body. “The Cyborg Art” at the theoretical and practical levels implements the paradigm of the new art of man-machine. M. Ribas (a female seismographer) embodies transhumanist projects through art or spectacular events, positioning them as a deeper connection with nature. Her colleague, N. Harbisson, who has an implanted intracranial chip, implements several artistic and technical projects. The innovators say they will continue to “improve” their bodies with implants and gadgets. Both artists, through the Cyborg Foundation and its branch Cyborg Arts organization, are encouraging as many people as possible to become cyborgs, assuming that a new community will inevitably be formed in the near future, where two species will definitely coexist: humans and cyborgs.
{"title":"CYBORG ARTS IN THE PROJECTS OF TRANSHUMANIST BIOHACKERS","authors":"Yulia V. Khvastunova","doi":"10.12731/2576-9782-2023-1-131-143","DOIUrl":"https://doi.org/10.12731/2576-9782-2023-1-131-143","url":null,"abstract":"Since the beginning of the 21st century, a new artistic direction has been formed in biohacking – “the cyborg art” (cyborgism), whose leaders (cyborg artist Moon Ribas and “transhuman” or “the first cyborg” Neil Harbisson), promote a transhumanist project of improvements or technological additions implanted directly into the human body. “The Cyborg Art” at the theoretical and practical levels implements the paradigm of the new art of man-machine. M. Ribas (a female seismographer) embodies transhumanist projects through art or spectacular events, positioning them as a deeper connection with nature. Her colleague, N. Harbisson, who has an implanted intracranial chip, implements several artistic and technical projects. The innovators say they will continue to “improve” their bodies with implants and gadgets. Both artists, through the Cyborg Foundation and its branch Cyborg Arts organization, are encouraging as many people as possible to become cyborgs, assuming that a new community will inevitably be formed in the near future, where two species will definitely coexist: humans and cyborgs.","PeriodicalId":212111,"journal":{"name":"Russian Studies in Culture and Society","volume":"2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-03-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126373574","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-03-31DOI: 10.12731/2576-9782-2023-1-157-161
K. Safonov
The article examines the key features of the phenomenon of corporate culture of a higher educational institution. The importance of corporate culture as a system of values shared by all members of the team is noted. The practical significance of corporate culture in the activities of the university can be to increase the efficiency of scientific and pedagogical workers, all employees.
{"title":"TRENDS IN THE DEVELOPMENT OF THE CORPORATE CULTURE OF A MODERN HIGHER EDUCATION INSTITUTION","authors":"K. Safonov","doi":"10.12731/2576-9782-2023-1-157-161","DOIUrl":"https://doi.org/10.12731/2576-9782-2023-1-157-161","url":null,"abstract":"The article examines the key features of the phenomenon of corporate culture of a higher educational institution. The importance of corporate culture as a system of values shared by all members of the team is noted. The practical significance of corporate culture in the activities of the university can be to increase the efficiency of scientific and pedagogical workers, all employees.","PeriodicalId":212111,"journal":{"name":"Russian Studies in Culture and Society","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-03-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131005929","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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