Pub Date : 2022-12-29DOI: 10.12731/2576-9782-2022-4-15-34
E. Panova, N. Saenko
Purpose. The purpose of this study is to identify and further analyze the phenomenology and content-plot side of Soviet neomythology, embodying the archetype of the hero-victim in the textual materials of artistic poetry and prose for children, as well as the means used for this embodiment. Methodology. The method or methodology of doing the work. In the course of the work, the method of text analysis, content analysis, cross-factor analysis of the material of a number of sources was used according to parameters that have their own content, significant for achieving the goal stated in the study. Results. The article analyzes the structure and pragmatics of the ideologically oriented Soviet neo-myth. Particular attention was paid to the analysis of such categories as the sacralization and instrumentalization of the created mythological material, the inherent characterological features and features of the created image, which make it possible to characterize the characters created by different children’s writers as fighters, as heroes, as sacred victims. According to the results of the study, the features of the heroic character of childhood, his sacrifice and immortality, formed by the myth in the mass public perception, are identified and analyzed. In conclusion, a number of pragmatic aspects of operating the cultural image of a child-hero and a child-victim from the side of ideology, patriotic education with the help of emotions and moods of society are considered. Practical implications. The results of the study can be applied in the field of cultural studies, philosophy of culture, philosophy of literature to analyze effective and ineffective in the field of educating an active citizen and patriot through artistic techniques. The results of the analysis are acutely relevant, since modern Russian culture needs effective tools for civic and patriotic education.
{"title":"HEROIC MYTH IN THE WORKS OF SOVIET CHILDREN’S WRITERS","authors":"E. Panova, N. Saenko","doi":"10.12731/2576-9782-2022-4-15-34","DOIUrl":"https://doi.org/10.12731/2576-9782-2022-4-15-34","url":null,"abstract":"Purpose. The purpose of this study is to identify and further analyze the phenomenology and content-plot side of Soviet neomythology, embodying the archetype of the hero-victim in the textual materials of artistic poetry and prose for children, as well as the means used for this embodiment. \u0000Methodology. The method or methodology of doing the work. In the course of the work, the method of text analysis, content analysis, cross-factor analysis of the material of a number of sources was used according to parameters that have their own content, significant for achieving the goal stated in the study. \u0000Results. The article analyzes the structure and pragmatics of the ideologically oriented Soviet neo-myth. Particular attention was paid to the analysis of such categories as the sacralization and instrumentalization of the created mythological material, the inherent characterological features and features of the created image, which make it possible to characterize the characters created by different children’s writers as fighters, as heroes, as sacred victims. According to the results of the study, the features of the heroic character of childhood, his sacrifice and immortality, formed by the myth in the mass public perception, are identified and analyzed. In conclusion, a number of pragmatic aspects of operating the cultural image of a child-hero and a child-victim from the side of ideology, patriotic education with the help of emotions and moods of society are considered. \u0000Practical implications. The results of the study can be applied in the field of cultural studies, philosophy of culture, philosophy of literature to analyze effective and ineffective in the field of educating an active citizen and patriot through artistic techniques. The results of the analysis are acutely relevant, since modern Russian culture needs effective tools for civic and patriotic education.","PeriodicalId":212111,"journal":{"name":"Russian Studies in Culture and Society","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123876038","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-29DOI: 10.12731/2576-9782-2022-4-144-157
Zarema R. Khamzatova
Цель – определение философско-аксиологических оснований национального изобразительного искусства второй половины XX века посредством анализа творчества одного из первых профессиональных чеченских советских художников Шамиля Алиевича Шамурзаева. Методология строится на синтезе междисциплинарных и историко-искусствоведческих подходов. Метод иконологии актуален при дешифровке художественных значений образов в контексте архетипов традиционной духовной культуры в творчестве Ш. Шамурзаева. Философско-культурологический метод в сочетании с культурно-историческим позволил показать влияние реалий общественной, социальной, культурной жизни изучаемой эпохи на выбор сюжетов, художественный язык советского чеченского художника. Результаты. Индивидуально найденные характеристики обуславливают новизну работы. Советское искусство периода активной художественной деятельности Ш. Шамурзаева характеризуется противопоставлением наследия социалистического реализма и искусства оттепели с мифологизированным ожиданием весны, надежды, открытости миру и этики долга и ответственности сурового стиля. Анализируются произведения разных периодов творчества Ш. Шамурзаева в которых прослеживается аксиология концепта матери, как одного из фундаментальных смыслообразующих ценностей традиционной чеченской культуры. Область применения результатов. Если культурный релятивизм определяет разновекторную аксиологическую направленность советского искусства вообще, то в национальных окраинах он сопряжен с мировоззренческим национальным наследием. Такое расширение представлений о национальном искусстве имеет значение с точки зрения истории развития советского искусства в национальных окраинах, делая работу востребованной в различных сферах гуманитарного знания.
{"title":"АРХЕТИПИЧЕСКИЙ ОБРАЗ МАТЕРИ В ЖИВОПИСИ Ш. ШАМУРЗАЕВА","authors":"Zarema R. Khamzatova","doi":"10.12731/2576-9782-2022-4-144-157","DOIUrl":"https://doi.org/10.12731/2576-9782-2022-4-144-157","url":null,"abstract":"Цель – определение философско-аксиологических оснований национального изобразительного искусства второй половины XX века посредством анализа творчества одного из первых профессиональных чеченских советских художников Шамиля Алиевича Шамурзаева. \u0000Методология строится на синтезе междисциплинарных и историко-искусствоведческих подходов. Метод иконологии актуален при дешифровке художественных значений образов в контексте архетипов традиционной духовной культуры в творчестве Ш. Шамурзаева. Философско-культурологический метод в сочетании с культурно-историческим позволил показать влияние реалий общественной, социальной, культурной жизни изучаемой эпохи на выбор сюжетов, художественный язык советского чеченского художника. \u0000Результаты. Индивидуально найденные характеристики обуславливают новизну работы. Советское искусство периода активной художественной деятельности Ш. Шамурзаева характеризуется противопоставлением наследия социалистического реализма и искусства оттепели с мифологизированным ожиданием весны, надежды, открытости миру и этики долга и ответственности сурового стиля. \u0000Анализируются произведения разных периодов творчества Ш. Шамурзаева в которых прослеживается аксиология концепта матери, как одного из фундаментальных смыслообразующих ценностей традиционной чеченской культуры. \u0000Область применения результатов. Если культурный релятивизм определяет разновекторную аксиологическую направленность советского искусства вообще, то в национальных окраинах он сопряжен с мировоззренческим национальным наследием. Такое расширение представлений о национальном искусстве имеет значение с точки зрения истории развития советского искусства в национальных окраинах, делая работу востребованной в различных сферах гуманитарного знания.","PeriodicalId":212111,"journal":{"name":"Russian Studies in Culture and Society","volume":"48 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124139378","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-29DOI: 10.12731/2576-9782-2022-4-158-171
E. Semukhina
The cultural category of sinfulness is widely represented in the literature of the 19th century, in particular in the books of A. de Custine “Russia in 1839” and T. Gauthier “Journey to Russia”. The culturological study A. de Custine’s and T. Gautier’s works seems relevant, since the first underlies the background ideas of Europeans about the culture of Russia and it is the basis of permanent myths, and the second belongs to the pen of a famous French writer and arouses the interest of numerous modern scientists. In addition, the works written in the same era represent the presentation of the opposing views of the authors, which provides valuable material for analysis. It is also important to identify and study morphological units of cultural knowledge on a specific material, ensuring its preservation and translation. The aim of the work is to analyze the facts of objectification of the cultural category of sinfulness in the works of A. de Custine “Russia in 1839” and T. Gautier “Journey to Russia” (published in 1867). The main methods of research were the method of continuous sampling from the text of books of fragments and sayings correlated with the idea of sin and the cultural category of sinfulness itself, the method of observing the facts of objectification of cultural categories, the structural and functional method of unit analysis. The results of the work were the analysis of the selected units correlating with the concepts (understood as structural parts of the category) of sin and holiness. In the book of A. de Custine, in describing Russian culture, the concepts of such sins as pride, envy, sloth are objectified. In T. Gautier’s work is represented the concept of holiness in connection with the author’s image of “holy Russia”.
罪恶的文化范畴在19世纪的文学作品中得到了广泛的体现，特别是在A. de Custine的《1839年的俄罗斯》和T. Gauthier的《俄罗斯之旅》中。a . de Custine和T. Gautier的作品的文化研究似乎是相关的，因为前者是欧洲人对俄罗斯文化的背景观念的基础，是永久神话的基础，而后者属于一位著名的法国作家的笔，引起了许多现代科学家的兴趣。此外，同一时代的作品代表了作者对立观点的呈现，为分析提供了宝贵的材料。识别和研究特定材料上文化知识的形态单位，确保其保存和翻译也很重要。本文的目的是分析A. de Custine的《1839年的俄罗斯》和T. Gautier的《俄罗斯之旅》(1867年出版)作品中罪恶文化范畴的客观化事实。主要的研究方法有:从与罪的观念和罪本身的文化范畴相关的断句书文本中连续取样的方法、观察文化范畴客观化事实的方法、结构与功能的单元分析方法。工作的结果是分析与罪恶和圣洁的概念(被理解为类别的结构部分)相关的选定单位。在A. de Custine的书中，在描述俄罗斯文化时，傲慢、嫉妒、懒惰等罪恶的概念被物化了。在T.戈蒂埃的作品中，神圣的概念与作者的“神圣俄罗斯”形象有关。
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Pub Date : 2022-09-30DOI: 10.12731/2576-9782-2022-3-68-87
V. Ermolaev
In the article, the author examines the gastronomic culture and its regulatory function, expressed in the regulation of eating behavior and food consumption by people through the existence of prohibitions and permits. In particular, it is indicated that such tools, as a rule, find their place in religious canons (codes of rules). Speaking about the religious regulation of consumption, the author examines Protestantism and its currents and trends. According to the results of the study, it was revealed that within the framework of Adventism, Lutheranism, Anglicanism, Mormonism, Jehovah’s Witnesses, etc., there are tools for regulating food consumption that have a characteristic similarity with those in Judaism, Islam and Catholicism. Of course, Protestantism, being a denomination of Christianity, along with Catholicism, can borrow some rules and features. Meanwhile, drawing an analogy with these religions and confessions, we can talk about the existence of prohibited and permitted food, while in some areas of Protestantism restrictions are not as strict as in others. Religion, acting as a regulator of eating behavior, designates products originating from “unclean” and “pure” animals and birds. At the same time, in the Bible, the signs that make it possible to differentiate food have a symbolic meaning – “unclean” food sources symbolize mundanity, the impossibility of turning to God, the sinfulness of man. As a result, a gastronomic cultural layer is formed, within which the nutrition of believers, that is, the products they use daily, also taking into account national characteristics, not only have an impact on health, but also have a symbolic meaning of commitment to God, enlightenment, etc. According to the results of the study, the author formulated the factors that are important in determining eating behavior and consumption: a) symbolizing; b) cleansing; c) providing and d) adapting (relevant to the current situation of globalization of the world space and the technologization of life spheres).
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Pub Date : 2022-09-30DOI: 10.12731/2576-9782-2022-3-88-100
A. P. Belkina
This article raises the question of preserving and broadcasting the traditional values and culture of the peoples living in the Altai. The focus is on the problem of globalization, which has an impact on the loss of ethnic and cultural characteristics of individual peoples. At the same time, it is noted that globalization has had a significant impact on the culture of the peoples living in Altai, it can be called special, since many ethnic groups live on the same territory, which have managed to preserve their identity. As stated in the article, their peculiarity lies in the elevation of a person, the affirmation of the principles of mutual respect and harmony of private and public interests. All the above-mentioned traditional values were preserved only thanks to cultural exchange and the continuity of generations. The close interrelation of culture and nature is emphasized, and the need to turn to the value-semantic systems of the earth, sky, sun, wildlife, plants, mountains, rivers and lakes is noted in order to understand the essence of the spiritual culture of Altai. The main idea of the development of the spiritual culture of Altai is revealed. Purpose. Cultural and philosophical reception of the problem of preserving traditions, values and cultural characteristics of the Altai peoples. Methodology. The methodology of the research is cultural philosophical and axiological approaches, and the key method is socio-cultural analysis. Results. The main result of the article is a generalization of the factors of preservation of traditional values and their features are revealed.
{"title":"TRADITIONAL VALUES AS THE BASIS FOR THE DEVELOPMENT OF THE SPIRITUAL CULTURE OF ALTAI","authors":"A. P. Belkina","doi":"10.12731/2576-9782-2022-3-88-100","DOIUrl":"https://doi.org/10.12731/2576-9782-2022-3-88-100","url":null,"abstract":"This article raises the question of preserving and broadcasting the traditional values and culture of the peoples living in the Altai. The focus is on the problem of globalization, which has an impact on the loss of ethnic and cultural characteristics of individual peoples. At the same time, it is noted that globalization has had a significant impact on the culture of the peoples living in Altai, it can be called special, since many ethnic groups live on the same territory, which have managed to preserve their identity. As stated in the article, their peculiarity lies in the elevation of a person, the affirmation of the principles of mutual respect and harmony of private and public interests. All the above-mentioned traditional values were preserved only thanks to cultural exchange and the continuity of generations. The close interrelation of culture and nature is emphasized, and the need to turn to the value-semantic systems of the earth, sky, sun, wildlife, plants, mountains, rivers and lakes is noted in order to understand the essence of the spiritual culture of Altai. The main idea of the development of the spiritual culture of Altai is revealed. Purpose. Cultural and philosophical reception of the problem of preserving traditions, values and cultural characteristics of the Altai peoples. Methodology. The methodology of the research is cultural philosophical and axiological approaches, and the key method is socio-cultural analysis. Results. The main result of the article is a generalization of the factors of preservation of traditional values and their features are revealed.","PeriodicalId":212111,"journal":{"name":"Russian Studies in Culture and Society","volume":"425 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116051001","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-09-30DOI: 10.12731/2576-9782-2022-3-13-25
Yulia V. Khvastunova
В статье рассматривается видение трансгуманистических идей в творчестве современного австралийского романиста и футуриста Дэмиана Бродерика, как одновременная реализация двух тенденций: влияние киберпанка на формирование идеологии трансгуманизма и влияние трансгуманизма на видение будущего человечества. В работе применяется метод анализа документов, элементы компаративистского и системного методов. Анализируется оценка трансгуманистической политики в отношении радикальных технологий со стороны писателей футуристов на примере суждений писателя и ученого Д. Бродерика. Романист активно включает трансгуманистические теории в свои произведения, цитирует идеологов и проводит идею оптимистической реализации сценария трансгуманистического прогрессивного будущего. Д. Бродерик демонстрирует уверенность в гуманной направленности трансгуманистической программы, а также пытается доказать полезность вовлечения науки в анализ пси-факторов и возможную конвергенцию со сферой паранормальных явлений.
{"title":"ТРАНСГУМАНИСТИЧЕСКАЯ ИНТЕПРЕТАЦИЯ ПСИ ФАКТОРА НА ПРИМЕРЕ НАУЧНОЙ ФАНТАСТИКИ Д. БРОДЕРИКА","authors":"Yulia V. Khvastunova","doi":"10.12731/2576-9782-2022-3-13-25","DOIUrl":"https://doi.org/10.12731/2576-9782-2022-3-13-25","url":null,"abstract":"В статье рассматривается видение трансгуманистических идей в творчестве современного австралийского романиста и футуриста Дэмиана Бродерика, как одновременная реализация двух тенденций: влияние киберпанка на формирование идеологии трансгуманизма и влияние трансгуманизма на видение будущего человечества. В работе применяется метод анализа документов, элементы компаративистского и системного методов. Анализируется оценка трансгуманистической политики в отношении радикальных технологий со стороны писателей футуристов на примере суждений писателя и ученого Д. Бродерика. Романист активно включает трансгуманистические теории в свои произведения, цитирует идеологов и проводит идею оптимистической реализации сценария трансгуманистического прогрессивного будущего. Д. Бродерик демонстрирует уверенность в гуманной направленности трансгуманистической программы, а также пытается доказать полезность вовлечения науки в анализ пси-факторов и возможную конвергенцию со сферой паранормальных явлений.","PeriodicalId":212111,"journal":{"name":"Russian Studies in Culture and Society","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123919641","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-09-30DOI: 10.12731/2576-9782-2022-3-40-52
A. N. Zhurin
The purpose of the study is to examine the characteristics of Russian architecture of the 18th–the first third of the 19th century in the context of the dialectical nature of the philosophical and aesthetic views of the Russian Enlightenment era. The study of philosophical and aesthetic sources of the origin of the Russian national style in architecture during the 18th–the first third of the 19th century is relevant in the time of postmodernism with its stylistic diversity and desire to develop the national component of Russian architecture. In the process of the study the dialectical approach was used, on the basis of which philosophical and aesthetic views and works of architecture are examined from the position of the principle of dialectical contradiction. The dialectical duality of the philosophical and aesthetic views of the Russian Enlightenment was expressed in the union of opposites of the universal and the individual, in emphasizing the importance of the national component in art, which was reflected in the Russian architecture of the 18th – the first third of the 19th centuries, in which were combined the universal stylistic characteristics of baroque and classicism and traditional original national features.
{"title":"DIALECTICS OF THE PHILOSOPHICAL AND AESTHETIC COMPONENTS OF THE NATIONAL STYLISTICS IN RUSSIAN ARCHITECTURE OF THE 18th – THE FIRST THIRD OF THE 19th CENTURY","authors":"A. N. Zhurin","doi":"10.12731/2576-9782-2022-3-40-52","DOIUrl":"https://doi.org/10.12731/2576-9782-2022-3-40-52","url":null,"abstract":"The purpose of the study is to examine the characteristics of Russian architecture of the 18th–the first third of the 19th century in the context of the dialectical nature of the philosophical and aesthetic views of the Russian Enlightenment era. The study of philosophical and aesthetic sources of the origin of the Russian national style in architecture during the 18th–the first third of the 19th century is relevant in the time of postmodernism with its stylistic diversity and desire to develop the national component of Russian architecture. In the process of the study the dialectical approach was used, on the basis of which philosophical and aesthetic views and works of architecture are examined from the position of the principle of dialectical contradiction. The dialectical duality of the philosophical and aesthetic views of the Russian Enlightenment was expressed in the union of opposites of the universal and the individual, in emphasizing the importance of the national component in art, which was reflected in the Russian architecture of the 18th – the first third of the 19th centuries, in which were combined the universal stylistic characteristics of baroque and classicism and traditional original national features.","PeriodicalId":212111,"journal":{"name":"Russian Studies in Culture and Society","volume":"49 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132140023","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-30DOI: 10.12731/2576-9782-2022-2-4-18
Iulia V. Berval, G. R. Karimova
This article explores the effective practices of brand communications of tourist destinations during the pandemic. The relevance of the chosen topic is due to the economic crisis caused by the pandemic and, as a consequence, the need to revise the brand strategies of the majority of tourist destinations. The purpose of the article is to study the basic principles of building communications with key target audiences of the brand. A stable brand allows you to build an effective positioning of the destination in the international arena and establish effective intercultural interaction. The basic techniques for creating a sustainable brand include, according to the authors, establishing communications between key participants of the process: local residents, tourists, investors and territorial authorities. When building a brand in the post-pandemic period, it is necessary to take into account such criteria as the safety of the direction. Effective brand communications, according to the authors, are based on building communication with target audiences through the impact on the senses (on the example of gastrotourism), as well as through communication in the Internet space (on the example of social media and the blogosphere). The scientific novelty of the article is due to the analytical generalization of the practical experience of countries and cities of the world in the issue of building communication around the brand in terms of pent-up demand. This article may be of interest to experts in the field of communications with various target audiences and specialists in the field of territory branding as an analytical material containing data on specific cases on optimizing branding communication strategies.
{"title":"BRAND COMMUNICATION OF TOURIST DESTINATIONS DURING THE COVID-19 PANDEMIC","authors":"Iulia V. Berval, G. R. Karimova","doi":"10.12731/2576-9782-2022-2-4-18","DOIUrl":"https://doi.org/10.12731/2576-9782-2022-2-4-18","url":null,"abstract":"This article explores the effective practices of brand communications of tourist destinations during the pandemic. The relevance of the chosen topic is due to the economic crisis caused by the pandemic and, as a consequence, the need to revise the brand strategies of the majority of tourist destinations. The purpose of the article is to study the basic principles of building communications with key target audiences of the brand. A stable brand allows you to build an effective positioning of the destination in the international arena and establish effective intercultural interaction. The basic techniques for creating a sustainable brand include, according to the authors, establishing communications between key participants of the process: local residents, tourists, investors and territorial authorities. When building a brand in the post-pandemic period, it is necessary to take into account such criteria as the safety of the direction. Effective brand communications, according to the authors, are based on building communication with target audiences through the impact on the senses (on the example of gastrotourism), as well as through communication in the Internet space (on the example of social media and the blogosphere). The scientific novelty of the article is due to the analytical generalization of the practical experience of countries and cities of the world in the issue of building communication around the brand in terms of pent-up demand. This article may be of interest to experts in the field of communications with various target audiences and specialists in the field of territory branding as an analytical material containing data on specific cases on optimizing branding communication strategies.","PeriodicalId":212111,"journal":{"name":"Russian Studies in Culture and Society","volume":"5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130387876","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-30DOI: 10.12731/2576-9782-2022-2-51-76
M. W. Kyrchanoff
The purpose of the article is to analyze the politics of memory as a broad system of cultural practices and communications in modern Yakutia in the context of the development of cinema as a segment of national identity. The author analyzes the role of historical politics in the development of national memory and identity in the Republic of Sakha-Yakutia in the context of the visuality of modern culture. Methodologically, the article is based on the principles proposed in the memorial and visual turns, which significantly changed the vectors of memory studies, actualizing the principles of interdisciplinarity. The novelty of the study lies in the analysis of common and unique features of the functioning of visual dimensions in the politics of memory in Yakutia. The article analyzes 1) visualization strategies of memorial culture, 2) modern Yakut films as elements of modern mnemonic space, 3) the role of visual practices in the development of the memorial canon. The article presents a broad understanding of the historical politics of memory. The author believes that the politics of memory should not be limited only to the activity of specialized institutions and professional politicians who manipulate the facts of the past to solve the problems of the ruling elites. In this article, the politics of memory is analyzed through the prism of national cinema, perceived as one of the forms of constructing images of the past. National cinema, in the context of the politics of memory, solves tasks similar to the same ones of institutionalized actors, but does it by different methods. Therefore, in this article the impact of historical politics to the development of national identity is shown through the prism of the culture of memory and the memorial canon. The results of the study suggest that representatives of the Yakut national intelligentsia are the main actors in historical politics because they construct memorial culture contexts of collective memory visualization. It is assumed that visual forms of memory complement the traditional narrative-discursive strategies for constructing images of the past in the Yakut identity and common mnemonic space.
{"title":"NATIONAL CINEMA AS A FORM OF IDENTITY VISUALIZATION IN HISTORICAL MEMORY CULTURE OF THE REPUBLIC OF SAKHA (YAKUTIA) IN THE 2010S AND THE EARLY 2020S","authors":"M. W. Kyrchanoff","doi":"10.12731/2576-9782-2022-2-51-76","DOIUrl":"https://doi.org/10.12731/2576-9782-2022-2-51-76","url":null,"abstract":"The purpose of the article is to analyze the politics of memory as a broad system of cultural practices and communications in modern Yakutia in the context of the development of cinema as a segment of national identity. The author analyzes the role of historical politics in the development of national memory and identity in the Republic of Sakha-Yakutia in the context of the visuality of modern culture. Methodologically, the article is based on the principles proposed in the memorial and visual turns, which significantly changed the vectors of memory studies, actualizing the principles of interdisciplinarity. The novelty of the study lies in the analysis of common and unique features of the functioning of visual dimensions in the politics of memory in Yakutia. The article analyzes 1) visualization strategies of memorial culture, 2) modern Yakut films as elements of modern mnemonic space, 3) the role of visual practices in the development of the memorial canon. The article presents a broad understanding of the historical politics of memory. The author believes that the politics of memory should not be limited only to the activity of specialized institutions and professional politicians who manipulate the facts of the past to solve the problems of the ruling elites. In this article, the politics of memory is analyzed through the prism of national cinema, perceived as one of the forms of constructing images of the past. National cinema, in the context of the politics of memory, solves tasks similar to the same ones of institutionalized actors, but does it by different methods. Therefore, in this article the impact of historical politics to the development of national identity is shown through the prism of the culture of memory and the memorial canon. The results of the study suggest that representatives of the Yakut national intelligentsia are the main actors in historical politics because they construct memorial culture contexts of collective memory visualization. It is assumed that visual forms of memory complement the traditional narrative-discursive strategies for constructing images of the past in the Yakut identity and common mnemonic space.","PeriodicalId":212111,"journal":{"name":"Russian Studies in Culture and Society","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132028048","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-30DOI: 10.12731/2576-9782-2022-2-42-50
I. Makarchuk
The author of this article, as a research method, develops the general theoretical foundations of the cultural-philosophical model of a literary and artistic work, which can be used in the study of the creative heritage of various writers. The structural elements of the cultural-philosophical model of a literary and artistic work, along with the main idea, include: the sum of humanitarian studies of a literary and artistic work, the concept sphere of the corresponding literary and artistic work, the biography of the writer, as well as the genre. This article aims to describe some methodological issues related to the constitution of the main idea of a literary and artistic work as an element of a cultural-philosophical model. The basis of the research is formed by general scientific methods and interdisciplinary methods of scientific knowledge. In the course of working on the article, the author turned to cultural and philosophical analysis, as well as content analysis of scientific literature. Based on the results of the study, the author comes to the conclusion that one of the conditions for the productivity and completeness of the cultural-philosophical study of a literary and artistic work is the search for its main idea, which reflects the features and priorities of the author’s philosophical thinking. The results of the study can be used not only in research of philosophical and cultural content, but also in works of a wide humanitarian profile, as well as in the educational process.
{"title":"THE MAIN IDEA AS AN ELEMENT OF THE CULTURAL-PHILOSOPHICAL MODEL OF A LITERARY AND ARTISTIC WORK: SOME METHODOLOGICAL QUESTIONS","authors":"I. Makarchuk","doi":"10.12731/2576-9782-2022-2-42-50","DOIUrl":"https://doi.org/10.12731/2576-9782-2022-2-42-50","url":null,"abstract":"The author of this article, as a research method, develops the general theoretical foundations of the cultural-philosophical model of a literary and artistic work, which can be used in the study of the creative heritage of various writers. The structural elements of the cultural-philosophical model of a literary and artistic work, along with the main idea, include: the sum of humanitarian studies of a literary and artistic work, the concept sphere of the corresponding literary and artistic work, the biography of the writer, as well as the genre. This article aims to describe some methodological issues related to the constitution of the main idea of a literary and artistic work as an element of a cultural-philosophical model. \u0000The basis of the research is formed by general scientific methods and interdisciplinary methods of scientific knowledge. In the course of working on the article, the author turned to cultural and philosophical analysis, as well as content analysis of scientific literature. \u0000Based on the results of the study, the author comes to the conclusion that one of the conditions for the productivity and completeness of the cultural-philosophical study of a literary and artistic work is the search for its main idea, which reflects the features and priorities of the author’s philosophical thinking. The results of the study can be used not only in research of philosophical and cultural content, but also in works of a wide humanitarian profile, as well as in the educational process.","PeriodicalId":212111,"journal":{"name":"Russian Studies in Culture and Society","volume":"67 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117095625","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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