Pub Date : 1900-01-01DOI: 10.20323/2499_9679_2022_4_31_133_141
Svetlana I. Solovyova, Svetlana B. Barushkova
{"title":"De-russification and linguocide in Western Europe (on the french media materials)","authors":"Svetlana I. Solovyova, Svetlana B. Barushkova","doi":"10.20323/2499_9679_2022_4_31_133_141","DOIUrl":"https://doi.org/10.20323/2499_9679_2022_4_31_133_141","url":null,"abstract":"","PeriodicalId":282574,"journal":{"name":"Verhnevolzhski Philological Bulletin","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129218768","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.20323/2499-9679-2022-3-30-98-105
A. Gorozhanov, Kristina A. Gubanova
{"title":"Associative synesthemia as an imaginative thinking activator of visually impaired people (based on audio description)","authors":"A. Gorozhanov, Kristina A. Gubanova","doi":"10.20323/2499-9679-2022-3-30-98-105","DOIUrl":"https://doi.org/10.20323/2499-9679-2022-3-30-98-105","url":null,"abstract":"","PeriodicalId":282574,"journal":{"name":"Verhnevolzhski Philological Bulletin","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131370895","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.20323/2499-9679-2020-3-22-118-122
Galina V. Оvchinnikova
The article first defines the concept of «co-terminological field» and establishes its place and function in the medical terminological system. The factual material based on special medical literature, media texts and lexicographic sources allows us to fill in the gap in the conceptual apparatus in the French medical discourse and clarify the definition of the medical term. Word-formation analysis and word-formation synthesis in combination with component decomposition of the seminal composition formed the basis of the methodology for studying the structure and semantics of Covid terms in modern French. The allocation of the central and peripheral axes of the lexical-semantic field contributes to the codification and semantic variability of Covid terminology. Borrowed words from the English language occupy a special place in the term group under consideration, which are more easily assimilated in the French word-production system as letter abbreviations, but are replaced by French equivalents at the lexical level.
{"title":"SEMANTIC SHIFTS IN THE COVIDETERMINOLOGICAL FIELD OF THE FRENCH MEDICAL TERMINOLOGICAL SYSTEM","authors":"Galina V. Оvchinnikova","doi":"10.20323/2499-9679-2020-3-22-118-122","DOIUrl":"https://doi.org/10.20323/2499-9679-2020-3-22-118-122","url":null,"abstract":"The article first defines the concept of «co-terminological field» and establishes its place and function in the medical terminological system. The factual material based on special medical literature, media texts and lexicographic sources allows us to fill in the gap in the conceptual apparatus in the French medical discourse and clarify the definition of the medical term. Word-formation analysis and word-formation synthesis in combination with component decomposition of the seminal composition formed the basis of the methodology for studying the structure and semantics of Covid terms in modern French. The allocation of the central and peripheral axes of the lexical-semantic field contributes to the codification and semantic variability of Covid terminology. Borrowed words from the English language occupy a special place in the term group under consideration, which are more easily assimilated in the French word-production system as letter abbreviations, but are replaced by French equivalents at the lexical level.","PeriodicalId":282574,"journal":{"name":"Verhnevolzhski Philological Bulletin","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130090015","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.20323/2499-9679-2020-3-22-81-88
Natalja P. Galkina
The paper is devoted to the role of the word ведь in the organization of a subordinate syntactic connection between sentences. The work is carried out within the study of the expression of relations of conditioning through complex sentences in works of the book style – scientific and publicistic. The word ведь has a variety of shades of meaning, it features polyfunctionality and syntactic variability. Most grammatical descriptions qualify it as both a particle and a conjunction. Given the polysemy and variety of uses of this word, modern researchers who study discourse classify it as a discoursive word/discourse marker. It is noted that polysemy and syntactic variability of the modern word ведь result from its historical origin and development. The method of interpretation based on the etymologically inherent meaning of this word and transformation method are proposed as a way to concretize relations marked by this linking device. According to observations on the material of journalism ведь often acts as a linking word for causal constructions both within a complex sentence and between separate, semantically related sentences. In certain cases, there is a combination of causal and conventional meanings. In addition, the combination of ведь with adversative conjunctions a, но adds the seme of concession. The observation results are illustrated with examples from journalism materials with their subsequent analysis. It is shown that replacing ведь with categorical causal, conditional, concessive conjunctions confirms the corresponding relationships, however, it cannot provide a full disclosure of the meaning of the statement, since with such a transformation the seme of presence, complicity, and the author's assessment observed in the original statements is lost. One should say about the stylistic marking of the structures under study, which contribute to the implementation of the evaluative and influencing function of the journalistic style. In other cases, the word ведь acts as a particle, contributing to the actualization of the utterance as something known, obviously expedient. Although there is a causal relationship in such constructions, the connecting function is not paramount there. Thus, the polyfunctionality of a polysemantic word ведь ensures the variability of its use by the authors and a multidimensional approach to its linguistic description.
{"title":"SYNTACTIC AND SEMANTIC SYNCRETISM OF THE WORD ВЕДЬ AT THE LEVEL OF HYPOTAXIS","authors":"Natalja P. Galkina","doi":"10.20323/2499-9679-2020-3-22-81-88","DOIUrl":"https://doi.org/10.20323/2499-9679-2020-3-22-81-88","url":null,"abstract":"The paper is devoted to the role of the word ведь in the organization of a subordinate syntactic connection between sentences. The work is carried out within the study of the expression of relations of conditioning through complex sentences in works of the book style – scientific and publicistic. The word ведь has a variety of shades of meaning, it features polyfunctionality and syntactic variability. Most grammatical descriptions qualify it as both a particle and a conjunction. Given the polysemy and variety of uses of this word, modern researchers who study discourse classify it as a discoursive word/discourse marker. It is noted that polysemy and syntactic variability of the modern word ведь result from its historical origin and development. The method of interpretation based on the etymologically inherent meaning of this word and transformation method are proposed as a way to concretize relations marked by this linking device. According to observations on the material of journalism ведь often acts as a linking word for causal constructions both within a complex sentence and between separate, semantically related sentences. In certain cases, there is a combination of causal and conventional meanings. In addition, the combination of ведь with adversative conjunctions a, но adds the seme of concession. The observation results are illustrated with examples from journalism materials with their subsequent analysis. It is shown that replacing ведь with categorical causal, conditional, concessive conjunctions confirms the corresponding relationships, however, it cannot provide a full disclosure of the meaning of the statement, since with such a transformation the seme of presence, complicity, and the author's assessment observed in the original statements is lost. One should say about the stylistic marking of the structures under study, which contribute to the implementation of the evaluative and influencing function of the journalistic style. In other cases, the word ведь acts as a particle, contributing to the actualization of the utterance as something known, obviously expedient. Although there is a causal relationship in such constructions, the connecting function is not paramount there. Thus, the polyfunctionality of a polysemantic word ведь ensures the variability of its use by the authors and a multidimensional approach to its linguistic description.","PeriodicalId":282574,"journal":{"name":"Verhnevolzhski Philological Bulletin","volume":"58 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127691367","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.20323/2499-9679-2020-1-20-143-148
T. Zlotnikova, M. A. Soboleva
{"title":"DUALITY MOTIF IN DINA RUBINA’S ARTISTIC WORLD","authors":"T. Zlotnikova, M. A. Soboleva","doi":"10.20323/2499-9679-2020-1-20-143-148","DOIUrl":"https://doi.org/10.20323/2499-9679-2020-1-20-143-148","url":null,"abstract":"","PeriodicalId":282574,"journal":{"name":"Verhnevolzhski Philological Bulletin","volume":"2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126552436","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.20323/2499-9679-2022-3-30-197-204
N. N. Letina
{"title":"Gender determined archetypes in N. A. Nekrasov's artistic universe","authors":"N. N. Letina","doi":"10.20323/2499-9679-2022-3-30-197-204","DOIUrl":"https://doi.org/10.20323/2499-9679-2022-3-30-197-204","url":null,"abstract":"","PeriodicalId":282574,"journal":{"name":"Verhnevolzhski Philological Bulletin","volume":"69 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126928137","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.20323/2499-9679-2022-2-29-39-45
N. Ivanov
The work is devoted to determining the place of M. Gorky in the structure of the so-called Yaroslavl text. The material is interpreted in the event-biographical, historical and literary aspects; the results of the study are presented. It is probably the first time that Gorky is incorporated into the structure of a local text, the type to which the Yaroslavl text belongs. This scientific idea is realized through solving a number of tasks: to complement the definitions of the Yaroslavl text, and the author's myth, to determine their biographical, authorological, historical and literary contours; to correlate the space of the Yaroslavl text and the biography and creative pursuits of Gorky. The tasks have been solved through the study of creative connections, cross-references, parallels, personal and family relations. The author of the article presents some original findings and draws a number of conclusions.The biographical data on Gorky, the Volzhin sisters, and the Bogdanovich family - Adam Bogdanovich and his son Maxim, a classic of Belarusian literature - are of particular interest. The most significant results of the work were the following. Gorky is included in the space of the Yaroslavl text. The diary and the document are taken into account as a valuable element in the writer's heritage, and the attitude toward them as a secondary, auxiliary material is overcome. The approaches to the material used determined the novelty of Gorky's legacy and the interpretation of his biographical data. The article gives new assessments of famous works, clarifies the writer's position, and shows its connection with the writer's biography and his work. Some observations are made in the field of aesthetic and poetics of prose and the artistic nature of Gorky's writings. The article is addressed to philologists, literary critics, researchers of the XX century Russian literature and culture.
{"title":"Maxim Gorky and the Yaroslavl text","authors":"N. Ivanov","doi":"10.20323/2499-9679-2022-2-29-39-45","DOIUrl":"https://doi.org/10.20323/2499-9679-2022-2-29-39-45","url":null,"abstract":"The work is devoted to determining the place of M. Gorky in the structure of the so-called Yaroslavl text. The material is interpreted in the event-biographical, historical and literary aspects; the results of the study are presented. It is probably the first time that Gorky is incorporated into the structure of a local text, the type to which the Yaroslavl text belongs. This scientific idea is realized through solving a number of tasks: to complement the definitions of the Yaroslavl text, and the author's myth, to determine their biographical, authorological, historical and literary contours; to correlate the space of the Yaroslavl text and the biography and creative pursuits of Gorky. The tasks have been solved through the study of creative connections, cross-references, parallels, personal and family relations. The author of the article presents some original findings and draws a number of conclusions.The biographical data on Gorky, the Volzhin sisters, and the Bogdanovich family - Adam Bogdanovich and his son Maxim, a classic of Belarusian literature - are of particular interest. The most significant results of the work were the following. Gorky is included in the space of the Yaroslavl text. The diary and the document are taken into account as a valuable element in the writer's heritage, and the attitude toward them as a secondary, auxiliary material is overcome. The approaches to the material used determined the novelty of Gorky's legacy and the interpretation of his biographical data. The article gives new assessments of famous works, clarifies the writer's position, and shows its connection with the writer's biography and his work. Some observations are made in the field of aesthetic and poetics of prose and the artistic nature of Gorky's writings. The article is addressed to philologists, literary critics, researchers of the XX century Russian literature and culture.","PeriodicalId":282574,"journal":{"name":"Verhnevolzhski Philological Bulletin","volume":"5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124417781","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.20323/2499-9679-2020-3-22-189-194
A. Eremin
The article is devoted to the study of the religious foundations of Soviet life in the context of their interaction with the images of the new Soviet era. The paper substantiates the thesis that the civilizational specificity of Russia, which is based on Orthodox determinants, has become the basis for building the Soviet value-normative system. Turning to the concept of religiosity put forward by E. Durkheim, the author comes to the conclusion that Soviet society was inherently religious, based on archetypal determinants, which created the specificity of Soviet being. The author develops the ideas of P.Ya. Danilevsky to identify and analyze civilizational paradigms, traces their influence on the understanding of power, society, and man. Characterizing the civilizational determinants that existed in the cultural matrix of Soviet being, the author focuses on the peculiarities of the Orthodox world outlook, proving the idea that Soviet ideals and values are a new format of Orthodox imperatives that existed despite religious persecution and antichurch policies. The fundamental Orthodox imperative that determined the historical and cultural dynamics of Russian society, according to the author, was the conciliarity and unity of society, which was placed above the interests of the individual. For Soviet being, this imperative became decisive and was reflected in the ideas of collectivism and solidarity of the Soviet people. The paper concludes that civilizational determinants in new forms were further developed, especially in the period of 30–40s. XX century during the cult of personality I.V. Stalin.
{"title":"SOVIET BEING: RELIGIOUS DETERMINANTS AND IMAGES OF MODERN TIMES","authors":"A. Eremin","doi":"10.20323/2499-9679-2020-3-22-189-194","DOIUrl":"https://doi.org/10.20323/2499-9679-2020-3-22-189-194","url":null,"abstract":"The article is devoted to the study of the religious foundations of Soviet life in the context of their interaction with the images of the new Soviet era. The paper substantiates the thesis that the civilizational specificity of Russia, which is based on Orthodox determinants, has become the basis for building the Soviet value-normative system. Turning to the concept of religiosity put forward by E. Durkheim, the author comes to the conclusion that Soviet society was inherently religious, based on archetypal determinants, which created the specificity of Soviet being. The author develops the ideas of P.Ya. Danilevsky to identify and analyze civilizational paradigms, traces their influence on the understanding of power, society, and man. Characterizing the civilizational determinants that existed in the cultural matrix of Soviet being, the author focuses on the peculiarities of the Orthodox world outlook, proving the idea that Soviet ideals and values are a new format of Orthodox imperatives that existed despite religious persecution and antichurch policies. The fundamental Orthodox imperative that determined the historical and cultural dynamics of Russian society, according to the author, was the conciliarity and unity of society, which was placed above the interests of the individual. For Soviet being, this imperative became decisive and was reflected in the ideas of collectivism and solidarity of the Soviet people. The paper concludes that civilizational determinants in new forms were further developed, especially in the period of 30–40s. XX century during the cult of personality I.V. Stalin.","PeriodicalId":282574,"journal":{"name":"Verhnevolzhski Philological Bulletin","volume":"84 3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127979218","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.20323/2499-9679-2022-1-28-211-217
L. Xiaotao, Svetlana A. Koloda
The genesis of the Chinese national cuisine is considered from the standpoint of cultural studies. The authors give a brief overview of its evolution over the centuries and present a modern interpretation of traditional gastronomy to identify the specifics of the cultural code. The authors take a methodological approach considering the national cuisine of China through the interpretation of gastronomic culture. China's national cuisine is presented as both an important historical and cultural heritage and as a significant element of China's everyday culture. Gastronomic culture is defined as a mental structure expressed through various phenomena. Particular emphasis is placed on analyzing the philosophical aspects of Chinese national cuisine and its influence on the formation of the main aspects of the people' s daily life. The specificity of cooking and serving food and the tradition of using chopsticks are highlighted as important to Chinese culture. The authors examine the historical foundations of the Chinese cuisine development and the ways of the imperial cuisine transformation into some modern directions of Chinese culinary culture. Examples are given of the historical nature of imperial cuisine, as well as of the stages of Chinese cuisine evolution over three thousand years. It is noted that due to cultural and historical reasons, Chinese cuisine uses almost everything that nature gives, including exotic ingredients. It is estimated that Chinese cuisine has about 80,000 dishes. Chinese cuisine differs from European and American cuisine, namely because the Chinese eat more vegetables and fewer meat dishes. The article points out that the modern Chinese restaurant business has borrowed some traditions of imperial cuisine evolving over three millennia. In modern China, the traditional dining etiquette during a formal lunch or dinner is observed, the most important part of which is the placement of guests at the table.
{"title":"Chinese national cuisine as a cultural code","authors":"L. Xiaotao, Svetlana A. Koloda","doi":"10.20323/2499-9679-2022-1-28-211-217","DOIUrl":"https://doi.org/10.20323/2499-9679-2022-1-28-211-217","url":null,"abstract":"The genesis of the Chinese national cuisine is considered from the standpoint of cultural studies. The authors give a brief overview of its evolution over the centuries and present a modern interpretation of traditional gastronomy to identify the specifics of the cultural code. The authors take a methodological approach considering the national cuisine of China through the interpretation of gastronomic culture. China's national cuisine is presented as both an important historical and cultural heritage and as a significant element of China's everyday culture. Gastronomic culture is defined as a mental structure expressed through various phenomena. Particular emphasis is placed on analyzing the philosophical aspects of Chinese national cuisine and its influence on the formation of the main aspects of the people' s daily life. The specificity of cooking and serving food and the tradition of using chopsticks are highlighted as important to Chinese culture. The authors examine the historical foundations of the Chinese cuisine development and the ways of the imperial cuisine transformation into some modern directions of Chinese culinary culture. Examples are given of the historical nature of imperial cuisine, as well as of the stages of Chinese cuisine evolution over three thousand years. It is noted that due to cultural and historical reasons, Chinese cuisine uses almost everything that nature gives, including exotic ingredients. It is estimated that Chinese cuisine has about 80,000 dishes. Chinese cuisine differs from European and American cuisine, namely because the Chinese eat more vegetables and fewer meat dishes. The article points out that the modern Chinese restaurant business has borrowed some traditions of imperial cuisine evolving over three millennia. In modern China, the traditional dining etiquette during a formal lunch or dinner is observed, the most important part of which is the placement of guests at the table.","PeriodicalId":282574,"journal":{"name":"Verhnevolzhski Philological Bulletin","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130830158","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.20323/2499-9679-2020-3-22-98-102
Alina P. Bazhenova
The article examines characteristic English menemesin their stylistic significance, which are used as representatives of a contiguous linguistic picture of the world in the texts of the early publicistic works by N.S. Leskov in connection with the author's reasoning about social and cultural problems. English menemes are characterized as idiolectemes, verbalizers of cultural concepts, explicators of the intentions and pragmatic attitudes of Leskov the publicist, which is seen as the relevance and novelty of the research. English menemes are analyzed as components of an individual conceptual sphere, taking into account their associative and connotative potential. It is proved that the functioning of menems in the author's text as representatives of the contiguous linguistic picture of the world contributes to the transmission of conceptual information in an individual interpretation, as well as the formation of ethnic ideas. The role of English menemes in the text space of a publicist is determined. Their stylistic functions in a pragmatic aspect are revealed. Methods of observation, analysis applied to material extracted by targeted sampling, conceptual approach were used. Conclusions are formulated about the pragmatics of using English memes in the early publicistic texts of N. S. Leskov as demonstrators of the author's intention and means of forming the image of a foreign people. The article can be of practical importance for the expansion of linguistic forestry, the study of the Anglosphere, the linguistic picture of the world and similar formations, clarification of the functions of English vocabulary in the scale of the author's chronologically outlined supertext and its role in activating the reader's interpretation.
{"title":"ENGLISH MENEMES AS REPRESENTATIVES OF A CONTIGUOUS LINGUISTIC PICTURE OF THE WORLD IN THE EARLY PUBLICISTIC TEXTS BY N. LESKOV","authors":"Alina P. Bazhenova","doi":"10.20323/2499-9679-2020-3-22-98-102","DOIUrl":"https://doi.org/10.20323/2499-9679-2020-3-22-98-102","url":null,"abstract":"The article examines characteristic English menemesin their stylistic significance, which are used as representatives of a contiguous linguistic picture of the world in the texts of the early publicistic works by N.S. Leskov in connection with the author's reasoning about social and cultural problems. English menemes are characterized as idiolectemes, verbalizers of cultural concepts, explicators of the intentions and pragmatic attitudes of Leskov the publicist, which is seen as the relevance and novelty of the research. English menemes are analyzed as components of an individual conceptual sphere, taking into account their associative and connotative potential. It is proved that the functioning of menems in the author's text as representatives of the contiguous linguistic picture of the world contributes to the transmission of conceptual information in an individual interpretation, as well as the formation of ethnic ideas. The role of English menemes in the text space of a publicist is determined. Their stylistic functions in a pragmatic aspect are revealed. Methods of observation, analysis applied to material extracted by targeted sampling, conceptual approach were used. Conclusions are formulated about the pragmatics of using English memes in the early publicistic texts of N. S. Leskov as demonstrators of the author's intention and means of forming the image of a foreign people. The article can be of practical importance for the expansion of linguistic forestry, the study of the Anglosphere, the linguistic picture of the world and similar formations, clarification of the functions of English vocabulary in the scale of the author's chronologically outlined supertext and its role in activating the reader's interpretation.","PeriodicalId":282574,"journal":{"name":"Verhnevolzhski Philological Bulletin","volume":"102 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131409311","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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