Pub Date : 1900-01-01DOI: 10.20323/2499-9679-2021-4-27-102-107
E. Mishenkina
This article focuses on the specifics of political public discourse, which continues to be one of the most pressing issues of linguistics. In modern conditions, speeches of political figures are broadcast to a wide audience, they influence significantly the listeners and their subsequent actions. This article examines the concept of speech, as well as political public speech, and its characteristics. The concept of the rhythm of the text and its specificity in the political public text are considered. The automated analysis of rhythmic devices in these texts was carried out using the ProseRhythmDetector - PRD tool, which allows us to determine the presence of rhythmic devices in political public texts and their quantitative results. Political public speech is a powerful tool by which a politician can achieve the desired result. The method of repetition is the most effective way of influencing, which is implemented in all its possible manifestations (stylistic means of language), thus the impact on the recipient through the unconscious perception of information is realized. The author presents the results of the analysis of rhythmic devices in political public speeches of Russian and U.S. political leaders from 2005 to 2020. The results of the research indicate fundamental differences at the lexical, grammatical and phonetic levels in the rhythm of public political texts in Russian and in English.Rhythmic devices at the phonetic level are completely missing in English texts and are widely represented in Russian ones, in the latter they are used much more often than rhythmic devices at the lexical and grammatical level.
{"title":"Rhythm and its national specificity in political public speech","authors":"E. Mishenkina","doi":"10.20323/2499-9679-2021-4-27-102-107","DOIUrl":"https://doi.org/10.20323/2499-9679-2021-4-27-102-107","url":null,"abstract":"This article focuses on the specifics of political public discourse, which continues to be one of the most pressing issues of linguistics. In modern conditions, speeches of political figures are broadcast to a wide audience, they influence significantly the listeners and their subsequent actions. This article examines the concept of speech, as well as political public speech, and its characteristics. The concept of the rhythm of the text and its specificity in the political public text are considered. The automated analysis of rhythmic devices in these texts was carried out using the ProseRhythmDetector - PRD tool, which allows us to determine the presence of rhythmic devices in political public texts and their quantitative results. Political public speech is a powerful tool by which a politician can achieve the desired result. The method of repetition is the most effective way of influencing, which is implemented in all its possible manifestations (stylistic means of language), thus the impact on the recipient through the unconscious perception of information is realized. The author presents the results of the analysis of rhythmic devices in political public speeches of Russian and U.S. political leaders from 2005 to 2020. The results of the research indicate fundamental differences at the lexical, grammatical and phonetic levels in the rhythm of public political texts in Russian and in English.Rhythmic devices at the phonetic level are completely missing in English texts and are widely represented in Russian ones, in the latter they are used much more often than rhythmic devices at the lexical and grammatical level.","PeriodicalId":282574,"journal":{"name":"Verhnevolzhski Philological Bulletin","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129379667","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.20323/2499-9679-2022-3-30-44-49
A. Bokarev
{"title":"Symbolic imagery in the poetry by Denis Novikov","authors":"A. Bokarev","doi":"10.20323/2499-9679-2022-3-30-44-49","DOIUrl":"https://doi.org/10.20323/2499-9679-2022-3-30-44-49","url":null,"abstract":"","PeriodicalId":282574,"journal":{"name":"Verhnevolzhski Philological Bulletin","volume":"36 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131089094","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.20323/2499-9679-2020-2-21-35-42
Natalia G. Koptelova
{"title":"«JUBILEE» CHEKHOVIAN BY D. V. FILOSOFOV","authors":"Natalia G. Koptelova","doi":"10.20323/2499-9679-2020-2-21-35-42","DOIUrl":"https://doi.org/10.20323/2499-9679-2020-2-21-35-42","url":null,"abstract":"","PeriodicalId":282574,"journal":{"name":"Verhnevolzhski Philological Bulletin","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130837799","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.20323/2499-9679-2020-3-22-239-249
N. N. Letina, A. A. Kruchinina
The article discusses the problem of psychoanalytical discourse of teenagersin a foreign youth serial. The main task is to find and study the meaning of psychoanalytical discourse in the life of a modern teenager – a character of « Sex education». The results of purposeful culturological analysis of psychoanalytical discourse is shown as the basis of artistic world of « Sex education»(2019)(USA, Great Britain, Netflix, directors – K. Herron and B. Tailor) on the material of 8 series of the first season. The main attention is given to the study of therapy sessions which the teenagerthe main character – gives to other teenagers. The scientific value of the article is defined both by culturological algorithm of psychoanalytical discourse analysis as the essence of the serial and by the introduction in the scientific use of modern culturalogically new and topical empirical material. A key angle of the research is studying of the psychoanalytical discourse realization as the plot essence of the serial, as for psychotherapy – as a method of teenage problems solving by teenagers themselves. The article also reflects shown in the serial psychoanalysis method, a circle of main problems which teenagers- serial characters face, as well as key meanings of psychoanalytical discourse realization in the serial. The authors give a classification psychotherapy sessions from the viewpoint of their effectiveness: unsuccessful, controversial, successful sessions. The research concludes that some principles of psychoanalysis and age teenage-youth psychology are seen in the artistic world of a serial and a complex of problems shown by the characters has variegated base and hides under the format of sexuality.
本文探讨了国外一部青少年系列小说中青少年精神分析话语的问题。主要任务是发现和研究精神分析话语在现代青少年生活中的意义-一个«性教育»的角色。对精神分析话语进行有目的的文化分析的结果显示为《性教育》(2019)(美国，英国，Netflix，导演- K. Herron和B. Tailor)第一季8季素材的艺术世界的基础。主要关注的是青少年——主要角色——给其他青少年的治疗课程的研究。文章的科学价值是通过作为系列本质的精神分析话语分析的文化算法和科学地使用现代文化上新的和专题经验材料来定义的。研究的一个关键角度是研究作为连续剧情节本质的精神分析话语实现，以及作为青少年自己解决青少年问题的心理治疗方法。文章还反映了在连续剧的精神分析方法中所表现出来的一圈青少年连续剧人物所面临的主要问题，以及在连续剧中精神分析话语实现的关键意义。作者从有效性的角度对心理治疗进行了分类:不成功的、有争议的、成功的。研究认为，在连续剧的艺术世界中可以看到一些精神分析和青少年心理学的原理，人物所表现出的复杂问题具有多样化的基础，并隐藏在性的形式之下。
{"title":"PSYCHOANALYTICAL DISCOURSE IN THE LIFE OF A MODERN TEENAGER – A CHARACTER OF THE SERIAL («SEX EDUCATION», USA, GREAT BRITAIN, 2019)","authors":"N. N. Letina, A. A. Kruchinina","doi":"10.20323/2499-9679-2020-3-22-239-249","DOIUrl":"https://doi.org/10.20323/2499-9679-2020-3-22-239-249","url":null,"abstract":"The article discusses the problem of psychoanalytical discourse of teenagersin a foreign youth serial. The main task is to find and study the meaning of psychoanalytical discourse in the life of a modern teenager – a character of « Sex education». The results of purposeful culturological analysis of psychoanalytical discourse is shown as the basis of artistic world of « Sex education»(2019)(USA, Great Britain, Netflix, directors – K. Herron and B. Tailor) on the material of 8 series of the first season. The main attention is given to the study of therapy sessions which the teenagerthe main character – gives to other teenagers. The scientific value of the article is defined both by culturological algorithm of psychoanalytical discourse analysis as the essence of the serial and by the introduction in the scientific use of modern culturalogically new and topical empirical material. A key angle of the research is studying of the psychoanalytical discourse realization as the plot essence of the serial, as for psychotherapy – as a method of teenage problems solving by teenagers themselves. The article also reflects shown in the serial psychoanalysis method, a circle of main problems which teenagers- serial characters face, as well as key meanings of psychoanalytical discourse realization in the serial. The authors give a classification psychotherapy sessions from the viewpoint of their effectiveness: unsuccessful, controversial, successful sessions. The research concludes that some principles of psychoanalysis and age teenage-youth psychology are seen in the artistic world of a serial and a complex of problems shown by the characters has variegated base and hides under the format of sexuality.","PeriodicalId":282574,"journal":{"name":"Verhnevolzhski Philological Bulletin","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130854388","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.20323/2499-9679-2022-2-29-71-79
Evgeniy A. Ermolin
The article deals with the phenomenon of autofiction, characteristic of modern culture, as a reflex of mental procedures and a creative stratagem related to a person's orientation in the modern world, as applied to the latest media practices and journalistic self-realization. Its presence is determined by the fundamental features of culture, the way of self-perception and self-determination of a modern person in the context of Postmodern culture. Autofiction is implemented both in literature and as a media practice, a phenomenon of modern journalism. Journalistic gravitation toward storytelling, an emphasis on authorship,on personal journalism and transparent blogging correlate with the practices of autofiction as a radical self-presentation of the individual in modern narrative discourse. At the same time, autofiction is as much a solution to the personal problems and difficulties of the contemporary author as it is a mere fixation of them, an evidence of their incomplete, inconclusive resolution. Autofiction exposes the difficulties of individual self-fixation. This is an attempt to give a little more significance to what it has in a small dose. Autofiction is associated with a special understanding of authenticity, it is alien to the traditional criteria of heroics and ethical integrity, which can be perceived as tools and means of alienation, as an unacceptable substitution of a personal essence for a given norm, a role in the society of a performance. Here emotions and feelings create the effect that enables us to consider what is happening to be credible. Autofiction is the author's self-comprehension within those limits that are defined for him/herself, identifying them with the limits of authenticity as he/she understands it, based on an attempt to find the elusive edge of personal presence in a shaky, fluid world.Autofiction displays a media tendency to recognize the legitimacy of fiction based on the general underlying logic of life revealed by the narrative. An essential question is the significance of the autofiction message, its public relevance, the response to the audience's expected agenda.
{"title":"Autofiction as a media stratagem","authors":"Evgeniy A. Ermolin","doi":"10.20323/2499-9679-2022-2-29-71-79","DOIUrl":"https://doi.org/10.20323/2499-9679-2022-2-29-71-79","url":null,"abstract":"The article deals with the phenomenon of autofiction, characteristic of modern culture, as a reflex of mental procedures and a creative stratagem related to a person's orientation in the modern world, as applied to the latest media practices and journalistic self-realization. Its presence is determined by the fundamental features of culture, the way of self-perception and self-determination of a modern person in the context of Postmodern culture. Autofiction is implemented both in literature and as a media practice, a phenomenon of modern journalism. Journalistic gravitation toward storytelling, an emphasis on authorship,on personal journalism and transparent blogging correlate with the practices of autofiction as a radical self-presentation of the individual in modern narrative discourse. At the same time, autofiction is as much a solution to the personal problems and difficulties of the contemporary author as it is a mere fixation of them, an evidence of their incomplete, inconclusive resolution. Autofiction exposes the difficulties of individual self-fixation. This is an attempt to give a little more significance to what it has in a small dose. Autofiction is associated with a special understanding of authenticity, it is alien to the traditional criteria of heroics and ethical integrity, which can be perceived as tools and means of alienation, as an unacceptable substitution of a personal essence for a given norm, a role in the society of a performance. Here emotions and feelings create the effect that enables us to consider what is happening to be credible. Autofiction is the author's self-comprehension within those limits that are defined for him/herself, identifying them with the limits of authenticity as he/she understands it, based on an attempt to find the elusive edge of personal presence in a shaky, fluid world.Autofiction displays a media tendency to recognize the legitimacy of fiction based on the general underlying logic of life revealed by the narrative. An essential question is the significance of the autofiction message, its public relevance, the response to the audience's expected agenda.","PeriodicalId":282574,"journal":{"name":"Verhnevolzhski Philological Bulletin","volume":"65 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128772571","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.20323/2499_9679_2022_4_31_93_100
Eva E. Shekhovtsova
{"title":"The influence of the Guardian newspaper discourse on gender stereotypes in british society","authors":"Eva E. Shekhovtsova","doi":"10.20323/2499_9679_2022_4_31_93_100","DOIUrl":"https://doi.org/10.20323/2499_9679_2022_4_31_93_100","url":null,"abstract":"","PeriodicalId":282574,"journal":{"name":"Verhnevolzhski Philological Bulletin","volume":"134 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123466794","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.20323/2499-9679-2020-2-21-29-34
Tatjana B. Ilinskaya
{"title":"N. S. LESKOV AND VICTOR BIBIKOV: THE ROLE OF FEUILLETON CRITICISM IN THE FORMATION OF A WRITER'S REPUTATION","authors":"Tatjana B. Ilinskaya","doi":"10.20323/2499-9679-2020-2-21-29-34","DOIUrl":"https://doi.org/10.20323/2499-9679-2020-2-21-29-34","url":null,"abstract":"","PeriodicalId":282574,"journal":{"name":"Verhnevolzhski Philological Bulletin","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121292845","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.20323/2499_9679_2022_4_31_37_43
S. V. Lopukhov
{"title":"Differentiation of \"laughter\" genres in the Internet","authors":"S. V. Lopukhov","doi":"10.20323/2499_9679_2022_4_31_37_43","DOIUrl":"https://doi.org/10.20323/2499_9679_2022_4_31_37_43","url":null,"abstract":"","PeriodicalId":282574,"journal":{"name":"Verhnevolzhski Philological Bulletin","volume":"107 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121604733","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.20323/2499_9679_2022_4_31_53_61
Mikhail N. Kulakovsky
{"title":"The lexeme \"something\" as a means of expressing irony in M. A. Bulgakov's novel \"The Master and Margarita\"","authors":"Mikhail N. Kulakovsky","doi":"10.20323/2499_9679_2022_4_31_53_61","DOIUrl":"https://doi.org/10.20323/2499_9679_2022_4_31_53_61","url":null,"abstract":"","PeriodicalId":282574,"journal":{"name":"Verhnevolzhski Philological Bulletin","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122334134","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.20323/2499-9679-2021-4-27-135-143
N. Prom
Since the value aspect is taken into account by the media text author to successfully adapt information about objective reality to the needs of a specific audience in order to exert various kinds of influence, linguists develop effective methods for identifying axiological characteristics of a media text. For this purpose, we have proposed the subject positioning method. The subject of assessment ascribes value to a media fact as an object of assessment. The established positions of the subjects of assessment are the author of the media fact and potential repeaters of his interpretations. The positions underlie the preferences and assessments that a person gives to certain objects, qualities and events. The article demonstrates an example of applying the subject positioning method. The list of values identified as a result of the analysis is verified depending on the position of a particular subject. In terms of the author's focus on the audience, news values are the properties of a media fact to be of interest and concern, that is, interesting and significant. From the perspective of the addressee-repeater – the audience interpreting the news fact for subsequent transmission to other recipients, the main qualities of the media fact necessary for the development of the topic are the sufficient potential to provoke a discussion and the rhetorical aspect. These text characteristics can evoke emotions and empathy and affect the personal interest of a large part of the audience. Media discourse pragmatically uses values depending on the tasks set, namely, exploits current ones or generates new ones if necessary, which indicates the mobility of the value system. We see the prospect of work in applying the method of subjective positioning in studying the axiological criteria for the selection of material in the signature projects.
{"title":"The method of subject positioning to identify axiological characteristics of a media text","authors":"N. Prom","doi":"10.20323/2499-9679-2021-4-27-135-143","DOIUrl":"https://doi.org/10.20323/2499-9679-2021-4-27-135-143","url":null,"abstract":"Since the value aspect is taken into account by the media text author to successfully adapt information about objective reality to the needs of a specific audience in order to exert various kinds of influence, linguists develop effective methods for identifying axiological characteristics of a media text. For this purpose, we have proposed the subject positioning method. The subject of assessment ascribes value to a media fact as an object of assessment. The established positions of the subjects of assessment are the author of the media fact and potential repeaters of his interpretations. The positions underlie the preferences and assessments that a person gives to certain objects, qualities and events. The article demonstrates an example of applying the subject positioning method. The list of values identified as a result of the analysis is verified depending on the position of a particular subject. In terms of the author's focus on the audience, news values are the properties of a media fact to be of interest and concern, that is, interesting and significant. From the perspective of the addressee-repeater – the audience interpreting the news fact for subsequent transmission to other recipients, the main qualities of the media fact necessary for the development of the topic are the sufficient potential to provoke a discussion and the rhetorical aspect. These text characteristics can evoke emotions and empathy and affect the personal interest of a large part of the audience. Media discourse pragmatically uses values depending on the tasks set, namely, exploits current ones or generates new ones if necessary, which indicates the mobility of the value system. We see the prospect of work in applying the method of subjective positioning in studying the axiological criteria for the selection of material in the signature projects.","PeriodicalId":282574,"journal":{"name":"Verhnevolzhski Philological Bulletin","volume":"26 6","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114136326","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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