Pub Date : 1900-01-01DOI: 10.20323/2499-9679-2020-1-20-143-148
T. Zlotnikova, M. A. Soboleva
{"title":"DUALITY MOTIF IN DINA RUBINA’S ARTISTIC WORLD","authors":"T. Zlotnikova, M. A. Soboleva","doi":"10.20323/2499-9679-2020-1-20-143-148","DOIUrl":"https://doi.org/10.20323/2499-9679-2020-1-20-143-148","url":null,"abstract":"","PeriodicalId":282574,"journal":{"name":"Verhnevolzhski Philological Bulletin","volume":"2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126552436","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.20323/2499-9679-2022-3-30-197-204
N. N. Letina
{"title":"Gender determined archetypes in N. A. Nekrasov's artistic universe","authors":"N. N. Letina","doi":"10.20323/2499-9679-2022-3-30-197-204","DOIUrl":"https://doi.org/10.20323/2499-9679-2022-3-30-197-204","url":null,"abstract":"","PeriodicalId":282574,"journal":{"name":"Verhnevolzhski Philological Bulletin","volume":"69 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126928137","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.20323/2499-9679-2020-3-22-81-88
Natalja P. Galkina
The paper is devoted to the role of the word ведь in the organization of a subordinate syntactic connection between sentences. The work is carried out within the study of the expression of relations of conditioning through complex sentences in works of the book style – scientific and publicistic. The word ведь has a variety of shades of meaning, it features polyfunctionality and syntactic variability. Most grammatical descriptions qualify it as both a particle and a conjunction. Given the polysemy and variety of uses of this word, modern researchers who study discourse classify it as a discoursive word/discourse marker. It is noted that polysemy and syntactic variability of the modern word ведь result from its historical origin and development. The method of interpretation based on the etymologically inherent meaning of this word and transformation method are proposed as a way to concretize relations marked by this linking device. According to observations on the material of journalism ведь often acts as a linking word for causal constructions both within a complex sentence and between separate, semantically related sentences. In certain cases, there is a combination of causal and conventional meanings. In addition, the combination of ведь with adversative conjunctions a, но adds the seme of concession. The observation results are illustrated with examples from journalism materials with their subsequent analysis. It is shown that replacing ведь with categorical causal, conditional, concessive conjunctions confirms the corresponding relationships, however, it cannot provide a full disclosure of the meaning of the statement, since with such a transformation the seme of presence, complicity, and the author's assessment observed in the original statements is lost. One should say about the stylistic marking of the structures under study, which contribute to the implementation of the evaluative and influencing function of the journalistic style. In other cases, the word ведь acts as a particle, contributing to the actualization of the utterance as something known, obviously expedient. Although there is a causal relationship in such constructions, the connecting function is not paramount there. Thus, the polyfunctionality of a polysemantic word ведь ensures the variability of its use by the authors and a multidimensional approach to its linguistic description.
{"title":"SYNTACTIC AND SEMANTIC SYNCRETISM OF THE WORD ВЕДЬ AT THE LEVEL OF HYPOTAXIS","authors":"Natalja P. Galkina","doi":"10.20323/2499-9679-2020-3-22-81-88","DOIUrl":"https://doi.org/10.20323/2499-9679-2020-3-22-81-88","url":null,"abstract":"The paper is devoted to the role of the word ведь in the organization of a subordinate syntactic connection between sentences. The work is carried out within the study of the expression of relations of conditioning through complex sentences in works of the book style – scientific and publicistic. The word ведь has a variety of shades of meaning, it features polyfunctionality and syntactic variability. Most grammatical descriptions qualify it as both a particle and a conjunction. Given the polysemy and variety of uses of this word, modern researchers who study discourse classify it as a discoursive word/discourse marker. It is noted that polysemy and syntactic variability of the modern word ведь result from its historical origin and development. The method of interpretation based on the etymologically inherent meaning of this word and transformation method are proposed as a way to concretize relations marked by this linking device. According to observations on the material of journalism ведь often acts as a linking word for causal constructions both within a complex sentence and between separate, semantically related sentences. In certain cases, there is a combination of causal and conventional meanings. In addition, the combination of ведь with adversative conjunctions a, но adds the seme of concession. The observation results are illustrated with examples from journalism materials with their subsequent analysis. It is shown that replacing ведь with categorical causal, conditional, concessive conjunctions confirms the corresponding relationships, however, it cannot provide a full disclosure of the meaning of the statement, since with such a transformation the seme of presence, complicity, and the author's assessment observed in the original statements is lost. One should say about the stylistic marking of the structures under study, which contribute to the implementation of the evaluative and influencing function of the journalistic style. In other cases, the word ведь acts as a particle, contributing to the actualization of the utterance as something known, obviously expedient. Although there is a causal relationship in such constructions, the connecting function is not paramount there. Thus, the polyfunctionality of a polysemantic word ведь ensures the variability of its use by the authors and a multidimensional approach to its linguistic description.","PeriodicalId":282574,"journal":{"name":"Verhnevolzhski Philological Bulletin","volume":"58 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127691367","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.20323/2499_9679_2022_4_31_133_141
Svetlana I. Solovyova, Svetlana B. Barushkova
{"title":"De-russification and linguocide in Western Europe (on the french media materials)","authors":"Svetlana I. Solovyova, Svetlana B. Barushkova","doi":"10.20323/2499_9679_2022_4_31_133_141","DOIUrl":"https://doi.org/10.20323/2499_9679_2022_4_31_133_141","url":null,"abstract":"","PeriodicalId":282574,"journal":{"name":"Verhnevolzhski Philological Bulletin","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129218768","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.20323/2499-9679-2022-3-30-98-105
A. Gorozhanov, Kristina A. Gubanova
{"title":"Associative synesthemia as an imaginative thinking activator of visually impaired people (based on audio description)","authors":"A. Gorozhanov, Kristina A. Gubanova","doi":"10.20323/2499-9679-2022-3-30-98-105","DOIUrl":"https://doi.org/10.20323/2499-9679-2022-3-30-98-105","url":null,"abstract":"","PeriodicalId":282574,"journal":{"name":"Verhnevolzhski Philological Bulletin","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131370895","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.20323/2499-9679-2020-3-22-98-102
Alina P. Bazhenova
The article examines characteristic English menemesin their stylistic significance, which are used as representatives of a contiguous linguistic picture of the world in the texts of the early publicistic works by N.S. Leskov in connection with the author's reasoning about social and cultural problems. English menemes are characterized as idiolectemes, verbalizers of cultural concepts, explicators of the intentions and pragmatic attitudes of Leskov the publicist, which is seen as the relevance and novelty of the research. English menemes are analyzed as components of an individual conceptual sphere, taking into account their associative and connotative potential. It is proved that the functioning of menems in the author's text as representatives of the contiguous linguistic picture of the world contributes to the transmission of conceptual information in an individual interpretation, as well as the formation of ethnic ideas. The role of English menemes in the text space of a publicist is determined. Their stylistic functions in a pragmatic aspect are revealed. Methods of observation, analysis applied to material extracted by targeted sampling, conceptual approach were used. Conclusions are formulated about the pragmatics of using English memes in the early publicistic texts of N. S. Leskov as demonstrators of the author's intention and means of forming the image of a foreign people. The article can be of practical importance for the expansion of linguistic forestry, the study of the Anglosphere, the linguistic picture of the world and similar formations, clarification of the functions of English vocabulary in the scale of the author's chronologically outlined supertext and its role in activating the reader's interpretation.
{"title":"ENGLISH MENEMES AS REPRESENTATIVES OF A CONTIGUOUS LINGUISTIC PICTURE OF THE WORLD IN THE EARLY PUBLICISTIC TEXTS BY N. LESKOV","authors":"Alina P. Bazhenova","doi":"10.20323/2499-9679-2020-3-22-98-102","DOIUrl":"https://doi.org/10.20323/2499-9679-2020-3-22-98-102","url":null,"abstract":"The article examines characteristic English menemesin their stylistic significance, which are used as representatives of a contiguous linguistic picture of the world in the texts of the early publicistic works by N.S. Leskov in connection with the author's reasoning about social and cultural problems. English menemes are characterized as idiolectemes, verbalizers of cultural concepts, explicators of the intentions and pragmatic attitudes of Leskov the publicist, which is seen as the relevance and novelty of the research. English menemes are analyzed as components of an individual conceptual sphere, taking into account their associative and connotative potential. It is proved that the functioning of menems in the author's text as representatives of the contiguous linguistic picture of the world contributes to the transmission of conceptual information in an individual interpretation, as well as the formation of ethnic ideas. The role of English menemes in the text space of a publicist is determined. Their stylistic functions in a pragmatic aspect are revealed. Methods of observation, analysis applied to material extracted by targeted sampling, conceptual approach were used. Conclusions are formulated about the pragmatics of using English memes in the early publicistic texts of N. S. Leskov as demonstrators of the author's intention and means of forming the image of a foreign people. The article can be of practical importance for the expansion of linguistic forestry, the study of the Anglosphere, the linguistic picture of the world and similar formations, clarification of the functions of English vocabulary in the scale of the author's chronologically outlined supertext and its role in activating the reader's interpretation.","PeriodicalId":282574,"journal":{"name":"Verhnevolzhski Philological Bulletin","volume":"102 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131409311","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.20323/2499-9679-2022-3-30-121-128
S. Pavlina
{"title":"Functional and pragmatic perspectives on the english phraseological units with incorporated ethnonyms","authors":"S. Pavlina","doi":"10.20323/2499-9679-2022-3-30-121-128","DOIUrl":"https://doi.org/10.20323/2499-9679-2022-3-30-121-128","url":null,"abstract":"","PeriodicalId":282574,"journal":{"name":"Verhnevolzhski Philological Bulletin","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121228070","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.20323/2499-9679-2022-1-28-34-47
E. Boldyreva
The article examines the system of echoing motives in the stories by Russian writers V. Shukshin «The Sun, the Old Man and the Girl» (1963) and K. Paustovsky «The Old Cook» (1940), and the Chinese writer Wang Meng «Listening to the Sea» (1982), where the central place in the artistic space is taken by a steady dyad of characters based on gender and age antinomy: a blind old man and a young girl. The author of the article examines the story of Wang Meng «Listening to the Sea» in the motive context of the Russian literature of the mid-20th century, which allows to emphasize new meanings in it and to identify artistic universals that create a multi-dimensional, multi-level space of the text. The influence of foreign literature on Van Meng’s style acts as a communicative mechanism without which the writer's creative evolution is impossible. The article highlights many motive and image echoes that are significant to the writers' artistic world: the archetype of the wise old man, whose universal characteristics are embodied by the heroes of all three stories with various degrees of «purity»; motives of blindness, insight and epiphany, the motive of symbolic overcoming blindness through music and memory, the motives of silence and death. The article concludes that the actualization of the intertextual ties in Van Meng's story allows us to read it as an artistic representation of the key uni-versals of the XX century culture, as a work about blindness and epiphany, about death and rebirth, about eternity and omnipotence of art, about the resurrecting theurgical power of memory, and in this sense, the story becomes a kind of «genetic dossier», where the principles of the «letter of memory» in the later Van Meng’s works are formed. These prin-ciples were most forcefully expressed in his famous novel «Metamorphoses, or a Game of Folding Pictures» which al-lows to consider working with memory, including cultural memory, as an integral basis of Van Meng’s work, helping to put together the disconnected images of the past into a coherent picture of «memory elision».
{"title":"Overcoming blindness and the music of memory: common motives in the stories by Wang Meng, V. Shukshin, and K. Paustovsky","authors":"E. Boldyreva","doi":"10.20323/2499-9679-2022-1-28-34-47","DOIUrl":"https://doi.org/10.20323/2499-9679-2022-1-28-34-47","url":null,"abstract":"The article examines the system of echoing motives in the stories by Russian writers V. Shukshin «The Sun, the Old Man and the Girl» (1963) and K. Paustovsky «The Old Cook» (1940), and the Chinese writer Wang Meng «Listening to the Sea» (1982), where the central place in the artistic space is taken by a steady dyad of characters based on gender and age antinomy: a blind old man and a young girl. The author of the article examines the story of Wang Meng «Listening to the Sea» in the motive context of the Russian literature of the mid-20th century, which allows to emphasize new meanings in it and to identify artistic universals that create a multi-dimensional, multi-level space of the text. The influence of foreign literature on Van Meng’s style acts as a communicative mechanism without which the writer's creative evolution is impossible. The article highlights many motive and image echoes that are significant to the writers' artistic world: the archetype of the wise old man, whose universal characteristics are embodied by the heroes of all three stories with various degrees of «purity»; motives of blindness, insight and epiphany, the motive of symbolic overcoming blindness through music and memory, the motives of silence and death. The article concludes that the actualization of the intertextual ties in Van Meng's story allows us to read it as an artistic representation of the key uni-versals of the XX century culture, as a work about blindness and epiphany, about death and rebirth, about eternity and omnipotence of art, about the resurrecting theurgical power of memory, and in this sense, the story becomes a kind of «genetic dossier», where the principles of the «letter of memory» in the later Van Meng’s works are formed. These prin-ciples were most forcefully expressed in his famous novel «Metamorphoses, or a Game of Folding Pictures» which al-lows to consider working with memory, including cultural memory, as an integral basis of Van Meng’s work, helping to put together the disconnected images of the past into a coherent picture of «memory elision».","PeriodicalId":282574,"journal":{"name":"Verhnevolzhski Philological Bulletin","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128918611","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.20323/2499-9679-2022-1-28-64-69
G. Slyshkin, L. Malygina, E. Pavlova
The work is devoted to analyzing the phenomenon of human language and information security in modern media dis-course. This article examines some approaches to understanding communicative manipulation techniques through media coverage of «anti-vaxxers». The authors of the article carried out a discourse analysis of 100 media materials from the beginning of the pandemic in March 2020 to December 2021. The model of manipulation based on the image of the «enemy», its strategies and tactics are analyzed. The appearance of such concepts as «covid-dissidence» and «vaccin dissidence» and their impact on society are traced. According to the results of the study, the authors offered markers to identify signs of manipulation in mass media texts on the topic of «anti-vaxxers», such as the lexicon on fascist themes, lexicon on the themes of fear and aggression, invective words and the use of precedent personalities and phenomena for this topic. One of the mechanisms to counteract the negative communicative influence based on the National Security Strategy 2021 and announced by the President of the RF V. V. Putin is an obligatory elementary rhetorical training for schoolchildren and students in the system of secondary and higher education, forming skills of receptive and productive types of speech activity, speech interaction skills, dialogue skills, as well as improving the methods of teaching rhetoric in pedagogical universities with an emphasis on the meta-subject approach.
{"title":"Linguistic security in the context of value, ideological and social changes","authors":"G. Slyshkin, L. Malygina, E. Pavlova","doi":"10.20323/2499-9679-2022-1-28-64-69","DOIUrl":"https://doi.org/10.20323/2499-9679-2022-1-28-64-69","url":null,"abstract":"The work is devoted to analyzing the phenomenon of human language and information security in modern media dis-course. This article examines some approaches to understanding communicative manipulation techniques through media coverage of «anti-vaxxers». The authors of the article carried out a discourse analysis of 100 media materials from the beginning of the pandemic in March 2020 to December 2021. The model of manipulation based on the image of the «enemy», its strategies and tactics are analyzed. The appearance of such concepts as «covid-dissidence» and «vaccin dissidence» and their impact on society are traced. According to the results of the study, the authors offered markers to identify signs of manipulation in mass media texts on the topic of «anti-vaxxers», such as the lexicon on fascist themes, lexicon on the themes of fear and aggression, invective words and the use of precedent personalities and phenomena for this topic. One of the mechanisms to counteract the negative communicative influence based on the National Security Strategy 2021 and announced by the President of the RF V. V. Putin is an obligatory elementary rhetorical training for schoolchildren and students in the system of secondary and higher education, forming skills of receptive and productive types of speech activity, speech interaction skills, dialogue skills, as well as improving the methods of teaching rhetoric in pedagogical universities with an emphasis on the meta-subject approach.","PeriodicalId":282574,"journal":{"name":"Verhnevolzhski Philological Bulletin","volume":"50 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116903590","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.20323/2499-9679-2021-4-27-93-101
Natalya A. Nikolina, Z. Petrova
The article examines the key figurative fields in the texts of modern Russian prose. The authors analyse the works of A. Varlamov, E. Vodolazkin, A. Ivanov, A. Matveeva, Z. Prilepin. The purpose of the research is to identify and describe the key figurative fields of different types in modern fiction. The key figurative field is defined as a set of lexical units of one semantic field, acting as images of comparative constructions (metaphors and similes), which is directly related to the development of the theme and plot of the work, its ideological and aesthetic content, to the characteristics of the main characters, and performs a text-forming function in the work of fiction. The analysis has identified three main types of such fields: 1. The field, whose composition is determined by the theme of the work; 2. The field, whose choice of units is motivated by the type of the protagonist and his point of view; 3. The field, determined by the ideological and aesthetic content of the work as a whole. The choice of units in the key figurative field is determined by the intentions of the author of a literary work. The nature of the field development in the text reflects the peculiarities of the writer's idiostyle. The article shows that the key figurative field is associated in a literary text with the deployment of its cross-cutting motives. The authors note that the dominance of the key figurative field is often set by the title of the work, which in this case is metaphorical or symbolic.
本文考察了现代俄罗斯散文文本中的主要比喻场。作者分析了A. Varlamov, E. Vodolazkin, A. Ivanov, A. Matveeva, Z. Prilepin的作品。研究的目的是识别和描述现代小说中不同类型的关键比喻领域。关键比喻场被定义为一个语义场的一组词汇单位，作为比较结构(隐喻和明喻)的意象，直接关系到作品的主题和情节的发展、思想和美学内容、主要人物的特征，在小说作品中起着文本形成的作用。分析确定了这类领域的三种主要类型:1。场域，其构成由作品主题决定;2. 领域，其单位的选择是由主角的类型和他的观点驱动的;3.场域，是由作品的思想和审美内容作为一个整体来决定的。关键比喻领域的单位选择是由文学作品作者的意图决定的。文本中场域发展的性质反映了作者个人风格的独特性。文章表明，在文学文本中，关键的比喻场域与其交叉动机的部署有关。作者指出，关键的比喻领域的主导地位往往是由作品的标题设定的，在这种情况下，这是隐喻或象征性的。
{"title":"Key figurative fields in modern Russian prose","authors":"Natalya A. Nikolina, Z. Petrova","doi":"10.20323/2499-9679-2021-4-27-93-101","DOIUrl":"https://doi.org/10.20323/2499-9679-2021-4-27-93-101","url":null,"abstract":"The article examines the key figurative fields in the texts of modern Russian prose. The authors analyse the works of A. Varlamov, E. Vodolazkin, A. Ivanov, A. Matveeva, Z. Prilepin. The purpose of the research is to identify and describe the key figurative fields of different types in modern fiction. The key figurative field is defined as a set of lexical units of one semantic field, acting as images of comparative constructions (metaphors and similes), which is directly related to the development of the theme and plot of the work, its ideological and aesthetic content, to the characteristics of the main characters, and performs a text-forming function in the work of fiction. The analysis has identified three main types of such fields: 1. The field, whose composition is determined by the theme of the work; 2. The field, whose choice of units is motivated by the type of the protagonist and his point of view; 3. The field, determined by the ideological and aesthetic content of the work as a whole. The choice of units in the key figurative field is determined by the intentions of the author of a literary work. The nature of the field development in the text reflects the peculiarities of the writer's idiostyle. The article shows that the key figurative field is associated in a literary text with the deployment of its cross-cutting motives. The authors note that the dominance of the key figurative field is often set by the title of the work, which in this case is metaphorical or symbolic.","PeriodicalId":282574,"journal":{"name":"Verhnevolzhski Philological Bulletin","volume":"27 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116986514","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：