Pub Date : 1900-01-01DOI: 10.20323/2499-9679-2020-3-22-103-111
V. Peftiev, E. Boychuk
The aim of the paper is to present the results of the analysis of the idiolect of the French President Emmanuel Macron in the context of political events presented in the president’s addresses to the nation. The following tasks are solved in the work: the mechanisms of the influence of his speech on the recipient are determined, the aspect of an interdisciplinary dialogue between political science and linguistics is reflected, attention is drawn to the context of the discourse of E. Macron against the backdrop of a changing world, challenges in France's domestic and foreign policy. The analysis of the idiolect of E. Macron from the point of view of the implementation of its communicative functions was also carried out. The conclusion of the article is informative for the increment of knowledge in sociolinguistics and political linguistics. The main result of the study was the conclusion that the individual style of E. Macron is distinguished by the desire for a neat, cautious, but at the same time bold attitude to the word. The specificity of his speech is manifested at all linguistic levels, namely at the phonetic level, clearly defined in terms of diction and arrangement of pauses, linking and accentuation by declaring, at the lexical level in a peculiar choice of vocabulary, in some cases outdated, uncommon words, as well as in the use of metaphors and phraseological units, at the syntactic level – in the use of complex syntactic constructions and anaphoric repetitions. This specificity draws attention to itself, it defines the president’s idiolect as a person striving to take the country's development to a new level, to take care of the nation, at the same time emphasizing his rather tough position in relation to the whole world.
{"title":"THE SPECIFICS OF THE IDIOLECT OF E. MACRON IN THE CONTEXT OF HIS POLITICAL ACTIVITIES","authors":"V. Peftiev, E. Boychuk","doi":"10.20323/2499-9679-2020-3-22-103-111","DOIUrl":"https://doi.org/10.20323/2499-9679-2020-3-22-103-111","url":null,"abstract":"The aim of the paper is to present the results of the analysis of the idiolect of the French President Emmanuel Macron in the context of political events presented in the president’s addresses to the nation. The following tasks are solved in the work: the mechanisms of the influence of his speech on the recipient are determined, the aspect of an interdisciplinary dialogue between political science and linguistics is reflected, attention is drawn to the context of the discourse of E. Macron against the backdrop of a changing world, challenges in France's domestic and foreign policy. The analysis of the idiolect of E. Macron from the point of view of the implementation of its communicative functions was also carried out. The conclusion of the article is informative for the increment of knowledge in sociolinguistics and political linguistics. The main result of the study was the conclusion that the individual style of E. Macron is distinguished by the desire for a neat, cautious, but at the same time bold attitude to the word. The specificity of his speech is manifested at all linguistic levels, namely at the phonetic level, clearly defined in terms of diction and arrangement of pauses, linking and accentuation by declaring, at the lexical level in a peculiar choice of vocabulary, in some cases outdated, uncommon words, as well as in the use of metaphors and phraseological units, at the syntactic level – in the use of complex syntactic constructions and anaphoric repetitions. This specificity draws attention to itself, it defines the president’s idiolect as a person striving to take the country's development to a new level, to take care of the nation, at the same time emphasizing his rather tough position in relation to the whole world.","PeriodicalId":282574,"journal":{"name":"Verhnevolzhski Philological Bulletin","volume":"95 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131575909","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.20323/2499-9679-2022-1-28-27-33
V. Melnik
This article reviews for the first time the materials of V. I. Dahl's «Notebook», published quite recently. It turns out that V. I. Dahl made an attempt to compile a dictionary of Russian writers. The approximate time of the work is substanti-ated between 1847–1855. In fact, the book is a draft attempt to write dictionary entries about certain authors. The alphabetical list includes 39 names, usually of less known authors, not previously included in existing dictionaries. The social status of the writers is of the greatest interest, since the authors selected by Dahl are in the field of his pro-fessional and spiritual interests: they are either civil servants, like Dahl himself, or clergymen. At the same time, Dahl's own professional interests played an important role in selecting the names for the «Notebook»: medicine, ethnography, Slavic studies, etc. In this sense, Dahl's Dictionary in its original form is partly autobiographical. The largest group of writers included in the «Notebook» are clergymen: bishops, and sometimes ordinary priests having their works published. Of the 39 names presented in the «Notebook», 17, that is, almost half, are the names of priests. The structure of the dictionary entries and the principles of Dahl's work on them are analyzed: he selected the au-thor, whose biographical article had recently been published, first retold this article in his own words, emphasizing cer-tain points, sometimes adding a certain degree of artistic expression to them; then largely expanded the bibliographical section of the entry, turning to existing reference books by A. Smirdin and D. Olkhin. Apparently, Dahl wanted to con-tinue his compiling work, but he was distracted by other plans.
{"title":"One more idea of V. I. Dal: Dictionary of Russian writers","authors":"V. Melnik","doi":"10.20323/2499-9679-2022-1-28-27-33","DOIUrl":"https://doi.org/10.20323/2499-9679-2022-1-28-27-33","url":null,"abstract":"This article reviews for the first time the materials of V. I. Dahl's «Notebook», published quite recently. It turns out that V. I. Dahl made an attempt to compile a dictionary of Russian writers. The approximate time of the work is substanti-ated between 1847–1855. In fact, the book is a draft attempt to write dictionary entries about certain authors. The alphabetical list includes 39 names, usually of less known authors, not previously included in existing dictionaries. The social status of the writers is of the greatest interest, since the authors selected by Dahl are in the field of his pro-fessional and spiritual interests: they are either civil servants, like Dahl himself, or clergymen. At the same time, Dahl's own professional interests played an important role in selecting the names for the «Notebook»: medicine, ethnography, Slavic studies, etc. In this sense, Dahl's Dictionary in its original form is partly autobiographical. The largest group of writers included in the «Notebook» are clergymen: bishops, and sometimes ordinary priests having their works published. Of the 39 names presented in the «Notebook», 17, that is, almost half, are the names of priests. The structure of the dictionary entries and the principles of Dahl's work on them are analyzed: he selected the au-thor, whose biographical article had recently been published, first retold this article in his own words, emphasizing cer-tain points, sometimes adding a certain degree of artistic expression to them; then largely expanded the bibliographical section of the entry, turning to existing reference books by A. Smirdin and D. Olkhin. Apparently, Dahl wanted to con-tinue his compiling work, but he was distracted by other plans.","PeriodicalId":282574,"journal":{"name":"Verhnevolzhski Philological Bulletin","volume":"59 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132819699","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.20323/2499-9679-2021-2-25-129-134
Alexandra I. Makarova
The article analyzes theoretical works that raise the problem of analyzing the use of the subjunctive mood in subordinate relatives in Spanish based on the concept of «reality». This topic is relevant and widely discussed among Spanish researchers. Earlier, the author has already attempted to study a different concept – the concept of «statement». This concept, based on the hidden semantics of the whole sentence, is applicable to the analysis of subordinate object sentences. The aim of the study is to determine the features of the subjunctive mood use in subordinate relative sentences in the Spanish language, based on the semantic features of the concepts of «statement» and «reality». This article attempts to implement the concept of «statement» in the analysis of subordinate relative clauses. The author concludes that this concept is not always applicable to the analysis of this type of subordinate clauses. However, we cannot completely exclude it from the analysis. The concept of «reality», which is in its own way a consequence of the concept of «statement», helps to explain the modal alternation in subordinate relative clauses. The subjunctive mood indicates the abstractness of the antecedent or the speaker's doubts about the existence of the antecedent in reality. The indicative mood, on the contrary, indicates the reality of the object or the speaker's belief in its existence. The materials of this study raise questions related to the application of concepts within other types of subordinate clauses and in other closely related languages (French).
{"title":"The concepts of «reality» and «statement» in the analysis of modal alternation in Spanish relative subordinate clauses","authors":"Alexandra I. Makarova","doi":"10.20323/2499-9679-2021-2-25-129-134","DOIUrl":"https://doi.org/10.20323/2499-9679-2021-2-25-129-134","url":null,"abstract":"The article analyzes theoretical works that raise the problem of analyzing the use of the subjunctive mood in subordinate relatives in Spanish based on the concept of «reality». This topic is relevant and widely discussed among Spanish researchers. Earlier, the author has already attempted to study a different concept – the concept of «statement». This concept, based on the hidden semantics of the whole sentence, is applicable to the analysis of subordinate object sentences. The aim of the study is to determine the features of the subjunctive mood use in subordinate relative sentences in the Spanish language, based on the semantic features of the concepts of «statement» and «reality». This article attempts to implement the concept of «statement» in the analysis of subordinate relative clauses. The author concludes that this concept is not always applicable to the analysis of this type of subordinate clauses. However, we cannot completely exclude it from the analysis. The concept of «reality», which is in its own way a consequence of the concept of «statement», helps to explain the modal alternation in subordinate relative clauses. The subjunctive mood indicates the abstractness of the antecedent or the speaker's doubts about the existence of the antecedent in reality. The indicative mood, on the contrary, indicates the reality of the object or the speaker's belief in its existence. The materials of this study raise questions related to the application of concepts within other types of subordinate clauses and in other closely related languages (French).","PeriodicalId":282574,"journal":{"name":"Verhnevolzhski Philological Bulletin","volume":"13 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131972440","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.20323/2499-9679-2022-3-30-205-213
L. Bayborodova, Svetlana V. Dandanova, Ekaterina I. Chepurina
{"title":"Tragic reflections of World War I in Siegfried Sassoon’s and August Stramm’s poetry","authors":"L. Bayborodova, Svetlana V. Dandanova, Ekaterina I. Chepurina","doi":"10.20323/2499-9679-2022-3-30-205-213","DOIUrl":"https://doi.org/10.20323/2499-9679-2022-3-30-205-213","url":null,"abstract":"","PeriodicalId":282574,"journal":{"name":"Verhnevolzhski Philological Bulletin","volume":"47 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134388385","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.20323/2499_9679_2022_4_31_16_22
Xuanye Pan
{"title":"Emotive potential of the lyrical heroine's voice in M. Tsvetaeva's poetic cycle \"Wires\"","authors":"Xuanye Pan","doi":"10.20323/2499_9679_2022_4_31_16_22","DOIUrl":"https://doi.org/10.20323/2499_9679_2022_4_31_16_22","url":null,"abstract":"","PeriodicalId":282574,"journal":{"name":"Verhnevolzhski Philological Bulletin","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133237183","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.20323/2499-9679-2021-3-26-101-106
M. Avakyan
The article examines functioning of the Russian language outside the Russian Federation: the peculiarities of the «national» Russian language in the Republic of Armenia, the concept of this term itself, the significance of using Russian in the media, overlapping national features. The main characteristics of the «national» Russian language outside Russia are considered to be as follows: the language is seen as an «advocate» of necessary national ideas and a real opportunity to transmit national ideas, thoughts, messages and information in a language of international communication. The development of the social institution of the «national language» in the future will largely determine the preservation of national cultural, educational as well as political and economic unity with Russia. We should not forget that professional journalistic activity is, first and foremost, a verbal activity. And the professional culture of journalists depends on how well they master the language. The linguistic features of the Russian-language media in Armenia present a rather broad spectrum of issues possible and relevant for consideration. The national variant is a certain form of adapting the classical literary language to the traditions and cultural values, to the urgent needs of a particular nation, thus becoming a special form of functioning of the language common for the nation.
{"title":"The Russian language functioning outside Russia: specifics of using the «national» type of language","authors":"M. Avakyan","doi":"10.20323/2499-9679-2021-3-26-101-106","DOIUrl":"https://doi.org/10.20323/2499-9679-2021-3-26-101-106","url":null,"abstract":"The article examines functioning of the Russian language outside the Russian Federation: the peculiarities of the «national» Russian language in the Republic of Armenia, the concept of this term itself, the significance of using Russian in the media, overlapping national features. The main characteristics of the «national» Russian language outside Russia are considered to be as follows: the language is seen as an «advocate» of necessary national ideas and a real opportunity to transmit national ideas, thoughts, messages and information in a language of international communication. The development of the social institution of the «national language» in the future will largely determine the preservation of national cultural, educational as well as political and economic unity with Russia. We should not forget that professional journalistic activity is, first and foremost, a verbal activity. And the professional culture of journalists depends on how well they master the language. The linguistic features of the Russian-language media in Armenia present a rather broad spectrum of issues possible and relevant for consideration. The national variant is a certain form of adapting the classical literary language to the traditions and cultural values, to the urgent needs of a particular nation, thus becoming a special form of functioning of the language common for the nation.","PeriodicalId":282574,"journal":{"name":"Verhnevolzhski Philological Bulletin","volume":"75 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132172102","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.20323/2499-9679-2022-3-30-121-128
S. Pavlina
{"title":"Functional and pragmatic perspectives on the english phraseological units with incorporated ethnonyms","authors":"S. Pavlina","doi":"10.20323/2499-9679-2022-3-30-121-128","DOIUrl":"https://doi.org/10.20323/2499-9679-2022-3-30-121-128","url":null,"abstract":"","PeriodicalId":282574,"journal":{"name":"Verhnevolzhski Philological Bulletin","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121228070","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.20323/2499-9679-2022-1-28-34-47
E. Boldyreva
The article examines the system of echoing motives in the stories by Russian writers V. Shukshin «The Sun, the Old Man and the Girl» (1963) and K. Paustovsky «The Old Cook» (1940), and the Chinese writer Wang Meng «Listening to the Sea» (1982), where the central place in the artistic space is taken by a steady dyad of characters based on gender and age antinomy: a blind old man and a young girl. The author of the article examines the story of Wang Meng «Listening to the Sea» in the motive context of the Russian literature of the mid-20th century, which allows to emphasize new meanings in it and to identify artistic universals that create a multi-dimensional, multi-level space of the text. The influence of foreign literature on Van Meng’s style acts as a communicative mechanism without which the writer's creative evolution is impossible. The article highlights many motive and image echoes that are significant to the writers' artistic world: the archetype of the wise old man, whose universal characteristics are embodied by the heroes of all three stories with various degrees of «purity»; motives of blindness, insight and epiphany, the motive of symbolic overcoming blindness through music and memory, the motives of silence and death. The article concludes that the actualization of the intertextual ties in Van Meng's story allows us to read it as an artistic representation of the key uni-versals of the XX century culture, as a work about blindness and epiphany, about death and rebirth, about eternity and omnipotence of art, about the resurrecting theurgical power of memory, and in this sense, the story becomes a kind of «genetic dossier», where the principles of the «letter of memory» in the later Van Meng’s works are formed. These prin-ciples were most forcefully expressed in his famous novel «Metamorphoses, or a Game of Folding Pictures» which al-lows to consider working with memory, including cultural memory, as an integral basis of Van Meng’s work, helping to put together the disconnected images of the past into a coherent picture of «memory elision».
{"title":"Overcoming blindness and the music of memory: common motives in the stories by Wang Meng, V. Shukshin, and K. Paustovsky","authors":"E. Boldyreva","doi":"10.20323/2499-9679-2022-1-28-34-47","DOIUrl":"https://doi.org/10.20323/2499-9679-2022-1-28-34-47","url":null,"abstract":"The article examines the system of echoing motives in the stories by Russian writers V. Shukshin «The Sun, the Old Man and the Girl» (1963) and K. Paustovsky «The Old Cook» (1940), and the Chinese writer Wang Meng «Listening to the Sea» (1982), where the central place in the artistic space is taken by a steady dyad of characters based on gender and age antinomy: a blind old man and a young girl. The author of the article examines the story of Wang Meng «Listening to the Sea» in the motive context of the Russian literature of the mid-20th century, which allows to emphasize new meanings in it and to identify artistic universals that create a multi-dimensional, multi-level space of the text. The influence of foreign literature on Van Meng’s style acts as a communicative mechanism without which the writer's creative evolution is impossible. The article highlights many motive and image echoes that are significant to the writers' artistic world: the archetype of the wise old man, whose universal characteristics are embodied by the heroes of all three stories with various degrees of «purity»; motives of blindness, insight and epiphany, the motive of symbolic overcoming blindness through music and memory, the motives of silence and death. The article concludes that the actualization of the intertextual ties in Van Meng's story allows us to read it as an artistic representation of the key uni-versals of the XX century culture, as a work about blindness and epiphany, about death and rebirth, about eternity and omnipotence of art, about the resurrecting theurgical power of memory, and in this sense, the story becomes a kind of «genetic dossier», where the principles of the «letter of memory» in the later Van Meng’s works are formed. These prin-ciples were most forcefully expressed in his famous novel «Metamorphoses, or a Game of Folding Pictures» which al-lows to consider working with memory, including cultural memory, as an integral basis of Van Meng’s work, helping to put together the disconnected images of the past into a coherent picture of «memory elision».","PeriodicalId":282574,"journal":{"name":"Verhnevolzhski Philological Bulletin","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128918611","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.20323/2499-9679-2022-1-28-64-69
G. Slyshkin, L. Malygina, E. Pavlova
The work is devoted to analyzing the phenomenon of human language and information security in modern media dis-course. This article examines some approaches to understanding communicative manipulation techniques through media coverage of «anti-vaxxers». The authors of the article carried out a discourse analysis of 100 media materials from the beginning of the pandemic in March 2020 to December 2021. The model of manipulation based on the image of the «enemy», its strategies and tactics are analyzed. The appearance of such concepts as «covid-dissidence» and «vaccin dissidence» and their impact on society are traced. According to the results of the study, the authors offered markers to identify signs of manipulation in mass media texts on the topic of «anti-vaxxers», such as the lexicon on fascist themes, lexicon on the themes of fear and aggression, invective words and the use of precedent personalities and phenomena for this topic. One of the mechanisms to counteract the negative communicative influence based on the National Security Strategy 2021 and announced by the President of the RF V. V. Putin is an obligatory elementary rhetorical training for schoolchildren and students in the system of secondary and higher education, forming skills of receptive and productive types of speech activity, speech interaction skills, dialogue skills, as well as improving the methods of teaching rhetoric in pedagogical universities with an emphasis on the meta-subject approach.
{"title":"Linguistic security in the context of value, ideological and social changes","authors":"G. Slyshkin, L. Malygina, E. Pavlova","doi":"10.20323/2499-9679-2022-1-28-64-69","DOIUrl":"https://doi.org/10.20323/2499-9679-2022-1-28-64-69","url":null,"abstract":"The work is devoted to analyzing the phenomenon of human language and information security in modern media dis-course. This article examines some approaches to understanding communicative manipulation techniques through media coverage of «anti-vaxxers». The authors of the article carried out a discourse analysis of 100 media materials from the beginning of the pandemic in March 2020 to December 2021. The model of manipulation based on the image of the «enemy», its strategies and tactics are analyzed. The appearance of such concepts as «covid-dissidence» and «vaccin dissidence» and their impact on society are traced. According to the results of the study, the authors offered markers to identify signs of manipulation in mass media texts on the topic of «anti-vaxxers», such as the lexicon on fascist themes, lexicon on the themes of fear and aggression, invective words and the use of precedent personalities and phenomena for this topic. One of the mechanisms to counteract the negative communicative influence based on the National Security Strategy 2021 and announced by the President of the RF V. V. Putin is an obligatory elementary rhetorical training for schoolchildren and students in the system of secondary and higher education, forming skills of receptive and productive types of speech activity, speech interaction skills, dialogue skills, as well as improving the methods of teaching rhetoric in pedagogical universities with an emphasis on the meta-subject approach.","PeriodicalId":282574,"journal":{"name":"Verhnevolzhski Philological Bulletin","volume":"50 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116903590","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.20323/2499-9679-2021-4-27-93-101
Natalya A. Nikolina, Z. Petrova
The article examines the key figurative fields in the texts of modern Russian prose. The authors analyse the works of A. Varlamov, E. Vodolazkin, A. Ivanov, A. Matveeva, Z. Prilepin. The purpose of the research is to identify and describe the key figurative fields of different types in modern fiction. The key figurative field is defined as a set of lexical units of one semantic field, acting as images of comparative constructions (metaphors and similes), which is directly related to the development of the theme and plot of the work, its ideological and aesthetic content, to the characteristics of the main characters, and performs a text-forming function in the work of fiction. The analysis has identified three main types of such fields: 1. The field, whose composition is determined by the theme of the work; 2. The field, whose choice of units is motivated by the type of the protagonist and his point of view; 3. The field, determined by the ideological and aesthetic content of the work as a whole. The choice of units in the key figurative field is determined by the intentions of the author of a literary work. The nature of the field development in the text reflects the peculiarities of the writer's idiostyle. The article shows that the key figurative field is associated in a literary text with the deployment of its cross-cutting motives. The authors note that the dominance of the key figurative field is often set by the title of the work, which in this case is metaphorical or symbolic.
本文考察了现代俄罗斯散文文本中的主要比喻场。作者分析了A. Varlamov, E. Vodolazkin, A. Ivanov, A. Matveeva, Z. Prilepin的作品。研究的目的是识别和描述现代小说中不同类型的关键比喻领域。关键比喻场被定义为一个语义场的一组词汇单位，作为比较结构(隐喻和明喻)的意象，直接关系到作品的主题和情节的发展、思想和美学内容、主要人物的特征，在小说作品中起着文本形成的作用。分析确定了这类领域的三种主要类型:1。场域，其构成由作品主题决定;2. 领域，其单位的选择是由主角的类型和他的观点驱动的;3.场域，是由作品的思想和审美内容作为一个整体来决定的。关键比喻领域的单位选择是由文学作品作者的意图决定的。文本中场域发展的性质反映了作者个人风格的独特性。文章表明，在文学文本中，关键的比喻场域与其交叉动机的部署有关。作者指出，关键的比喻领域的主导地位往往是由作品的标题设定的，在这种情况下，这是隐喻或象征性的。
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