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Cognition and Ideology in the Irony of the Batak Toba Language 巴塔克托巴语反讽中的认知与意识形态
Pub Date : 2023-01-10 DOI: 10.21512/humaniora.v14i1.8470
B. Siagian, M. Mulyadi
The research discussed the irony of the Batak Toba language that was studied in two domains at once, namely the realization of the process of cognition and the realization of social praxis. The process of cognition was analyzed using a conceptual metaphorical approach, while social praxis used a critical discourse analysis approach of Fairclough's model. The research involved the qualitative research. The data obtained from various sources, such as eight song lyrics, nine folk tales, two sermons, one traditional procession, and two oral conversations. Data collection was done by sorting out which expressions were classified as irony, determining metaphors, mapping the source and target domains, then identifying cognitive processes and social praxis. It is found that irony in the Batak Toba language realizes the ability of cognition, which can be seen from the use of metaphors of animals, plants, body parts, and even inanimate objects in conceptualizing character, identity, attitudes, behavior, and human existence. Irony in the Batak Toba language also realizes social praxis. This is because irony shows a connection with the surrounding nature, describes the reality of social value identity, shows euphemism expressions to avoid social conflict, and describes ideology in maintaining good horizontal relations. Thus, it can be concluded that the irony of the Batak Toba language realizes the ability of cognition and ideology of the Batak Toba people, which can reflect the local wisdom of the community itself.
本研究同时从认知过程的实现和社会实践的实现两个领域探讨了巴塔克托巴语的反讽。认知过程采用概念隐喻方法进行分析,而社会实践则采用费尔克劳模型的批判性话语分析方法。研究涉及定性研究。从各种来源获得的数据,如八首歌词、九个民间故事、两次布道、一次传统游行和两次口头对话。数据收集是通过整理哪些表达被归类为讽刺,确定隐喻,映射源域和目标域,然后识别认知过程和社会实践来完成的。研究发现,巴塔克托巴语中的反讽实现了认知能力,这可以从动物、植物、身体部位甚至无生命物体的隐喻在概念化人物、身份、态度、行为和人类存在中看到。巴塔克托巴语中的反讽也实现了社会实践。这是因为反讽表现了与周围自然的联系,描述了社会价值认同的现实,表现了避免社会冲突的委婉表达,并描述了意识形态在保持良好的横向关系方面。由此可见,巴塔克托巴语的反讽实现了巴塔克托巴人的认知能力和意识形态能力,体现了当地社区自身的智慧。
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引用次数: 0
Indonesian Stand-Up Comedy: A New Developing Industry of Youth Culture 印尼单口相声:一个新兴的青年文化产业
Pub Date : 2023-01-10 DOI: 10.21512/humaniora.v14i1.8381
L. Sihombing, Annisa Rahma Fajri, Mita Divia Sonali, P. Lestari
The research analyzed the growth of stand-up comedy in Indonesia, which had developed into a new trend or popular culture and a new creative business that produced skilled and well-known comics. Furthermore, it discussed how stand-up comedy might develop into a new creative business by evaluating the growth of the community, Instagram, and YouTube, as well as the growth of successful comics. In order to help the researchers doing the analysis, the researchers applied a qualitative method. They used two theories named Self-presentation concept by Goffman and Creative Industry theory by Richard Florida. The findings indicate that the creative industry does not always progress forward; interest in stand-up comedy decreased in various places, but it is still attempting to develop. Indonesian people are becoming more receptive to stand-up comedy as it is home to some of the world's most talented comics. Comics must be innovative in their approach to content creation to increase their popularity and viability. Apart from that, when comics are popular, they can inspire others to pursue careers as comics. As a result, comics members continue to grow in number, the community grows in size, and the creative business continues to flourish. Stand-up comedy has developed into popular culture and a new creative sector geared toward youth.
该研究分析了单口喜剧在印度尼西亚的发展,它已经发展成为一种新的流行文化趋势和一种新的创意业务,生产出熟练和知名的漫画。此外,还通过评价社区、Instagram、YouTube的成长情况,以及成功漫画的成长情况,讨论了单口喜剧如何发展成为一种新的创意产业。为了帮助研究人员进行分析,研究人员采用了定性方法。他们采用了戈夫曼的自我呈现理论和理查德·弗罗里达的创意产业理论。研究结果表明,创意产业并不总是向前发展;在许多地方,人们对单口喜剧的兴趣有所下降,但它仍在努力发展。印尼人越来越容易接受单口喜剧,因为这里有一些世界上最有才华的喜剧演员。漫画必须在内容创作的方法上创新,以增加其受欢迎程度和生存能力。除此之外,当漫画受欢迎时,它们可以激励其他人从事漫画事业。因此,漫画成员的数量继续增长,社区规模不断扩大,创意业务继续蓬勃发展。单口喜剧已经发展成为流行文化和面向年轻人的新的创意部门。
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引用次数: 0
Adaptation of Betawi Traditional Music Performers to Preserve Their Existence in a New Normal Era 新常态下贝塔维传统音乐表演者的生存之道
Pub Date : 2022-11-02 DOI: 10.21512/humaniora.v13i3.7966
Iwan Henry Wardhana, C. E. Permana, M. Puspitasari, Chotib Chotib
The research explored an adaptation to survive in the new normal era in the Jakarta art performers in general and the Betawi traditional music performers in particular. The implementation of social restrictions and regional quarantines in Jakarta had prevented many sectors from making economic activities, including Betawi traditional music performers. The research examined how the Betawi traditional music performers in the Betawi Cultural Village of Setu Babakan adapted to health protocols on stage performance and internet knowledge on virtual performances in the new normal era. Data are taken from in-depth interviews and classified to determine the adaptation ability carried out by Betawi traditional music performers. The Betawi traditional music performance studios were Sanggar Arrominia, Sanggar Gambang Kromong Setia Muda, and Sanggar At-Taubah with certain types of traditional music, such as Gambus, Samrah, Qasidah, Hadrah, and Gambang Kromong. It is found that during the social restriction and regional quarantine in Jakarta, the studios experience a decrease in their request to perform. They need to survive by adapting to the new normal era through the application of the health protocols on stage performance and exploring their knowledge on the internet to conduct the virtual performance. The health protocol limits the flexibility in performing traditional music through mask and face-shield wearing. The average knowledge of the internet and having limited internet devices are some other situations to be adapted by traditional music performers. The adaptation needs to be carried out sometime in the future, and this pandemic only accelerates the need.
这项研究探索了雅加达艺术表演者,特别是Betawi传统音乐表演者在新常态时代的生存适应。雅加达实施的社会限制和地区隔离使许多部门无法进行经济活动,包括Betawi传统音乐表演者。这项研究考察了Setu Babakan Betawi文化村的Betawi传统音乐表演者如何适应新常态时代舞台表演的健康协议和虚拟表演的互联网知识。数据取自深度访谈,并进行分类,以确定Betawi传统音乐表演者的适应能力。Betawi的传统音乐表演工作室是Sanggar Arrominia、Sanggar Gambang Kromong Setia Muda和Sanggar At Taubah,拥有某些类型的传统音乐,如Gambus、Samrah、Qasidah、Hadrah和Gambag Kromong。研究发现,在雅加达的社会限制和地区隔离期间,工作室的表演请求有所减少。他们需要通过在舞台表演中应用健康协议来适应新常态,并在互联网上探索他们的知识来进行虚拟表演,从而生存下来。健康协议限制了戴口罩和面罩表演传统音乐的灵活性。对互联网的平均知识和有限的互联网设备是传统音乐表演者需要适应的其他一些情况。适应需要在未来某个时候进行,而这场疫情只会加速需求。
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引用次数: 0
Comparative Analysis on South Korea and Indonesia’s Outcome-Based Education (OBE) Resilience Amidst The COVID-19 Pandemic 新冠肺炎疫情期间韩国和印度尼西亚校外教育(OBE)恢复力的比较分析
Pub Date : 2022-11-02 DOI: 10.21512/humaniora.v13i3.7734
Darynaufal Mulyaman, Catherine Catherine
The research argued that resilience in human development was maintained by an eminent education system rather than a mere economic performances. It was a comparative analysis of South Korea and Indonesia’s Outcome-Based Education (OBE) resilience amidst the COVID-19 pandemic. The COVID-19 pandemic presented an unprecedented shock to human development. However, some countries handled COVID-19 impacts on their human development progress better than other countries sharing similar economic characteristics. This gap was evident between the G20 and MIKTA middle powers with sizable economic capabilities, South Korea and Indonesia. South Korea remained steady in maintaining its human development index, while Indonesia lagged. Through a qualitative approach, it was used Spady’s Outcome-Based Education theoretical model and gathered secondary data to compare Indonesia and South Korea’s education performances. The findings suggest that maintaining an effective OBE program through addressing physical and nonphysical barriers to education contributes towards resilient human development progress in South Korea, while the opposite is true for Indonesia. 
这项研究认为,人类发展的韧性是由杰出的教育体系维持的,而不仅仅是经济表现。这是对韩国和印度尼西亚在新冠肺炎大流行期间的校外教育(OBE)恢复力的比较分析。新冠肺炎疫情对人类发展造成了前所未有的冲击。然而,一些国家比具有类似经济特征的其他国家更好地应对了新冠肺炎对其人类发展进步的影响。这种差距在20国集团和具有相当经济能力的MIKTA中间大国韩国和印度尼西亚之间显而易见。韩国在保持人类发展指数方面保持稳定,而印度尼西亚则落后。通过定性方法,使用Spady的基于结果的教育理论模型,并收集二次数据来比较印度尼西亚和韩国的教育表现。研究结果表明,通过解决教育的物理和非物理障碍来维持有效的OBE计划,有助于韩国有韧性的人类发展进步,而印度尼西亚则恰恰相反。
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引用次数: 0
Assessing the Readiness of Lecturers and Students in Adapting to Online Learning in Vocational Higher Education 评估讲师和学生适应高等职业教育在线学习的准备情况
Pub Date : 2022-11-02 DOI: 10.21512/humaniora.v13i3.7639
S. Utami, Yanti Suprianti
The research aimed to identify the teaching experience carried out by lecturers in vocational higher education, Department of Energy Conversion Engineering, dominated by practical lectures during online learning. Online learning carried out during the pandemic was one of the efforts to manage the learning process to suppress the coronavirus's spread (COVID-19). In the learning process, which involved students and lecturers, limitations were not only felt by students as participants in the learning process but also by lecturers who were in charge of the courses. Activities in the laboratory were undertaken at all levels and accounted for more than 40% of all learning activities. The experience of the online teaching process for vocational engineering education was very interesting to be researched since the challenges of delivering practical material had a 50% proportion of the entire course. Observations on laboratory activities during online lectures could be a reference for further learning activities. Qualitative methods were used by observation, data collection and compilation, and analysis. From the data that have been accumulated, it can be concluded that several components become obstacles in the online learning process for engineering/vocational higher education. However, some parts are also considered beneficial during the learning process for the lecturers and students. 
本研究旨在找出高职高专能源转换工程系讲师在网络学习中以实践讲座为主的教学经验。大流行期间开展的在线学习是管理学习过程以抑制新冠病毒(COVID-19)传播的努力之一。在涉及学生和讲师的学习过程中,不仅作为学习过程参与者的学生感受到局限性,负责课程的讲师也感受到局限性。实验室的活动在各个层次进行,占所有学习活动的40%以上。职业工程教育在线教学过程的经验是非常有趣的,因为提供实用材料的挑战占整个课程的50%。在网络课堂上观察实验活动可以作为进一步学习活动的参考。采用定性方法进行观察、资料收集整理和分析。从积累的数据中可以得出结论,有几个因素成为工程/职业高等教育在线学习过程中的障碍。然而,在学习过程中,有些部分也被认为对老师和学生有益。
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引用次数: 0
Indonesian Students’ Prejudice Against Homosexuals: Religious Fundamentalism and Intergroup Threat as Predictors 印尼学生对同性恋者的偏见:宗教原教旨主义与族群间威胁
Pub Date : 2022-11-02 DOI: 10.21512/humaniora.v13i3.8346
Jessica Chandra, Marselius Sampe Tondok, Soffy Balgies
The research aimed to examine and explain the relationship between religious fundamentalism and intergroup threats toward undergraduate students’ prejudice against gays and lesbians. Bhinneka Tunggal Ika, a slogan about tolerance, is supposed to protect and enhance diversity in Indonesia. On the contrary, sexual minority groups, gays and lesbians, often accept stereotypes, prejudices, and discrimination from the majority of Indonesian because they are considered against the religious values and morality of Indonesian. The research used a cross-sectional survey design with accidental sampling methods. The research subjects were students aged 18 to 24 years who studied at universities in Surabaya, identified as heterosexuals, and with diverse religious backgrounds (N = 414). The instruments used were the Attitudes Towards Lesbians and Gay Men (ATLG), the Revised Religious Fundamentalism Scale (RFS-12), and the Perceived Threat of Homosexuals (PTHS) Scale. Multiple regression analysis shows that religious fundamentalism and intergroup threat plays a significant role in explaining prejudice against gays and lesbians (R = 0,872; R² = 0,761; F = 654,817; p < 0,001). The role of intergroup threat as a predictor of prejudice against gays and lesbians is higher than religious fundamentalism.Additional analysis shows that academic discipline, contact, empathy, religion, and university characteristics affect students’ prejudice. 
这项研究旨在检验和解释宗教原教旨主义与群体间对大学生对同性恋偏见的威胁之间的关系。Bhinneka Tunggal Ika是一个关于宽容的口号,旨在保护和增强印度尼西亚的多样性。相反,性少数群体,男女同性恋者,往往接受大多数印尼人的刻板印象、偏见和歧视,因为他们被认为违背了印尼人的宗教价值观和道德。这项研究采用了横断面调查设计和意外抽样方法。研究对象是在泗水大学学习的18至24岁的学生,他们被认定为异性恋者,具有不同的宗教背景(N=414)。使用的工具是对男女同性恋者的态度(ATLG)、修订的宗教原教旨主义量表(RFS-12)和同性恋者的感知威胁量表(PTHS)。多元回归分析表明,宗教原教旨主义和群体间威胁在解释对男女同性恋的偏见方面发挥着重要作用(R=0872;R²=0761;F=654817;p<0.0001)。群体间威胁作为对同性恋者偏见的预测因素的作用高于宗教原教旨主义。进一步的分析表明,学术纪律、接触、移情、宗教和大学特征会影响学生的偏见。
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引用次数: 2
Dewi Kilisuci Figure; Disaster Mitigation in the Ecofeminism Perspective Dewi Kilisuci图;生态女性主义视角下的减灾
Pub Date : 2022-11-02 DOI: 10.21512/humaniora.v13i3.7902
Eti Setiawati, Maulfi Syaiful Rizal, N. Budiarti
The research focused on the efforts of the Mount Kelud community in disaster mitigation from the perspective of the story of Dewi Kilisuci, one of the central figures of the legend of Mount Kelud. Ecofeminism viewed that nature as a symbol of women. Mitigation efforts could be carried out through the society’s cultural wisdom by carrying out various traditional ceremonies. The ceremony would be closely related to various legendary figures that the community believes. In addition, it could also be done through symbolic efforts. The research applied a qualitative descriptive research method. Data were obtained through interviews as well as content analysis, and descriptive analysis techniques used to explain stories and disaster mitigation efforts of society’s cultural wisdom based on symbolic ecofeminism. It is found that the story of the character of Dewi Kilisuci, where there are mitigation efforts carried out symbolically by her character, which until now is believed by the people. It also explains the role, value, and position of the figure of Dewi Kilisuci as a symbol of women in relation to ecofeminism. It is hoped that the research will be able to provide an understanding of the local cultural wisdom of the community and disaster mitigation efforts and find out how natural values are related to women. 
本研究从克鲁德山传说的核心人物之一德维·基利苏奇(Dewi Kilisuci)的故事出发,重点研究克鲁德山社区在减灾方面的努力。生态女性主义认为自然是女性的象征。通过举办各种传统仪式,可以通过社会的文化智慧来进行缓解努力。这个仪式将与社区所相信的各种传奇人物密切相关。此外,也可以通过象征性的努力来实现。本研究采用定性描述性研究方法。通过访谈以及内容分析和描述性分析技术获得数据,用于解释基于象征性生态女性主义的社会文化智慧的故事和减灾努力。人们发现,Dewi Kilisuci人物的故事中,她的角色象征性地进行了缓解努力,直到现在人们仍然相信。同时也解释了Dewi Kilisuci作为女性象征在生态女性主义中的作用、价值和地位。希望这项研究将能够提供对社区和减灾工作的当地文化智慧的理解,并找出自然价值与妇女的关系。
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引用次数: 0
Symbolic Meaning in the Commemoration Ceremony of Sultan Hamengku Buwono X Coronation in COVID-19 Pandemic 新冠肺炎疫情期间苏丹哈蒙库·布武诺十世加冕纪念仪式的象征意义
Pub Date : 2022-11-02 DOI: 10.21512/humaniora.v13i3.7812
Fitri Nur'aini, Sumarwati Sumarwati, D. Sulaksono
The research aimed to (1) describe the procession and ubarampe offerings in the commemoration ceremony of Sultan Hamengku Buwono X’s coronation during the COVID-19 pandemic, and (2) analyze the symbolic meaning of it. The research applied a qualitative research that used an ethnographic approach. Data collection techniques used were passive participant observation techniques and in-depth interviews with abdi dalem (courtier) of Yogyakarta palace and cultural experts. So, the selection of research subjects used the snowball sampling technique. The data obtained were validated by the source triangulation method, and it was then analyzed using the Spradley model research method, which included domain analysis, taxonomic analysis, compensatory analysis, and analysis of cultural themes. The research result show that (1) the procession of the commemoration of the coronation of Sultan Hamengku Buwono X consists of a series of ceremonies, including ngebluk, ngapem, sugengan, and labuhan. The ceremony is organized well during the COVID-19 pandemic by wearing a mask when carrying out daily activities, washing hands often, especially after outdoor activities, social distancing, avoiding crowds, and restricting mobilization and interaction, (2) the symbolic meaning of the procession and ubarampe offerings Sultan Hamengku Buwono X is asking God for the safety and welfare of the Sultan and his family in particular and Yogyakarta people in general.
本研究旨在(1)描述在2019冠状病毒病大流行期间苏丹哈蒙库·布瓦诺十世加冕纪念仪式上的游行和乌巴兰普供品,(2)分析其象征意义。本研究采用民族志方法进行定性研究。使用的数据收集技术是被动参与观察技术和与日惹宫的abdi dalem(朝臣)和文化专家的深入访谈。因此,研究对象的选择采用滚雪球抽样技术。采用源三角法对所得数据进行验证,然后采用Spradley模型研究方法进行分析,包括领域分析、分类分析、补偿分析和文化主题分析。研究结果表明:(1)苏丹哈门库·布武诺十世加冕仪式的游行由一系列仪式组成,包括ngebluk、ngapem、sugengan和labuhan。在2019冠状病毒病大流行期间,仪式组织得很好,在进行日常活动时戴口罩,经常洗手,特别是在户外活动后,保持社交距离,避开人群,限制动员和互动。(2)游行和ubarampe祭品的象征意义是苏丹Hamengku Buwono X祈求上帝保佑苏丹及其家人,特别是日惹人民的安全和福祉。
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引用次数: 0
Challenges and the Opportunities of Community-Based Innovation in Indonesia 印尼社区创新的挑战与机遇
Pub Date : 2022-11-02 DOI: 10.21512/humaniora.v13i3.8197
Putu Franciska Fajarini, Liane Okdinawati
The research examined the challenges and opportunities of community-based innovation in Indonesia by conducting a case study in the Petani Muda Keren (PMK) Bali Community, a pilot community for innovative farming development in Bali province. In addition, the research also provided a knowledge transfer mechanism in the community to explore how innovation diffusion happens in the community. As a group of people with a common interest and mission, a farmer’s community could be an effective place for innovation diffusion by offering emotional support to handle psychosocial issues. Moreover, it could construct its members’ perceptions of technology through social shaping processes. A qualitative case study was applied in the research to explore community-based innovation in Indonesia’s agriculture that highlighted Petani Muda Keren Bali Community. Through observation and in-depth interviews with the community founder and twenty farmers from five regions in Bali, the current research indicates challenges and opportunities of community-based innovation in Indonesia related to several issues, including innovation rate and farmers’ readiness, the perception gap between young and elderly farmer, the inconsistency of young members, and government support and policies to the community. 
该研究通过在巴厘省创新农业发展试点社区Petani Muda Keren(PMK)巴厘社区进行案例研究,考察了印度尼西亚社区创新的挑战和机遇。此外,该研究还提供了一种社区知识转移机制,以探索创新扩散是如何在社区中发生的。作为一个有着共同兴趣和使命的群体,农民社区可以通过提供情感支持来处理心理社会问题,从而成为传播创新的有效场所。此外,它可以通过社会塑造过程来构建其成员对技术的感知。在研究中应用了一个定性案例研究,以探索印尼农业中的社区创新,重点是Petani Muda Keren Bali社区。通过对社区创始人和来自巴厘岛五个地区的20名农民的观察和深入采访,当前的研究表明,印尼社区创新的挑战和机遇与几个问题有关,包括创新率和农民的准备程度、年轻和老年农民之间的认知差距、年轻成员的不一致、,以及政府对社区的支持和政策。
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引用次数: 0
Impact of Japanese Popular Culture to Indonesian younger Generation: 日本流行文化对印尼年轻一代的影响
Pub Date : 2022-11-02 DOI: 10.21512/humaniora.v13i3.8131
Bunga Putra Bangsa, L. Sihombing
The research probed into the influence of Japanese popular cultures on the Indonesian-younger generation in Cikarang, West Java, Indonesia. Japanese popular culture had been famed among the younger generation in Indonesia through the increasing popularity of anime. Indonesia, with 1.400 ethnic groups, had a variety of cultural diversity, but the younger generation seemed to be fonder of this foreign culture which in this case was Japanese popular culture. Through the expansion of this Japanese popular culture, Japanese culture could slip into it and could invade their local culture. This cultural expansion could have an impact on how the younger generation would preserve their local culture. Globalization also played a massive part in this cultural expansion; through the internet, it was easier to find something with foreign culture in it. The research used phenomenology research about the Japanese popular culture club of President University Nippon Community (PUNICO) in Cikarang. The research applied a qualitative approach with phenomenology methods. Data collection was done by asking the respondents questions regarding the matter. The respondents were ten members of PUNICO. The research result indicates that Japanese popular culture has been in the respondent's life long enough to change their habits and lifestyle. However, the respondents still care and have the volition to preserve their local cultures. 
本研究探讨了日本流行文化对印尼西爪哇省芝卡朗的印尼青年一代的影响。日本流行文化在印度尼西亚的年轻一代中因动漫的日益流行而闻名。印度尼西亚有1400个民族,文化多样性丰富,但年轻一代似乎更喜欢这种外来文化,在这种情况下是日本流行文化。通过这种日本大众文化的扩张,日本文化可能会陷入其中,并入侵他们的本土文化。这种文化扩张可能会对年轻一代如何保护当地文化产生影响。全球化在这种文化扩张中也发挥了巨大作用;通过互联网,更容易找到带有外国文化的东西。本研究采用现象学研究方法,对芝卡朗总统大学日本社区日本通俗文化俱乐部(PUNICO)进行研究。本研究采用现象学方法进行定性研究。数据收集是通过询问受访者有关此事的问题来完成的。受访者是PUNICO的十名成员。研究结果表明,日本流行文化已经在受访者的生活中存在了足够长的时间,足以改变他们的习惯和生活方式。然而,受访者仍然关心并有意愿保护他们的当地文化。
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引用次数: 1
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Humaniora
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