Pub Date : 2021-11-14DOI: 10.14710/izumi.10.2.350-361
Ratna Asmarani
The famous myth of Narcissus is about a mythical handsome young man who indifferently rejects the love of the nymph Echo leading to Echo’s broken heart and untimely death and his being cursed to excessively adore his own handsome reflection on the pond till his death. The short story entitled Narcissus written by Hayashi Fumiko is intriguing because its title calls to mind the famous myth of Narcissus. However, this short story portrays the myth of Narcissus from a unique perspective. Thus, the aims of this paper are to analyse the reversed myth and negative symbols of Narcissus as reflected in the mother-son relationship in the short story. To support the analysis various psychological understandings of the myth of Narcissus are used as well as various understandings of the symbols of the flowers called Narcissus. The methods of research used are a comprehensive combination of textual-contextual methods as well as library research and qualitative research. The textual method focuses on the intrinsic aspects relevant to the focus of analysis, such as character, conflict, and setting, while the contextual method borrows the psychological concepts of the term Narcissus and the symbolic meaning of the flowers named Narcissus. The result shows that the mother-son relationship clearly portrays the reversed myth in the matter of the gender roles, the type of relationship, and the ending of the relationship. Another result shows that all the symbols related to the flowers of Narcissus turn into negative meanings in the sort of story entitled Narcissus by Hayashi Fumiko. In short, the short story writer turns upside down both the myth and the symbols resulting in an engaging story full of hidden meanings to be interpreted
{"title":"Reversed Myth and Negative Symbols of Narcissus in Mother-Son Relationship in Hayashi Fumiko’s Narcissus","authors":"Ratna Asmarani","doi":"10.14710/izumi.10.2.350-361","DOIUrl":"https://doi.org/10.14710/izumi.10.2.350-361","url":null,"abstract":"The famous myth of Narcissus is about a mythical handsome young man who indifferently rejects the love of the nymph Echo leading to Echo’s broken heart and untimely death and his being cursed to excessively adore his own handsome reflection on the pond till his death. The short story entitled Narcissus written by Hayashi Fumiko is intriguing because its title calls to mind the famous myth of Narcissus. However, this short story portrays the myth of Narcissus from a unique perspective. Thus, the aims of this paper are to analyse the reversed myth and negative symbols of Narcissus as reflected in the mother-son relationship in the short story. To support the analysis various psychological understandings of the myth of Narcissus are used as well as various understandings of the symbols of the flowers called Narcissus. The methods of research used are a comprehensive combination of textual-contextual methods as well as library research and qualitative research. The textual method focuses on the intrinsic aspects relevant to the focus of analysis, such as character, conflict, and setting, while the contextual method borrows the psychological concepts of the term Narcissus and the symbolic meaning of the flowers named Narcissus. The result shows that the mother-son relationship clearly portrays the reversed myth in the matter of the gender roles, the type of relationship, and the ending of the relationship. Another result shows that all the symbols related to the flowers of Narcissus turn into negative meanings in the sort of story entitled Narcissus by Hayashi Fumiko. In short, the short story writer turns upside down both the myth and the symbols resulting in an engaging story full of hidden meanings to be interpreted","PeriodicalId":30867,"journal":{"name":"Izumi","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-11-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49447291","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-11-11DOI: 10.14710/izumi.10.2.338-349
N. Ariefa
The Edo Period (1603-1868), known as the feudal era, lasted for nearly three centuries in Japan. Confucian teachings applied in all sectors of life had a great influence on the expansion of the patriarchal system in Japanese society at this time. Under the strict control of the Tokugawa shogunate government, the implementation of social class stratification was firmly established, including in the hierarchical relationship between men and women. The period of peace that occurred throughout the Edo period had contributed to a conducive situation for the rapid development of Japanese culture. Male artists were very dominant in the development of Japanese culture, and they were centred in big cities during this period. On the other hand, this era had become a dark age for women who did not get the opportunity to speak and create as men did. The female figures of the Edo period were presented in the works of male writers. This study focuses on examining women’s voices in the works of these male writers in the period. After exploring research on this period’s literary works, we found that these studies have various focuses related to the disclosure of women during the period, starting from the representation of women, their relationship with a male and other female characters, to their roles and positions. This research will contribute to discussions on gender, history, and literature, as well as on the way women's voices in this work serve a purpose in supporting the patriarchal hegemony that occurred in the period. We aim to reveal women’s voices in a male writer's play Shinju Tenno Amijima (1720) by Chikamatsu Monzaemon (1653-1725) through a feminist critique approach. To explain women's voice and patriarchal hegemony, we apply the concepts of silence from Olsen (2003) and hegemony from Antonio Gramsci. The results of this study indicate that women’s voices raised in this play are the ones who support men's interests and are subject to patriarchal values. This play consistently displays the exclusion of women's voices of opposition and defiance. This work also shows its existence as a locus for the dominant values emphasized for women in the Edo period.
{"title":"Women’s Voices and Patriarchal Hegemony of the Edo Period in Shinju Tenno Amijima (1720)","authors":"N. Ariefa","doi":"10.14710/izumi.10.2.338-349","DOIUrl":"https://doi.org/10.14710/izumi.10.2.338-349","url":null,"abstract":"The Edo Period (1603-1868), known as the feudal era, lasted for nearly three centuries in Japan. Confucian teachings applied in all sectors of life had a great influence on the expansion of the patriarchal system in Japanese society at this time. Under the strict control of the Tokugawa shogunate government, the implementation of social class stratification was firmly established, including in the hierarchical relationship between men and women. The period of peace that occurred throughout the Edo period had contributed to a conducive situation for the rapid development of Japanese culture. Male artists were very dominant in the development of Japanese culture, and they were centred in big cities during this period. On the other hand, this era had become a dark age for women who did not get the opportunity to speak and create as men did. The female figures of the Edo period were presented in the works of male writers. This study focuses on examining women’s voices in the works of these male writers in the period. After exploring research on this period’s literary works, we found that these studies have various focuses related to the disclosure of women during the period, starting from the representation of women, their relationship with a male and other female characters, to their roles and positions. This research will contribute to discussions on gender, history, and literature, as well as on the way women's voices in this work serve a purpose in supporting the patriarchal hegemony that occurred in the period. We aim to reveal women’s voices in a male writer's play Shinju Tenno Amijima (1720) by Chikamatsu Monzaemon (1653-1725) through a feminist critique approach. To explain women's voice and patriarchal hegemony, we apply the concepts of silence from Olsen (2003) and hegemony from Antonio Gramsci. The results of this study indicate that women’s voices raised in this play are the ones who support men's interests and are subject to patriarchal values. This play consistently displays the exclusion of women's voices of opposition and defiance. This work also shows its existence as a locus for the dominant values emphasized for women in the Edo period.","PeriodicalId":30867,"journal":{"name":"Izumi","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-11-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48807089","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-11-09DOI: 10.14710/izumi.10.2.316-327
Hayun Nurdiniyah, Wafa’Hanim Askho, A. Artadi
This study aims to implement contemporary Japanese literature learning with thematic designs as a learning strategy for 60 students in literary study classes (Poetry, Prose, and Drama) at Darma Persada University that were conducted online during the pandemic. This study was conducted using Kurt Lewin's Classroom Action Research model consisting of planning, acting, observing, and reflecting; particularly for the observing section, the assessment was measured using two indicators based on students’ understanding of the material and satisfaction with online learning. Data was collected using questionnaires and filled out via google form. The findings of this study indicate the level of student understanding of the material, the constraints of online learning, and feedback from experts. The findings are useful for improving Japanese literature learning, to be more precisely during the online course
{"title":"Classroom Action Research on Thematic-Designed Online Learning for Contemporary Japanese Literature","authors":"Hayun Nurdiniyah, Wafa’Hanim Askho, A. Artadi","doi":"10.14710/izumi.10.2.316-327","DOIUrl":"https://doi.org/10.14710/izumi.10.2.316-327","url":null,"abstract":"This study aims to implement contemporary Japanese literature learning with thematic designs as a learning strategy for 60 students in literary study classes (Poetry, Prose, and Drama) at Darma Persada University that were conducted online during the pandemic. This study was conducted using Kurt Lewin's Classroom Action Research model consisting of planning, acting, observing, and reflecting; particularly for the observing section, the assessment was measured using two indicators based on students’ understanding of the material and satisfaction with online learning. Data was collected using questionnaires and filled out via google form. The findings of this study indicate the level of student understanding of the material, the constraints of online learning, and feedback from experts. The findings are useful for improving Japanese literature learning, to be more precisely during the online course","PeriodicalId":30867,"journal":{"name":"Izumi","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-11-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46905816","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-11-08DOI: 10.14710/izumi.10.2.304-315
Nadya Inda Syartanti
This research aims to identify the types of vocabulary in Japanese, to explore the word-formation process, and to analyse the function of COVID-19 related terms conveyed by various content creators on YouTube channels, from Japan and Indonesia. The seven YouTube channel accounts are Aki no Sora (Indonesia), po.n.go_id or Pocket Nihongo (Indonesia), Sakura Pinku (Indonesia), Wagomu (Indonesia), Omoshiroi Nihongo (Japan), Japanese Ammo with Misa (Japan), and Coto Academy (Japan that used as the data source. Data were collected using the observation method and analysed by the distribution method. The results showed that the COVID-19 related terms are dominated by the type of vocabulary kango as the form or type of vocabulary that is most widely used in matching the COVID-19 related term. Among all word-formation processes, the COVID-19 terms in Japanese identified as borrowing, compounding, and multiple processes. However, the multiple word-formation processes are dominated on COVID-19 terms in Japanese. It related to the domination of the type of kango used. From that, there are multiple functions that are included in COVID-19 terms in Japanese, namely disease information, preventive action, symptom, and announcement. Therefore, this research can be contributed to data analysis, which used morphological analysis in Japanese terms.
本研究旨在识别日语词汇的类型，探索单词的形成过程，并分析来自日本和印度尼西亚的YouTube频道上不同内容创作者传达的新冠肺炎相关术语的功能。这七个YouTube频道的账号分别是Aki no Sora（印度尼西亚）、po.n.go_id或Pocket Nihongo（印尼）、Sakura Pinku（印度尼西亚），Wagomu（印尼），Omoshiroi Nihongo）（日本），Japanese Ammo with Misa（日本），和科托学院（日本，用作数据源。使用观察方法收集数据，并通过分布方法进行分析。结果表明，新冠肺炎相关术语主要由kango词汇类型主导，kango是与新冠肺炎相关术语匹配时最广泛使用的词汇形式或类型。在所有单词形成过程中，日语中的新冠肺炎术语如借款、复利和多个过程。然而，在日语中，新冠肺炎术语主导了多个单词形成过程。这与所使用的袋鼠类型的统治有关。由此，新冠肺炎日语中包含了多种功能，即疾病信息、预防措施、症状和公告。因此，这项研究可以为数据分析做出贡献，数据分析使用了日语中的形态学分析。
{"title":"Word-Formation Process on COVID-19 Related Terms as Japanese Language Variation","authors":"Nadya Inda Syartanti","doi":"10.14710/izumi.10.2.304-315","DOIUrl":"https://doi.org/10.14710/izumi.10.2.304-315","url":null,"abstract":"This research aims to identify the types of vocabulary in Japanese, to explore the word-formation process, and to analyse the function of COVID-19 related terms conveyed by various content creators on YouTube channels, from Japan and Indonesia. The seven YouTube channel accounts are Aki no Sora (Indonesia), po.n.go_id or Pocket Nihongo (Indonesia), Sakura Pinku (Indonesia), Wagomu (Indonesia), Omoshiroi Nihongo (Japan), Japanese Ammo with Misa (Japan), and Coto Academy (Japan that used as the data source. Data were collected using the observation method and analysed by the distribution method. The results showed that the COVID-19 related terms are dominated by the type of vocabulary kango as the form or type of vocabulary that is most widely used in matching the COVID-19 related term. Among all word-formation processes, the COVID-19 terms in Japanese identified as borrowing, compounding, and multiple processes. However, the multiple word-formation processes are dominated on COVID-19 terms in Japanese. It related to the domination of the type of kango used. From that, there are multiple functions that are included in COVID-19 terms in Japanese, namely disease information, preventive action, symptom, and announcement. Therefore, this research can be contributed to data analysis, which used morphological analysis in Japanese terms.","PeriodicalId":30867,"journal":{"name":"Izumi","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-11-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49488141","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-11-07DOI: 10.14710/izumi.10.2.292-303
Robi Wibowo
Momotaro is one of the most widely heard folktales in Japanese society, even becoming a compulsory material taught in all elementary schools in Japan. Folktale is something that reflects the structure of thinking of society. Therefore, the folktale of Momotaro was examined to reveal the thinking structure covered in the story. The thought is the view of Japanese society towards people outside their community. This view in Japanese culture is very important. Surprisingly, until now there has been no researcher who relates this folktale to this view. Therefore, the purpose of this study is to fill this void, by presenting a new interpretation different from the previous studies. This research is cultural research, not literary research. Almost all cultural research on Momotaro cannot be separated from the use of a historical approach. What distinguishes it from previous research is the use of a non-historical approach. This study used Levi-Strauss’ structural approach. This approach is to look at the forms of structure or 'logic' used in the folktale of Momotaro, more specifically the logic about the meaning of outsiders for Japanese society.
{"title":"The Accepted Outsider: A New Interpretation of The Folktale of Momotaro","authors":"Robi Wibowo","doi":"10.14710/izumi.10.2.292-303","DOIUrl":"https://doi.org/10.14710/izumi.10.2.292-303","url":null,"abstract":"Momotaro is one of the most widely heard folktales in Japanese society, even becoming a compulsory material taught in all elementary schools in Japan. Folktale is something that reflects the structure of thinking of society. Therefore, the folktale of Momotaro was examined to reveal the thinking structure covered in the story. The thought is the view of Japanese society towards people outside their community. This view in Japanese culture is very important. Surprisingly, until now there has been no researcher who relates this folktale to this view. Therefore, the purpose of this study is to fill this void, by presenting a new interpretation different from the previous studies. This research is cultural research, not literary research. Almost all cultural research on Momotaro cannot be separated from the use of a historical approach. What distinguishes it from previous research is the use of a non-historical approach. This study used Levi-Strauss’ structural approach. This approach is to look at the forms of structure or 'logic' used in the folktale of Momotaro, more specifically the logic about the meaning of outsiders for Japanese society.","PeriodicalId":30867,"journal":{"name":"Izumi","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-11-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45630972","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-11-06DOI: 10.14710/izumi.10.2.278-291
Dewi Anggraeni
Despite witnessing modernization in Indonesia, nanpōchōyōsakka (South-dispatched writers) depicted Indonesians as people who remain undeveloped because of Western colonialism. This article argues that there must be “hidden facts” behind the representation of Indonesia within the writers’ works due to a mission of disseminating the idea of the Greater East Asia Co-prosperity Sphere. Using Mamiya Mosuke’s military essay “Kichi no Seikatsu” as the object of study, this article seeks to explain what kind of “Indonesia” Mamiya represents and the impact of such representation on “Indonesia” as a spatial concept by illuminating “hidden facts” behind his expressions. This article employs the concept of contact zone (Mary Louise Pratt) to view Indonesia as a social space already shaped by Dutch colonialism and uses sakuhinron method to analyze Mamiya’s expressions in representing Indonesia. Through analysis, Mamiya portrays Indonesians as reliant people and blames such conditions on the Dutch colonial policy while leaving local intellectuals and nationalist movements out of his narrative. This article concludes that Mamiya justifies the notion of the Greater East Asia Co-prosperity Sphere by denying Indonesian agency, gives an impression that Indonesians need Japanese guidance to stand on their own. Keywords: Contact Zone; Kichi no Seikatsu; Mamiya Mosuke; Nanpōchōyōsakka; Representation
尽管见证了印尼的现代化，但南派作家南派作家将印尼人描绘成因西方殖民主义而仍未发展起来的人。本文认为，由于传播大东亚共同繁荣圈理念的使命，作家作品中印尼的表现背后一定有“隐藏的事实”。本文以马米娅·莫苏克的军事散文《Kichi no Seikatsu》为研究对象，试图通过揭示马米娅表达背后的“隐藏事实”，来解释马米娅代表了什么样的“印度尼西亚”，以及这种代表对“印度尼西亚”这一空间概念的影响。本文运用玛丽·路易斯·普拉特（Mary Louise Pratt）的接触区概念，将印度尼西亚视为一个已经被荷兰殖民主义所塑造的社会空间，并运用sakuhinron方法分析马米亚在代表印度尼西亚时的表达。通过分析，马米亚将印尼人描绘成依赖的人，并将这种情况归咎于荷兰的殖民政策，同时将当地知识分子和民族主义运动排除在他的叙述之外。这篇文章的结论是，Mamiya通过否认印尼的代理权来证明大东亚共同繁荣圈的概念是正确的，给人的印象是印尼人需要日本的指导才能自立。关键词：接触区；Kichi no Seikatsu；Mamiya Mosuke；南浦县；代表
{"title":"Hidden Facts and The Representation of Indonesia within Mamiya Mosuke’s “Kichi no Seikatsu”","authors":"Dewi Anggraeni","doi":"10.14710/izumi.10.2.278-291","DOIUrl":"https://doi.org/10.14710/izumi.10.2.278-291","url":null,"abstract":"Despite witnessing modernization in Indonesia, nanpōchōyōsakka (South-dispatched writers) depicted Indonesians as people who remain undeveloped because of Western colonialism. This article argues that there must be “hidden facts” behind the representation of Indonesia within the writers’ works due to a mission of disseminating the idea of the Greater East Asia Co-prosperity Sphere. Using Mamiya Mosuke’s military essay “Kichi no Seikatsu” as the object of study, this article seeks to explain what kind of “Indonesia” Mamiya represents and the impact of such representation on “Indonesia” as a spatial concept by illuminating “hidden facts” behind his expressions. This article employs the concept of contact zone (Mary Louise Pratt) to view Indonesia as a social space already shaped by Dutch colonialism and uses sakuhinron method to analyze Mamiya’s expressions in representing Indonesia. Through analysis, Mamiya portrays Indonesians as reliant people and blames such conditions on the Dutch colonial policy while leaving local intellectuals and nationalist movements out of his narrative. This article concludes that Mamiya justifies the notion of the Greater East Asia Co-prosperity Sphere by denying Indonesian agency, gives an impression that Indonesians need Japanese guidance to stand on their own. Keywords: Contact Zone; Kichi no Seikatsu; Mamiya Mosuke; Nanpōchōyōsakka; Representation ","PeriodicalId":30867,"journal":{"name":"Izumi","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-11-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41543262","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-11-01DOI: 10.14710/izumi.10.2.221-238
Muhammad Nadzif Bin Ramlan
This paper examines the comparison between Japanese kotowaza and Malay proverbs via the lens of ethnolinguistics. The rich cultural exchanges between the Japanese empire and Malay civilisation since the 15th century must be based on mutual values that both parties can agree upon. One such aspect is the sociocultural values apparent in proverbs and idioms. This aspect is integral in ethnolinguistics. Therefore, this paper has three objectives: 1) To compare and contrast the entities and the conventionalised metaphorical interpretations made in the proverbs of the two languages; 2) to conduct a comprehensive discourse analysis on the proverbs based on ethnolinguistic approaches; and 3) to trailblaze the opportunities for ethnolinguists to consider expanding the research in paremiology. This research is motivated due to the very scarce resource in Japanese-Malay comparative proverbs study. The methods used are library research and Cornell note-taking technique. There are 10 proverbs respectively in Japanese and Malay for similarity and 5 respective proverbs for the difference, totalling to 30 proverbs in both languages. The findings show that the proverbs in the two different languages can both reach the same interpretation despite different extensive backgrounds. However, opposing or dissimilar outcomes also occur despite the same referents or symbols used in the metaphors. This paper concludes with the limitations and suggestions for linguists to consider in their research on proverbs.
{"title":"Comparative Ethnolinguistics on Metaphorical Interpretations in Japanese Kotowaza and Malay Proverbs","authors":"Muhammad Nadzif Bin Ramlan","doi":"10.14710/izumi.10.2.221-238","DOIUrl":"https://doi.org/10.14710/izumi.10.2.221-238","url":null,"abstract":"This paper examines the comparison between Japanese kotowaza and Malay proverbs via the lens of ethnolinguistics. The rich cultural exchanges between the Japanese empire and Malay civilisation since the 15th century must be based on mutual values that both parties can agree upon. One such aspect is the sociocultural values apparent in proverbs and idioms. This aspect is integral in ethnolinguistics. Therefore, this paper has three objectives: 1) To compare and contrast the entities and the conventionalised metaphorical interpretations made in the proverbs of the two languages; 2) to conduct a comprehensive discourse analysis on the proverbs based on ethnolinguistic approaches; and 3) to trailblaze the opportunities for ethnolinguists to consider expanding the research in paremiology. This research is motivated due to the very scarce resource in Japanese-Malay comparative proverbs study. The methods used are library research and Cornell note-taking technique. There are 10 proverbs respectively in Japanese and Malay for similarity and 5 respective proverbs for the difference, totalling to 30 proverbs in both languages. The findings show that the proverbs in the two different languages can both reach the same interpretation despite different extensive backgrounds. However, opposing or dissimilar outcomes also occur despite the same referents or symbols used in the metaphors. This paper concludes with the limitations and suggestions for linguists to consider in their research on proverbs.","PeriodicalId":30867,"journal":{"name":"Izumi","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47262488","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-11-01DOI: 10.14710/izumi.10.2.267-277
Harisal Harisal, N. P. Somawati, Wahyuning Dyah, Kanah Kanah
Code-Mixing often occurs in a place where there are various ethnicities, tribes, languages, and various cultures. One of them is at the State Polytechnic of Bali. This study aims to describe the form of code-mixing that appears in the interactions of Students Extracurricular Unit of Japan called UKM Jepang members of the State Polytechnic of Bali and explain the motives for using code-mixing in the interactions. The data used in this study is the result of the interaction of students who are members of the UKM Jepang, State Polytechnic of Bali, indicated to cause Code-Mixing both offline and online. Furthermore, the research approach used in this study is a qualitative approach with the type of research being descriptive research. The results showed that the form of Code-Mixing that occurred in students of Japanese UKM members of the State Polytechnic of Bali occurred in mixing nouns, verbs, adjectives, and adverbs. The motives that cause the emergence of code-mixing include the consideration of the interlocutor, namely members of UKM Jepang who both understand Japanese vocabulary. Besides, some special terms in Japanese are considered more appropriate to be conveyed by students on certain topics related to Japan, and they deliberately mix the code to make the conversation more interesting. On the other hand, Some Japanese vocabulary has no meaning that can be spoken in conversation in Indonesian, which causes students to use the term and become a new 'vocabulary' in Indonesian. They accidentally did lexical borrowing to meet the language barrier and cause code-mixing.
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Pub Date : 2021-11-01DOI: 10.14710/izumi.10.2.328-337
Risa Yuliani, R. M. Mulyadi, M. Adji
Anime as Japanese popular culture has been successfully consumed by mass in many countries. It indicates that Japan's strategy to make anime one of its soft power has been successfully accepted by the world community. In Indonesia, since anime entered the television, the enthusiasm given by the community has been good and positive. Anime is liked by various circles, especially children, even today. Ufo Baby is one of the shows on RCTI, even though it's not as global as Doraemon, for example, but apart from an interesting storyline, this anime also incorporates many elements of Japanese culture. The aim of this study is to explain the soft power of Japan in Indonesia on anime entitled “Ufo Baby”. The research method uses a qualitative approach with interpretive analysis. The researched part is scenes from anime that contain cultural elements. The approach used is John Storey's cultural theory and Nye Joseph's theory of soft power. Data collection was conducted to examine the influence of Japanese culture on Indonesian society by using interview techniques. The results of this study reveal that in the Ufo Baby anime there are elements of soft power culture used by Japan. From the results of research, the culture shown in anime has an influence on Indonesian society marked by the community's participation in celebrating traditional Japanese festivals and the discovery of many typical Japanese goods sold in local shops.
{"title":"Japanese Soft Power in Indonesia on Anime Entitled Ufo Baby: Study of Popular Culture","authors":"Risa Yuliani, R. M. Mulyadi, M. Adji","doi":"10.14710/izumi.10.2.328-337","DOIUrl":"https://doi.org/10.14710/izumi.10.2.328-337","url":null,"abstract":"Anime as Japanese popular culture has been successfully consumed by mass in many countries. It indicates that Japan's strategy to make anime one of its soft power has been successfully accepted by the world community. In Indonesia, since anime entered the television, the enthusiasm given by the community has been good and positive. Anime is liked by various circles, especially children, even today. Ufo Baby is one of the shows on RCTI, even though it's not as global as Doraemon, for example, but apart from an interesting storyline, this anime also incorporates many elements of Japanese culture. The aim of this study is to explain the soft power of Japan in Indonesia on anime entitled “Ufo Baby”. The research method uses a qualitative approach with interpretive analysis. The researched part is scenes from anime that contain cultural elements. The approach used is John Storey's cultural theory and Nye Joseph's theory of soft power. Data collection was conducted to examine the influence of Japanese culture on Indonesian society by using interview techniques. The results of this study reveal that in the Ufo Baby anime there are elements of soft power culture used by Japan. From the results of research, the culture shown in anime has an influence on Indonesian society marked by the community's participation in celebrating traditional Japanese festivals and the discovery of many typical Japanese goods sold in local shops.","PeriodicalId":30867,"journal":{"name":"Izumi","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46327620","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-10-18DOI: 10.14710/izumi.10.2.246-257
R. A. Surya
This study aimed to investigate the Japanese Diaspora in the 17th century into Southeast Asia. This article discussed critically the motives, process, and the effect of Japanese diaspora in the Southeast Asia. Reseacher utilized historical method with descriptive approach. The process being performed namely heuristics, critism, interpretation, and historiography. Japanese history regarding abroad migration is an interesting issue between scholars who studied migration, anthropology, and minority studies over the decades. Edo period in Japan is one of the most studied field for many scholars for Japanese studies, since it shaped the characteristic of Japanese culture until today. Trade of Japan is significant part of its economical development since the pre-modern era. In the 17th century, Japan established a solid trade network with Southeast Asia regions, namely Siam, Malacca, Cambodia, Vietnam and Manila. The emerge of maritime trade with Southeast Asia encouraged Japanese merchants to travel and create settlements in some regions. The Japanese diaspora was encouraged with vermillion seal trade which allowed them to do journey overseas and settled in some places, which eventually increased the number of Japanese merchants in the Southeast Asia. However, after the Sakoku policy there was restriction of trade relation ehich prohibited overseas maritime trade, except for China and Dutch. Sakoku policy caused Japanese merchants who stayed overseas could not return for many years, then they settled themselves as Japanese communities known as Nihon Machi in some places within Southeast Asia. History of early modern Japan between the 16th and 19th century provides a broader narratives of global history as it was surrounded by intense global interaction.
{"title":"Japanese Merchants Diaspora in the 17th Century into Southeast Asia","authors":"R. A. Surya","doi":"10.14710/izumi.10.2.246-257","DOIUrl":"https://doi.org/10.14710/izumi.10.2.246-257","url":null,"abstract":"This study aimed to investigate the Japanese Diaspora in the 17th century into Southeast Asia. This article discussed critically the motives, process, and the effect of Japanese diaspora in the Southeast Asia. Reseacher utilized historical method with descriptive approach. The process being performed namely heuristics, critism, interpretation, and historiography. Japanese history regarding abroad migration is an interesting issue between scholars who studied migration, anthropology, and minority studies over the decades. Edo period in Japan is one of the most studied field for many scholars for Japanese studies, since it shaped the characteristic of Japanese culture until today. Trade of Japan is significant part of its economical development since the pre-modern era. In the 17th century, Japan established a solid trade network with Southeast Asia regions, namely Siam, Malacca, Cambodia, Vietnam and Manila. The emerge of maritime trade with Southeast Asia encouraged Japanese merchants to travel and create settlements in some regions. The Japanese diaspora was encouraged with vermillion seal trade which allowed them to do journey overseas and settled in some places, which eventually increased the number of Japanese merchants in the Southeast Asia. However, after the Sakoku policy there was restriction of trade relation ehich prohibited overseas maritime trade, except for China and Dutch. Sakoku policy caused Japanese merchants who stayed overseas could not return for many years, then they settled themselves as Japanese communities known as Nihon Machi in some places within Southeast Asia. History of early modern Japan between the 16th and 19th century provides a broader narratives of global history as it was surrounded by intense global interaction.","PeriodicalId":30867,"journal":{"name":"Izumi","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-10-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45088764","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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