Resumen El presente documento tiene como objetivo presentar una mirada, desde el paradigma emergente, sobre la relacion, genero y epistemologia. El documento se encuentra organizado de la siguiente manera: en primer lugar, se presenta un breve recorrido que pone en evidencia la lucha del movimiento feminista por la conquista de la ciudadania. Luego, se exponen algunos aportes del feminismo al proceso de construccion de la epistemologia emergente, y finalmente, cierra el texto con algunas conclusiones momentaneas. Palabras Clave: Mujer, patriarcado, epistemologia, institucion, androgino, conocimiento. ******************************************************************** Reflections on gender and epistemology Abstract This document aims to have a look, from the emerging paradigm, the relationship, gender and epistemology. The document is organized in the following manner: first of all, presents a brief tour that highlights the struggle of the feminist movement by the conquest of citizenship. Then, are exposed some contributions of feminism in the process of construction of the emerging epistemology, and finally, the text end with some momentary conclusions. Keywords: Women, patriarchy, epistemology, institution, androgynous, knowledge. ******************************************************************** Reflexoes sobre genero e epistemologia Resumo Este documento visa dar uma olhada, a partir do paradigma emergente, o relacionamento, o genero e a epistemologia. O documento esta organizado da seguinte forma: em primeiro lugar, apresenta uma breve turne que destaca a luta do movimento feminista pela conquista de cidadania. Em seguida, algumas contribuicoes do feminismo sao expostas ao processo de construcao da epistemologia emergente, e finalmente, fecha-se o texto com algumas conclusoes momentaneas. Palavras chave: Mulheres, patriarcado, epistemologia, instituicao androgino, conhecimento.
最后，我们提出了一种新的方法，通过这种方法，研究人员可以确定哪些变量可以被识别，哪些变量可以被识别。该文件的组织方式如下:首先，它提出了一个简短的旅程，突出了女权运动征服公民身份的斗争。在此基础上，我们分析了女性主义对新兴认识论建构过程的贡献，并以一些短暂的结论结束本文。关键词:女性，父权制，认识论，制度，雌雄同体，知识******************************************************************** Reflections on gender and epistemology Abstract This document区域to have a look, from the“新范式、the relationship, gender and epistemology。该文件的组织方式如下:首先，介绍了一次简短的旅行，突出了女权主义运动为争取公民身份而进行的斗争。然后,are接触一些捐款of feminism in the process of construction of the新兴epistemology, and,最后the text end with some momentary结论。关键词:女性，父权制，认识论，制度，双性恋，知识。******************************************************************** 本文Reflexoes关于性别问题与epistemologia Resumo签证提供乌玛olhada do弹出范式,起relacionamento,或性别问题和epistemologia。该文件的组织方式如下:首先，它提出了一个简短的转变，突出了女权运动为获得公民身份而进行的斗争。然后，女性主义的一些贡献暴露在新兴认识论的建构过程中，最后，文本以一些短暂的结论结束。关键词:女性，父权制，认识论，雌雄同体制度，知识。
{"title":"Reflexiones en torno al género y la epistemología","authors":"Roberto Medina Bejarano","doi":"10.26564/16926250.534","DOIUrl":"https://doi.org/10.26564/16926250.534","url":null,"abstract":"Resumen El presente documento tiene como objetivo presentar una mirada, desde el paradigma emergente, sobre la relacion, genero y epistemologia. El documento se encuentra organizado de la siguiente manera: en primer lugar, se presenta un breve recorrido que pone en evidencia la lucha del movimiento feminista por la conquista de la ciudadania. Luego, se exponen algunos aportes del feminismo al proceso de construccion de la epistemologia emergente, y finalmente, cierra el texto con algunas conclusiones momentaneas. Palabras Clave: Mujer, patriarcado, epistemologia, institucion, androgino, conocimiento. ******************************************************************** Reflections on gender and epistemology Abstract This document aims to have a look, from the emerging paradigm, the relationship, gender and epistemology. The document is organized in the following manner: first of all, presents a brief tour that highlights the struggle of the feminist movement by the conquest of citizenship. Then, are exposed some contributions of feminism in the process of construction of the emerging epistemology, and finally, the text end with some momentary conclusions. Keywords: Women, patriarchy, epistemology, institution, androgynous, knowledge. ******************************************************************** Reflexoes sobre genero e epistemologia Resumo Este documento visa dar uma olhada, a partir do paradigma emergente, o relacionamento, o genero e a epistemologia. O documento esta organizado da seguinte forma: em primeiro lugar, apresenta uma breve turne que destaca a luta do movimento feminista pela conquista de cidadania. Em seguida, algumas contribuicoes do feminismo sao expostas ao processo de construcao da epistemologia emergente, e finalmente, fecha-se o texto com algumas conclusoes momentaneas. Palavras chave: Mulheres, patriarcado, epistemologia, instituicao androgino, conhecimento.","PeriodicalId":31526,"journal":{"name":"Grafia","volume":"12 1","pages":"32-43"},"PeriodicalIF":0.0,"publicationDate":"2015-01-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68998790","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Resumen El presente articulo expone de manera concisa el resultado de una investigacion monografica cuyo problema de investigacion fue como los campesinos colonos se relacionaron con el territorio en la colonizacion campesina en el Suroccidente del departamento de Cundinamarca en la segunda mitad del siglo XIX. A partir del analisis de esta relacion en terminos de apropiacion y uso del territorio, se identifico y describio, en primer lugar, como estaba constituido el territorio del Suroccidente del departamento de Cundinamarca en el periodo mencionado, desde la configuracion politicoadministrativa y de los dos principales caminos que articularon la region; y en segundo lugar, los mecanismos por los cuales los campesinos colonos se apropiaron y usaron el territorio. Palabras clave: Uso, apropiacion, territorio, region, campesino colono, colonizacion ******************************************************************** Appropriation and use of territory in the countrymen colonization of the southwestern region of the departament of Cundinamarca in the second half of the 19th century Abstract The current article presents in a concise manner the results of a monographic research in which the research problem was how colonizing countrypeople related to the territory in the peasant colonization of the southwestern region of the Departamento de Cundinamarca in the second half of the 19th Century. Based on the analysis of the relationship between appropriation and use of the territory, firstly the territory of the southwestern region of the Departamento de Cundinamarca was identified and described from the perspective of its social and political configuration, as well as from that of the main roads that articulated the region, and secondly, the mechanisms through which peasants got appropriated of the territory and the use they did of it were identified and described. Key words : Use, appropriation, territory, region, colonizing peasant, colonization ******************************************************************** Apropriacao e uso do territorio na colonizacao campesina no sul ocidente do departamento de Cundinamarca na segunda metade do seculo XIX Resumo O presente artigo apresenta de maneira concisa o resultado de uma investigacao monografica, cujo problema de investigacao foi como os camponeses colonos se relacionaram com o territorio na colonizacao camponesa no sul ocidente do departamento de Cundinamarca na segunda metade do seculo XIX. Partindo da analise desta relacao, em termos de apropriacao e uso do territorio, se identificou e descreveu, em primeiro lugar, como estava constituido o territorio do sul ocidente do Departamento de Cundinamarca no periodo mencionado, desde a configuracao politico-administrativa e dos principais caminhos que articularam a regiao; e, em segundo lugar, os mecanismos pelos quais os camponeses colonos se apropriaram e usaram o territorio. Palavras chave: Uso, apropriacao, territorio, regiao, campones colono, coloni
在这一领域，我们提出了一种新的方法，在这种方法中，研究人员和研究人员之间的关系，以及研究人员和研究人员之间的关系，以及研究人员和研究人员之间的关系，以及研究人员和研究人员之间的关系。分析了这种关系起术语。apropiacion和土地的利用,事情describio,首先,作为成立国务院Suroccidente昆迪纳马卡省境内,从行政配置在上述时期和阐述的两个主要的道路;首先，它是一种机制，在这种机制中，土地的所有权和使用权被分配给农民。关键词:使用，占用，领土，地区，农民殖民者，colonizacion ******************************************************************** Appropriation and use of territory in the countrymen colonization of the西南region of the departament of昆迪纳马卡省in the second half of the 19th century Abstract the current条代表三丁基氧化锡的方式the results of a monographic research in which the research problem was how的《农民协会colonization countrypeople related to the territory of the西南region of the= =地理= =根据美国人口普查局的数据，该县的总面积为，其中土地和(1.)水。Based on the analysis of the relationship between appropriation and use of the territory, firstly the territory of the西南region of the昆迪纳马卡省was确定部门和公民社会from the perspective of its and political configuration, as well as from that of the main道路articulated the region,和其次,the机制through which peasants位置appropriated of the territory and the use打击of it民工确定公民。关键词:Use, appropriation territory,区域的农民协会,colonization ******************************************************************** Apropriacao和使用do na colonizacao领土南农民不眼红do昆迪纳马卡省na 19 metade do seculo Resumo O本artigo uma investigacao不少maneira简洁或结果monografica,其研究问题是19世纪下半叶昆迪纳马卡省西南部农民殖民时期的农民定居者与土地的关系。通过对这一关系的分析，从领土的占用和使用方面，首先确定和描述了上述时期昆迪纳马卡省西南部的领土是如何构成的，从政治和行政配置和连接该地区的主要道路;第二，农民殖民者占有和使用土地的机制。关键词:使用、占用、领土、区域、殖民地、殖民
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Resumen El presente articulo se deriva de la investigacion Artes visuales y narrativa erotica en Colombia (1970- 2010) realizada por Mario Antonio Parra Perez y Maria Isabel Reveron Pena durante el lapso de enero de 2013 a enero de 2015 y financiada por el Sistema Universitario de Investigaciones (SUI) de la Universidad Autonoma de Colombia. En el presente articulo desarrollaremos brevemente el campo historico de apertura de las artes plasticas hacia un desarrollo del arte erotico; luego senalaremos algunos aspectos en torno a los limites de lo erotico y de lo pornografico para finalmente presentar algunas obras de tres artistas que podemos ubicar en la epoca de los anos setenta, si bien las obras de arte una vez alcanzan a manifestar lo propio de si, viven un presente eterno, al menos para nuestra historia. Palabras Clave: Arte, erotismo, pornografia, Debora Arango, Jim Amaral, Oscar Munoz. ******************************************************************** Circumstances and onset of erotic art in Colombia: Debora Arango, Jim Amaral y Oscar Munoz Abstract The current article derives from the research Visual Arts and Erotic Narrative in Colombia (1970 – 2010) carried out by Mario Antonio Parra Perez and Maria Isabel reveron Pena between January 2013 and January 2015 and funded by Sistema Universitario de Investigaciones at Universidad Autonoma de Colombia. In the current article we will briefly develop the historic field of the opening of plastic arts towards a development of erotic art; then we will show some aspects revolving around the limits between eroticism and pornography, to finally present some works by three artist who can be located en in the decade of the 70’s, even though art works, once they show their own properties, live an eternal present, at least for our history. Key words : art, eroticism, pornography, Debora arango, Jim Amaral, Oscar Munoz ******************************************************************** Circunstâncias e comeco da arte erotica em Colombia: Debora Arango, Jim Amaral e Oscar Munoz Resumo O presente artigo se deriva da pesquisa Aretes visuales y narrativa erotica en Colombia (1970- 2010) realizada por Mario Antonio Parra Perez e Maria Isabel Reveron Pena durante o lapso de janeiro de 2013 a janeiro de 2015 e financiada pelo sistema Universtiario de Investigaciones (SUI) da Universidade Autonoma de Colombia. No presente artigo, desenvolveremos brevemente o campo historico de abertura das artes plasticas para um desenvolvimento da arte erotica; logo depois vamos sinalizar alguns aspectos em torno dos limites do erotico e do pornografico para finalmente apresentar algumas obras de tres artistas que podemos colocar na epoca dos anos setenta, se bem que, as obras de arte uma vez que alcancam a manifestar o proprio de si, vivem um presente eterno, ao menos para nossa historia. Palavras chave: Arte, erotismo, pornografia, Debora Arango, Jim Amaral, Oscar Munoz.
摘要本跟进调查的视觉艺术和色情作品叙事漂移在哥伦比亚(1970 - 2010)Mario Antonio Parra佩雷斯和Maria Isabel Reveron悲伤到2013年1月至2015年1月由大学系统(隋)大学研究Autonoma哥伦比亚。在这篇文章中，我们将简要地发展造型艺术向色情艺术发展的历史领域;然后senalaremos在某些方面限制周围的正是pornografico erotico和最后提出一些我们可以定位的三位艺术家的作品在1970年的时候,虽然艺术创作的一次将触动表示自己如果生活永恒的一份礼物,至少对于我们的故事。关键词:艺术，色情，色情，Debora Arango, Jim Amaral, Oscar Munoz。******************************************************************** 情况and便of erotic art in哥伦比亚:黛博拉·阿朗戈,吉姆Amaral和Oscar Munoz Abstract The current条derives from The research视觉艺术与erotic Narrative in哥伦比亚(1970—2010)》by Mario Antonio Parra佩雷斯and Maria Isabel reveron January 2013年和2015年1月与供资的点球by at Autonoma大学哥伦比亚大学系统研究。在本文中，我们将简要阐述塑料艺术开放的历史领域，以发展情色艺术;然后我们将显示some aspects循环around the eroticism与儿童,提供最后一些单项工程by三artist who can be located in the decade of the年代,虽然艺术工程,一旦节目properties,他们自己住an eternal目前,至少for our history。关键词:艺术,eroticism儿童色情,黛博拉·阿朗戈,吉姆Amaral Oscar Munoz ******************************************************************** Circunstâncias和comeco哥伦比亚艺术色情作品:黛博拉·阿朗戈,吉姆Amaral和Oscar Munoz Resumo或本artigo源于视觉询价耳环和色情作品叙事手法在哥伦比亚(1970 - 2010)Mario Antonio Parra佩雷斯和Maria Isabel Reveron期间或区间里约热内卢处以2013年至2015年里约热内卢和资助头发Universtiario系统(隋)大学研究Autonoma哥伦比亚。在这篇文章中，我们将简要地发展造型艺术的历史领域，以发展色情艺术;标志一阵子我们sinalizar部份人士方面围绕两个极限do erotico感”也对pornografico最后apresentar一些我们的三位艺术家的作品将na时候两个七十多年,边界元法,艺术品乌玛一次alcancam或表达自己是否本永恒,ao, vivem嗯除非nossa故事。关键词:艺术，色情，色情，Debora Arango, Jim Amaral, Oscar Munoz。
{"title":"Circunstancias y comienzo del arte erótico en Colombia: Débora Arango, Jim Amaral y Óscar Muñoz","authors":"M. I. Peña, Mario Antonio Parra Pérez","doi":"10.26564/16926250.541","DOIUrl":"https://doi.org/10.26564/16926250.541","url":null,"abstract":"Resumen El presente articulo se deriva de la investigacion Artes visuales y narrativa erotica en Colombia (1970- 2010) realizada por Mario Antonio Parra Perez y Maria Isabel Reveron Pena durante el lapso de enero de 2013 a enero de 2015 y financiada por el Sistema Universitario de Investigaciones (SUI) de la Universidad Autonoma de Colombia. En el presente articulo desarrollaremos brevemente el campo historico de apertura de las artes plasticas hacia un desarrollo del arte erotico; luego senalaremos algunos aspectos en torno a los limites de lo erotico y de lo pornografico para finalmente presentar algunas obras de tres artistas que podemos ubicar en la epoca de los anos setenta, si bien las obras de arte una vez alcanzan a manifestar lo propio de si, viven un presente eterno, al menos para nuestra historia. Palabras Clave: Arte, erotismo, pornografia, Debora Arango, Jim Amaral, Oscar Munoz. ******************************************************************** Circumstances and onset of erotic art in Colombia: Debora Arango, Jim Amaral y Oscar Munoz Abstract The current article derives from the research Visual Arts and Erotic Narrative in Colombia (1970 – 2010) carried out by Mario Antonio Parra Perez and Maria Isabel reveron Pena between January 2013 and January 2015 and funded by Sistema Universitario de Investigaciones at Universidad Autonoma de Colombia. In the current article we will briefly develop the historic field of the opening of plastic arts towards a development of erotic art; then we will show some aspects revolving around the limits between eroticism and pornography, to finally present some works by three artist who can be located en in the decade of the 70’s, even though art works, once they show their own properties, live an eternal present, at least for our history. Key words : art, eroticism, pornography, Debora arango, Jim Amaral, Oscar Munoz ******************************************************************** Circunstâncias e comeco da arte erotica em Colombia: Debora Arango, Jim Amaral e Oscar Munoz Resumo O presente artigo se deriva da pesquisa Aretes visuales y narrativa erotica en Colombia (1970- 2010) realizada por Mario Antonio Parra Perez e Maria Isabel Reveron Pena durante o lapso de janeiro de 2013 a janeiro de 2015 e financiada pelo sistema Universtiario de Investigaciones (SUI) da Universidade Autonoma de Colombia. No presente artigo, desenvolveremos brevemente o campo historico de abertura das artes plasticas para um desenvolvimento da arte erotica; logo depois vamos sinalizar alguns aspectos em torno dos limites do erotico e do pornografico para finalmente apresentar algumas obras de tres artistas que podemos colocar na epoca dos anos setenta, se bem que, as obras de arte uma vez que alcancam a manifestar o proprio de si, vivem um presente eterno, ao menos para nossa historia. Palavras chave: Arte, erotismo, pornografia, Debora Arango, Jim Amaral, Oscar Munoz.","PeriodicalId":31526,"journal":{"name":"Grafia","volume":"12 1","pages":"164-189"},"PeriodicalIF":0.0,"publicationDate":"2015-01-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68999431","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Resumen La globalizacion como fenomeno economico ha beneficiado el comercio del sexo, siendo este un mercado transnacional cuyo supuesto subyace en el pretendido de que los duenos del capital y de las mercancias buscan las condiciones mas rentables para reproducirlo, ya que el trabajo de esclavas sexuales viabiliza la obtencion de una altisima utilidad en la medida en la que el “empresario” se siente desobligado a pagar a las “trabajadoras”, que son de su propiedad una remuneracion por su labor, pues el negocio lleva implicita la condicion del pago de deudas adquiridas por las mujeres y ninas que no han sido concertadas previamente en una relacion comercial equitativa, sino en una situacion forzosa y enganosa. Desde este enfoque, el presente documento pretende mostrar como la trata de mujeres y ninas con fines de explotacion sexual se potencia en el entorno globalizado dadas las facilidades que surgen en las fronteras difusas entre paises y en los marcos juridicos locales que se mezclan con el entorno internacional para favorecer mafias transnacionales que, en el amparo de actividades legales (como el modelaje, las nineras, el turismo, etc.), captura mujeres y ninas, que son trasladadas a paises diferentes en donde son indocumentadas, aisladas y vulneradas. Palabras Clave : Globalizacion, trafico de personas, derechos humanos, nuevo orden mundial, mafias transnacionales, cultura patriarcal, explotacion sexual de mujeres, violencia hacia mujeres. ******************************************************************** Impact of globalization on women and girls trafficking aimed at sexual exploitation Abstract Globalization as an economic phenomenon has benefitted sex trade, which is a transnational market based on the idea that the owners of the capital and merchandises look for the most profitable conditions to reproduce it. Sexual slave work makes it easy to obtain a very high return, as the “manager” does not feel any obligation to pay “workers” any money as they belong to him/her given that the business implies that women and girls are to pay their debts, which were not previously agreed on in an egalitarian business relationship, but acquired in a forced deceitful way. From this approach, the present paper intends to show how girls and women trafficking with the purpose of sexual exploitation is enhanced in the globalized environment given the easiness that emerges within the diffuse boundaries among countries and local legal frameworks which mix with international ones to favor transnational mafias that, under the shelter of legal activities like modeling, au pairing, tourism, etc., capture women and girls and transfer them to countries where they become illegal, isolated and deprived. Key words : Globalization, people trafficking, human rights, new global order, transnational mafias, patriarchal culture, sexual exploitation of women, violence against women ******************************************************************** Impacto da globaliza
摘要globalizacion作为酷南极这个生意上一名跨国市场其所谓的在假装主人的资本和商品寻找更多的盈利条件,因为播放工作的性奴隶viabiliza obtencion altisima效用的“企业家”在多大程度上感觉desobligado工作者”付出代价,”他们拥有一个remuneracion所进行的工作,因为业务需要隐式的条件的妇女和孩子购买债务支付事先未被安排在一个公平的贸易关系,而是迫使情势和enganosa。从这种方法中,本文件旨在显示作为目的而贩卖妇女和女孩的性剥削在全球化的环境中出现的便利国家间边界性框架juridicos当地与国际环境促进黑手党混在一起,在跨国公司的合法活动(比如造型、nineras、旅游等)、采集妇女和孩子,他们被转移到不同的国家，在那里他们没有证件，孤立和受到侵犯。关键词:全球化，人口贩卖，人权，世界新秩序，跨国黑手党，父权文化，对妇女的性剥削，对妇女的暴力******************************************************************** 全球化对妇女和女童贩运和性剥削Abstract你benefitted性贸易全球化as an economic phenomenon, which is a跨国market based on the主意that the所有者of the capital and merchandises look for the most profitable conditions to播放它。性奴隶work曾非常easy to obtain a high return, as the“manager”does not feel any义务支付工人的“any money as they属于他/她给予that the business implies women and girls are支付其债务,没有事先商定的《in an egalitarian business relationship,但在强迫deceitful way。From this approach,目前paper在听证会上节目how女童和妇女贩运与香港的性剥削目的enhanced in the全球化环境给予easiness that你within the diffuse权限的国家和当地法律框架中which mix with international ones to忙跨国法律活动像黑手党,under the庇护modeling, au pairing、旅游业等。逮捕妇女和女童，并将她们转移到非法、孤立和剥夺她们权利的国家。关键词:全球化,people跨国贩运,human rights,全球新秩序,黑手党patriarchal culture,妇女性剥削、暴力侵害妇女行为 ******************************************************************** com e meninas便globalizacao不是影响交通在芬兰性exploracao Resumo globalizacao作为酷南极有或do性贸易中获益,sendo这个um跨国市场cujo suposto sobejasse na pretensao给你donos do本金和mercadorias buscam as condicoes mais rentaveis reproduzi-lo,日文或trabalho escravas sexuais viabiliza到uma altissima obtencao utilidade na在多大程度或“企业家”sente desobrigado付钱的“向导”trabalhadoras sao propriedade uma remuneracao头发的lavor,因为该业务隐含了妇女和女孩所获得债务的支付条件，这不是以前在公平的商业关系中商定的，而是在一种强迫和误导的情况下商定的。Partindo这办法,或本文件旨在显示便像贩卖并meninas com芬兰exploracao性强国不是全球化的弥散性,在这种as便利surgem nas fronteiras之间和我们国家框架juridicos沿岸misturam com或国际环境,以黑手党transnacionais,行事不逮捕legais (as, as模型的粘液和或旅游等),它捕获被转移到不同国家的妇女和女孩，在那里她们没有证件、孤立和受到侵犯。关键词:全球化，人口贩卖，人权，世界新秩序，跨国黑手党，父权文化，对妇女的性剥削，对妇女的暴力。
{"title":"Impacto de la globalización en el tráfico de mujeres y niñas con fines de explotación sexual","authors":"Alexa Corena","doi":"10.26564/16926250.532","DOIUrl":"https://doi.org/10.26564/16926250.532","url":null,"abstract":"Resumen La globalizacion como fenomeno economico ha beneficiado el comercio del sexo, siendo este un mercado transnacional cuyo supuesto subyace en el pretendido de que los duenos del capital y de las mercancias buscan las condiciones mas rentables para reproducirlo, ya que el trabajo de esclavas sexuales viabiliza la obtencion de una altisima utilidad en la medida en la que el “empresario” se siente desobligado a pagar a las “trabajadoras”, que son de su propiedad una remuneracion por su labor, pues el negocio lleva implicita la condicion del pago de deudas adquiridas por las mujeres y ninas que no han sido concertadas previamente en una relacion comercial equitativa, sino en una situacion forzosa y enganosa. Desde este enfoque, el presente documento pretende mostrar como la trata de mujeres y ninas con fines de explotacion sexual se potencia en el entorno globalizado dadas las facilidades que surgen en las fronteras difusas entre paises y en los marcos juridicos locales que se mezclan con el entorno internacional para favorecer mafias transnacionales que, en el amparo de actividades legales (como el modelaje, las nineras, el turismo, etc.), captura mujeres y ninas, que son trasladadas a paises diferentes en donde son indocumentadas, aisladas y vulneradas. Palabras Clave : Globalizacion, trafico de personas, derechos humanos, nuevo orden mundial, mafias transnacionales, cultura patriarcal, explotacion sexual de mujeres, violencia hacia mujeres. ******************************************************************** Impact of globalization on women and girls trafficking aimed at sexual exploitation Abstract Globalization as an economic phenomenon has benefitted sex trade, which is a transnational market based on the idea that the owners of the capital and merchandises look for the most profitable conditions to reproduce it. Sexual slave work makes it easy to obtain a very high return, as the “manager” does not feel any obligation to pay “workers” any money as they belong to him/her given that the business implies that women and girls are to pay their debts, which were not previously agreed on in an egalitarian business relationship, but acquired in a forced deceitful way. From this approach, the present paper intends to show how girls and women trafficking with the purpose of sexual exploitation is enhanced in the globalized environment given the easiness that emerges within the diffuse boundaries among countries and local legal frameworks which mix with international ones to favor transnational mafias that, under the shelter of legal activities like modeling, au pairing, tourism, etc., capture women and girls and transfer them to countries where they become illegal, isolated and deprived. Key words : Globalization, people trafficking, human rights, new global order, transnational mafias, patriarchal culture, sexual exploitation of women, violence against women ******************************************************************** Impacto da globaliza","PeriodicalId":31526,"journal":{"name":"Grafia","volume":"12 1","pages":"9-20"},"PeriodicalIF":0.0,"publicationDate":"2015-01-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68998716","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Resumen Durante los siglos XVII y XVIII, el primer templo jesuita que hubo en Santafe de Bogota, el de San Ignacio, fue mucho mas que un lugar de culto al que los fieles asistian para tomar parte en los distintos oficios religiosos; fue un verdadero centro de formacion para los miembros de los diferentes estamentos de la sociedad que hacian parte de sus congregaciones. Para “seducir” a la poblacion santaferena, atraerla a la iglesia y posteriormente intentar reformar sus costumbres, fue necesario mucho ingenio, paciencia y creatividad por parte de los jesuitas que adelantaron esta tarea, y no la habrian podido llevar a cabo sin la ayuda del arte en sus distintas manifestaciones. La formacion recibida por los miembros de las congregaciones pertenecientes a la iglesia de San Ignacio no se baso en el aprendizaje de conceptos abstractos, sino que fue una educacion practica apoyada en imagenes e historias ejemplares, y, por eso mismo, amena y accesible a todos sin importar su nivel social y cultural. No fue una educacion dirigida a la parte racional, sino a la sensibilidad, y con ella no se busco tanto instruir como formar. Palabras clave: Compania de Jesus, cofradias, congregaciones, Iglesia de San Ignacio, arte, arquitectura, religion, santoral, historias ejemplares, teatro, sentidos, ejercicios espirituales. ******************************************************************** The San Ignacio´s Church: A performance for the education of senses (17th and 18th centuries) Abstract During the 17th and 18th centuries, the first Jesuitical temple in Santafe de Bogota was the San Ignacios´s one. It was a true educational center more than cultic place and it attracted people of all social classes, assembled in religious congregations. To “seduce” and it attract them, it was necessary to have a huge amount of genius, patience and creativity. To accomplish their educational task, the members of the Society of Jesus found assistance in fine arts manifestations. Their instruction, in conformity with the baroque spirit, did not have a conceptual basis, but a practical one. It reached people of all conditions and cultural background images and exemplary stories. Its goal was to educate more than to instruct, and it was oriented more to the sensibility than to the reason. Key words: Society of Jesus, Baroque, Saint Ignacio Church, congregations, brotherhoods, art, architecture, religion, exemplary stories, theatre, spiritual exercises, sensibility. ******************************************************************** A igreja de Sao Ignacio de Santa Fe de Bogota: Uma encenacao para a educacao dos sentidos (seculo XVII e XVIII) Resumo Durante os seculos XVII e XVIII, o primeiro templo jesuita que existiu em Santa fe de Bogota, o de Sao Ignacio, foi muito mais do que um lugar de culto em que os fieis iam para tomar parte nos distintos oficios religiosos; foi um verdadeiro centro de formacao para os membros dos diferentes grupos da sociedade que faziam parte de suas c
摘要在17和18世纪期间,第一圣殿有耶稣会在Santafe二氧化碳、圣伊格纳西奥是任何比向信徒asistian做礼拜的地方参加各种宗教仪式;它是一个真正的培训中心，为社会不同阶层的成员组成他们的教会的一部分。来“引诱”santaferena不合、atraerla教堂并试图改革其习惯,需要有大智慧、耐心和创造力而先向这项工作的耶稣,而不是habrian而无法进行,不借助艺术在它的各种表现。各成员国收到的编队飞行属于教会的会众圣伊格纳西奥的学习不是抽象的概念,而是一个教育实践在形象、故事典范、表示支持,这就是为什么,意和人人适用不论其社会和文化水平。这不是一种针对理性部分的教育，而是针对敏感部分的教育，与其说是为了指导，不如说是为了形成。关键词:耶稣会，兄弟会，教会，圣依纳爵教堂，艺术，建筑，宗教，圣堂，模范故事，戏剧，感觉，精神练习。******************************************************************** ******************************************************************** ******************************************************************** **************************************************************它是一个真正的教育中心，而不是一个文化场所，它吸引了所有社会阶层的人，聚集在宗教集会。这些“引诱”和it attract, it was必要To have a huge of genius, patience and creativity。为了完成他们的教育任务，耶稣协会的成员在美术活动中得到了帮助。及其修改in conformity with the baroque spirit,没有not have a的基础概念,但实际one。它到达了各种条件的人们和文化背景的图像和堪称例子的故事。它的目标是教育而不是指导，它的目标是情感而不是理性。关键词:耶稣社会，巴洛克，教会，兄弟，艺术，建筑，宗教，典范故事，戏剧，精神练习，情感。******************************************************************** igreja de Sao Ignacio de Santa Fe的二氧化碳:双向educacao(乌玛encenacao seculo 17和18)Resumo os seculos 17和18耶稣会,或者首先庙existiu嗯Santa Fe的二氧化碳,或消耗臭氧层物质,Ignacio,超过um做礼拜的地方你们fieis他们看到我们参加各种宗教仪式;它是一个真正的形成中心，为不同的社会团体的成员，他们是教会的一部分。为了“诱惑”圣达菲的人们，把他们吸引到教堂，然后试图改革他们的习俗，耶稣会士需要大量的创造力、耐心和创造力来完成这项任务，而如果没有不同表现形式的艺术的帮助，他们就无法完成这项任务。圣依纳爵教会成员所接受的培训不是基于抽象概念的学习，而是一种以模范形象和故事为基础的实用教育，因此，无论社会和文化水平如何，每个人都可以接受和享受。这不是一种针对理性部分的教育，而是针对敏感部分的教育，与其说是为了指导，不如说是为了形成。关键词:耶稣会、兄弟会、教会、圣依纳爵教堂、艺术、建筑、宗教、圣堂、模范故事、戏剧、感官、精神锻炼。
{"title":"La Iglesia de San Ignacio de Santafé de Bogotá: Una puesta en escena para la educación de los sentidos (siglos XVII y XVIII)","authors":"S. Álvarez","doi":"10.26564/16926250.536","DOIUrl":"https://doi.org/10.26564/16926250.536","url":null,"abstract":"Resumen Durante los siglos XVII y XVIII, el primer templo jesuita que hubo en Santafe de Bogota, el de San Ignacio, fue mucho mas que un lugar de culto al que los fieles asistian para tomar parte en los distintos oficios religiosos; fue un verdadero centro de formacion para los miembros de los diferentes estamentos de la sociedad que hacian parte de sus congregaciones. Para “seducir” a la poblacion santaferena, atraerla a la iglesia y posteriormente intentar reformar sus costumbres, fue necesario mucho ingenio, paciencia y creatividad por parte de los jesuitas que adelantaron esta tarea, y no la habrian podido llevar a cabo sin la ayuda del arte en sus distintas manifestaciones. La formacion recibida por los miembros de las congregaciones pertenecientes a la iglesia de San Ignacio no se baso en el aprendizaje de conceptos abstractos, sino que fue una educacion practica apoyada en imagenes e historias ejemplares, y, por eso mismo, amena y accesible a todos sin importar su nivel social y cultural. No fue una educacion dirigida a la parte racional, sino a la sensibilidad, y con ella no se busco tanto instruir como formar. Palabras clave: Compania de Jesus, cofradias, congregaciones, Iglesia de San Ignacio, arte, arquitectura, religion, santoral, historias ejemplares, teatro, sentidos, ejercicios espirituales. ******************************************************************** The San Ignacio´s Church: A performance for the education of senses (17th and 18th centuries) Abstract During the 17th and 18th centuries, the first Jesuitical temple in Santafe de Bogota was the San Ignacios´s one. It was a true educational center more than cultic place and it attracted people of all social classes, assembled in religious congregations. To “seduce” and it attract them, it was necessary to have a huge amount of genius, patience and creativity. To accomplish their educational task, the members of the Society of Jesus found assistance in fine arts manifestations. Their instruction, in conformity with the baroque spirit, did not have a conceptual basis, but a practical one. It reached people of all conditions and cultural background images and exemplary stories. Its goal was to educate more than to instruct, and it was oriented more to the sensibility than to the reason. Key words: Society of Jesus, Baroque, Saint Ignacio Church, congregations, brotherhoods, art, architecture, religion, exemplary stories, theatre, spiritual exercises, sensibility. ******************************************************************** A igreja de Sao Ignacio de Santa Fe de Bogota: Uma encenacao para a educacao dos sentidos (seculo XVII e XVIII) Resumo Durante os seculos XVII e XVIII, o primeiro templo jesuita que existiu em Santa fe de Bogota, o de Sao Ignacio, foi muito mais do que um lugar de culto em que os fieis iam para tomar parte nos distintos oficios religiosos; foi um verdadeiro centro de formacao para os membros dos diferentes grupos da sociedade que faziam parte de suas c","PeriodicalId":31526,"journal":{"name":"Grafia","volume":"12 1","pages":"58-75"},"PeriodicalIF":0.0,"publicationDate":"2015-01-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68998864","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Resumen En este trabajo se busca establecer el contexto en que Rosa Luxemburgo tuvo que actuar durante las dos ultimas decadas de su vida (1898-1919), para convertir el movimiento de los trabajadores de Alemania y de la periferia polaca del imperio de los zares, en el sujeto colectivo de la transformacion social. No obstante, el desafio mayor se presento cuando estallo la primera guerra mundial y puso a prueba la teoria y la practica politica del movimiento obrero europeo. Palabras clave: Sujeto historico, movimiento obrero, Primera Guerra Mundial, paz. ********************************************************* Rosa Luxemburg and opposition to the First World War Abstract In this work we search to establish the context in which Rosa Luxemburgo had to play a role during the last two decades of her life (1898-1919), to make become the movement of the Germany’s workers and the Polish periphery from the Tsars Empire, in a collective subject of social transformation. Even though, the big challenge was presented when the First World War broke out and it makes real the theory and political practice of European labourer movement. Key words: Historical subject, labourer movement, First World War, peace. ********************************************************** Rosa Luxemburgo e a oposicao a Primeira Guerra Mundial Resumo Neste trabalho busca-se estabelecer o contexto no qual Rosa Luxemburgo teve que atuar durante as duas ultimas decadas de sua vida (1898-1919), para converter o movimento dos trabalhadores de Alemanha e da periferia polaca do imperio dos Zares, no sujeito coletivo da transformacao social. No entanto, o maior desafio se apresentou quando explodiu a Primeira Guerra Mundial e colocou a prova a teoria e a pratica politica do movimento operario europeu. Palavras chave: Sujeito historico, movimento operario, Primeira Guerra Mundial, paz.
摘要在这个工作旨在建立的背景罗莎卢森堡期间不得不两个最新几十年的生活(1898-1919),为工人运动转化为帝国的德国和波兰郊区沙皇,在社会这个主题集体transformacion。然而，最大的挑战是第一次世界大战的爆发，它考验了欧洲劳工运动的理论和政治实践。关键词:历史主题，劳工运动，第一次世界大战，和平。********************************************************* Rosa Luxemburg and opposition to the First World War Abstract In this work In which we search to设立2003年间罗莎卢森堡政府to play a role during the two decades of her life(1898-1919), 2003年,to make练习the movement of the科员’s工作者and the波兰periphery from the沙皇帝国,In a集体subject of social transformation。然而，当第一次世界大战爆发时，大挑战出现了，它使欧洲劳工运动的理论和政治实践成为现实。= =历史= = = = =第一次世界大战= = =第一次世界大战结束后，第二次世界大战开始了。********************************************************** 罗莎卢森堡e a oposicao大队世界大战Resumo此时trabalho busca-se网路或方面没有群体罗莎卢森堡teve atuar as duas最新几十年的的生活(1898-1919),为converter运动两个trabalhadores Alemanha和波兰do两个沙皇帝国边缘,不是sujeito 1988年因政治社会transformacao。然而，最大的挑战出现在第一次世界大战爆发时，它考验了欧洲劳工运动的理论和政治实践。关键词:历史主体，劳工运动，第一次世界大战，和平。
{"title":"Rosa Luxemburgo y la oposición a la Primera Guerra Mundial","authors":"Carlos Tuta","doi":"10.26564/16926250.522","DOIUrl":"https://doi.org/10.26564/16926250.522","url":null,"abstract":"Resumen En este trabajo se busca establecer el contexto en que Rosa Luxemburgo tuvo que actuar durante las dos ultimas decadas de su vida (1898-1919), para convertir el movimiento de los trabajadores de Alemania y de la periferia polaca del imperio de los zares, en el sujeto colectivo de la transformacion social. No obstante, el desafio mayor se presento cuando estallo la primera guerra mundial y puso a prueba la teoria y la practica politica del movimiento obrero europeo. Palabras clave: Sujeto historico, movimiento obrero, Primera Guerra Mundial, paz. ********************************************************* Rosa Luxemburg and opposition to the First World War Abstract In this work we search to establish the context in which Rosa Luxemburgo had to play a role during the last two decades of her life (1898-1919), to make become the movement of the Germany’s workers and the Polish periphery from the Tsars Empire, in a collective subject of social transformation. Even though, the big challenge was presented when the First World War broke out and it makes real the theory and political practice of European labourer movement. Key words: Historical subject, labourer movement, First World War, peace. ********************************************************** Rosa Luxemburgo e a oposicao a Primeira Guerra Mundial Resumo Neste trabalho busca-se estabelecer o contexto no qual Rosa Luxemburgo teve que atuar durante as duas ultimas decadas de sua vida (1898-1919), para converter o movimento dos trabalhadores de Alemanha e da periferia polaca do imperio dos Zares, no sujeito coletivo da transformacao social. No entanto, o maior desafio se apresentou quando explodiu a Primeira Guerra Mundial e colocou a prova a teoria e a pratica politica do movimento operario europeu. Palavras chave: Sujeito historico, movimento operario, Primeira Guerra Mundial, paz.","PeriodicalId":31526,"journal":{"name":"Grafia","volume":"11 1","pages":"91-108"},"PeriodicalIF":0.0,"publicationDate":"2014-07-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68999018","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Resumen Se propone un recorrido que analiza la manera como la prensa colombiana brindaba informacion sobre los sucesos de la guerra, de manera especial en lo que concernia a las presiones para que Colombia y otras naciones latinoamericanas abandonaran la neutralidad. Desde una perspectiva politica y economica se expone el desarrollo industrial de Gran Bretana, Alemania y Francia, buscando explicar la guerra comercial que produjo determinaciones geo-estrategicas, como el uso del Canal de Panama como enclave desde el cual se controlaba el transito maritimo de navios y supuestos submarinos, elementos que se constituyeron en un factor determinante para imprimirle terror a los aliados. Palabras clave: Primera Guerra mundial, Prensa, Colombia, Canal de Panama ********************************************************** The World right now Press news about Colombia and Panama during the First World War Abstract We propose an overview that analyses how the Colombian press provided information about the war events, in the special way in which it makes pressure to Colombia and other Latin-American nations in order to abandon the neutrality. Since a political and economical perspective we expose the industrial development of Great Britain, Germany and France, searching a commercial explanation that produced geo-strategies determinations, as the use of Panama channel like a enclave from where it was controlled the maritime transit of vessels and supposed submarines, elements which were constituted as a determinant factor to impose terror on the allies. Key words : First World War, Press, Colombia, Panama Channel. ********************************************************** O mundo agora. Noticias de imprensa sobre a Colombia e o Panama durante a Primeira Guerra Mundial Resumo Propoe-se aqui analisar a forma como a imprensa colombiana informava sobre os acontecimentos da guerra, especialmente no que se refere as pressoes para que a Colombia e outras nacoes latino-americanas abandonassem a neutralidade. Em perspectiva politica e economica se expoe o desenvolvimento industrial da Gra-Bretanha, Alemanha e Franca, buscando explicar a guerra comercial que produziu determinacoes geo-estrategicas, como o uso do Canal do Panama como enclave a partir do qual se controlava o trânsito de navios e supostos submarinos, elementos que se constituiram num fator determinante para produzir terror entre os aliados. Palavras-chave: Primeira Guerra Mundial, Imprensa, Colombia, Canal do Panama.
本文提出了一种分析哥伦比亚媒体如何提供战争事件的信息的方法，特别是关于哥伦比亚和其他拉丁美洲国家放弃中立的压力。从政治角度和economica突显出英国、德国和法国工业发展,寻找解释贸易战争造成geo-estrategicas决定,作为使用巴拿马运河从该据点控制该进境maritimo navios和所谓的潜艇,元素中的一个决定性因素政治性,使恐怖的盟友。关键词:第一次世界大战、新闻、哥伦比亚、巴拿马运河 ********************************************************** The World news about right now Press哥伦比亚和巴拿马during The First World War Abstract We propose an overview that非洲how The少数出版社提供information about The War events, in The special way in which it曾pressure to哥伦比亚and other Latin-American nations in order to abandon The中立。鉴于political and乏观点we expose the industrial development of Great Britain,德国和法国,niebuhr commercial解释来生产的限制geo-strategies determinations, as the use of造型channel像from where it was控制据点海事transit罐和送交submarines要素是作为determinant任职to一类恐怖on the "因素。关键词:第一次世界大战，哥伦比亚，巴拿马海峡。********************************************************** O mundo agora。听到imprensa关于哥伦比亚和巴拿马在大队场世界大战Resumo Propoe-se这里analisar向哥伦比亚imprensa informava如何os acontecimentos战争,尤其是会refere as pressoes来哥伦比亚和阶段nacoes latino-americanas abandonassem neutralidade。在政治观点和economica expoe捷径工业da Gra-Bretanha Alemanha和诚实,寻找解释的商业战争produziu determinacoes geo-estrategicas或使用do do巴拿马运河作为据点,do群体controlava或起trânsito navios和supostos潜艇,元素constituiram num fator对于produzir恐惧最好的盟友。第一次世界大战，新闻，哥伦比亚，巴拿马运河。
{"title":"El mundo al instante. Noticias de prensa sobre Colombia y Panamá durante la Primera Guerra Mundial","authors":"R. R. Velásquez","doi":"10.26564/16926250.519","DOIUrl":"https://doi.org/10.26564/16926250.519","url":null,"abstract":"Resumen Se propone un recorrido que analiza la manera como la prensa colombiana brindaba informacion sobre los sucesos de la guerra, de manera especial en lo que concernia a las presiones para que Colombia y otras naciones latinoamericanas abandonaran la neutralidad. Desde una perspectiva politica y economica se expone el desarrollo industrial de Gran Bretana, Alemania y Francia, buscando explicar la guerra comercial que produjo determinaciones geo-estrategicas, como el uso del Canal de Panama como enclave desde el cual se controlaba el transito maritimo de navios y supuestos submarinos, elementos que se constituyeron en un factor determinante para imprimirle terror a los aliados. Palabras clave: Primera Guerra mundial, Prensa, Colombia, Canal de Panama ********************************************************** The World right now Press news about Colombia and Panama during the First World War Abstract We propose an overview that analyses how the Colombian press provided information about the war events, in the special way in which it makes pressure to Colombia and other Latin-American nations in order to abandon the neutrality. Since a political and economical perspective we expose the industrial development of Great Britain, Germany and France, searching a commercial explanation that produced geo-strategies determinations, as the use of Panama channel like a enclave from where it was controlled the maritime transit of vessels and supposed submarines, elements which were constituted as a determinant factor to impose terror on the allies. Key words : First World War, Press, Colombia, Panama Channel. ********************************************************** O mundo agora. Noticias de imprensa sobre a Colombia e o Panama durante a Primeira Guerra Mundial Resumo Propoe-se aqui analisar a forma como a imprensa colombiana informava sobre os acontecimentos da guerra, especialmente no que se refere as pressoes para que a Colombia e outras nacoes latino-americanas abandonassem a neutralidade. Em perspectiva politica e economica se expoe o desenvolvimento industrial da Gra-Bretanha, Alemanha e Franca, buscando explicar a guerra comercial que produziu determinacoes geo-estrategicas, como o uso do Canal do Panama como enclave a partir do qual se controlava o trânsito de navios e supostos submarinos, elementos que se constituiram num fator determinante para produzir terror entre os aliados. Palavras-chave: Primeira Guerra Mundial, Imprensa, Colombia, Canal do Panama.","PeriodicalId":31526,"journal":{"name":"Grafia","volume":"11 1","pages":"25-43"},"PeriodicalIF":0.0,"publicationDate":"2014-07-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68998877","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Resumen El presente avance de investigacion ofrece una aproximacion teorica al origen y expansion del colonialismo de finales de siglo XIX por parte de Europa en Africa, dentro de un enfoque intercultural que se viene construyendo en grupos academicos y comunidades sociales que han vivido un proceso de silenciamiento historico en nuestro medio y en la mayoria de los paises de America Latina. Se da un acercamiento teorico al imperialismo y al colonialismo, para luego estudiar la configuracion del espacio geografico y social de Africa. Se termina con unas conclusiones provisionales derivadas del trabajo en curso. Palabras clave: Interculturalidad, imperialismo, colonialismo, supremacia racial, nacionalismo, cultura, liberacion. ********************************************************* From Colonialism to the First World War. Deconstruction of African towns Abstract The present research assessment offers a theoretical approach to the origin and expansion of colonialism at the end of 19th century of Europe in Africa, within an intercultural approach, which has been built by academic groups and social communities which have lived a process of historical silence in our region and in most of the countries of Latin America. There’s a theoretical approach to Imperialism and Colonialism in order to study the configuration to the geographical and social space in Africa. It ends with some provisional conclusions derivated from the current work. Key words : Interculturality, Imperialism, colonialism, racial supremacy, nationalism, culture, liberation. ********************************************************** Do colonialismo a Primeira Guerra Mundial Desestruturacao dos povos de Africa. Resumo O presente relatorio de pesquisa oferece uma abordagem teorica sobre a origem e expansao do Colonialismo de finais do seculo XIX por parte da Europa na Africa, dentro de um enfoque intercultural. Tal enfoque vem se construindo em grupos academicos e comunidades sociais que tem vivido um processo de silenciamento historico em nosso meio e na maior parte dos paises de America Latina. Ha uma aproximacao teorica ao Imperialismo e ao Colonialismo, para posteriormente discutirmos a configuracao do espaco geografico e social da Africa. Termina-se com algumas conclusoes provisorias derivadas do trabalho em andamento. Palavras chave : Interculturalidade, imperialismo, colonialismo, supremacia racial, nacionalismo, cultura, liberacao.
摘要本调查提供了一种突破aproximacion teorica来源和安排19世纪后期的欧洲殖民非洲,在促进不同文化间办法来建造academicos民族和社区住了报馆的历史进程的社会的行为和在拉丁美洲国家的大多数。本文从理论上探讨了帝国主义和殖民主义，然后研究了非洲的地理和社会空间配置。最后，从正在进行的工作中得出了一些临时结论。关键词:跨文化主义，帝国主义，殖民主义，种族至上，民族主义，文化，解放********************************************************* From Colonialism to the First World War。Deconstruction of African towns Abstract目前research assessment offers a理论approach to The origin and安排colonialism at The end of 19th century of Europe in Africa,跨文化within an approach, which has built by academic社会群体和社区已经住了a process of历史沉默in our region and in most of The countries of Latin America。= =地理= =根据美国人口普查，该地区的总面积为，其中土地和(2.641平方公里)水。它以从目前的工作中得出的一些临时结论结束。关键词:跨文化主义、帝国主义、殖民主义、种族至上主义、民族主义、文化、解放。********************************************************** Do两大队世界大战Desestruturacao povos殖民非洲。摘要本研究报告从跨文化的角度，对19世纪末欧洲殖民主义在非洲的起源和扩张进行了理论研究。这种方法正在学术团体和社会社区中建立，这些团体和社会社区在我们的环境和大多数拉丁美洲国家经历了一个历史沉默的过程。对帝国主义和殖民主义有一个理论的方法，然后讨论非洲的地理和社会空间的配置。最后，从正在进行的工作中得出一些临时结论。关键词:跨文化主义、帝国主义、殖民主义、种族至上主义、民族主义、文化、解放
{"title":"Del colonialismo a la Primera Guerra Mundial Desestructuración de los pueblos de África1","authors":"A. Vera","doi":"10.26564/16926250.520","DOIUrl":"https://doi.org/10.26564/16926250.520","url":null,"abstract":"Resumen El presente avance de investigacion ofrece una aproximacion teorica al origen y expansion del colonialismo de finales de siglo XIX por parte de Europa en Africa, dentro de un enfoque intercultural que se viene construyendo en grupos academicos y comunidades sociales que han vivido un proceso de silenciamiento historico en nuestro medio y en la mayoria de los paises de America Latina. Se da un acercamiento teorico al imperialismo y al colonialismo, para luego estudiar la configuracion del espacio geografico y social de Africa. Se termina con unas conclusiones provisionales derivadas del trabajo en curso. Palabras clave: Interculturalidad, imperialismo, colonialismo, supremacia racial, nacionalismo, cultura, liberacion. ********************************************************* From Colonialism to the First World War. Deconstruction of African towns Abstract The present research assessment offers a theoretical approach to the origin and expansion of colonialism at the end of 19th century of Europe in Africa, within an intercultural approach, which has been built by academic groups and social communities which have lived a process of historical silence in our region and in most of the countries of Latin America. There’s a theoretical approach to Imperialism and Colonialism in order to study the configuration to the geographical and social space in Africa. It ends with some provisional conclusions derivated from the current work. Key words : Interculturality, Imperialism, colonialism, racial supremacy, nationalism, culture, liberation. ********************************************************** Do colonialismo a Primeira Guerra Mundial Desestruturacao dos povos de Africa. Resumo O presente relatorio de pesquisa oferece uma abordagem teorica sobre a origem e expansao do Colonialismo de finais do seculo XIX por parte da Europa na Africa, dentro de um enfoque intercultural. Tal enfoque vem se construindo em grupos academicos e comunidades sociais que tem vivido um processo de silenciamento historico em nosso meio e na maior parte dos paises de America Latina. Ha uma aproximacao teorica ao Imperialismo e ao Colonialismo, para posteriormente discutirmos a configuracao do espaco geografico e social da Africa. Termina-se com algumas conclusoes provisorias derivadas do trabalho em andamento. Palavras chave : Interculturalidade, imperialismo, colonialismo, supremacia racial, nacionalismo, cultura, liberacao.","PeriodicalId":31526,"journal":{"name":"Grafia","volume":"11 1","pages":"44-68"},"PeriodicalIF":0.0,"publicationDate":"2014-07-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68998965","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Resumen Las relaciones entre diseno y arte constituyen un problema que hace parte del nucleo fundamental de nociones sobre las cuales se constituyo y se le dio forma a lo que hoy en dia es la profesion del diseno industrial. Revisar esas relaciones es el objetivo general de este escrito. Sin embargo, en el transcurso de la investigacion desarrollada, se comprendio que para hacer una revision como la propuesta era necesario examinar algunos conceptos sobreentendidos y establecer unas nociones minimas con las cuales trabajar. No definir que es arte y que es diseno, sino examinar que nociones teoricas han conformado en un transcurrir historico las relaciones entre estas dos practicas de creacion. Como resultado de este proceso se ha propuesto el uso de una categoria conceptual a la que se ha llamado el paradigma moderno del diseno industrial. Palabras clave: Diseno Industrial, arte, artesania, produccion en serie, Escuela de Ulm, paradigma. ********************************************************** The modern paradigm of industrial design and artistic creation Abstract: The relationships between design and art are a problem which is part of the core of notions on which was constituted and was given way to what today is the profession of industrial design. The reviewing these relationships is the overall objective of this writing. However, in the course of the investigation developed, were found that to make this review like is the proposal was necessary to examine some concepts and establish minimum notions with which to work. Not to define what is art and what is design, but consider what theoretical notions have shaped in a passing historical relations between these two practices of creation. As a result of this process, it is proposed the use of a conceptual category that has been called the modern paradigm of industrial design. Key words : Industrial Design, art, crafts, production in series, School of Ulm, paradigm. ********************************************************** O paradigma moderno do desenho industrial e a criacao artistica Resumo As relacoes entre desenho e arte constituem um problema que faz parte do nucleo fundamental de nocoes sobre as quais se constituiu e se deu forma a o que hoje em dia e a profissao do desenho industrial. Revisar essas relacoes e o objetivo geral deste texto. No entanto, no transcurso da investigacao desenvolvida, se compreendeu que para fazer uma revisao como a proposta era necessario examinar alguns conceitos sobre-entendidos e estabelecer umas nocoes minimas com as quais trabalhar. Nao definir o que e arte e o que e desenho, mas examinar que nocoes teoricas conformaram no transcorrer historico as relacoes entre estas duas praticas de criacao. Como resultado de este processo tem se proposto o uso de uma categoria conceitual a qual tem se denominado o paradigma moderno do desenho industrial. Palavras chave: Desenho industrial, Arte, Artesanato, Producao em serie, escola de Ulm, Paradigma
在这一领域，我们提出了一种新的方法，在这种方法中，研究人员和研究人员之间的关系，以及研究人员和研究人员之间的关系，以及研究人员和研究人员之间的关系，以及研究人员和研究人员之间的关系。这些关系是本文的总体目标。然而，在进行研究的过程中，人们意识到，为了进行这样的修订，有必要检查一些被误解的概念，并建立一些最低限度的概念来工作。在这两种创作实践中，艺术和设计之间的关系在历史的发展过程中，并没有被定义为艺术和设计。这一过程的结果是提出了一个概念范畴的使用，称为现代工业设计范式。关键词:工业设计，艺术，工艺，系列生产，乌尔姆学校，范例。********************************************************** 工业设计和艺术创造现代范式Abstract: The design and relationships between art are a problem which is part of The core of notions on which was任职and was way to what today is The给予职业of industrial design。回顾这些关系是本文的总体目标。然而，在进行调查的过程中，人们发现，要进行这样的审查，就必须审查一些概念，并确立最低限度的概念。Not to define what is art design and what is, but what考虑理论notions已经7 in a考验历史relations between two practices of creation。这一过程的结果是提出了一种被称为现代工业设计范式的概念范畴的使用。关键词:工业设计，艺术，工艺，系列生产，乌尔姆学校，范例。********************************************************** 艺术和工业或现代范式do desenho criacao Resumo As relacoes desenho与艺术constituem um nocoes面貌do nucleo一部分关键问题关于As quais constituiu和deu形状或者今日一天感profissao do desenho工业。回顾这些关系和本文的总体目标。然而，在研究过程中，人们意识到，要像提案一样进行修订，有必要检查一些被误解的概念，并建立一些最低限度的概念。不是定义什么是艺术，什么是绘画，而是检查哪些理论概念在历史进程中符合这两种创作实践之间的关系。作为这一过程的结果，提出了一个概念范畴的使用，被称为工业设计的现代范式。关键词:工业设计，艺术，工艺，系列生产，乌尔姆学校，范例
{"title":"El paradigma moderno del diseño industrial y la creación artística","authors":"C. F. González","doi":"10.26564/16926250.523","DOIUrl":"https://doi.org/10.26564/16926250.523","url":null,"abstract":"Resumen Las relaciones entre diseno y arte constituyen un problema que hace parte del nucleo fundamental de nociones sobre las cuales se constituyo y se le dio forma a lo que hoy en dia es la profesion del diseno industrial. Revisar esas relaciones es el objetivo general de este escrito. Sin embargo, en el transcurso de la investigacion desarrollada, se comprendio que para hacer una revision como la propuesta era necesario examinar algunos conceptos sobreentendidos y establecer unas nociones minimas con las cuales trabajar. No definir que es arte y que es diseno, sino examinar que nociones teoricas han conformado en un transcurrir historico las relaciones entre estas dos practicas de creacion. Como resultado de este proceso se ha propuesto el uso de una categoria conceptual a la que se ha llamado el paradigma moderno del diseno industrial. Palabras clave: Diseno Industrial, arte, artesania, produccion en serie, Escuela de Ulm, paradigma. ********************************************************** The modern paradigm of industrial design and artistic creation Abstract: The relationships between design and art are a problem which is part of the core of notions on which was constituted and was given way to what today is the profession of industrial design. The reviewing these relationships is the overall objective of this writing. However, in the course of the investigation developed, were found that to make this review like is the proposal was necessary to examine some concepts and establish minimum notions with which to work. Not to define what is art and what is design, but consider what theoretical notions have shaped in a passing historical relations between these two practices of creation. As a result of this process, it is proposed the use of a conceptual category that has been called the modern paradigm of industrial design. Key words : Industrial Design, art, crafts, production in series, School of Ulm, paradigm. ********************************************************** O paradigma moderno do desenho industrial e a criacao artistica Resumo As relacoes entre desenho e arte constituem um problema que faz parte do nucleo fundamental de nocoes sobre as quais se constituiu e se deu forma a o que hoje em dia e a profissao do desenho industrial. Revisar essas relacoes e o objetivo geral deste texto. No entanto, no transcurso da investigacao desenvolvida, se compreendeu que para fazer uma revisao como a proposta era necessario examinar alguns conceitos sobre-entendidos e estabelecer umas nocoes minimas com as quais trabalhar. Nao definir o que e arte e o que e desenho, mas examinar que nocoes teoricas conformaram no transcorrer historico as relacoes entre estas duas praticas de criacao. Como resultado de este processo tem se proposto o uso de uma categoria conceitual a qual tem se denominado o paradigma moderno do desenho industrial. Palavras chave: Desenho industrial, Arte, Artesanato, Producao em serie, escola de Ulm, Paradigma","PeriodicalId":31526,"journal":{"name":"Grafia","volume":"11 1","pages":"109-133"},"PeriodicalIF":0.0,"publicationDate":"2014-07-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68999040","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Resumen El tema de este analisis es la historia de la prensa que se publico durante la Republica de Nueva Granada (1830-1858). El trabajo pretende senalar el lugar que aquella ocupo en la vida publica de los neogranadinos. Para tal fin, se priorizan los casos en los cuales la prensa registro algunos eventos criticos del ambito de la politica, de ahi que se concluye que los periodicos cumplieron tres funciones esenciales. De una parte, fueron una herramienta pedagogica de los gobiernos para inculcar en los lectores una cultura del republicanismo. En segundo lugar, sirvieron como un amplificador del caos; por ultimo se convirtieron en el escenario extrajuridico para resolver litigios durante las guerras. Palabras clave : Historia de la prensa, politica, sensacionalismo, justicia, guerra. ********************************************************* Sensationalism, justice and governance in the Nueva Granada press, 1830-1858 Abstract The subject of this analysis is the history of the press which was published during the Republic of New Granada (1830-1858). The work aims to point out the place that occupied in the public life of the New Granada people. For this purpose, are prioritized the cases in which the press recorded some critical of the scope of the policy events, hence, it is concluded that newspapers met three essential functions. First, were an educational tool of Governments to inculcate a culture of republicanism in readers. Second, they served as an amplifier of chaos; Finally became the extra-legal scenario to resolve disputes during the wars. Key words : History of the press, political, sensationalism, justice, war. ********************************************************** Sensacionalismo, justica e governo nos jornais neogranadinos, 1830-1858 Resumo O tema desta analise e a historia dos jornais que foram publicados durantes a Republica de Nueva Granada (1830-1858). O trabalho pretende sinalizar o lugar que aqueles ocuparam na vida publica dos neogranadinos. Para tal finalidade, se priorizam os casos nos quais os jornais registraram alguns eventos criticos do âmbito da politica, dai se conclui que os jornais cumpriram tres funcoes essenciais. De uma parte, foram ferramenta pedagogica dos governos para inculcar nos leitores uma cultura do republicanismo. No segundo termo, serviram como um amplificador do caos; por ultimo, se converteram no cenario extrajuridico para resolver litigios durante as guerras. Palavras chave : Historia dos jornais, politica, sensacionalismo, justica, guerra.
摘要历史这个分析的主题是新格拉纳达共和国期间发表了他们的新闻(1830-1858)。这项工作的目的是表明它在新格拉纳达人的公共生活中所占据的位置。本研究的目的是分析新闻媒体在政治领域记录的关键事件的情况，从而得出结论，新闻媒体履行了三个基本职能。一方面，它们是政府向读者灌输共和主义文化的教育工具。其次，它们充当了混乱的放大器;最终，它们成为战争期间解决争端的法外场所。关键词:新闻史，政治，哗众取众，正义，战争。********************************************************* ********************************************************* *******************************************************The work区域to point out The place that occupied in The public life of The New people手榴弹。为此目的，优先考虑报刊对政策事件范围提出一些批评的案例，因此得出的结论是，报刊具有三个基本功能。首先，它是政府向读者灌输共和主义文化的教育工具。第二，它们是混乱的放大器;最终，它成为解决战争期间争端的法外方案。Key words: History of the press, political sensationalism、司法部war。********************************************************** 耸人听闻、专员和政府对此我们jornais neogranadinos, 1830-1858 Resumo或主题斯塔analise和历史两个jornais逮捕上好印发新格拉纳达共和国(1830-1858)。这项工作旨在表明他们在新格拉纳达人的公共生活中所占据的位置。为此目的，优先考虑报纸在政治领域记录一些关键事件的情况，从而得出结论，报纸履行了三个基本功能。一方面，它们是政府向读者灌输共和主义文化的教育工具。在第二种情况下，它们充当了混沌的放大器;最后，它们成为解决战争期间争端的法外框架。关键词:新闻史，政治，哗众取闹，正义，战争。
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