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Invert Syrup, Feminist Snap: Anzac Biscuits and Feminist Resistance to Imperial Logics 反糖浆,女权主义的Snap:澳新军团饼干和女权主义者对帝国逻辑的抵抗
Pub Date : 2023-04-05 DOI: 10.28968/cftt.v9i1.38439
Lindsay Kelley
Baked for Anzac Day in April but eaten all year, Anzac biscuits memorialize the Australian and New Zealand Army Corps (ANZAC) participation in the Gallipoli Campaign during World War I. The chemical and culinary capacities of one of the biscuit’s key ingredients, golden syrup, offer strategies for figuring snaps, breaks, and refusals. Golden syrup catalyzes a feminist digestion of a food often perceived as culturally conservative or nationalistic. Sara Ahmed describes “feminist snap” as a moment of fury that confronts and changes history. Snap can additionally refer to crispy batter-based desserts that often call for golden syrup. Classified as an “invert syrup,” golden syrup was formulated from sugar refining waste products that were fed to pigs before being adapted for human consumption. “Invert” refers to the assessment of syrups using a beam of light, which inverts its angle of rotation as fructose and glucose separate. Reading the chemistry of inverting sugar alongside the feminist-led “anti-Anzac” day movement of the 1980s, this paper proposes that edible everyday militarisms might be snapped, inverted, spun, and reshaped. Anzac biscuits bring domestic everyday militarisms into Australian and Aotearoa New Zealand kitchens.
澳新军团饼干是在4月的澳新军团日(Anzac Day)烤的,但全年都在吃,澳新军团饼干是为了纪念第一次世界大战期间参加加里波利战役的澳大利亚和新西兰陆军部队(Anzac)。这种饼干的主要成分之一——金色糖浆——的化学和烹饪能力,为人们提供了计算“啪”、“休息”和“拒绝”的策略。黄金糖浆催化了女权主义者对一种通常被视为文化保守或民族主义的食物的消化。萨拉·艾哈迈德(Sara Ahmed)将“女权主义的瞬间”描述为直面并改变历史的愤怒时刻。Snap还可以指脆脆的、以电池为基础的甜点,通常需要金色的糖浆。黄金糖浆被归类为“转化糖浆”,是由糖提炼废料制成的,这些废料在被用于人类消费之前被喂给猪。“倒转”指的是用一束光来评估糖浆,当果糖和葡萄糖分离时,它的旋转角度会倒转。这篇论文将糖转化的化学作用与20世纪80年代女权主义者领导的“反澳新军团”运动结合起来,提出了可食用的日常军国主义可能会被折断、颠倒、旋转和重塑。澳新军团的饼干把家常的军国主义带进了澳大利亚和新西兰的厨房。
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引用次数: 0
The Girl in the Bubble: An Essay on Containment 泡泡里的女孩:一篇关于遏制的文章
Pub Date : 2023-04-05 DOI: 10.28968/cftt.v9i1.38131
Dylan Mulvin, Cait McKinney
In this essay, we offer a prehistory of contemporary bubbles used in the mitigation of viruses, told through the late 1980s case of Eliana Martínez, an HIV-positive (HIV+) and developmentally disabled Puerto Rican child who was ordered to be confined to a glass chamber within her Florida classroom. Eliana’s mother, Rosa, challenged the use of this chamber as a reasonable disability accommodation in a high-profile lawsuit. We draw on disability studies, critical access studies, and a postcolonial critique to put forward a theory of the bubble as a “structure-within-a-structure”—a zone of limited, restricted, or filtered interaction with the broader social world. Eliana’s bubble demonstrates how institutional practices of accommodation can easily transform into techniques of containment, sanctioned to manage the “infectious subject” within institutions and systems. The bubble is a gathering of social forces and bodily relations. In Eliana’s case, it gathers the necropolitical arrangements of different populations, the coloniality of Puerto Rico, the innocence of childhood, the fatality of an AIDS diagnosis, and the politics of design and disability.
在这篇文章中,我们通过20世纪80年代末Eliana Martínez的案例讲述了当代泡沫用于减轻病毒的历史,Eliana是一名艾滋病毒阳性(HIV+)和发育残疾的波多黎各儿童,她被命令限制在佛罗里达教室的玻璃室里。埃莉安娜的母亲罗莎在一场备受瞩目的诉讼中质疑将这个房间作为合理的残疾人住宿场所的做法。我们借鉴了残疾研究、批判性准入研究和后殖民批判,提出了一种泡沫理论,认为它是一个“结构中的结构”——一个与更广泛的社会世界进行有限、限制或过滤互动的区域。埃利安娜的泡泡表明,制度上的迁就实践可以很容易地转化为遏制技术,从而在制度和体系内管理“传染性主体”。泡沫是社会力量和身体关系的集合。在伊莱安娜的例子中,它收集了不同人群的死亡政治安排,波多黎各的殖民地,童年的天真,艾滋病诊断的死亡,以及设计和残疾的政治。
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引用次数: 0
Cover Art | Outdoor Seating Area at the Visitor's Center 封面艺术|游客中心的户外座位区
Pub Date : 2023-04-05 DOI: 10.28968/cftt.v9i1.38456
Joshua Kim Chacko
The cover image for this issue of Catalyst titled, “Outdoor Seating at the Visitor's Center,” showcases the banality of everyday life, which both produces and is produced by militarized extractivism in the name of energy security. The image juxtaposes outdoor lounge furniture with an open pit mine. Dust clouds rise from a seemingly infinite stepped desert that carries anthropogenic traces. The severity of the lines of earth that are being excavated by a machine contrast with the distant horizon that suggests the impossibility of escape from the pit.For more about Joshua Kim’s, please visit https://www.joshkim.net/
这期《催化剂》杂志的封面图片题为“游客中心的户外座位”,展示了日常生活的平庸,以能源安全的名义,军事化的采掘活动既产生了这种平庸,也产生了这种平庸。这幅图将户外休闲家具与露天矿井并列。尘埃云从看似无限的阶梯式沙漠中升起,上面有人类活动的痕迹。机器正在挖掘的泥土线条与远处的地平线形成鲜明对比,表明不可能从坑里逃出来。有关约书亚·金的更多信息,请访问https://www.joshkim.net/
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引用次数: 0
Properties of War: The Militarization of Housing Policy and Urban Planning in Contemporary Azerbaijan 战争的属性:当代阿塞拜疆住房政策和城市规划的军事化
Pub Date : 2023-04-05 DOI: 10.28968/cftt.v9i1.39527
Z. Ihar
War has defined Azerbaijan for more than three decades. The unresolved conflict over the territory of Nagorno-Karabakh has not only structured the sociopolitical climate of the nation but also everyday relations and the very manner in which both the private home and the homeland is imagined. Increasingly, the line has blurred between housing policy and military strategy, with desires for greater securitization and armament seeping into proprietary arrangements, construction plans, and mainstream narratives surrounding the domestic. I examine three sites where inhabitation has seemingly become inextricable from the military apparatus — a state-sponsored apartment block for the families of martyrs (şəhid ailəsi) and those disabled by war (müharibə əlillərinə), a newly built housing complex for servicemen (yüksək rütbəli hərbçilər), and, finally, a makeshift settlement for internally displaced people (məcburi köçkünlər). In these spaces, both temporal and material qualities of war seep into the quotidian, informing the ways in which individuals negotiate the intimate aftermaths of violence, injury, and severed relation. Whilst the article begins by examining state-sponsored settlement forged along lines of allegiance, masculinized duty, and capacity, it concludes by attending to moments that upend oppressive forms of homemaking.
30多年来,战争一直困扰着阿塞拜疆。关于纳戈尔诺-卡拉巴赫领土的尚未解决的冲突不仅构成了国家的社会政治气候,而且也构成了日常关系以及想象私人住宅和家园的方式。住房政策和军事战略之间的界限越来越模糊,对更大的证券化和军备的渴望渗透到产权安排、建设计划和围绕国内的主流叙述中。我考察了三个居住似乎与军事机构不可分割的地方-国家资助的烈士家属公寓楼(土耳其语)和战争致残者公寓楼(m harib语),新建的军人住宅区(y ks语r语h语rbil语r),最后是国内流离失所者的临时定居点(m语cburi köçkünl语r)。在这些空间中,战争的时间和物质特质渗透到日常生活中,告知个人如何协商暴力,伤害和断绝关系的亲密后果。这篇文章首先考察了国家支持的定居点,这些定居点沿着忠诚、男性化的责任和能力的路线形成,最后讨论了颠覆压迫性家政形式的时刻。
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引用次数: 0
Wartime’s “Undeniable Linkages”: Feminist Studies of Everyday Militarisms across Time and Space 战时的“不可否认的联系”:跨越时空的日常军国主义的女性主义研究
Pub Date : 2023-04-05 DOI: 10.28968/cftt.v9i1.38155
Gabi Kirk
Feminist scholars and social movements have long been important voices against war and empire. Yet the era of global “endless wars” stretches behind and before us, challenging both our longstanding intellectual theories of violence and our political strategies for combating entrenched imperialism. This essay reviews three monographs in the emergent field of “everyday militarisms,” a new direction forward for understanding and criticizing global war in the past, present, and future. Threading connections between feminist science studies, cultural studies, and women of color and transnational feminisms, these texts ask us to more closely consider how elements of war show up in ordinary formations. I highlight how these books and the field of everyday militarisms more broadly makes us question what is understood as feminist work in both theory and method, through their shared and novel feminist theories of temporality. Together they open new understandings of ongoing systemic and state violence in the world today and different political paths forward in the face of seemingly intractable conflict.
女权主义学者和社会运动长期以来一直是反对战争和帝国的重要声音。然而,全球“无休止的战争”时代在我们身后和面前延伸,既挑战了我们长期以来关于暴力的知识理论,也挑战了我们对抗根深蒂固的帝国主义的政治战略。本文回顾了新兴领域“日常军国主义”的三本专著,这是理解和批评过去、现在和未来全球战争的新方向。这些文本贯穿了女权主义科学研究、文化研究、有色人种女性和跨国女权主义之间的联系,要求我们更仔细地考虑战争元素是如何在普通形态中出现的。我强调这些书和日常军国主义领域如何更广泛地让我们质疑什么是在理论和方法上被理解为女权主义作品,通过他们共同的和新颖的女性主义暂时性理论。他们共同开启了对当今世界持续的系统性和国家暴力的新理解,以及面对看似棘手的冲突时不同的政治道路。
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引用次数: 0
Domesticity at War: Bringing the War Home in Martha Rosler's "House Beautiful" Wartime Photomontages 战争中的家庭生活:在玛莎·罗斯勒的“美丽的房子”战时照片蒙太奇中把战争带回家
Pub Date : 2023-04-05 DOI: 10.28968/cftt.v9i1.39401
Caren Kaplan
The uneven, sometimes violent relationship between “here” and “elsewhere” is evoked powerfully in Martha Rosler’s House Beautiful: Bringing the War Home—two linked sets of photomontages that engage the gender and racial politics of domesticity in the US as well as the geopolitics of empire. Troubling mythologies of warfare and documentary realism with dazzling wit and critical fury, these works refer materially and specifically to places and times of war in solidarity with protest movements while also raising questions of historical linkages and political accountability. Suturing their times and spaces into discontinuous contact, the two series bring together seemingly incommensurate elements—exquisite domestic interiors, glamorous consumer commodities often associated with conventional femininity, and the landscapes and bodies damaged and destroyed by warfare--to produce images of great immediacy and visceral power. Across the long arc of the wars waged by the US from Vietnam to Iraq and Afghanistan, Rosler has shown us how the modernist aestheticization of US domesticity in the affluent post-World War II era promised personal empowerment and hopeful futures yet, emerging from warfare itself, only brought about more war.
玛莎·罗斯勒(Martha Rosler)的《美丽的房子:把战争带回家》(House Beautiful: Bringing The War home)有力地唤起了“这里”和“其他地方”之间不平衡的、有时甚至是暴力的关系——两组相互关联的蒙太奇,涉及美国家庭生活中的性别和种族政治,以及帝国的地缘政治。令人不安的战争神话和纪实现实主义,令人眼花缭乱的智慧和批判的愤怒,这些作品在物质上和具体地涉及战争的地点和时间,与抗议运动团结一致,同时也提出了历史联系和政治责任的问题。这两个系列将时间和空间缝合成不连续的联系,将看似不相称的元素——精致的室内装饰、通常与传统女性气质相关的迷人消费品、被战争破坏的风景和身体——结合在一起,产生了强烈的即时性和发自内心的力量。在美国从越南到伊拉克和阿富汗发动的漫长战争中,罗斯勒向我们展示了二战后富裕时代美国家庭生活的现代主义审美化是如何承诺个人赋权和充满希望的未来的,然而,从战争本身出现,只带来了更多的战争。
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引用次数: 0
Memories and Motherhood in the Rhythms of Ugandan Computing 乌干达计算机节奏中的记忆和母性
Pub Date : 2023-04-05 DOI: 10.28968/cftt.v9i1.37014
Kerry Holden, Matthew Harsh, Ravtosh Bal
Based on ethnographic research in the computing communities of Ugandan universities, we advance a feminist and decolonial critique of the dominant chronopolitics of globalizing technologies. Our analysis starts with participants recounting their childhood memories of growing up in rural poverty under the shadow of rebellion wars. We show how the future promises of computing make sense in reference to this past. The same chronopolitics of pitching the past against the future is used by the global computing and donor development industry, and Uganda’s governing regime, which disguises the symbolic and physical violence of the evacuated present. In coping with the precarities of the present, we show how female computing researchers build enduring “near futures” through work that corresponds to the historical and symbolic role of Ugandan women in the domestic realm. And yet the chronopolitics of global computing syncopates with that of “near futures.” Women’s communal roles are written into computing and computing is made possible and doable in Uganda through the gendered logics of care practised in the present. The paper thus contributes to an expanding literature on computing in Africa, by providing a temporal analysis that recognizes women’s roles in more substantive ways.
基于乌干达大学计算机社区的人种学研究,我们对全球化技术的主导时代政治提出了女权主义和非殖民化的批评。我们的分析从参与者讲述他们在叛乱战争阴影下的贫困农村长大的童年记忆开始。我们将展示计算的未来承诺如何与过去相关联。用过去对抗未来的时间政治同样被全球计算机和捐助发展行业所使用,乌干达的统治政权也在使用,它掩盖了被疏散的现在的象征性和身体暴力。为了应对目前的不稳定,我们展示了女性计算机研究人员如何通过与乌干达妇女在家庭领域的历史和象征性角色相对应的工作建立持久的“近未来”。然而,全球计算的时间政治与“不远的未来”是同步的。妇女的公共角色被写入计算机,通过目前实行的性别护理逻辑,计算机在乌干达成为可能和可行的。因此,该文件提供了一种时间分析,以更实质性的方式承认妇女的作用,从而有助于扩充关于非洲计算机的文献。
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引用次数: 0
Trans Medicine: The Emergence and Practice of Treating Gender, by stef m. shuster (New York University Press, 2021) 《跨性别医学:性别治疗的出现与实践》,stef m. shuster著(纽约大学出版社,2021年)
Pub Date : 2022-11-07 DOI: 10.28968/cftt.v8i2.38235
Dana Ahern
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引用次数: 0
Science’s Stories and Other Possible Grammars 科学故事和其他可能的语法
Pub Date : 2022-11-07 DOI: 10.28968/cftt.v8i2.37283
Jake Silver
For ages, science has told divisive stories about the world, especially along racial lines: who is more human; who is fit to rule; who matters. And yet, science continues to enchant us, sustaining wonder within its mission to help us grasp and put into words the unknown. This review essay follows how three recent monographs that straddle STS and Black studies seize upon this seeming contradiction. I argue that they do so by cataloguing the elements of science’s stories: genres, beginnings, plotlines, grammars, characters, and endings. In so doing, these texts not only diagnose scientific racism, but they offer a horizon for telling different scientific stories. They gesture toward a science that reveals new arrangements of the physical world already in front of us. With their focus on relationality, insistent that the story of science entails humanity’s entwined and plural stories, these texts offer lucid and captivating templates for pursuing a decolonial study of science freed from differentiation, classification, opposition, and the hierarchies they architect.
多年来,科学讲述了关于世界的分裂故事,特别是沿着种族界限:谁更人性化;谁适合统治;谁很重要。然而,科学继续使我们着迷,在它的使命中维持着奇迹,帮助我们掌握未知,并用语言表达出来。这篇评论文章跟随最近三本横跨STS和Black研究的专著如何抓住这个看似矛盾的问题。我认为,他们是通过对科学故事的要素进行分类来做到这一点的:体裁、开头、情节、语法、人物和结局。在这样做的过程中,这些文本不仅诊断了科学种族主义,而且为讲述不同的科学故事提供了一个视野。它们指向一门科学,它揭示了已经摆在我们面前的物理世界的新安排。这些文本关注关系,坚持认为科学故事包含了人类相互交织和多元的故事,为追求非殖民化的科学研究提供了清晰而迷人的模板,摆脱了分化、分类、对立和它们所构建的等级制度。
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引用次数: 0
The Tunneling Metaphor in Networked Technologies 网络技术中的隧道隐喻
Pub Date : 2022-11-07 DOI: 10.28968/cftt.v8i2.37276
Juan Llamas-Rodriguez
This article explores the metaphor of tunneling to illustrate how the emancipatory language of border resistance can become co-opted in transnational technocultures. Drawing on specific instances of tunneling in science fiction film, video games, and digital platforms, I reveal how this metaphor has been mobilized to cast vanguard forms of online connectivity and networked transgression in terms that are distinctly white, masculine, upper class, and adhering to liberal tenets of individual mastery. This analysis suggests why we must question what kinds of politics and which subjects are privileged or undervalued in the metaphorical discussions of online borders and so-called border resistance. Only then can we respond to dominant and reactionary forms of transmission and connectivity across the internet.
本文探讨了隧道的隐喻,以说明边境抵抗的解放语言如何在跨国技术文化中被吸收。通过在科幻电影、电子游戏和数字平台中挖掘隧道的具体例子,我揭示了这个隐喻是如何被动员起来,以明显的白人、男性、上层阶级和坚持个人掌握的自由主义原则来塑造在线连接和网络越界的先锋形式的。这一分析表明,为什么我们必须质疑,在关于网络边界和所谓的边界抵抗的隐喻性讨论中,哪些政治、哪些主体享有特权或被低估。只有这样,我们才能对互联网上主流和反动的传播和连接形式做出反应。
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引用次数: 0
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Catalyst: Feminism, Theory, Technoscience
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