This article explores the tragic tones in Abhijnanashakuntalam (AS) from Aristotelian theory of tragedy. As per this theory, characters confront obstacles, external or from within. It contains characteristics like hamartia, catharsis, consistency, etc. AS too contains all those characteristics. So, this paper explores how Shakuntala confronts tragedies as Aristotle propounds. Karuna rasa suffuses over AS because the farewell scene of Shakuntala predominantly consists of this rasa. The malfeasance and injustices she meets in Dushyanta’s court further justify the pathos in the play. Thus, the concept of tragic soul dominates throughout the play. The West comes to know the dramatic composition of Kalidasa more after William Jones’ translation of AS into English in 1789. The hero and the heroine in it accept their ill fates, dib ‘ring’ as a source of their long separation. The coupling of the two gives a chirpy ending to the play, but the soul of it is full of commiserations. In Sanskrit, the ‘curse’ is one of the agencies evolving into a tragedy. Numerous reviewers and commentators make a study of AS, a drama chiefly of Shringar rasa or the sentiment of love. However, this paper finds it predominantly a drama of pathos or Karuna rasa. To explore these issues, this article applies the qualitative approach to the research. It is exploratory.
{"title":"Exploration of Tragic Soul in Abhijnanashakuntalam","authors":"Churamoni Kandel","doi":"10.3126/kdk.v2i1.42876","DOIUrl":"https://doi.org/10.3126/kdk.v2i1.42876","url":null,"abstract":"This article explores the tragic tones in Abhijnanashakuntalam (AS) from Aristotelian theory of tragedy. As per this theory, characters confront obstacles, external or from within. It contains characteristics like hamartia, catharsis, consistency, etc. AS too contains all those characteristics. So, this paper explores how Shakuntala confronts tragedies as Aristotle propounds. Karuna rasa suffuses over AS because the farewell scene of Shakuntala predominantly consists of this rasa. The malfeasance and injustices she meets in Dushyanta’s court further justify the pathos in the play. Thus, the concept of tragic soul dominates throughout the play. The West comes to know the dramatic composition of Kalidasa more after William Jones’ translation of AS into English in 1789. The hero and the heroine in it accept their ill fates, dib ‘ring’ as a source of their long separation. The coupling of the two gives a chirpy ending to the play, but the soul of it is full of commiserations. In Sanskrit, the ‘curse’ is one of the agencies evolving into a tragedy. Numerous reviewers and commentators make a study of AS, a drama chiefly of Shringar rasa or the sentiment of love. However, this paper finds it predominantly a drama of pathos or Karuna rasa. To explore these issues, this article applies the qualitative approach to the research. It is exploratory.","PeriodicalId":332111,"journal":{"name":"Kaumodaki: Journal of Multidisciplinary Studies","volume":"11 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-02-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132448999","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
प्रस्तुत आलेख संस्कृत साहित्यशास्त्र, त्यसअन्तर्गतको रससम्प्रदाय, त्यसमा वर्णित रसदर्शन मान्यतासँग सम्बन्धितरहेको छ । साहित्यशास्त्रमा रसपरम्परा सबैभन्दा मुख्य मानिन्छ । त्यसमा विवेचना गरिएका विभिन्न पक्षमध्ये रसलाईदर्शन मानेर गरिएको व्याख्या अझ महŒवपूर्ण छ । रसलाई काव्य वा साहित्यको मुख्य विषय मान्ने क्रममा रसलाईकाव्यको आत्मा हो भनिएको छ । साथै विद्वान्हरूले रसलाई यो आध्यात्मिक दर्शन हो, यो ब्रह्मसमान छ, यो अनीर्वचनीय,अखण्ड, स्वप्रकाश, आनन्दमय, चिन्मय, छ भन्ने सन्दर्भमा दिएका दृष्टान्तहरू र व्याख्याहरूले रसलाई जुन उचाइ दिइएकोछ त्यो महŒवपूर्ण हुँदाहुँदै पनि यसले केही दार्शनिक प्रश्नहरू जन्माएको छ । रसलाई काव्य साहित्यको महŒवपूर्ण विषयमानिरहँदा र रसको दार्शनिकतालाई पनि स्वीकारीकन पनि सधैँ उठ्ने ज्वलन्त प्रश्न यसको आध्यात्मिक तहको व्याख्याहो । रसलाई आध्यात्मिक मान्ने, रसलाई काव्यको आत्मा मान्ने र विद्वान्हरूले मानेझैँ रसलाई ब्रह्म पनि मानेपछि रसकाव्यको विषयबाट अलग्गिएर दर्शन मात्रैको विषय बन्नेगरी दार्शनिक मान्ने हो भने यसको काव्यात्मक शक्ति र सामथ्र्यकमजोर बन्ने र आध्यात्मिकता बढ्न गई यसको लौकिक धर्म पनि मेटिएर भौतिक जगत्को विषय नभएर आध्यात्मिकजगत्का कुरो हुन जान्छ । त्यतिमात्र होइन जुन उचाइ काव्यमा यसले लिएको थियो त्यो सबै दर्शनमा रूपान्तरण हुनजाँदा दर्शन र साहित्य एउटै विषय हुन् भन्नुपर्ने अव्यवस्था आउने देखिन्छ । रसदर्शन उचित हो तर रसको अलौकिकता,ईश्वरसदृशता, अनिर्वचनीयता आदि जसरी व्याख्या भएका छन् तिनले रसलाई कतै काव्यको क्षेत्रबाट अन्तै लैजाँदै तछैनन् ? रसलाई आध्यात्मिक मात्र मानिरहँदा सबै विचार र भावका भावकहरूबाट छुट्याउँदै त छैन ? रस काव्यको भावनभएर दर्शनको वस्तु मात्रै बन्दै त छैन ? भन्ने केही जिज्ञासाहरू जन्मिन्छन् तिनलाई समेटेर रसलाई लौकिक नै मान्नेतर्फको प्रयास नै उत्तम हो भन्ने आशय यस आलेखको निष्कर्ष विचार हो ।
{"title":"संस्कृत साहित्यशास्त्रमा वर्णित रसदर्शन {Rasadarshan described in Sanskrit literature}","authors":"नारायण Narayan चालिसे Chalise","doi":"10.3126/kdk.v2i1.43166","DOIUrl":"https://doi.org/10.3126/kdk.v2i1.43166","url":null,"abstract":"प्रस्तुत आलेख संस्कृत साहित्यशास्त्र, त्यसअन्तर्गतको रससम्प्रदाय, त्यसमा वर्णित रसदर्शन मान्यतासँग सम्बन्धितरहेको छ । साहित्यशास्त्रमा रसपरम्परा सबैभन्दा मुख्य मानिन्छ । त्यसमा विवेचना गरिएका विभिन्न पक्षमध्ये रसलाईदर्शन मानेर गरिएको व्याख्या अझ महŒवपूर्ण छ । रसलाई काव्य वा साहित्यको मुख्य विषय मान्ने क्रममा रसलाईकाव्यको आत्मा हो भनिएको छ । साथै विद्वान्हरूले रसलाई यो आध्यात्मिक दर्शन हो, यो ब्रह्मसमान छ, यो अनीर्वचनीय,अखण्ड, स्वप्रकाश, आनन्दमय, चिन्मय, छ भन्ने सन्दर्भमा दिएका दृष्टान्तहरू र व्याख्याहरूले रसलाई जुन उचाइ दिइएकोछ त्यो महŒवपूर्ण हुँदाहुँदै पनि यसले केही दार्शनिक प्रश्नहरू जन्माएको छ । रसलाई काव्य साहित्यको महŒवपूर्ण विषयमानिरहँदा र रसको दार्शनिकतालाई पनि स्वीकारीकन पनि सधैँ उठ्ने ज्वलन्त प्रश्न यसको आध्यात्मिक तहको व्याख्याहो । रसलाई आध्यात्मिक मान्ने, रसलाई काव्यको आत्मा मान्ने र विद्वान्हरूले मानेझैँ रसलाई ब्रह्म पनि मानेपछि रसकाव्यको विषयबाट अलग्गिएर दर्शन मात्रैको विषय बन्नेगरी दार्शनिक मान्ने हो भने यसको काव्यात्मक शक्ति र सामथ्र्यकमजोर बन्ने र आध्यात्मिकता बढ्न गई यसको लौकिक धर्म पनि मेटिएर भौतिक जगत्को विषय नभएर आध्यात्मिकजगत्का कुरो हुन जान्छ । त्यतिमात्र होइन जुन उचाइ काव्यमा यसले लिएको थियो त्यो सबै दर्शनमा रूपान्तरण हुनजाँदा दर्शन र साहित्य एउटै विषय हुन् भन्नुपर्ने अव्यवस्था आउने देखिन्छ । रसदर्शन उचित हो तर रसको अलौकिकता,ईश्वरसदृशता, अनिर्वचनीयता आदि जसरी व्याख्या भएका छन् तिनले रसलाई कतै काव्यको क्षेत्रबाट अन्तै लैजाँदै तछैनन् ? रसलाई आध्यात्मिक मात्र मानिरहँदा सबै विचार र भावका भावकहरूबाट छुट्याउँदै त छैन ? रस काव्यको भावनभएर दर्शनको वस्तु मात्रै बन्दै त छैन ? भन्ने केही जिज्ञासाहरू जन्मिन्छन् तिनलाई समेटेर रसलाई लौकिक नै मान्नेतर्फको प्रयास नै उत्तम हो भन्ने आशय यस आलेखको निष्कर्ष विचार हो ।","PeriodicalId":332111,"journal":{"name":"Kaumodaki: Journal of Multidisciplinary Studies","volume":"95 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-02-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121493979","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
प्रस्तुत ‘बन्धनबाट मुक्ति कथामा सीमान्तीयता र बुढ्यौली व्यवस्थापन’ शीर्षकको लेख शारीरिक अशक्ततागत सीमान्तीयताका कोणबाट ‘बन्धनबाट मुक्ति’ कथाको विश्लेषण गरी उक्त कथाका सापेक्षतामा बुढ्यौली व्यवस्थापनका उपायहरू सुझाउने उद्देश्यले तयार पारिएको हो । कथा विश्लेषण एवम् बुढ्यौली व्यवस्थापन सम्बन्धी आवश्यक सामग्री पुस्तकालयबाट सङ्कलन गरिएको छ । पुस्तकालयबाट सङ्कलित प्राथमिक र द्वितीयक स्रोतका सामग्रीहरूको अध्ययनबाट प्राप्त सूचना वा तथ्याङ्कलाई वर्णनात्मक तथा व्याख्यात्मक विधिको उपयोगगरी कथाको विश्लेषण गर्नुका साथै बुढ्यौली व्यवस्थापन सम्बन्धी उपायहरूलाई आलेखमा उल्लेख गरिएको छ ।राजेन्द्र विमल (२००३) द्वारा लिखित उक्त कथाको प्रमुख पात्र चोआलाल र उनकी पत्नीले जीवनको उत्तरार्धमा आफ्नै सन्तानबाट भोग्नु परेका पीडा र व्यथाहरूलाई उमेरगत सीमान्तीयताका कोणबाट केलाइएको छ ।केलाउँदा कथाका केन्द्रीय पात्र चोआलाल र उनकी पत्नीले आफ्ना सन्तानबाट घृणा, अपहेलना, संवादहीनता, एक्लोपन,अर्थ÷सम्पति हरणजस्ता विकराल समस्याहरू भोग्नु परेको पाइन्छ । कथाकै सापेक्षतामा बुढ्यौलीको असल व्यवस्थापनकालागि सक्रिय शारीरिक जीवन, स्वस्थ र सन्तुलित भोजन, तनाव व्यवस्थापन, सकारात्मक सोच र समान व्यवहार,सामाजिक र आध्यात्मिक सोच, आत्मसंयमता र आत्मसन्तुष्टि, सरसफाइमा ध्यान, अध्ययन र भ्रमणजस्ता उपायहरूसुझाइएको छ । सन्तानले आफ्नो भविष्यको परिकल्पना र बाबुआमाले आफ्नो विगतलाई स्मरण गर्ने हो भने मात्रै पनिकेही हद्सम्म वृद्ध अवस्थामा कुनै पनि बाबुआमा आफ्ना सन्तानबाट प्रताडित र अपहेलित हुनु नपर्ने निष्कर्ष लेखमाप्रस्तुत गरिएको छ ।
{"title":"‘बन्धनबाट मुक्ति’ कथामा सीमान्तीयता र बुढ्यौली व्यवस्थापन {Marginalization and old age management in the story 'Freedom from bondage'}","authors":"सुरज Suraj पौडेल Poudel","doi":"10.3126/kdk.v2i1.43178","DOIUrl":"https://doi.org/10.3126/kdk.v2i1.43178","url":null,"abstract":"प्रस्तुत ‘बन्धनबाट मुक्ति कथामा सीमान्तीयता र बुढ्यौली व्यवस्थापन’ शीर्षकको लेख शारीरिक अशक्ततागत सीमान्तीयताका कोणबाट ‘बन्धनबाट मुक्ति’ कथाको विश्लेषण गरी उक्त कथाका सापेक्षतामा बुढ्यौली व्यवस्थापनका उपायहरू सुझाउने उद्देश्यले तयार पारिएको हो । कथा विश्लेषण एवम् बुढ्यौली व्यवस्थापन सम्बन्धी आवश्यक सामग्री पुस्तकालयबाट सङ्कलन गरिएको छ । पुस्तकालयबाट सङ्कलित प्राथमिक र द्वितीयक स्रोतका सामग्रीहरूको अध्ययनबाट प्राप्त सूचना वा तथ्याङ्कलाई वर्णनात्मक तथा व्याख्यात्मक विधिको उपयोगगरी कथाको विश्लेषण गर्नुका साथै बुढ्यौली व्यवस्थापन सम्बन्धी उपायहरूलाई आलेखमा उल्लेख गरिएको छ ।राजेन्द्र विमल (२००३) द्वारा लिखित उक्त कथाको प्रमुख पात्र चोआलाल र उनकी पत्नीले जीवनको उत्तरार्धमा आफ्नै सन्तानबाट भोग्नु परेका पीडा र व्यथाहरूलाई उमेरगत सीमान्तीयताका कोणबाट केलाइएको छ ।केलाउँदा कथाका केन्द्रीय पात्र चोआलाल र उनकी पत्नीले आफ्ना सन्तानबाट घृणा, अपहेलना, संवादहीनता, एक्लोपन,अर्थ÷सम्पति हरणजस्ता विकराल समस्याहरू भोग्नु परेको पाइन्छ । कथाकै सापेक्षतामा बुढ्यौलीको असल व्यवस्थापनकालागि सक्रिय शारीरिक जीवन, स्वस्थ र सन्तुलित भोजन, तनाव व्यवस्थापन, सकारात्मक सोच र समान व्यवहार,सामाजिक र आध्यात्मिक सोच, आत्मसंयमता र आत्मसन्तुष्टि, सरसफाइमा ध्यान, अध्ययन र भ्रमणजस्ता उपायहरूसुझाइएको छ । सन्तानले आफ्नो भविष्यको परिकल्पना र बाबुआमाले आफ्नो विगतलाई स्मरण गर्ने हो भने मात्रै पनिकेही हद्सम्म वृद्ध अवस्थामा कुनै पनि बाबुआमा आफ्ना सन्तानबाट प्रताडित र अपहेलित हुनु नपर्ने निष्कर्ष लेखमाप्रस्तुत गरिएको छ ।","PeriodicalId":332111,"journal":{"name":"Kaumodaki: Journal of Multidisciplinary Studies","volume":"27 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-02-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115410303","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Woolf’s narrator, in To the Lighthouse experiences the privileged moment in line with the sublime of Longinus, the epiphany of Joyce, and the Wordsworth’s concept of spot of time. The closure of Woolf’s fiction coincides with Lily’s completion of the painting with a flash of vision, and with the family’s arrival to the lighthouse, an ultimate destination of the excursion. The family excursion to the final destination of the lighthouse corresponds to the artist’s final stroke and the novelist’s closing line, and thus, marking an experience of the privileged moment of sublime that an individual can experience in his or her living process. The article qualifies the concept of sublime while exploring it in To the Lighthouse.
{"title":"Virginia Woolf’s To the Light House: Revelation of Sublime in Privileged Moments","authors":"Satya Raj Subedi","doi":"10.3126/kdk.v2i1.42880","DOIUrl":"https://doi.org/10.3126/kdk.v2i1.42880","url":null,"abstract":"Woolf’s narrator, in To the Lighthouse experiences the privileged moment in line with the sublime of Longinus, the epiphany of Joyce, and the Wordsworth’s concept of spot of time. The closure of Woolf’s fiction coincides with Lily’s completion of the painting with a flash of vision, and with the family’s arrival to the lighthouse, an ultimate destination of the excursion. The family excursion to the final destination of the lighthouse corresponds to the artist’s final stroke and the novelist’s closing line, and thus, marking an experience of the privileged moment of sublime that an individual can experience in his or her living process. The article qualifies the concept of sublime while exploring it in To the Lighthouse.","PeriodicalId":332111,"journal":{"name":"Kaumodaki: Journal of Multidisciplinary Studies","volume":"515 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-02-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116379196","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Ecophilosophy, as a holistic view of nature is implied in the identification of nature and human relation with definite sense of harmony. Pragmatic naturalism, as the combination of reason and fact in nature, works in a common ground of harmony in nature as the practical part and the part of observing the human wisdom to and towards nature. This study probes into Thoreau’s poetic imagination about nature and how Thoreau, as the transcendental naturalist, uses nature as a powerful means of understanding human essence to natural world. Also it examines how he has observed nature, though the life cannot be imagined detached from nature and natural force, as free and ontologically capable to exist with balanced relation with nature and society. Nature is self-regulating being but with unity for the sense of harmony through ecosystem and pragmatic aspect. As the ecological wisdom of realizing nature, he has seen nature as a metaphor of ‘book’ and thinks that nature provides the lessons to humans greater than anything else really could. This study is based on an identified problem - how Thoreau, through his poems, tends to illustrate the idea that nature is an already existing truth and guiding principle of human understanding and nature-human harmony.
{"title":"Ecophilosophy of Natural Harmony and Pragmatic Naturalism in Thoreau’s Poems","authors":"Keshav Raj Chalise","doi":"10.3126/kdk.v2i1.42877","DOIUrl":"https://doi.org/10.3126/kdk.v2i1.42877","url":null,"abstract":"Ecophilosophy, as a holistic view of nature is implied in the identification of nature and human relation with definite sense of harmony. Pragmatic naturalism, as the combination of reason and fact in nature, works in a common ground of harmony in nature as the practical part and the part of observing the human wisdom to and towards nature. This study probes into Thoreau’s poetic imagination about nature and how Thoreau, as the transcendental naturalist, uses nature as a powerful means of understanding human essence to natural world. Also it examines how he has observed nature, though the life cannot be imagined detached from nature and natural force, as free and ontologically capable to exist with balanced relation with nature and society. Nature is self-regulating being but with unity for the sense of harmony through ecosystem and pragmatic aspect. As the ecological wisdom of realizing nature, he has seen nature as a metaphor of ‘book’ and thinks that nature provides the lessons to humans greater than anything else really could. This study is based on an identified problem - how Thoreau, through his poems, tends to illustrate the idea that nature is an already existing truth and guiding principle of human understanding and nature-human harmony.","PeriodicalId":332111,"journal":{"name":"Kaumodaki: Journal of Multidisciplinary Studies","volume":"518 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-02-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134066722","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The objective of this article is to explore the female voice in Shobha De’s novel Sisters. The main female characters Mikki and Alisha discard the gender roles prescribed by the patriarchal society. In course of their struggle against the subjugation, they realize that the attributes of femininity are simply the trappings of male chauvinism. They speak that the be-all and end-all of a female is to realize the biological aspect of femaleness. Their dialogues and actions clarify that they want to disseminate the doctrines that sex and gender differ from each other. Sex is natural and biological while the gender is constructed by social and cultural patterns. The novel exposes this dichotomy between nature and nurture. Mikki readily leaves her home and rebels against the domination of her husband and determines to hear the inner voice of female. Alisha, on the other hand, believes that one can gain power by controlling the economic status. They both unite to come out of cesspool of patriarchal hegemony. In this regard, they become the revolutionary angels for the women. They become new women. The article exploits the paradigm of qualitative approach by using the perspective of feminism to explore all these dynamics of femininity and femaleness in the novel. It provides the points of departure between the femininity and femaleness by analyzing the issues in the novel.
{"title":"Femaleness in Shobha De’s Sisters","authors":"S. Bhandari","doi":"10.3126/kdk.v2i1.42878","DOIUrl":"https://doi.org/10.3126/kdk.v2i1.42878","url":null,"abstract":"The objective of this article is to explore the female voice in Shobha De’s novel Sisters. The main female characters Mikki and Alisha discard the gender roles prescribed by the patriarchal society. In course of their struggle against the subjugation, they realize that the attributes of femininity are simply the trappings of male chauvinism. They speak that the be-all and end-all of a female is to realize the biological aspect of femaleness. Their dialogues and actions clarify that they want to disseminate the doctrines that sex and gender differ from each other. Sex is natural and biological while the gender is constructed by social and cultural patterns. The novel exposes this dichotomy between nature and nurture. Mikki readily leaves her home and rebels against the domination of her husband and determines to hear the inner voice of female. Alisha, on the other hand, believes that one can gain power by controlling the economic status. They both unite to come out of cesspool of patriarchal hegemony. In this regard, they become the revolutionary angels for the women. They become new women. The article exploits the paradigm of qualitative approach by using the perspective of feminism to explore all these dynamics of femininity and femaleness in the novel. It provides the points of departure between the femininity and femaleness by analyzing the issues in the novel.","PeriodicalId":332111,"journal":{"name":"Kaumodaki: Journal of Multidisciplinary Studies","volume":"9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-02-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134061966","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This study aims to analyze poetic imagery applied in the poems prescribed in compulsory English course of class eleven in Nepal. Feeling and emotions in poetry are mostly expressed through imagery. Based on primary and secondary data, this paper first critically generalizes definition of imagery and its types and makes discussions on all prescribed poems. It is found that most common images in the poems are visual, auditory, tactile and kinesthetic. Olfactory and gustatory images are less realized in the poems. Most dominant imagery in all poems is visual. Most of the poet have used this imagery to condition things in a context and to communicate desired message effectively. The analysis asserts that understanding imagery and its types would certainly help students perceive ideas in poems and analyze them critically.
{"title":"Imagery in Poetry: An Assessment of Poems in Compulsory English Course of Class Eleven in Nepal","authors":"Yog Raj Paudel","doi":"10.3126/kdk.v2i1.42882","DOIUrl":"https://doi.org/10.3126/kdk.v2i1.42882","url":null,"abstract":"This study aims to analyze poetic imagery applied in the poems prescribed in compulsory English course of class eleven in Nepal. Feeling and emotions in poetry are mostly expressed through imagery. Based on primary and secondary data, this paper first critically generalizes definition of imagery and its types and makes discussions on all prescribed poems. It is found that most common images in the poems are visual, auditory, tactile and kinesthetic. Olfactory and gustatory images are less realized in the poems. Most dominant imagery in all poems is visual. Most of the poet have used this imagery to condition things in a context and to communicate desired message effectively. The analysis asserts that understanding imagery and its types would certainly help students perceive ideas in poems and analyze them critically.","PeriodicalId":332111,"journal":{"name":"Kaumodaki: Journal of Multidisciplinary Studies","volume":"51 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130409690","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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