Pub Date : 2022-06-30DOI: 10.52919/altralang.v4i01.196
Fawzi Lahcène Triqui
In Algeria, adopting e-teaching at the tertiary level could be quite challenging especially in the EFL context. In Fact, English courses in the different specialties - except English departments had been delivered exclusively online during both the first and second wave of the pandemic. This paper aimed to shed light on the efficiency of the online English courses from three angles: a. identifying the obstacles faced by the EFL teachers in course delivery, b. analyzing the students’ involvement, c. measuring the teaching achievement. In order to collect data, an online questionnaire was destined to 42 EFL teachers in Algeria. Results revealed that: first, the principal hurdles that EFL teachers encountered in course delivery refer to the lack of ICT training, internet quality, and the lack of technological tools. Second, despite the different strategies employed by our EFL teachers such as syllabus adaptation, online platforms, and both synchronous and asynchronous methods, students displayed less involvement and interest than expected. Finally, many EFL teachers couldn’t reach their teaching goals. The findings imply that more consideration should be given to our EFL teachers in terms of ICT training and digital resources for better courses delivery. Besides, teachers should find more adequate strategies to foster students’ motivation for successful e-learning applications.
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Pub Date : 2022-06-30DOI: 10.52919/altralang.v4i01.185
Sékou Cherif
Perception, the centre of the Modian imagination in Vestiaire de l’enfance ABSTRACT: Like the Proustian narrator in À la recherche du temps perdu, the Modian narrator seems to be tossed back and forth between mnemonic experience and reality under the influence of perception. This induction is due to the postulate that Jimmy Sarano's addiction, the pivotal character of the narrative in Vestiaire de l'enfance, metamorphoses from a perceptionist state elicited by Rose-Marie that seems familiar to him. Thus, begins several imaginations in the narrative process. The analysis proposes, by means of the phenomenology of perception, to decipher the latent imaginary of Patrick Modiano's work. RÉSUMÉ : Tout comme le narrateur proustien dans À la recherche du temps perdu, le narrateur modianesque semble balloté entre expérience mnémonique et réalité sous l’effet de la perception. Cette induction est due au postulat selon lequel l’accoutumance de Jimmy Sarano, personnage pivot du récit dans Vestiaire de l’enfance, se métamorphose à partir d’un état perceptionniste suscité par Rose-Marie qui lui paraît familier. Ainsi, commence une kyrielle d’imaginations dans le processus narratif. L’analyse propose, au moyen de la phénoménologie de la perception, de décrypter l’imaginaire latent de l’oeuvre de Patrick Modiano.
摘要:就像《À追忆似水》中的普鲁斯特式叙述者一样，在感知的影响下，莫迪式叙述者似乎在记忆经验和现实之间来回穿梭。这种归纳是基于这样的假设:吉米·萨拉诺的毒瘾，《少年前庭》中叙事的关键人物，是由罗斯-玛丽引发的一种感知主义状态转变而来的，这种状态对他来说似乎很熟悉。于是，在叙述过程中开始了几个想象。本文试图借助知觉现象学来解读莫迪亚诺作品中的潜在想象。RÉSUMÉ:请告诉我，我们的叙述者普鲁斯特·丹斯À我们的研究，我们的叙述者是有经验的，我们的经验是有经验的，我们的经验是有经验的，我们的经验是有经验的。Cette归纳是由于假定的selon lequel l ' accoutuce de Jimmy Sarano, personnage pivot du reacciit destiaire de reacenance, se msamtamorphose partir d 'un samacemose partir d 'un perceptionnist suscitise parse - marie qui lui parafamilier。安西，开始你的想象，开始你的叙述过程。我的分析建议，au moyen de la phacimnomsamnologie de la perception, de dsamicter L 'imaginaire latent de L 'oeuvre de Patrick Modiano。
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Pub Date : 2022-06-30DOI: 10.52919/altralang.v4i01.197
Djamila Boukhaloua, Farida Djaileb
Coronavirus pandemic, as a viral threat to the world, is imposing a lot of changes in the field of education. So this leads to deal with new mechanisms in order to motivate the educational institutions to choose distance learning or the E-learning as an alternative. As a result, the Algerian educational system raised challenges to fight this pandemic by moving from the traditional learning to distance learning. University of Oran 2 Mohamed Ben Ahmed, as the other universities has chosen to shut its doors on the face of the pandemic and remote working through E-learning platforms. In this paper, our objective is to investigate problems and issues that faced both teachers and students and which are considered as important episodes in the E-learning process. Although distance learning is effective and beneficial, the students find themselves less motivated to complete their tasks, and get distracted by weak access to the internet. The Students and the teachers dissatisfaction with feedback is also a significant problem. To gain a full understanding of teachers and students E-learning challenges and how they cope with them, in depth qualitative research is required.
冠状病毒大流行作为对世界的病毒威胁，正在给教育领域带来许多变化。因此，这就需要处理新的机制，以激励教育机构选择远程学习或电子学习作为替代方案。因此，阿尔及利亚教育系统从传统学习转向远程学习，为抗击这一流行病提出了挑战。奥兰大学穆罕默德·本·艾哈迈德分校(University of Oran 2 Mohamed Ben Ahmed)和其他大学一样，在疫情面前选择关闭，并通过电子学习平台远程工作。在本文中，我们的目标是调查教师和学生面临的问题和问题，这些问题和问题被认为是电子学习过程中的重要事件。尽管远程学习是有效和有益的，但学生们发现自己完成任务的动力不足，并且由于互联网接入不足而分心。学生和教师对反馈的不满也是一个显著的问题。为了充分了解教师和学生的在线学习挑战以及他们如何应对这些挑战，需要进行深入的定性研究。
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Pub Date : 2022-06-30DOI: 10.52919/altralang.v4i01.198
Axel Richard Eba
Thesis report entitled “The Kitsch in the romantic writing of Marcel Proust: subversion, transgression and rupture” ABSTRACT: The kitsch projects itself as an aesthetic in the novels of Marcel Proust. Moreover, it institutes invasion an excess as principles of overthrowing the traditional norm. From Swann’s Way to Time Regained, the Baroque taste revitalizes his proustian writing thus, the possibility for the modern novel to take root in the past, to promote a deconstruction based on the heteroclite language of worldly culture. This language highlights problems oh composition which leave the reader to this own impressions. In short, kitsch is an element of subversion insofar as the novel is made prisoner of aesthetic overload. The accumulation of forms, kitsch objects open the way to subversion, transgression and rupture in the novels of Marcel Proust. RÉSUMÉ: Le kitsch se projette comme une esthétique dans les romans de Marcel Proust. Plus encore, il institue l'envahissement et l'excès comme principes de renversement de la norme traditionnelle. De Du côté de chez Swann au Temps retrouvé, le goût baroque revitalise cette écriture proustienne donnant ainsi la possibilité au roman moderne de prendre ancrage dans le passé pour promouvoir une déconstruction axée sur le langage hétéroclite de la culture mondaine. Ce langage met en évidence des problèmes de composition qui laissent le lecteur à ses propres impressions. En somme, le kitsch est un élément de subversion dans la mesure où, le roman est fait prisonnier de la surcharge esthétique. L’accumulation des formes, des objets kitsch ouvre la voie à la subversion, la transgression et la rupture dans les romans de Marcel Proust.
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Pub Date : 2022-06-30DOI: 10.52919/altralang.v4i01.180
N. Hammami
"Women of Algiers" Via Eugene Delacroix’s Palette and “La Grande Maison” of Mohamed Dib ABSTRACT: Our "choice" of "Women of Algiers in their apartment" by Eugène Delacroix and "La Grande Maison" by Mohamed Dib will be a work of "paragon", a comparative analysis. Via ut-pictura poesis and ut-poesis pictura, we will try to establish the confrontation between writing and painting in order to detect the dichotomy of the imago of the Algerian woman in the imagination of each of the two artists. At first, we will study the subjectivity of the painter who gives us a stereotypical and even shocking portrait of the Algerian woman. In a second step, we probe the portrait of the Algerian woman through the character of "Aîni" who represents an insistent, cruel and unbearable painting of suffering. Tortured by the evil of colonization, she finds herself consumed by an obsessive mourning: the burden of a family that can never eat enough and the bad memories of an alcoholic husband. Between the retreat, the calm, the secrets of the Harem of the "Women of Algiers in their apartment" and the continual movement, the cries, the sobs of the woman in the work of Mohamed Dib, there are two worlds which arise and oppose each other, which deepen without intersecting. Thirdly, we will insist on the poetics of the pictorial and the strength of hypotyposis in the readable. In fact, the two masterpieces achieve, through the portrait, the aesthetic ideal: “to paint the sensation”. We will take as a touchstone the mechanisms of the portrait through the text as “talking painting” and through painting as “silent poetry”. As for the approaches that mark out our research, we propose the semiology of the image, thematic criticism, the relationship between narration and description in the elaboration of the portrait and therefore the importance of hypotyposis. We will not lose sight of socio-criticism as well as psycho-criticism. RÉSUMÉ: Notre « choix » de « Femmes d’Alger dans leur appartement » d’Eugène Delacroix et de la trilogie de Mohamed Dib sera un travail de « paragon », une analyse comparative. Via l’ut-pictura poesis et l’ut-poesis pictura, nous essaierons d’établir la confrontation entre écriture et peinture afin de déceler la dichotomie de l’imago de la femme algérienne dans l’imaginaire de chacun des deux artistes. Dans un premier temps, nous étudierons la subjectivité du peintre qui nous donne un portrait stéréotypé voire choquant de la femme algérienne. Dans un deuxième temps, nous sondons le portrait de la femme algérienne à travers le personnage de « Aïni » qui représente une peinture insistante, cruelle et insoutenable de la souffrance. Torturée par le mal de la colonisation, elle se trouve consumée par un deuil obsédant : la charge d’une famille qui ne peut jamais manger à sa faim et les mauvais souvenirs d’un époux alcoolique. Entre la retraite, le calme, les secrets du Harem des Femmes d’Alger dans leur appartement et le mouvement continuel, les cris, les san
“阿尔及尔妇女”通过Eugene Delacroix的调色板和Mohamed Dib的“La Grande Maison”摘要：我们对Eugene Delacroix的“阿尔及尔妇女在公寓”和Mohamed Dib的“La Grande Maison”的“选择”将是“Paragon”的作品，一项比较分析。通过ut-pictura诗歌和ut-poesis pictura，我们将努力建立写作和绘画之间的对抗，以检测两位艺术家想象中阿尔及利亚妇女形象的二分法。首先，我们将研究画家的主观性，他给了我们一幅阿尔及利亚妇女的刻板印象，甚至令人震惊的肖像。在第二步中，我们通过“阿伊尼”的角色探索阿尔及利亚妇女的肖像，她代表了一幅坚持、残酷和难以忍受的痛苦画作。在殖民邪恶的折磨下，她发现自己被一场强迫性的哀悼所消耗：一个永远吃不饱的家庭的负担和一个酗酒丈夫的糟糕记忆。在隐居、平静、“阿尔及尔妇女在公寓中”后宫的秘密和穆罕默德·迪布作品中妇女的持续运动、哭泣和口吻之间，有两个世界出现并相互对立，没有交叉。第三，我们将坚持绘画的诗学和可阅读的原型的力量。事实上，这两幅杰作通过肖像画实现了审美理想：“描绘感觉”。我们将把肖像画的机制作为试金石，通过文本作为“对话绘画”，通过绘画作为“无声诗歌”。对于标志着我们研究的方法，我们提出了图像的符号学、主题批评、叙事和描述在肖像发展中的关系以及由此产生的原型的重要性。我们不会失去社会批评和心理批评的视野。摘要：我们对Eugène Delacroix的《阿尔及尔的女人在他们的公寓》和Mohamed Dib的三部曲的“选择”将是“Paragon”的作品，一个比较分析。通过ut pictura poesis和ut poesis pictura，我们将尝试建立写作和绘画之间的对抗，以揭示两位艺术家想象中阿尔及利亚女性形象的二分法。首先，我们将研究画家的主观性，他给了我们一幅刻板甚至令人震惊的阿尔及利亚妇女肖像。在第二阶段，我们通过“阿伊尼”的角色探索了阿尔及利亚妇女的肖像，这是一幅坚持、残酷和难以忍受的痛苦画作。在殖民邪恶的折磨下，她发现自己被一种令人难以忘怀的悲伤所吞噬：一个永远无法满足饥饿的家庭的负担，以及一个酗酒丈夫的糟糕记忆。在撤退、平静、阿尔及尔妇女在公寓中后宫的秘密和穆罕默德·迪布三部曲中妇女的持续运动、尖叫和哭泣之间，有两个世界出现和对立，它们在没有交叉的情况下挖掘。在第三步中，我们将强调绘画的诗学和可读性中原型的力量。事实上，这两部杰作。通过肖像画成功地实现了审美理想：“描绘感觉”（德勒兹1994，28）。我们将通过文本将肖像画的机制作为试金石，作为“有声绘画”，通过绘画作为“无声诗歌”。关于标记我们研究的方法，我们提出了图像符号学、主题批评、，叙事和描述在肖像制作中的关系，以及由此产生的原型的重要性。我们不会忽视社会批判和心理批判。
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Pub Date : 2022-06-30DOI: 10.52919/altralang.v4i01.184
Mélitza Charest
The writing and the Counting ABSTRACT: It is no coincidence that, in her latest book entitled Love me tender, Constance Debré presents her choice, this “demission de tout” (2020, p. 41) which corresponds to “l’indifférence du néant” (2014, p. 111) identified by Jaquet in the thought of Blaise Pascal. Debré invites us to reflect on the analysis that goes through a course of class defection. The narrator seeks the essential, what remains when one is stripped of everything, even of love. Even of maternal love. It is in this idealistic quest to find the self that would not be determined by social assignment, the self-detached from the multiple social roles that limit, including the mother role, that Debré may find an opening, a little air. In a dispossessed life, of course, but still, full.
摘要:康斯坦斯·德布洛伊在她的新书《温柔地爱我》中提出了她的选择，这一“放弃”(demission de tout)(2020年，第41页)与雅克(jacques)在布莱斯·帕斯卡(Blaise Pascal)思想中所认定的“l’indiffencemance du n”(2014年，第111页)相对应，这并非巧合。debr邀请我们反思经过阶级叛逃过程的分析。叙述者寻找的是最本质的东西，当一个人被剥夺了一切，甚至是爱的时候，剩下的东西。甚至是母爱。正是在这种理想主义的追求中，寻找不受社会分配所决定的自我，从包括母亲角色在内的多重社会角色的限制中解脱出来的自我，德布罗德可能会找到一个开口，一点空气。当然是在一无所有的生活中，但仍然很充实。
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Pub Date : 2022-06-30DOI: 10.52919/altralang.v4i01.178
Modibo Diarra
Relationship South-North in a postcolonial context with Alain Mabanckou ABSTRACT: Starting from the problematic which tries to raise the question of the relationship between Black and White people, and also the reason that underlies such a relationship, this article attempts to bring elements of answer to a broad questioning from two novels by Alain Mabanckou: Black Bazar (Black Bazaar) and Tais-toi et meurs (Shut up and die). The article analyzes the relationship between Black and White people in a postcolonial context, which manifests itself in a relationship of tension, rejection of the other, but also with intimacy and greed. The Africa/Europe encounter, having been made under dramatic conditions that lowered the Black to the rank of animal, devoid of any faculty of reasoning, some White men continue to see the Black men with the same gaze of inferior human beings. For the analysis, and to clearly define the field of the study, we rely on work in the field of postcolonial studies in order to achieve more effective results. RÉSUMÉ: A partir de la problématique qui tente de soulever la question du rapport entre le Noir et le Blanc, et aussi le pourquoi d’un tel rapport, cet article tente d’apporter des éléments de réponse à un large questionnement à partir de deux romans d’Alain Mabanckou : Black bazar et Tais-toi et meurs. L’article analyse les rapports entre Noir et Blanc dans un contexte postcolonial, qui se déclinent en rapport de tension, de rejet de l’autre, mais aussi d’intimité et de convoitise. La rencontre Afrique/Europe ayant été faite dans les conditions dramatiques qui rabaissaient le Noir au rang de l’animal, dépourvu de toute faculté de raisonnement, certains Blancs continuent de voir le Noir avec ce même regard d’être inférieur. Pour l’analyse, et pour bien cerner le champ de l’étude, on s’appuie sur les travaux dans le domaine des études postcoloniales afin d’aboutir à des résultats plus efficaces
阿兰·马班库（Alain Mabanckou）的后殖民背景下的南北关系摘要：从试图提出黑人和白人之间关系问题的问题开始，以及由此产生的关系背后的原因，本文试图为阿兰·马班库的两部小说中的广泛问题提供答案：黑色集市（Black Bazaar）和Tais toi et meurs（闭嘴而死）。本文分析了后殖民背景下黑人和白人之间的关系，这种关系表现为紧张、排斥他人，但也表现为亲密和贪婪。在非洲/欧洲的遭遇中，一些白人继续以同样的低人一等的眼光看待黑人。为了进行分析，并明确界定研究领域，我们致力于后殖民研究领域的工作，以取得更有效的结果。摘要：从试图提出黑人和白人之间关系问题的问题，以及为什么会有这样的关系，本文试图为阿兰·马班库的两部小说《黑色集市》和《沉默与死亡》中的广泛问题提供一些答案。本文分析了后殖民背景下黑人和白人之间的关系，包括紧张关系、拒绝他人，以及亲密关系和欲望。非洲/欧洲的相遇是在戏剧性的条件下进行的，这些条件将黑人降为动物的地位，缺乏任何推理能力，一些白人继续以同样的低人一等的眼光看待黑人。为了分析和确定研究领域，我们依靠后殖民研究领域的工作，以获得更有效的结果。
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Pub Date : 2022-06-30DOI: 10.52919/altralang.v4i01.188
Brahim EL MESTOR
Is the Identity Discourse Transgressive? Case of the Literary Discourse of Abdellah Taïa ABSTRACT: This work questions in terms of analysis the topos of identity in the literary discourse of the writer Abdellah Taïa. We proceed to an enunciative approach of the linguistic strategies carried out by the subject-writer "I" by arousing new readings about the transgression of taboos anchored by the readership. Indeed, the writer Abdellah Taïa have stated unprecedented events, namely the evocation of the naked body, excess of language, transgression of norms and violation of codes through the presentation of identity claims. RÉSUMÉ: Ce travail interroge en matière d’analyse le topos de l’identité dans le discours littéraire de l’écrivain Abdellah Taïa. Nous procédons à une analyse énonciative des stratégies langagières menées par le sujet-écrivain « Je » en suscitant des lectures inédites à propos de la transgression des tabous ancrés par le lectorat. En effet, l’écrivain Abdellah Taïa met en scène des événements inédits à savoir l’évocation du corps nu, excès du langage, transgression des normes et violation des codes à travers la mise en discours des revendications identitaires.
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Pub Date : 2022-06-30DOI: 10.52919/altralang.v4i01.194
Fatma Zohra Bellal
Le point de vue by Mustapha Benfodil : A Laughable Tragedy ABSTRACT: In Le point de vue de la mort, Mustapha Benfodil attempts to transcend tragic reality by making fun of its events. Through this monologue, the author stages Moussa, a collector of macabre chronicles who, with a laughing spirit, retraces the tragic fate of his guests lying in the morgue of BalBala’s hospital. In this desert village, tragic news multiplies, nevertheless told with a laughing and satirical spirit. In the progression of this work, we wish to highlight the different manifestations of humor in a tragic play by focusing our interest on the linguistic and generic construction of the plot. RÉSUMÉ : Dans Le point de vue de la mort, Mustapha Benfodil tente de transcender la réalité tragique en tournant en dérision ses événements. A travers ce monologue, l’auteur met en scène Moussa, un collectionneur de chroniques macabres qui, avec un esprit rieur, retrace le destin tragique de ses hôtes gisant dans la morgue de l’hôpital de BalBala. Dans cette bourgade désertique, se multiplient les nouvelles tragiques, racontées néanmoins avec un esprit rieur et satirique. Dans la progression de ce travail, nous souhaitons mettre en lumière les différentes manifestations de l’humour dans une pièce tragique en focalisant notre intérêt sur la construction linguistique et générique de l’intrigue.
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Pub Date : 2021-12-31DOI: 10.52919/altralang.v3i03.138
O. Mahboub
Conservatives tend to oppose any attempt at reforming the American healthcare system. This ideologically based objection witnessed a remarkable increase after the enactment of the Affordable Care Act (ACA), nicknamed "Obamacare." The present paper will mainly discuss and analyze both the genesis of the political polarization over the ACA and its potential destiny. In tackling the issue of polarization over Obamacare as a case study, this article will employ the Lakoffian Metaphor Theory. This latter differentiates between the conservative and liberal moral worldviews by a metaphor of "nation as family" where the strict father stands for the conservative mind and the nurturant parent represents the liberal thought. Hence, this paper seeks to explore the reasons that lie behind the liberals' tolerance and conservatives' antipathy towards Obamacare. It draws the conclusion that the conservatives' strenuous efforts to reform some provisions of the ACA were achievable, yet the pursuit of repealing the whole law was not an overnight issue.
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