Pub Date : 2024-06-02DOI: 10.24821/specta.v8i1.12360
M. E. Prasetyo, Ika Resmika
Photography is used for creative and reflective purposes, much like in fine art photography. The main goal of photographic aesthetics is to produce works that are not only technically sound but also have high artistic value. The research method used is qualitative descriptive. This study aims to measure the aesthetics of composition in photography with a focus on proving visual balance. Composition aesthetics are studied through the analysis of elements such as the golden ratio, symmetry, and tonal distribution. The research method involves collecting and analyzing data from sample photos with various compositions. The results show that visual balance can be measured using mathematical approaches and aesthetic principles, which influence the perception of beauty in a photo. The implications of this research are to strengthen understanding of how visual composition affects aesthetic judgment in photography. This research produces measures of aesthetic visual balance composition that will elevate case studies of six photographs from six professional photographers of different genres, whose works are internationally recognized, namely the works of photographers Natalie Dybisz, Lee Jeffries, Jimmy Nelson, Ansel Adams, Dorothea Lange, and Robert Capa, which will be measured visually using a three-to-two basic framing grid approach.
{"title":"MEASURING THE AESTHETICS OF PHOTOGRAPHIC COMPOSITION USING CARTESIAN COORDINATE APPROACH TO PROVE VISUAL BALANCE","authors":"M. E. Prasetyo, Ika Resmika","doi":"10.24821/specta.v8i1.12360","DOIUrl":"https://doi.org/10.24821/specta.v8i1.12360","url":null,"abstract":"Photography is used for creative and reflective purposes, much like in fine art photography. The main goal of photographic aesthetics is to produce works that are not only technically sound but also have high artistic value. The research method used is qualitative descriptive. This study aims to measure the aesthetics of composition in photography with a focus on proving visual balance. Composition aesthetics are studied through the analysis of elements such as the golden ratio, symmetry, and tonal distribution. The research method involves collecting and analyzing data from sample photos with various compositions. The results show that visual balance can be measured using mathematical approaches and aesthetic principles, which influence the perception of beauty in a photo. The implications of this research are to strengthen understanding of how visual composition affects aesthetic judgment in photography. This research produces measures of aesthetic visual balance composition that will elevate case studies of six photographs from six professional photographers of different genres, whose works are internationally recognized, namely the works of photographers Natalie Dybisz, Lee Jeffries, Jimmy Nelson, Ansel Adams, Dorothea Lange, and Robert Capa, which will be measured visually using a three-to-two basic framing grid approach.","PeriodicalId":33910,"journal":{"name":"Specta","volume":"85 S2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-06-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141389277","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-06-02DOI: 10.24821/specta.v8i1.11334
Regina Octavia Ronald, T. Karyono
Kemajuan teknologi dari digital sampai kecerdasan buatan memberikan dampak perubahan pada kultur penciptaan visual fotografi. Mesin generator gambar yang menghasilkan imaji yang realis dikenal sebagai promptografi disandingkan sebagai penciptaan fotografi. Metodologi penelitian dilakukan dengan pendekatan kualitatif, pengumpulan data melalui observasi secara digital dan lapangan, dilengkapi dengan data dari diskusi grup terpumpun (FGD) dari para fotografer di Kota Bandung (n=8). Artikel ini berfokus pada analisis persepsi dan pengalaman dalam menyikapi fenomena kecerdasan buatan dalam penciptaan visual, serta bagaimana toleransi para fotografer dalam penyandingan karya visual hasil generator gambar dengan karya yang dihasilkan secara fotografis. Hasil analisis ini mengungkap perubahan dalam pendekatan kreatif fotografer seiring dengan imersi kecerdasan buatan dan memberikan kontribusi terhadap proses kreatif fotografi dengan memanfaatkan kecerdasan buatan. Simpulan artikel adalah teknologi kecerdasan buatan telah membentuk lanskap kreatif dalam fotografi dan seni visual, membuka peluang dan dialog etika yang perlu dipertimbangkan oleh seorang pengkarya fotografi. Creative Landscape Changes and Ethical Dialogue in Photography: The Influence of Artificial Intelligence. The advancement of technology, from digital to artificial intelligence, has impacted the cultural landscape of visual photography creation. Image-generating machines producing realistic imagery, known as promptography, are juxtaposed with traditional photography. The research methodology employed a qualitative approach, gathering data through digital and field observations, supplemented by focus group discussions (FGD) involving photographers in Bandung City (n=8). This article focuses on analyzing perceptions and experiences regarding the phenomenon of artificial intelligence in visual creation, as well as photographers' tolerance towards juxtaposing images generated by machines with traditionally produced photographic works. The analysis reveals changes in photographers' creative approaches with the immersion of artificial intelligence, contributing to the creative process of photography. The conclusion highlights that artificial intelligence technology has shaped the creative landscape in photography and visual arts, opening opportunities and ethical dialogues that photographers need to consider.
{"title":"PERUBAHAN LANSKAP KREATIF DAN DIALOG ETIKA DALAM FOTOGRAFI: PENGARUH KECERDASAN BUATAN","authors":"Regina Octavia Ronald, T. Karyono","doi":"10.24821/specta.v8i1.11334","DOIUrl":"https://doi.org/10.24821/specta.v8i1.11334","url":null,"abstract":"Kemajuan teknologi dari digital sampai kecerdasan buatan memberikan dampak perubahan pada kultur penciptaan visual fotografi. Mesin generator gambar yang menghasilkan imaji yang realis dikenal sebagai promptografi disandingkan sebagai penciptaan fotografi. Metodologi penelitian dilakukan dengan pendekatan kualitatif, pengumpulan data melalui observasi secara digital dan lapangan, dilengkapi dengan data dari diskusi grup terpumpun (FGD) dari para fotografer di Kota Bandung (n=8). Artikel ini berfokus pada analisis persepsi dan pengalaman dalam menyikapi fenomena kecerdasan buatan dalam penciptaan visual, serta bagaimana toleransi para fotografer dalam penyandingan karya visual hasil generator gambar dengan karya yang dihasilkan secara fotografis. Hasil analisis ini mengungkap perubahan dalam pendekatan kreatif fotografer seiring dengan imersi kecerdasan buatan dan memberikan kontribusi terhadap proses kreatif fotografi dengan memanfaatkan kecerdasan buatan. Simpulan artikel adalah teknologi kecerdasan buatan telah membentuk lanskap kreatif dalam fotografi dan seni visual, membuka peluang dan dialog etika yang perlu dipertimbangkan oleh seorang pengkarya fotografi. Creative Landscape Changes and Ethical Dialogue in Photography: The Influence of Artificial Intelligence. The advancement of technology, from digital to artificial intelligence, has impacted the cultural landscape of visual photography creation. Image-generating machines producing realistic imagery, known as promptography, are juxtaposed with traditional photography. The research methodology employed a qualitative approach, gathering data through digital and field observations, supplemented by focus group discussions (FGD) involving photographers in Bandung City (n=8). This article focuses on analyzing perceptions and experiences regarding the phenomenon of artificial intelligence in visual creation, as well as photographers' tolerance towards juxtaposing images generated by machines with traditionally produced photographic works. The analysis reveals changes in photographers' creative approaches with the immersion of artificial intelligence, contributing to the creative process of photography. The conclusion highlights that artificial intelligence technology has shaped the creative landscape in photography and visual arts, opening opportunities and ethical dialogues that photographers need to consider.","PeriodicalId":33910,"journal":{"name":"Specta","volume":"93 3","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-06-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141389198","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-06-02DOI: 10.24821/specta.v8i1.11255
Deval Megarosta
Women with Curly Hair in Portrait Photography. Portrait photography is a powerful artistic medium for capturing human identity and character. However, the representation of women in photographic media in Indonesia is often still focused on narrow beauty standards, ignoring the diversity and beauty of women. This prompted the desire to raise this issue through the creation of photography entitled "Women with Curly Hair in Portrait Photography". The aim of creating this photo work is to present photos that are enchanting and inspiring, challenging and at the same time confronting beauty standards that are often constructed in photographic media in Indonesia. The method for creating photography was divided into three stages, namely exploration, experimentation, execution. The results obtained from the work of creating this photographic work are photos of women with curly hair whose posture are full with confidence that show their natural beauty.
{"title":"PEREMPUAN BERAMBUT KERITING DALAM FOTOGRAFI POTRET","authors":"Deval Megarosta","doi":"10.24821/specta.v8i1.11255","DOIUrl":"https://doi.org/10.24821/specta.v8i1.11255","url":null,"abstract":"Women with Curly Hair in Portrait Photography. Portrait photography is a powerful artistic medium for capturing human identity and character. However, the representation of women in photographic media in Indonesia is often still focused on narrow beauty standards, ignoring the diversity and beauty of women. This prompted the desire to raise this issue through the creation of photography entitled \"Women with Curly Hair in Portrait Photography\". The aim of creating this photo work is to present photos that are enchanting and inspiring, challenging and at the same time confronting beauty standards that are often constructed in photographic media in Indonesia. The method for creating photography was divided into three stages, namely exploration, experimentation, execution. The results obtained from the work of creating this photographic work are photos of women with curly hair whose posture are full with confidence that show their natural beauty.","PeriodicalId":33910,"journal":{"name":"Specta","volume":"101 6","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-06-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141389226","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Photography in the Era of Disruption: Artificial Intelligence as a Reference in Developing Creative Photography Ideas. This research explores various ways in which AI is integrated into the creative process of photography, including the use of AI for image analysis, pattern recognition, and even visual composition. The study discusses the role of Artificial Intelligence (AI) technology in the modern photography industry, particularly in the context of creative idea development. With the emergence of the digital era and technological disruption, photography has undergone significant transformation. Through literature review and case studies, this research explores the use of AI in enhancing creativity and innovation in photography, as well as its implications for the paradigm of creative ideas in photography creation. The research method used was qualitative with a descriptive approach. This study highlights the adaptation to the development of AI technology in the photography industry, as well as its potential to enrich visual experiences and create innovative new ideas. The conclusion of this research is that Artificial Intelligence can be used as a medium to provide references and inspiration in the development of conceptual photography ideas.
{"title":"FOTOGRAFI PADA ERA DISRUPSI: ARTIFICIAL INTELLIGENCE SEBAGAI REFERENSI DALAM MENGEMBANGKAN IDE KREATIF FOTOGRAFI","authors":"Raynald Alfian Yudisetyanto, Achmad Taufik Firmansyah","doi":"10.24821/specta.v8i1.12378","DOIUrl":"https://doi.org/10.24821/specta.v8i1.12378","url":null,"abstract":"Photography in the Era of Disruption: Artificial Intelligence as a Reference in Developing Creative Photography Ideas. This research explores various ways in which AI is integrated into the creative process of photography, including the use of AI for image analysis, pattern recognition, and even visual composition. The study discusses the role of Artificial Intelligence (AI) technology in the modern photography industry, particularly in the context of creative idea development. With the emergence of the digital era and technological disruption, photography has undergone significant transformation. Through literature review and case studies, this research explores the use of AI in enhancing creativity and innovation in photography, as well as its implications for the paradigm of creative ideas in photography creation. The research method used was qualitative with a descriptive approach. This study highlights the adaptation to the development of AI technology in the photography industry, as well as its potential to enrich visual experiences and create innovative new ideas. The conclusion of this research is that Artificial Intelligence can be used as a medium to provide references and inspiration in the development of conceptual photography ideas.","PeriodicalId":33910,"journal":{"name":"Specta","volume":"93 S1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-06-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141389197","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-06-02DOI: 10.24821/specta.v8i1.12607
Yohanes Baptista Baut Priambodo, G. P. Sadewa
The Method of Utilizing One Source of Artificial Light in Motorcycle Photoshoot. Photographing automotive products is a photography that has a high level of difficulty and complexity in arranging lighting. The production process of photographing a motorcycle unit in the studio can be time consuming because it requires a complex set of equipment and lighting arrangements. Photographers can be under a lot of stress when they experience difficulty in controlling, positioning
{"title":"METODE PENGGUNAAN SATU SUMBER CAHAYA BUATAN DALAM PEMOTRETAN SEPEDA MOTOR","authors":"Yohanes Baptista Baut Priambodo, G. P. Sadewa","doi":"10.24821/specta.v8i1.12607","DOIUrl":"https://doi.org/10.24821/specta.v8i1.12607","url":null,"abstract":"The Method of Utilizing One Source of Artificial Light in Motorcycle Photoshoot. Photographing automotive products is a photography that has a high level of difficulty and complexity in arranging lighting. The production process of photographing a motorcycle unit in the studio can be time consuming because it requires a complex set of equipment and lighting arrangements. Photographers can be under a lot of stress when they experience difficulty in controlling, positioning","PeriodicalId":33910,"journal":{"name":"Specta","volume":"97 9","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-06-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141389574","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-06-02DOI: 10.24821/specta.v8i1.10595
Febra Gilisua, N. J. Andrea
Tin Mining on Bangka Island in Documentary Photography . Tin is one of the unique resources owned by Bangka Island. Tin mining activities have been going on unconventionally for generations by the people of Bangka Island and are then referred to as people's mine. Tin mining is a livelihood for the community to fulfill their needs, there is a direct economic and environmental impact. The objective of this documentary photo works is to visualize the tin mining in Bangka Island. This tin mining activity became the idea of creating a photographic work of art in a type of documentary photography formed with the concept of presenting a description that presents the activities of people's mine tin mining of Bangka Island. The methods used were the idea of creation, data collection consisting of literary studies, interviews, observations, then the creation or process of making photo works. The results of creating photos can be valuable as archives and knowledge about people's tin mining on Bangka Island as an effort to provide information in the form of documentary photography with presentation of descriptions.
{"title":"FOTOGRAFI DOKUMENTER DESKRIPTIF PENAMBANGAN TIMAH DI PULAU BANGKA","authors":"Febra Gilisua, N. J. Andrea","doi":"10.24821/specta.v8i1.10595","DOIUrl":"https://doi.org/10.24821/specta.v8i1.10595","url":null,"abstract":"Tin Mining on Bangka Island in Documentary Photography . Tin is one of the unique resources owned by Bangka Island. Tin mining activities have been going on unconventionally for generations by the people of Bangka Island and are then referred to as people's mine. Tin mining is a livelihood for the community to fulfill their needs, there is a direct economic and environmental impact. The objective of this documentary photo works is to visualize the tin mining in Bangka Island. This tin mining activity became the idea of creating a photographic work of art in a type of documentary photography formed with the concept of presenting a description that presents the activities of people's mine tin mining of Bangka Island. The methods used were the idea of creation, data collection consisting of literary studies, interviews, observations, then the creation or process of making photo works. The results of creating photos can be valuable as archives and knowledge about people's tin mining on Bangka Island as an effort to provide information in the form of documentary photography with presentation of descriptions.","PeriodicalId":33910,"journal":{"name":"Specta","volume":"96 3","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-06-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141389491","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-11-30DOI: 10.24821/specta.v7i2.11042
N. J. Andrea
The Effectiveness of the Project Based Learning Model in the Exhibition of APHIC WEEK #3 'Eksplorasa' as an Achievement of Learning Outcomes in the Old Print Photography Course. Department of Photography, FSMR, ISI is the only art institution that teaches alternative photographic processes. The course for this subject is conducted using the Project Based Learning (PBL) model. However, an analysis of the effectiveness of PBL in this course
{"title":"EFEKTIVITAS MODEL PROJECT BASED LEARNING DALAM PAMERAN APHIC WEEK #3 “EKSPLORASA” SEBAGAI CAPAIAN PEMBELAJARAN MATA KULIAH FOTOGRAFI CETAK TUA","authors":"N. J. Andrea","doi":"10.24821/specta.v7i2.11042","DOIUrl":"https://doi.org/10.24821/specta.v7i2.11042","url":null,"abstract":"The Effectiveness of the Project Based Learning Model in the Exhibition of APHIC WEEK #3 'Eksplorasa' as an Achievement of Learning Outcomes in the Old Print Photography Course. Department of Photography, FSMR, ISI is the only art institution that teaches alternative photographic processes. The course for this subject is conducted using the Project Based Learning (PBL) model. However, an analysis of the effectiveness of PBL in this course","PeriodicalId":33910,"journal":{"name":"Specta","volume":"87 18","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139197163","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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