Pub Date : 2017-12-31DOI: 10.13128/LEA-1824-484X-22364
A. Saraçgil
This article aims to expand the reflection upon the ways of Muslim women's participation in politics through a close examination of the Turkish context. Therefore as peculiarities of the Turkish case, it investigates the changes generated by the modernization initiated by the Ottoman elite in the first decades of the 19th century and carried on by the nationalists after the foundation of the Turkish Republic in 1923. Focused on the power dynamics underlying the relation between the sexes and gender equilibrium, the article will also consider the most important forms of participation and political activities, which above all in the last decades of the 20th century attest to the controversial and incomplete advancement of Turkish women towards the affirmation of their subjectivity.
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Pub Date : 2017-12-31DOI: 10.13128/LEA-1824-484x-22346
Tina Maraucci
The article examines Sevgili Arsiz Olum (1983; Dear Shameless Death , 2001), the first novel by Latife Tekin. Considered one of the most original Turkish woman novelists, Tekin distinguished her writing in the 1980s by a specific representation of Istanbul and its cityscapes. I will illustrate how this novel was both aesthetically and politically conceived to reproduce the alienation of Anatolian rural migrants from an urban space and culture and their “peripheral” perspective on the city. I will focus on Tekin’s strategies of representing the city from women migrants’ points of view as a locus of feminine subordination, exclusion and alienation, both economically and morally, from urban space.
{"title":"Sevgili Arsız Ölüm ovvero l’Istanbul “periferica” di Latife Tekin","authors":"Tina Maraucci","doi":"10.13128/LEA-1824-484x-22346","DOIUrl":"https://doi.org/10.13128/LEA-1824-484x-22346","url":null,"abstract":"The article examines Sevgili Arsiz Olum (1983; Dear Shameless Death , 2001), the first novel by Latife Tekin. Considered one of the most original Turkish woman novelists, Tekin distinguished her writing in the 1980s by a specific representation of Istanbul and its cityscapes. I will illustrate how this novel was both aesthetically and politically conceived to reproduce the alienation of Anatolian rural migrants from an urban space and culture and their “peripheral” perspective on the city. I will focus on Tekin’s strategies of representing the city from women migrants’ points of view as a locus of feminine subordination, exclusion and alienation, both economically and morally, from urban space.","PeriodicalId":340115,"journal":{"name":"LEA : Lingue e Letterature d'Oriente e d'Occidente","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"120994801","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2017-12-31DOI: 10.13128/LEA-1824-484X-22344
F. D. Meglio
In Josefina Pla’s poetry very few verses refer to the subtropical landscape of Paraguay, where she arrived after her marriage to the Paraguayan ceramist Andres Campos Cervera in 1927. The European rose dominates her early poems as a symbol of passion at first and then of frustrated maternity, in contrast to the fertile and dehiscent nature of this South American country. After her husband’s untimely death, allusions to her native Canarian seascape – on which she might have modelled her impressions and perceptions – become more and more frequent, and her own anatomy is often replaced by the topography of the tiny, rocky and desert islands where she spent her childhood, absorbing from the sea not only her thirst for new horizons but also a salty, painful destiny. Landscape, considered as a fragment of nature or as a picture, becomes a metaphor of life itself, which the poetess regards as a definite, framed manifestation of absolute Time and Space.
{"title":"Josefina Plà, naufraga aggrappata a un paesaggio","authors":"F. D. Meglio","doi":"10.13128/LEA-1824-484X-22344","DOIUrl":"https://doi.org/10.13128/LEA-1824-484X-22344","url":null,"abstract":"In Josefina Pla’s poetry very few verses refer to the subtropical landscape of Paraguay, where she arrived after her marriage to the Paraguayan ceramist Andres Campos Cervera in 1927. The European rose dominates her early poems as a symbol of passion at first and then of frustrated maternity, in contrast to the fertile and dehiscent nature of this South American country. After her husband’s untimely death, allusions to her native Canarian seascape – on which she might have modelled her impressions and perceptions – become more and more frequent, and her own anatomy is often replaced by the topography of the tiny, rocky and desert islands where she spent her childhood, absorbing from the sea not only her thirst for new horizons but also a salty, painful destiny. Landscape, considered as a fragment of nature or as a picture, becomes a metaphor of life itself, which the poetess regards as a definite, framed manifestation of absolute Time and Space.","PeriodicalId":340115,"journal":{"name":"LEA : Lingue e Letterature d'Oriente e d'Occidente","volume":"42 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134326004","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2017-12-31DOI: 10.13128/LEA-1824-484X-22422
Francesco Torraca
{"title":"Commemorazione di Francesco De Sanctis. Nel primo centenario della nascita , a cura di Sandro Piazzesi","authors":"Francesco Torraca","doi":"10.13128/LEA-1824-484X-22422","DOIUrl":"https://doi.org/10.13128/LEA-1824-484X-22422","url":null,"abstract":"","PeriodicalId":340115,"journal":{"name":"LEA : Lingue e Letterature d'Oriente e d'Occidente","volume":"52 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116571275","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2017-12-31DOI: 10.13128/LEA-1824-484x-22343
L. Baratta
In a cultural context dominated by men, Jane Sharp was the first English woman to have authored a midwifery treatise. The present essay highlights the originality of her Midwives Book (1671) in comparison with the previous male treatises, showing how she consciously exploited her male counterparts’ works, often taking position against them. In pursuing this purpose, the article analyzes the functions attributed to the use of a metaphorical language, identifying some specific rhetorical strategies: in particular way, Sharp’s insistence on her own visual experience as a certification of truth, and her use of metaphors taken from the natural world. Thus, the Midwives Book seems to take the shape of an “experiential journey” in the woman’s body which, in Sharp’s words, is no more the territory of mere speculation, but a real landscape, seen, contemplated, explored and described.
{"title":"“I had once the chance to see when I was performing my office of \"Midwifry\" Paesaggi anatomici nel \"Midwives Book (1671) di Jane Sharp","authors":"L. Baratta","doi":"10.13128/LEA-1824-484x-22343","DOIUrl":"https://doi.org/10.13128/LEA-1824-484x-22343","url":null,"abstract":"In a cultural context dominated by men, Jane Sharp was the first English woman to have authored a midwifery treatise. The present essay highlights the originality of her Midwives Book (1671) in comparison with the previous male treatises, showing how she consciously exploited her male counterparts’ works, often taking position against them. In pursuing this purpose, the article analyzes the functions attributed to the use of a metaphorical language, identifying some specific rhetorical strategies: in particular way, Sharp’s insistence on her own visual experience as a certification of truth, and her use of metaphors taken from the natural world. Thus, the Midwives Book seems to take the shape of an “experiential journey” in the woman’s body which, in Sharp’s words, is no more the territory of mere speculation, but a real landscape, seen, contemplated, explored and described.","PeriodicalId":340115,"journal":{"name":"LEA : Lingue e Letterature d'Oriente e d'Occidente","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124232477","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2017-12-31DOI: 10.13128/LEA-1824-484X-22345
V. Fiume
The article aims to survey the works of philosopher Maria Zambrano and poet Rina Sara Virgillito, focusing in particular on the image of clearing.
本文旨在考察哲学家Maria Zambrano和诗人Rina Sara Virgillito的作品，特别关注清理的形象。
{"title":"Radure: la dimensione del nondove nelle opere di María Zambrano e Rina Sara Virgillito","authors":"V. Fiume","doi":"10.13128/LEA-1824-484X-22345","DOIUrl":"https://doi.org/10.13128/LEA-1824-484X-22345","url":null,"abstract":"The article aims to survey the works of philosopher Maria Zambrano and poet Rina Sara Virgillito, focusing in particular on the image of clearing.","PeriodicalId":340115,"journal":{"name":"LEA : Lingue e Letterature d'Oriente e d'Occidente","volume":"343 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124239109","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2017-12-31DOI: 10.13128/LEA-1824-484X-22342
Rosalia Manno, Ernestina Pellegrini, Anna Scattigno
Nel maggio 2017 si è svolto presso l’Archivio di Stato di Firenze un Festival intitolato Dove Non dove, luoghi visti e luoghi immaginati (per il programma e il materiale documentario cfr. ). La manifestazione è stata ideata e promossa dall’Associazione Archivio per la memoria e la scrittura delle donne “Alessandra Contini Bonacossi”, in collaborazione con l’Archivio di Stato, il Dipartimento di Lingue, Letterature e Studi Interculturali e l’Istituto Confucio presso l’Università degli Studi di Firenze. Nell’auditorium, nella sala delle mostre e nella galleria dell’Archivio di Stato si sono avvicendati conferenze, eventi di poesia, di teatro, di danza, lungo un percorso in cui si incontravano preziose carte nautiche del XV e XVI secolo, “libri” di artiste contemporanee, documenti fotografici, frammenti letterari, suoni e sequenze di immagini, attorno al tema dei Luoghi. Luoghi della memoria e dell’immaginario, costruiti con materiali diversi: scritture autobiografiche, poesie, prose, visioni, lettere, dialoganti con opere d’arte su supporti e materiali diversi. In quell’occasione abbiamo presentato per la prima volta in forma embrionale il Parco virtuale Dove Non Dove, che essendo stato concepito come un work in progress continua a crescere e svilupparsi, con testi di poesia e prosa, scritture autobiografiche, reportages di viaggio in lingua originale e in traduzione italiana e inglese (), che danno vita a una planimetria variegata, polifonica e interculturale. Si possono seguire vari itinerari che vanno dalle pellegrine dei primi secoli cristiani alle archeologhe italiane della Scuola di Atene del primo Novecento, dalle mistiche occidentali del Seicento alle artiste surrealiste. Molto ampio lo spazio dato a scrittrici dell’età moderna e contemporanea. Un momento centrale del Festival è stato il seminario di studi Tra/ locando, curato scientificamente e coordinato da Diego Salvadori, al quale hanno partecipato alcuni dottori di ricerca del Dottorato in Lingue Letterature e Culture comparate dell’Università di Firenze (Luca Baratta, The Midwives Book di Jane Sharp (1671): paesaggi anatomici in un manuale di ostetricia del LEA Lingue e letterature d’Oriente e d’Occidente, n. 6 (2017), pp. 225-226 DOI: http://dx.doi.org/10.13128/LEA-1824-484x-22342
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Pub Date : 2017-12-30DOI: 10.13128/LEA-1824-484X-22324
Sara Svolacchia
A causa della distanza geografica – attualmente Theombogü abita in Costa d’Avorio – lo scambio di domande e di risposte è avvenuto tramite posta elettronica nell’arco di diverse settimane. Proprio durante la nostra corrispondenza, un evento piuttosto tragico ha avuto luogo a Abidjan: un gruppo di truppe ribelli ha cercato, mediante un colpo di stato, di prendere il potere. La situazione si è risolta dopo qualche giorno, con un bilancio ufficiale di quattro morti e decine di feriti. Nel tradurre la conversazione con il poeta, si è ritenuto opportuno lasciare intatti i riferimenti a questo grave fatto di cronaca che, come si vedrà, ha profondamente scosso l’autore.
{"title":"Conversazione con Theombogü","authors":"Sara Svolacchia","doi":"10.13128/LEA-1824-484X-22324","DOIUrl":"https://doi.org/10.13128/LEA-1824-484X-22324","url":null,"abstract":"A causa della distanza geografica – attualmente Theombogü abita in Costa d’Avorio – lo scambio di domande e di risposte è avvenuto tramite posta elettronica nell’arco di diverse settimane. Proprio durante la nostra corrispondenza, un evento piuttosto tragico ha avuto luogo a Abidjan: un gruppo di truppe ribelli ha cercato, mediante un colpo di stato, di prendere il potere. La situazione si è risolta dopo qualche giorno, con un bilancio ufficiale di quattro morti e decine di feriti. Nel tradurre la conversazione con il poeta, si è ritenuto opportuno lasciare intatti i riferimenti a questo grave fatto di cronaca che, come si vedrà, ha profondamente scosso l’autore.","PeriodicalId":340115,"journal":{"name":"LEA : Lingue e Letterature d'Oriente e d'Occidente","volume":"101 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121481064","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2017-12-30DOI: 10.13128/LEA-1824-484X-22336
Samuele Grassi
This paper brings together queer ecological thought, ecofeminism, and feminist ecocriticism to explore forms of embodied resistance against intersectional, complex oppressions of women, races, and lands. It looks at the award-winning Indigenous Australian writer Ellen van Neerven’s short story, “Water” (from the 2014 collection, Heat and Light) to canvas an anti-essentialised queer feminist politics and ethics of care through which to shape utopian futures after sovereignty, after the West, after patriarchy, after whiteness.
本文将酷儿生态思想、生态女性主义和女性主义生态批评结合在一起，探讨对女性、种族和土地的交叉、复杂压迫的具体抵抗形式。它以获奖的澳大利亚土著作家埃伦·范尼文(Ellen van Neerven)的短篇小说《水》(摘自2014年的文集《热与光》(Heat and Light))为蓝本，描绘了一种反本质化的酷儿女权主义政治和关怀伦理，通过这种政治和关怀伦理，塑造了在主权、西方、父权制和白人之后的乌托邦未来。
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Pub Date : 2017-12-30DOI: 10.13128/LEA-1824-484X-22292
Beatrice Tottossy
This article discusses the need for historiographical i.e. narrative acts to be underpinned by a specific theory. With reference to the work of Gyorgy Lukacs, Benedetto Croce, Jean-Paul Sartre, Enza Biagini and Dominique Maingueneau, the author takes up a stance enabling her to acknowledge ongoing engagement to the narrativization of language-being as a constitutive feature of individual identity and culture. As a momentous advance this commitment is treated systematically in its “historical-universal” coverage.
{"title":"Storicizzare. Dell’individuo (letterario e no) culturalmente concreto","authors":"Beatrice Tottossy","doi":"10.13128/LEA-1824-484X-22292","DOIUrl":"https://doi.org/10.13128/LEA-1824-484X-22292","url":null,"abstract":"This article discusses the need for historiographical i.e. narrative acts to be underpinned by a specific theory. With reference to the work of Gyorgy Lukacs, Benedetto Croce, Jean-Paul Sartre, Enza Biagini and Dominique Maingueneau, the author takes up a stance enabling her to acknowledge ongoing engagement to the narrativization of language-being as a constitutive feature of individual identity and culture. As a momentous advance this commitment is treated systematically in its “historical-universal” coverage.","PeriodicalId":340115,"journal":{"name":"LEA : Lingue e Letterature d'Oriente e d'Occidente","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130059787","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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