Pub Date : 2017-12-25DOI: 10.4067/S0718-22012017000200157
Montse Pérez, Teresa Iribarren i Donadeu
Ten years after Franco’s death, the Catalan writer Maria Barbal published Stone in a Landslide (1985), a novel about the life story of a peasant woman of the Pyrenees marked by the Spanish Civil War. The aim of this paper is to prove that local and international success of the work lies in the ability of the narrative voice to remember the past from the ethical stance against the secular patriarchal powers and commitment to denouncing the woman’s condition. The work of Barbal still has not had the academic attention that it deserves, especially as a war narrative. In order to place Stone in a Landslide in the corpus of the narrative of memory addressing Civil War, we propose an exegesis that places the focus on the recognition of patriarchal, war and postwar violence suffered by the protagonist.
{"title":"Guerra Civil española y condición de la mujer en la novela catalana: \"Pedra de tartera\", de Maria Barbal","authors":"Montse Pérez, Teresa Iribarren i Donadeu","doi":"10.4067/S0718-22012017000200157","DOIUrl":"https://doi.org/10.4067/S0718-22012017000200157","url":null,"abstract":"Ten years after Franco’s death, the Catalan writer Maria Barbal published Stone in a Landslide (1985), a novel about the life story of a peasant woman of the Pyrenees marked by the Spanish Civil War. The aim of this paper is to prove that local and international success of the work lies in the ability of the narrative voice to remember the past from the ethical stance against the secular patriarchal powers and commitment to denouncing the woman’s condition. The work of Barbal still has not had the academic attention that it deserves, especially as a war narrative. In order to place Stone in a Landslide in the corpus of the narrative of memory addressing Civil War, we propose an exegesis that places the focus on the recognition of patriarchal, war and postwar violence suffered by the protagonist.","PeriodicalId":354709,"journal":{"name":"Alpha (osorno)","volume":"84 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-12-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116630968","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2017-12-25DOI: 10.4067/S0718-22012017000200255
Aldo Olate Vinet
In this paper we discuss some useful concepts to explain the opposing and complementary relationship between languages that share a specific geosociocultural context. This dynamic relationship is known as linguistic and social interactions. This paper discuss the dynamic processes arising between the mapuzugun and Spanish language, and it also explores some sociolinguistic descriptions about the Mapuche language which are mostly narrow and focus on the asymmetric relationship between languages and the results of these relationships. In this context we propose a new in situ revision of the linguistic interaction to generate territorial diagnostics that consider interactive processes, dynamic and historical, dialectical and identitary concerns that both Spanish and Mapuzugun have in the communities.
{"title":"Más allá del estado de vida de las lenguas… elementos para el diagnóstico sociolingüístico de la dinámica interactiva del contacto mapuzugun /castellano","authors":"Aldo Olate Vinet","doi":"10.4067/S0718-22012017000200255","DOIUrl":"https://doi.org/10.4067/S0718-22012017000200255","url":null,"abstract":"In this paper we discuss some useful concepts to explain the opposing and complementary relationship between languages that share a specific geosociocultural context. This dynamic relationship is known as linguistic and social interactions. This paper discuss the dynamic processes arising between the mapuzugun and Spanish language, and it also explores some sociolinguistic descriptions about the Mapuche language which are mostly narrow and focus on the asymmetric relationship between languages and the results of these relationships. In this context we propose a new in situ revision of the linguistic interaction to generate territorial diagnostics that consider interactive processes, dynamic and historical, dialectical and identitary concerns that both Spanish and Mapuzugun have in the communities.","PeriodicalId":354709,"journal":{"name":"Alpha (osorno)","volume":"46 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-12-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121605398","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2017-12-25DOI: 10.4067/S0718-22012017000200139
Clemens Franken Kurzen
The paper provides a brief bio-bibliographical background of the French author Alain Robbe-Grillet and analyses in depth the basic principles of the ‘New French Novel’. It accounts for its conventional time and space breach and looks into its presence in his first two novels; The erasers and Jealousy , which still bear some traces of the detective fiction. This literary analysis exposes their hybrid and postmodern character and the growing parody being made of the police genre.
{"title":"Alain Robbe-Grillet y su creciente parodización del género policial.","authors":"Clemens Franken Kurzen","doi":"10.4067/S0718-22012017000200139","DOIUrl":"https://doi.org/10.4067/S0718-22012017000200139","url":null,"abstract":"The paper provides a brief bio-bibliographical background of the French author Alain Robbe-Grillet and analyses in depth the basic principles of the ‘New French Novel’. It accounts for its conventional time and space breach and looks into its presence in his first two novels; The erasers and Jealousy , which still bear some traces of the detective fiction. This literary analysis exposes their hybrid and postmodern character and the growing parody being made of the police genre.","PeriodicalId":354709,"journal":{"name":"Alpha (osorno)","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-12-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122427301","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2017-12-25DOI: 10.4067/S0718-22012017000200091
F. Contreras
We present a recovery of the humanistic spirit in the current aesthetics of the media art in the cybercultures. To show the cultural shift towards Neo-Renaissance, we tour the concepts underlying the classical humanism and contemporary art closer to technologic and mediatic rationality. This article reviews the meeting of man with himself, the subjectivities of the Art and the expression in the paradigm of new technologies, science and creativity, as well as the renewal of an emerging visual epistemology that moves the modern concept of the work of art, the figure of the artist and the place of the viewer.
{"title":"El renacimiento del humanismo en las ciberculturas: una aproximación desde el arte","authors":"F. Contreras","doi":"10.4067/S0718-22012017000200091","DOIUrl":"https://doi.org/10.4067/S0718-22012017000200091","url":null,"abstract":"We present a recovery of the humanistic spirit in the current aesthetics of the media art in the cybercultures. To show the cultural shift towards Neo-Renaissance, we tour the concepts underlying the classical humanism and contemporary art closer to technologic and mediatic rationality. This article reviews the meeting of man with himself, the subjectivities of the Art and the expression in the paradigm of new technologies, science and creativity, as well as the renewal of an emerging visual epistemology that moves the modern concept of the work of art, the figure of the artist and the place of the viewer.","PeriodicalId":354709,"journal":{"name":"Alpha (osorno)","volume":"424 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-12-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115250567","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2017-07-01DOI: 10.4067/S0718-22012017000100243
Daniel Loewe
{"title":"VIRTUDES, RACIONALIDAD Y EL DESARROLLO MORAL","authors":"Daniel Loewe","doi":"10.4067/S0718-22012017000100243","DOIUrl":"https://doi.org/10.4067/S0718-22012017000100243","url":null,"abstract":"","PeriodicalId":354709,"journal":{"name":"Alpha (osorno)","volume":"8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126527276","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2017-07-01DOI: 10.4067/S0718-22012017000100253
A. Canseco
Fil: Canseco, Alberto Edmundo Fabricio. Universidad Nacional de Cordoba. Facultad de Filosofia y Humanidades. Centro de Investigaciones Maria Saleme Burnichon; Argentina. Consejo Nacional de Investigaciones Cientificas y Tecnicas. Centro Cientifico Tecnologico Conicet - Cordoba; Argentina
线程:Canseco, Alberto Edmundo Fabricio。科尔多瓦国立大学。哲学与人文学院。Maria Saleme Burnichon研究中心;阿根廷。国家科学技术研究委员会。Conicet科技中心-科尔多瓦;阿根廷
{"title":"POLITIZANDO LA ESCENA ÉTICA. LA LECTURA BUTLERIANA DE LA PROPUESTA LEVINASIANA","authors":"A. Canseco","doi":"10.4067/S0718-22012017000100253","DOIUrl":"https://doi.org/10.4067/S0718-22012017000100253","url":null,"abstract":"Fil: Canseco, Alberto Edmundo Fabricio. Universidad Nacional de Cordoba. Facultad de Filosofia y Humanidades. Centro de Investigaciones Maria Saleme Burnichon; Argentina. Consejo Nacional de Investigaciones Cientificas y Tecnicas. Centro Cientifico Tecnologico Conicet - Cordoba; Argentina","PeriodicalId":354709,"journal":{"name":"Alpha (osorno)","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128080493","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2017-07-01DOI: 10.4067/S0718-22012017000100197
Macarena García Moggia
Este articulo ofrece una lectura de la pintura renacentista segun los principios establecidos por Leon Battista Alberti, uno de los primeros teoricos de la perspectiva en cuyo Tratado de pintura (1435) se refiere al cuadro como “una ventana abierta a la historia”. El concepto de historia empleado por Alberti, que se presta a numerosas interpretaciones, es abordado a partir de las reflexiones de Erwin Panofsky en torno a la perspectiva como “forma simbolica”, avanzando hacia una hipotesis en torno al caracter simbolico de la configuracion y representacion del tiempo en el cuadro-ventana albertiano
{"title":"La \"historia\" en la ventana: configuración y representación del tiempo en la ventana albertiana","authors":"Macarena García Moggia","doi":"10.4067/S0718-22012017000100197","DOIUrl":"https://doi.org/10.4067/S0718-22012017000100197","url":null,"abstract":"Este articulo ofrece una lectura de la pintura renacentista segun los principios establecidos por Leon Battista Alberti, uno de los primeros teoricos de la perspectiva en cuyo Tratado de pintura (1435) se refiere al cuadro como “una ventana abierta a la historia”. El concepto de historia empleado por Alberti, que se presta a numerosas interpretaciones, es abordado a partir de las reflexiones de Erwin Panofsky en torno a la perspectiva como “forma simbolica”, avanzando hacia una hipotesis en torno al caracter simbolico de la configuracion y representacion del tiempo en el cuadro-ventana albertiano","PeriodicalId":354709,"journal":{"name":"Alpha (osorno)","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133638838","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2017-07-01DOI: 10.4067/S0718-22012017000100023
Carlos González Aburto, Omar A. Barriga
In this article we analyze the ideology behind chilean newspaper La Nacion’s coverage of the chilean-mapuche conflict, specifically during the first government of Michelle Bachelet Jeria (2006-2010). We try to account for the way both indigenous subjects and government officials are portrayed, characterizing these types of actors, to later, in a second part, attempt to account for the general ideological landscape in which these constructs are inserted. We conclude that the coverage moves between three nodal points: first, “cultural recognition”, in which we find the indio permitido ; second, “public security”, where we find the indio insurrecto . Both these nodal points always seem to imply the third one: “governmental competence”, understood as success and skill in generating political governance, a fundamental part of the Concertacion ’s political project.
{"title":"Los Mapuche y personeros de Gobierno en la cobertura mediática del diario chileno La Nación sobre el conflicto chileno-mapuche durante el primer gobierno de Michelle Bachelet Jeria (2006-2010)","authors":"Carlos González Aburto, Omar A. Barriga","doi":"10.4067/S0718-22012017000100023","DOIUrl":"https://doi.org/10.4067/S0718-22012017000100023","url":null,"abstract":"In this article we analyze the ideology behind chilean newspaper La Nacion’s coverage of the chilean-mapuche conflict, specifically during the first government of Michelle Bachelet Jeria (2006-2010). We try to account for the way both indigenous subjects and government officials are portrayed, characterizing these types of actors, to later, in a second part, attempt to account for the general ideological landscape in which these constructs are inserted. We conclude that the coverage moves between three nodal points: first, “cultural recognition”, in which we find the indio permitido ; second, “public security”, where we find the indio insurrecto . Both these nodal points always seem to imply the third one: “governmental competence”, understood as success and skill in generating political governance, a fundamental part of the Concertacion ’s political project.","PeriodicalId":354709,"journal":{"name":"Alpha (osorno)","volume":"16 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115361416","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2017-07-01DOI: 10.4067/S0718-22012017000100221
Yael Zaliasnik Schilkrut
Historias y vivencias se insertan y acomodan de distintas maneras en el espacio, espacio que es a la vez material, físico y también metafórico. Si bien todos los actos son situados, es necesario volver a llevar nuestra mirada a este, pues dado el uso común de dicho concepto y al hecho de que muchas veces se asuma el espacio como algo ―dado‖, se ha naturalizado, y de este modo prácticamente ―invisibilizado‖ su existencia. Por ello reparamos poco o nada en su significativa presencia, presencia marcada por su particular estética, los elementos de la geografía, sus construcciones (o la ausencia de estas) así como por su historia, la memoria que porta, o su genealogía. El espacio no es neutro ni inocuo. El espacio marca y transforma a los cuerpos e historias que allí se mueven, viven, transitan, desarrollan, así como sus memorias y, por otra parte, es también ―marcado‖ por lo que en él ocurre, por las historias de los cuerpos que lo habitan o habitaron, utilizan o utilizaron, cruzan o cruzaron... 2
{"title":"VILLA O CÓMO PRACTICAR (Y ABRIR O AMPLIAR) UN LUGAR Y SUS MEMORIAS A TRAVÉS DE LA TEATRALIDAD","authors":"Yael Zaliasnik Schilkrut","doi":"10.4067/S0718-22012017000100221","DOIUrl":"https://doi.org/10.4067/S0718-22012017000100221","url":null,"abstract":"Historias y vivencias se insertan y acomodan de distintas maneras en el espacio, espacio que es a la vez material, físico y también metafórico. Si bien todos los actos son situados, es necesario volver a llevar nuestra mirada a este, pues dado el uso común de dicho concepto y al hecho de que muchas veces se asuma el espacio como algo ―dado‖, se ha naturalizado, y de este modo prácticamente ―invisibilizado‖ su existencia. Por ello reparamos poco o nada en su significativa presencia, presencia marcada por su particular estética, los elementos de la geografía, sus construcciones (o la ausencia de estas) así como por su historia, la memoria que porta, o su genealogía. El espacio no es neutro ni inocuo. El espacio marca y transforma a los cuerpos e historias que allí se mueven, viven, transitan, desarrollan, así como sus memorias y, por otra parte, es también ―marcado‖ por lo que en él ocurre, por las historias de los cuerpos que lo habitan o habitaron, utilizan o utilizaron, cruzan o cruzaron... 2","PeriodicalId":354709,"journal":{"name":"Alpha (osorno)","volume":"82 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122593115","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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