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LA LITERATURA EN LA FORMACIÓN UNIVERSITARIA DESDE EL ESPACIO EUROPEO DE EDUCACIÓN SUPERIOR 欧洲高等教育领域的大学教育文学
Pub Date : 2016-12-01 DOI: 10.4067/S0718-22012016000200022
N. Ibarra, J. Ballester
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引用次数: 5
BACON, ALGUNAS CONSIDERACIONES PRAGMÁTICAS DEL CONOCIMIENTO Y UNA METAFÍSICA ALTERADA 培根,知识的一些实用主义考虑和改变的形而上学
Pub Date : 2016-12-01 DOI: 10.4067/S0718-22012016000200018
Alex Espinoza Verdejo
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引用次数: 0
HETEROGENEIDAD DE LAS MÁSCARAS: ENTRE EL CARNAVAL DE BAJTÍN Y EL GROTESCO CRIOLLO DE DISCÉPOLO 面具的异质性:在巴赫金的狂欢节和discepolo的怪诞克里奥尔之间
Pub Date : 2016-07-25 DOI: 10.4067/S0718-22012016000100002
Amado Láscar
This article attempts to establish a parallel between Mikhail Bakhtin’s concept of carnival’s mask in Rabelais and His World and other writings, and the mask in Grotesco Criollo Theater in Buenos Aires, during the first decades of the twentieth century. The article begins by defining similarities and differences in the use of these two masks. In the medieval case, the mask is used as a tool of equalization and social catharsis, and in the Grotesco Criollo, the mask is articulated as a shaping tool for conformity and social adaptation. Thus, the practical and aesthetic functions of both masks, though complementary in terms of their ingredients (mask/ social function/social order), are opposites in their implementation and community values. The carnival mask is a mask trying to break the established order momentarily, simply to keep it in the end. Instead, the grotesque mask is a mask that operates from within the individual and the family forcing him/ her to stabilize national customs, values, expectations for the suburban immigrant community (foreign and peasant) displaced to Buenos Aires’ periphery to self-ensure their physical survival. However, such insurance often comes at the cost of emotional and social wellbeing of these displaced marginal subjects.
本文试图将米哈伊尔·巴赫金在《拉伯雷和他的世界》及其他作品中狂欢节面具的概念与20世纪头几十年布宜诺斯艾利斯Grotesco Criollo剧院的面具进行比较。文章首先定义了这两个面具使用的异同。在中世纪的情况下,面具被用作平等和社会宣泄的工具,而在Grotesco Criollo中,面具被明确地用作塑造一致性和社会适应的工具。因此,这两种面具的实用功能和审美功能虽然在成分(面具/社会功能/社会秩序)上是互补的,但在实施和社区价值上却是对立的。狂欢面具是一个试图暂时打破既定秩序的面具,只是为了最终保持它。相反,怪诞面具是一种从个人和家庭内部运作的面具,迫使他/她稳定国家习俗,价值观,对郊区移民社区(外国人和农民)的期望,这些移民社区流离失所到布宜诺斯艾利斯的外围,以自我确保他们的物质生存。然而,这种保险往往是以这些流离失所的边缘主体的情感和社会福祉为代价的。
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引用次数: 0
FRANTZ FANON EN EL PENSAMIENTO DE FAUSTO REINAGA: CULTURA, REVOLUCIÓN Y NUEVO HUMANISMO 弗朗茨·法农谈福斯托·雷纳加的思想:文化、革命和新人文主义
Pub Date : 2016-07-25 DOI: 10.4067/S0718-22012016000100012
C. Zapata, Elena Oliva
Este articulo propone explorar algunos de los vinculos que es posible establecer entre el pensamiento indigena y el afrodescendiente que se ha desarrollado en America Latina durante el siglo XX. El caso que aqui trabajamos pone en relacion al Caribe con los Andes, y mas especificamente, a un intelectual indigena de Bolivia y un afrocaribeno de Martinica: Fausto Reinaga y Frantz Fanon. Reparamos en las referencias que hace Reinaga a la obra de Fanon en sus libros inaugurales del pensamiento indianista, senalando que estas no son accesorias sino fundamentales para el tipo de indianismo que el autor quechua-aymara elabora, uno de tipo anticolonial en el que se encuentra presente un horizonte universal y humano
这篇文章探讨了在20世纪拉丁美洲发展起来的土著思想和非洲后裔思想之间可能建立的一些联系。我们在这里研究的案例将加勒比海与安第斯山脉联系起来,更具体地说,是一位来自玻利维亚的土著知识分子和一位来自马提尼克岛的非洲加勒比人:Fausto Reinaga和Frantz Fanon。在干什么Reinaga提到修理工的工作与其农书开幕indianista, senalando思维这些不是关键的而是那种indianismo申诉人quechua-aymara拟定的,一位小伙子反殖民主义在人类普遍存在着一个视野
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引用次数: 0
Enfoques sobre la filosofía de Rodolfo Kusch. El método, lo popular y el indígena como horizontes de pregunta en la filosofía americana 鲁道夫·库施的哲学。美国哲学中作为问题视野的方法、大众和本土
Pub Date : 2016-07-25 DOI: 10.4067/S0718-22012016000100014
Alejandro Viveros Espinosa
El articulo recorre la obra de Rodolfo Kusch posicionando sus principales propuestas en la construccion de tres enfoques convergentes en su filosofia. El primer enfoque esta relacionado con la fenomenologia y la cultura. El segundo enfoque se refiere a la influencia de la antropologia y el cuestionamiento por el simbolo. El tercer enfoque despliega una aproximacion filosofico-politica. Estos enfoques permiten introducir tres “horizontes de pregunta” principalmente relacionados con el metodo, con lo popular y con lo indigena, que son expuestos como asuntos centrales en toda su obra. Estos “horizontes de pregunta” buscan comprender los alcances de la filosofia de Kusch y su contribucion al pensamiento filosofico americano
在这篇文章中,我们分析了鲁道夫·库施(Rodolfo Kusch)在他的哲学中构建三种趋同方法的主要建议。第一个方法与现象学和文化有关。第二种方法涉及人类学的影响和对象征的质疑。第三种方法采用哲学-政治方法。这些方法允许引入三个主要与方法相关的“问题视野”,即大众和土著,这是他所有作品的中心主题。这些“问题视野”旨在理解库施的哲学范围及其对美国哲学思想的贡献
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引用次数: 1
Diseño del personaje femenino en la narrativa cubana del siglo XIX: aproximaciones 19世纪古巴叙事中的女性角色设计:方法
Pub Date : 2016-07-25 DOI: 10.4067/S0718-22012016000100004
Ronald Antonio Ramírez Castellanos
In this paper, an approach to the Cuban narrative of nineteenth-century period is carried out through the design of their female characters. The paper discusses the particularities of an ethopoeic characterization of imago women. It also attempts to realize a tentative typologization, based on the various nuances of forming our fictional female models. For this purpose, the works and major authors of the period are discussed.
本文通过对女性角色的塑造,对十九世纪古巴叙事进行探讨。本文探讨了形象女性的民族学特征的特殊性。它还试图实现一种试探性的类型学,基于形成我们虚构的女性模型的各种细微差别。为此,本文讨论了这一时期的作品和主要作者。
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引用次数: 0
Movimiento, espacio y lenguaje en Ciudad de cristal de Paul Auster 保罗·奥斯特《玻璃之城》中的运动、空间和语言
Pub Date : 2016-07-25 DOI: 10.4067/S0718-22012016000100006
Juan Serey Aguilera
The aim of this article is to show how in Paul Auster’s novel City of Glass, an approach to singularity through language takes place. Nevertheless, this adjustment between words and things fails because of the constant movement and change of things, resulting in failure of the perfect adjustment between the singular and language, turning the language into silence. We think that this is confirmed in the behaviour of two of this novel’s characters (Peter Stillman senior and Quinn the detective), whose only alternative and escape consists of merging with the city, transforming the space into a new linguistic articulation.
本文的目的是展示保罗·奥斯特的小说《玻璃之城》是如何通过语言实现奇点的。然而,由于事物的不断运动和变化,这种词与物之间的调整失败了,导致单数与语言之间的完美调整失败,语言陷入沉默。我们认为这在小说中的两个人物(老彼得·斯蒂尔曼和侦探奎恩)的行为中得到了证实,他们唯一的选择和逃避就是与城市融合,将空间转化为一种新的语言表达。
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引用次数: 0
LITERATURA Y PRENSA: LA COLUMNA DE ESCRITORES EN CHILE 文学与新闻:智利作家专栏
Pub Date : 2016-07-25 DOI: 10.4067/S0718-22012016000100010
Jaime Galgani Muñoz
El articulo desarrolla algunas reflexiones teoricas acerca de las caracteristicas de la presencia de los escritores en el periodismo durante los siglos XIX y XX como autores de columnas de opinion asociadas a la critica cultural. En segundo lugar, presenta una vision panoramica de la evolucion del genero en Chile en el mismo periodo y, finalmente, destaca el trabajo, como columnistas, de algunos de sus principales exponentes
在这篇文章中,我们提出了一些关于19世纪和20世纪作家作为与文化批评相关的意见专栏作者在新闻领域存在的特征的理论思考。首先,它概述了同一时期智利性别的演变,最后,它强调了一些主要倡导者作为专栏作家的工作。
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引用次数: 0
La polifonía y el silencio como estrategias de denuncia de la dictadura en la narrativa de Luisa Valenzuela 在路易莎·巴伦苏埃拉的叙事中,复调和沉默作为谴责独裁的策略
Pub Date : 2016-07-25 DOI: 10.4067/S0718-22012016000100003
Jaime Gómez Douzet
El proposito de este estudio es analizar las estrategias discursivas utilizadas por la escritora argentina Luisa Valenzuela para denunciar el abuso y las violaciones a los derechos humanos perpetrados por las tiranias del cono sur americano entre 1970 y 1980. Mediante el analisis de Cambio de armas y Cola de Lagartija dentro del marco teorico de la dialogizacion del discurso, propuesto por Mikhail Bakhtin, se discute el uso de la polifonia y el silencio como estrategias para denunciar la dictadura como fenomeno social y politico en Argentina entre 1966 y 1982
本文的目的是分析阿根廷作家Luisa Valenzuela在1970年至1980年间所使用的话语策略,以谴责南美洲独裁政权所犯下的虐待和侵犯人权行为。通过分析交换武器和蜥蜴的尾巴dialogizacion teorico框架内提出的演讲,讨论Mikhail Bakhtin polifonia和沉默策略谴责独裁在阿根廷社会和政治现象在1966年至1982年
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引用次数: 1
ESTUDIO DE LA OBRA DE STEVENSON SOBRE LA BASE DE LA TEORÍA DE JUNG DEL ARQUETIPO DE LA SOMBRA EN EL EXTRAÑO CASO DEL DR. JEKYLL Y MR. HYDE 在《杰基尔博士和海德先生的奇案》中,以荣格的影子原型理论为基础研究史蒂文森的作品
Pub Date : 2016-07-25 DOI: 10.4067/S0718-22012016000100005
M. G. Moreno, Elaine Caroline Hewitt Hughes
La dualidad de la humanidad siempre ha sido estudiada desde muchas perspectivas, pero la originalidad de nuestro estudio reside en la perspectiva sustraida a base de la teoria de Jung de los arquetipos. Este articulo examinara el arquetipo de la sombra como figura principal para compender los aspectos mas relevantes de la novela de Stevenson El extrano caso del Dr. Jekyll y Mr. Hyde, asi como la estructura de la dualidad en el ser humano
人类的二元性一直被从许多角度来研究,但我们研究的独创性在于荣格原型理论的基础上的底层视角。史蒂文森的小说《杰基尔博士和海德先生的奇怪案例》中最相关的方面,以及人类二元性的结构,将阴影作为主要人物的原型。
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引用次数: 1
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Alpha (osorno)
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