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PORTEÑAS BUENAS MOZAS: CORAZÓN Y BELLEZA EN LA CONSTRUCCIÓN DE LA MUJER EN LA NARRATIVA DE SALVADOR REYES portenas BUENAS MOZAS:萨尔瓦多·雷耶斯叙事中女性建构中的心与美
Pub Date : 2016-12-25 DOI: 10.4067/S0718-22012016000200011
Alexis Candia-Cáceres, Oscar Rosales Neira, Patricio Landaeta
The article proposes a review of the role of women in the works that shape Salvador Reyes' narrative of Valparaiso:  El cafe del puerto (1926),  Piel nocturna  (1936),  Monica Sanders  (1951) and  Valparaiso, puerto de nostalgia  (1955). The construction of the female subject follows Rimbaud’s notion of “heart and beauty”. This notion counters the phallocentric bias prevalent in Chile in the early 20th century by setting lines of flight that open possibilities of transgression within the order of the family. In addition, this article proposes intertextual connections necessary for understanding the disruptive component of the representation of women in Reyes’ writing
本文回顾了女性在塑造萨尔瓦多·雷耶斯对瓦尔帕莱索的叙述的作品中的角色:El cafe del puerto (1926), Piel nocturna (1936), Monica Sanders(1951)和Valparaiso, puerto de nostalgia(1955)。女性主体的建构遵循兰波的“心与美”观念。这一观念通过设置在家庭秩序中出现越轨行为的可能性,对抗了20世纪初智利盛行的以生殖器为中心的偏见。此外,本文还提出了理解雷耶斯作品中女性表现的破坏性成分所必需的互文联系
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引用次数: 0
AUTORIDAD(ES) Y PODER(ES) EN MONSEÑOR QUIJOTE DEGRAHAM GREENE 《堂吉诃德·德格拉姆·格林主教的权威和权力》
Pub Date : 2016-12-25 DOI: 10.4067/S0718-22012016000200017
J. Duarte
In this article a novel by Graham Greene entitled Monsignor Quixote is analysed, a book that involves a recreation of the novel by Cervantes. The author of this article employs two concepts from Roman law: authority and power in his analysis. In this work by Greene, authority arises from the books or the book writers, whose reading allows life to keep making sense. In Greene, a strategy of reading known as the sortes virgilianae is found and this allows the characters to get their bearings in the daily difficulties. However, power is described as illiterate, the absence of books and ignorance
本文分析了格雷厄姆·格林的小说《堂吉诃德大人》,这本书是对塞万提斯小说的再现。本文的作者在分析中运用了罗马法中的两个概念:权威和权力。在格林的这部作品中,权威来自书籍或作者,他们的阅读让生活变得有意义。在格林的作品中,人们发现了一种被称为“维吉里亚纳”的阅读策略,这使得人物在日常困难中找到了自己的方向。然而,权力被描述为文盲,没有书和无知
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引用次数: 1
CAMILO HENRÍQUEZ: TEATRO, REPUBLICANISMO Y MODERNIDAD 卡米洛henriquez:戏剧、共和主义与现代主义
Pub Date : 2016-12-25 DOI: 10.4067/S0718-22012016000200009
B. Subercaseaux, Paula Cuadra
This article approaches the work of Friar Camilo Henriquez, specifically the play The Camila or the Patriot of South America , from the assumption that aesthetic principles are subordinate to the illustrated modern and republican ideas, who Fray Camilo devoted most of his life to defend and disseminate. From the analysis of La Camila, the article unveils the different textual marks through which the author disseminated republican ideas and established, in an assimilation fashion, a modern Indian subject. This happens in a reception context in which colonialism and modernity appear to be simultaneous, and therefore republican thought becomes utopian
本文从美学原则服从于阐释的现代和共和思想的假设出发,探讨了卡米洛·恩里克斯修士的作品,特别是戏剧《卡米拉或南美爱国者》,而卡米洛一生中大部分时间都在捍卫和传播这些思想。本文通过对《拉卡米拉》的分析,揭示了作者传播共和思想并以同化的方式建立现代印度主体的不同文本标记。这发生在殖民主义和现代性似乎同时出现的接受背景下,因此共和思想成为乌托邦
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引用次数: 0
LAS CORTES DE LA MUERTE, AUTO SACRAMENTAL ATRIBUIDO A LOPE DE VEGA, Y EL EPISODIO CERVANTINO DE LA CARRETA DE LA MUERTE (QUIJOTE, II, 11) 死亡法庭,被认为是洛普·德·维加的圣礼,以及塞万提斯关于死亡马车的情节(堂吉诃德,II, 11)
Pub Date : 2016-12-25 DOI: 10.4067/S0718-22012016000200015
C. M. Induráin
This paper focuses on the relationship between Cervantes’ Cart of Death episode ( Quijote , II, 11) and the sacramental play entitled Las Cortes de la Muerte (The Parliament of Death) , usually attributed to Lope de Vega. This play has received some attention by the critics because it is almost certainly the sacramental play mentioned in the second part of Don Quixote , when the knight-errant meets the actors belonging to the Angulo el Malo’s company. After commenting on Cervantes’ episode and the possible identification of the sacramental play mentioned there, the paper provides a dramatic and literary analysis of Las Cortes de la Muerte (The Parliament of Death) , with comment about its structure and other details concerning its allegorical and symbolic constructions.
本文主要研究塞万提斯的《死亡车》(《吉诃德》,第2、11章)与圣事剧《死亡议会》(Las Cortes de la Muerte)之间的关系,这部剧通常被认为是洛佩·德·维加创作的。这出戏受到了评论家的关注因为它几乎肯定是堂吉诃德第二部分提到的圣礼剧,当游侠骑士遇到了属于Angulo el Malo剧团的演员。在评论了塞万提斯的情节和可能的圣礼剧之后,论文对《死亡议会》(Las Cortes de la Muerte)进行了戏剧和文学上的分析,并对其结构和其他关于其寓言和象征结构的细节进行了评论。
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引用次数: 1
Efectividad del feedback correctivo escrito directo para mejorar el aprendizaje de las preposiciones por y para en español /L2 直接书面纠正反馈对提高西班牙语/第二语言介词by和para学习的有效性
Pub Date : 2016-12-25 DOI: 10.4067/S0718-22012016000200005
Nahum Lafleur, Anita Alejandra Ferreira Cabrera
The aim of this research is to evaluate the effectiveness of written direct corrective feedback on the learning improvement of prepositions “ por and para ” in Spanish as second language. These grammatical structures are considered among the most complex prepositions to acquire during the learning process, considering the frequency of errors in their use and their syntactic-semantic nature (Ferreira et al , 2014; Fernandez Jodar, 2006; Gines y Ramirez, 1998; Fernandez Lopez, 1997). In order to achieve this aim, a quasi-experimental study with a pretest, immediate posttest, delayed posttest and control group was conducted. In this context, we have systematically applied the strategies of written metalinguistic and non-metalinguistic direct corrective feedback on these prepositions errors. The results have shown the positive effects of the written corrective feedback on the acquisition of these prepositional structures.
本研究的目的是评估书面直接纠正反馈对西班牙语介词“poor”和“para”的学习效果。考虑到使用错误的频率和句法语义性质,这些语法结构被认为是学习过程中最难习得的介词之一(Ferreira et al ., 2014;Fernandez Jodar, 2006;Gines y Ramirez, 1998;Fernandez Lopez, 1997)。为了达到这一目的,我们采用前测、即时后测、延迟后测和对照组进行准实验研究。在此背景下,我们系统地应用了书面元语言和非元语言的直接纠正反馈策略来纠正这些介词错误。结果表明,书面纠正反馈对介词结构的习得有积极作用。
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引用次数: 2
La primacía del "modus ponens" en la cognición humana: tarea de selección y perfección del condicional “方式”在人类认知中的首要地位:条件句的选择和完善任务
Pub Date : 2016-12-25 DOI: 10.4067/S0718-22012016000200003
Miguel López Astorga, R. Vargas
In this paper, we present an explanation for the problem of the abstract versions of Peter Wason’s four-card selection task: modest subjects’ results when they are confronted with these tasks. Our explanation poses that individuals do not comprehend the task rule as a conditional sentence, but as a biconditional one, causing that subjects do not choose the correct cards. Santamaria presented an objection for any approach that suggests a biconditional interpretation in the task  selection. In this work, we discuss this objection based on the apparent primacy of a logical rule in human reasoning: modus ponens . Additionally, we present a study based on Socratic dialogue seminars with a tutorial style, developed by us, to check whether our explanation is viable or not, and discuss the results achieved.
在本文中,我们对彼得·沃森的四卡选择任务的抽象版本的问题:谦虚的受试者面对这些任务时的结果进行了解释。我们的解释认为,个体没有将任务规则理解为条件句,而是将其理解为双条件句,导致被试没有选择正确的卡片。Santamaria反对任何在任务选择中提出双条件解释的方法。在这项工作中,我们根据人类推理中逻辑规则的明显首要地位来讨论这一反对意见:ponens模式。此外,我们提出了一项基于苏格拉底对话研讨会的研究,采用我们开发的教程风格,以检查我们的解释是否可行,并讨论取得的结果。
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引用次数: 1
De huellas y sucedáneos quijotescos en los entremeses del Siglo de Oro 在黄金时代的entremeses中,脚印和堂吉诃德的替代品
Pub Date : 2016-12-25 DOI: 10.4067/S0718-22012016000200013
J. Baztán
This paper reviews the different recreations of Don Quixote in the Entremeses of the seventeenth century. These recreations sometimes are treated as very simple motive mentions. However, they also function as complex texts signaling the popularity of the novel of Cervantes and his character always from a playful and festive perspective.
本文回顾了17世纪《极端化》中堂吉诃德的不同再现。这些娱乐活动有时被视为非常简单的动机提及。然而,它们也是复杂的文本,标志着塞万提斯的小说和他的角色的受欢迎程度总是从一个有趣和节日的角度来看。
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引用次数: 3
LOS IDIOTISMOS DE LA MODERNIZACIÓN SIN MODERNIDAD: UN ACERCAMIENTO A LA DINÁMICA URBANA DE PRINCIPIOS DE SIGLO XX EN COLOMBIA A PARTIR DE SUENAN TIMBRES DE LUIS VIDALES 没有现代性的现代化白痴:路易斯·维达尔斯(LUIS VIDALES)的《音色之声》(soenan TIMBRES)对20世纪早期哥伦比亚城市动态的一种方法
Pub Date : 2016-12-25 DOI: 10.4067/S0718-22012016000200006
E. Hernández
In this paper, from the literature of Luis Vidales’s Suenan timbres , we explore the dynamics of Colombian rising cities that initiate an accelerated modernization process, deprived of an appropriate development of modern thinking, along with the new material advances, which makes it impossible to debate the relevance and the process followed by these types of transformations. This situation leads Colombia to experience the idiotism of modernization without modernity, impeding men to understand the needs and conflicts generated by progress. These villages from twentieth century beginnings quickly turn into city projects determined by the arrival of new objects, creating a mobile and noisy atmosphere, opposed to villages’ passivity. From poetics committed to social and political change, Vidales recreates reality as a poet of criticism in Colombia.
在本文中,从Luis Vidales的Suenan音色文献中,我们探索了哥伦比亚新兴城市的动态,这些城市启动了加速的现代化进程,剥夺了现代思维的适当发展,以及新材料的进步,这使得不可能辩论这些类型的转型的相关性和过程。这种情况导致哥伦比亚经历了没有现代性的现代化的愚蠢,阻碍了人们理解进步所产生的需求和冲突。这些村庄从20世纪开始迅速转变为城市项目,由新物体的到来决定,创造了一个流动和嘈杂的氛围,与村庄的被动相反。从致力于社会和政治变革的诗学,比达莱斯以批评诗人的身份再现了哥伦比亚的现实。
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引用次数: 0
IMAGINARIOS ETÍLICOS EN PABLO NERUDA Y PABLO DE ROKHA: HACIA UNA POÉTICA DE LA EMBRIAGUEZ 巴勃罗·聂鲁达和巴勃罗·德·罗卡的乙基想象:走向醉酒的诗学
Pub Date : 2016-12-25 DOI: 10.4067/S0718-22012016000200010
M. Cruz
In this article, I analyze the alcoholic imaginaries elaborated in Oda al vino by Pablo Neruda and Borrachos dionisiacos by Pablo de Rokha. As a hypothesis, I propose that both texts are a defense or apology of alcohol and drunkenness, where the worth of alcohol consumption is closely connected with the idea of masculinity postulated by poetic voices. In this sense, I also propose that both texts configure a poetic of drunkenness, which belongs to the tradition of poets who have sung the virtues of alcohol and its effects from Antiquity to Modernity.
在这篇文章中,我分析了巴勃罗·聂鲁达和巴勃罗·德·罗卡在《酒之梦》和《酒之梦》中所阐述的酗酒想象。作为一种假设,我提出,这两篇文章都是对酒精和醉酒的辩护或道歉,其中饮酒的价值与诗歌声音所假设的男子气概密切相关。在这个意义上,我还提出,这两个文本都配置了醉酒的诗歌,这属于诗人的传统,他们歌颂了酒精的美德及其从古代到现代的影响。
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引用次数: 0
El rol de la argumentación en el pensamiento crítico y en la escritura epistémica en Biología e Historia: aproximación a partir de las representaciones sociales de los docentes 本研究的目的是评估教师在批判性思维和认知写作中的作用。
Pub Date : 2016-12-25 DOI: 10.4067/S0718-22012016000200004
Alejandro Córdova Jiménez, Marisol Velásquez Rivera, Lisbeth Arenas Witker
El desarrollo de la argumentacion en el proceso de alfabetizacion academica cobra especial importancia debido a que el conocimiento academico es esencialmente argumentativo (Serrano y Villalobos, Niveles discursivos). Por esto, el objetivo de esta investigacion es, por un lado, relevar, a partir del discurso de los docentes en un programa de Biologia e Historia, las representaciones sociales acerca de la ensenanza-aprendizaje de la argumentacion y, por otro, generar un modelo explicativo de este fenomeno. La recoleccion de datos se realizo por medio de entrevistas a docentes de ambas disciplinas y el analisis de ellos, mediante la tecnica de analisis de contenido, la que busca formular inferencias reproducibles y validas que puedan aplicarse a un contexto determinado (Krippendorff, 1997)
在学术素养过程中,论证的发展具有特殊的重要性,因为学术知识本质上是论证的(Serrano和Villalobos,论述层次)。正因为如此,这项调查的目的是,一方面,释放,从教师的一项演讲Biologia历史、社会关于ensenanza-aprendizaje argumentacion,另一方面产生这一现象的解释性模型。数据收集是通过对这两个学科的教师的访谈进行的,并通过内容分析技术对他们进行分析,试图形成可重复和有效的推论,可以应用于给定的背景(Krippendorff, 1997)。
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引用次数: 5
期刊
Alpha (osorno)
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