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The Body and Desire: Gregory of Nyssa's Ascetical Theology by Raphael A. Cadenhead (review) 《身体与欲望:尼萨的格列高利的禁欲神学》作者:拉斐尔·a·卡登黑德(书评)
IF 0.1 3区 历史学 Q2 Arts and Humanities Pub Date : 2022-12-01 DOI: 10.1353/tcj.2022.0037
A. Thomas
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引用次数: 0
Visual Power in Ancient Greece and Rome: Between Art and Social Reality by Tonio Hölscher (review) 古希腊罗马的视觉力量:在艺术与社会现实之间作者:托尼奥Hölscher(评论)
IF 0.1 3区 历史学 Q2 Arts and Humanities Pub Date : 2022-12-01 DOI: 10.1353/tcj.2022.0040
K. Jones
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引用次数: 2
Travel and Home in Homer's Odyssey and Contemporary Literature: Critical Encounters and Nostalgic Returns by Carol Dougherty (review) 《荷马的奥德赛》中的旅行与家与当代文学:批判的相遇与怀旧的回归卡罗尔·多尔蒂
IF 0.1 3区 历史学 Q2 Arts and Humanities Pub Date : 2022-12-01 DOI: 10.1353/tcj.2022.0038
H. Lehmann
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引用次数: 0
Orientalism and the Reception of Powerful Women from the Ancient World ed. by Filippo Carlà-Uhink and Anja Wieber (review) 《东方主义与对古代世界女强人的接受》,菲利波Carlà-Uhink、安雅·维伯主编(评论)
IF 0.1 3区 历史学 Q2 Arts and Humanities Pub Date : 2022-12-01 DOI: 10.1353/tcj.2022.0039
A. Potter
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引用次数: 0
Ovationes Anni Salutis MMXXII
IF 0.1 3区 历史学 Q2 Arts and Humanities Pub Date : 2022-12-01 DOI: 10.1353/tcj.2022.0035
D. J. White
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引用次数: 0
Pestilence and the Body Politic in Latin Literature by Hunter H. Gardner (review) 《瘟疫与拉丁文学中的政体》亨特·h·加德纳著(书评)
IF 0.1 3区 历史学 Q2 Arts and Humanities Pub Date : 2022-10-01 DOI: 10.1353/tcj.2022.0027
Rebecca Moorman
his timely book explores two paradoxically unified narratives of plague in Latin literature: dissolution and reconstitution. Gardner analyzes Roman approaches to “zombie-esque” plague narratives not merely as ruinous episodes of death but, more broadly, as apocalyptic and postapocalyptic narratives, asking what comes after destruction. Beginning with the simple notion that disease affecting individual corpora offers a convenient metaphor for the political corpus , Gardner draws out a range of complex nuances latent in the multivalent nature of Roman contagion. Plague erases individual bodies and familial ties through liquefaction, dissolution and decay; this destruction of the individual cre-ates a tabula rasa on which a new socio-political collective can be written.
这本及时的书探讨了拉丁文学中瘟疫的两种矛盾统一的叙述:解体和重建。加德纳分析了罗马人对“僵尸式”瘟疫叙事的处理方式,不仅是毁灭性的死亡情节,更广泛地说,是末日和后末日叙事,探讨毁灭之后会发生什么。加德纳从一个简单的概念开始,即影响个人语料库的疾病为政治语料库提供了一个方便的隐喻,他得出了一系列复杂的细微差别,这些细微差别隐藏在罗马传染病的多重属性中。鼠疫通过液化、溶解和腐烂来消灭个人身体和家庭关系;这种对个人的毁灭创造了一个白板,一个新的社会政治集体可以在上面书写。
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引用次数: 0
Imagining Classics: Towards A Pedagogy of Gaming Reception 想象经典:走向游戏接受教育学
IF 0.1 3区 历史学 Q2 Arts and Humanities Pub Date : 2022-10-01 DOI: 10.1353/tcj.2022.0024
H. Cameron
Abstract:Tabletop roleplaying games (TRPGs) are an increasingly important mode of contemporary cultural production and a medium through which received ideas about the classical past are reproduced through play. This article shows how TRPGs can be analyzed in conjunction with classical texts and topics to highlight processes of cultural production in the ancient world in a university-level first year seminar through a series of cases comparing Homeric gods and heroism in the Iliad to the treatment of those topics in Dungeons and Dragons (1974) and Agon (2006), and a simple design exercise using Fate Accelerated (2013). These cases provided context and scaffolding for creative assignments in which students used ancient material to design their own games. Fostering student engagement with ancient material through the analysis, play, and design of modern games gives another pedagogical avenue for approaching ideas about how cultures influence texts and how ideas about the past are received in contemporary media.
摘要:桌面角色扮演游戏(trpg)是一种日益重要的当代文化生产模式,它是一种通过游戏再现经典过去思想的媒介。本文通过将《伊利亚特》中的荷马神和英雄主义与《龙与地下城》(1974年)和《Agon》(2006年)中的主题进行比较的一系列案例,以及使用Fate Accelerated(2013年)进行的简单设计练习,展示了如何将trpg与经典文本和主题结合起来分析,以突出古代世界的文化生产过程。这些案例为学生使用古代材料设计自己的游戏的创造性作业提供了背景和框架。通过现代游戏的分析、游戏和设计,培养学生对古代材料的参与,为探讨文化如何影响文本以及关于过去的想法如何在当代媒体中被接受提供了另一种教学途径。
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引用次数: 1
Bright Heads: Fire Imagery and Intertextuality in Odyssey 18 明亮的头脑:《奥德赛》中的火焰意象与互文性
IF 0.1 3区 历史学 Q2 Arts and Humanities Pub Date : 2022-10-01 DOI: 10.1353/tcj.2022.0022
Eleonora Giunchi
Abstract:In this paper, I analyze the presence of fire and light imagery in the Odyssey, especially in book 18, against the backdrop of Achilles’ return to the battlefield in the Iliad, where the motif of fire plays a pivotal role. Approaching the Homeric poems from an intertextual perspective, I argue that the poet of the Odyssey uses a typically Achillean imagery of fire to foreshadow Odysseus as an implacable Iliadic warrior. As a case-study, I propose a reading of Od. 18.354–6 in the light of Il. 18.206–14, aiming to show how fire-related elements in the description of Odysseus disguised as a beggar clearly allude to Achilles’ appearance against the Trojans.
摘要:本文以《伊利亚特》中阿喀琉斯重返战场为背景,分析了《奥德赛》中,特别是第十八卷中火和光意象的存在,其中火的母题起着举足轻重的作用。从互文的角度来看荷马诗歌,我认为《奥德赛》的诗人使用了典型的阿基里斯式的火焰意象,预示着奥德修斯是一个不屈不挠的伊利亚特战士。作为一个案例研究,我建议根据伊律亚书18.206-14来解读《旧约》18.354-6,旨在展示奥德修斯伪装成乞丐的描述中与火有关的元素如何清楚地暗示阿喀琉斯对抗特洛伊人的样子。
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引用次数: 0
Staging Power: Alexander, Athens and the Contests at Tyre 舞台力量:亚历山大、雅典和提尔之争
IF 0.1 3区 历史学 Q2 Arts and Humanities Pub Date : 2022-10-01 DOI: 10.1353/tcj.2022.0021
L. O’sullivan, Eleonora Giunchi, Joanna Kenty, H. Cameron, Thomas J. Sienkewicz, B. Lowe, Rebecca Moorman, Jeremy J. Swist, Kristian L. Lorenzo
Abstract:At a time of waning military prestige in the fourth century, Athens attached great importance to its choral and dramatic heritage as a source of civic display and pride. In spectacular festivities staged at Tyre in 331 bce and detailed by Plutarch (Alex. 29.1–5; de fort. Alex. 334 d-e), Alexander the Great drew upon elements of the Athenian contests in his own celebrations. I suggest here that he did so in order to articulate his own power with a Greek—and more particularly an Athenian—audience in mind, and that his gesture was shaped by apprehensions of instability in the Peloponnese.
摘要:公元4世纪,雅典的军事威望日渐式微,雅典人十分重视其合唱和戏剧遗产,将其作为公民展示和自豪感的来源。公元前331年在提尔举行的盛大庆祝活动中,普鲁塔克(Alex. 29.1-5;德堡。亚历克斯(Alex, 334 d-e),亚历山大大帝在他自己的庆祝活动中借鉴了雅典竞赛的元素。我认为,他这样做是为了向希腊人,尤其是雅典人,表达自己的权力,他的姿态是由于对伯罗奔尼撒半岛不稳定的担忧而形成的。
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引用次数: 0
The Eternal Decline and Fall of Rome: The History of a Dangerous Idea by Edward J. Watts (review) 《罗马的永恒衰亡:一个危险思想的历史》作者:爱德华·j·沃茨(书评)
IF 0.1 3区 历史学 Q2 Arts and Humanities Pub Date : 2022-10-01 DOI: 10.1353/tcj.2022.0028
Jeremy J. Swist
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引用次数: 0
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