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Herculaneum and the House of the Bicentenary: History and Heritage by Sarah Court and Leslie Rainer (review) 《赫库兰尼姆和二百周年纪念之屋:历史与遗产》作者:莎拉·考特和莱斯利·雷纳(书评)
IF 0.1 3区 历史学 Q2 Arts and Humanities Pub Date : 2022-10-01 DOI: 10.1353/tcj.2022.0026
B. Lowe
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引用次数: 0
The Oxford Handbook of Heracles ed. by Daniel Ogden (review) 《牛津赫拉克勒斯手册》,丹尼尔·奥格登主编(书评)
IF 0.1 3区 历史学 Q2 Arts and Humanities Pub Date : 2022-10-01 DOI: 10.1353/tcj.2022.0025
Thomas J. Sienkewicz
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引用次数: 0
Irony and Figured Language in Cicero’s Letter to Lucceius 西塞罗致卢修斯信中的反讽与修辞语言
IF 0.1 3区 历史学 Q2 Arts and Humanities Pub Date : 2022-10-01 DOI: 10.1353/tcj.2022.0023
Joanna Kenty
Abstract:In Cicero’s notorious letter to the historian L. Lucceius (Fam. 5.12), the orator creates an ironic persona through humor, figured language, and other markers of urbanity, destabilizing his readers’ sense of the letter’s apparent intent. The high level of intricacy and the author’s ludic tone draw attention to the form of the letter at the expense of its content, framing it as a virtuosic performance rather than a serious request. Cicero’s teasing of Lucceius points him more strongly toward an ironic interpretation of the letter as a joke shared between friends.
摘要:在西塞罗写给历史学家L. Lucceius的那封臭名昭著的信中(Fam. 5.12),这位演说家通过幽默、修辞语言和其他温文尔气的标志创造了一个讽刺的角色,动摇了读者对这封信明显意图的感觉。高水平的复杂性和作者滑稽的语气吸引了人们对这封信的形式的关注,而牺牲了它的内容,使它成为一个精湛的表演,而不是一个严肃的请求。西塞罗对卢西修的揶揄更强烈地指向了他对这封信的讽刺解读,认为这是朋友之间的玩笑。
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引用次数: 0
Latin in Modern Fiction: Who Says it’s a Dead Language? by Henryk Hoffmann (review) 现代小说中的拉丁语:谁说它是一种死亡的语言?作者:亨利克·霍夫曼(评论)
IF 0.1 3区 历史学 Q2 Arts and Humanities Pub Date : 2022-10-01 DOI: 10.1353/tcj.2022.0029
Kristian L. Lorenzo
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引用次数: 0
Ennius Noster: Lucretius and the Annales by Jason S. Nethercut (review) 《厄尼厄斯·诺斯特:卢克莱修与年鉴》,杰森·s·尼瑟卡特著(书评)
IF 0.1 3区 历史学 Q2 Arts and Humanities Pub Date : 2022-04-01 DOI: 10.1353/tcj.2022.0018
Chris Eckerman
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引用次数: 2
Cydippe Defixa: An Examination of Ovid’s Magical Language In Heroides 21 《希罗底记》中奥维德的魔法语言考察
IF 0.1 3区 历史学 Q2 Arts and Humanities Pub Date : 2022-04-01 DOI: 10.1353/tcj.2022.0013
Grace Funsten
Abstract:Throughout Heroides 21, Ovid’s Cydippe complains vehemently about the suffering that Acontius has caused her, only to agree to marry him at the end of the poem. In this paper, I argue that her agreement is the result of erotic magic in the form of Acontius’ inscribed apple. While Ovid suggests the presence of magic in this story through specific vocabulary and broader language reminiscent of amatory defixiones, these suggestions are intentionally ambiguous: Cydippe, the narrator, never realizes that she is the victim of a spell. Nevertheless, the magical constraints on her mind and emotions bring her ability to consent to the marriage libens (Ep. 21.240) into question.
摘要:在《希罗里德记》第21篇中,奥维德笔下的西迪佩强烈抱怨阿孔提乌斯给她带来的痛苦,直到诗的最后才同意嫁给他。在本文中,我认为她的同意是情爱魔法的结果,以阿孔提乌斯的铭文苹果的形式。虽然奥维德通过特定的词汇和更广泛的语言暗示了这个故事中魔法的存在,让人联想到爱情的解脱,但这些暗示故意含糊不清:叙述者Cydippe从未意识到她是一个咒语的受害者。然而,对她的思想和情感的魔法约束使她同意婚姻自由的能力受到质疑(Ep. 21.240)。
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引用次数: 0
Revisiting Baratre in Drn 3.955 重访Drn 3.955中的Baratre
IF 0.1 3区 历史学 Q2 Arts and Humanities Pub Date : 2022-04-01 DOI: 10.1353/tcj.2022.0015
M. Pope
Abstract:In this study, we re-apprise Bockemüller’s largely ignored textual emendation of the unattested and likely corrupted baratre of DRN 3.955 to barathrum. Here we also attempt to supply internal and external evidence for Bockemüller’s correction of the strange vocative noun since that information remains wanting. In short, barathrum is shown to be a viable improvement since it coheres with theme and usage internal to the poem and is defensible externally when compared to similar vocative constructions and terms of abuse.
摘要:在本研究中,我们重新介绍了bockem ller对DRN 3.955中未经证实且可能被破坏的baratre进行的大部分被忽视的文本修订。在这里,我们也试图为bockem ller对奇怪的感化名词的纠正提供内部和外部证据,因为这些信息仍然缺乏。简而言之,barathrum被证明是一种可行的改进,因为它与诗歌内部的主题和用法一致,并且与类似的呼召结构和滥用术语相比,它在外部是可辩护的。
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引用次数: 0
Exchanging Agency: Aristotle’s Involuntary Corrective Justice and Some Applications 交换代理:亚里士多德的非自愿矫正正义及其应用
IF 0.1 3区 历史学 Q2 Arts and Humanities Pub Date : 2022-04-01 DOI: 10.1353/tcj.2022.0011
Alexander C. Loney
Abstract:In the fifth book of the Nicomachean Ethics, Aristotle treats involuntary corrective justice in an interesting but somewhat confusing way. In particular, he uses a model borrowed from market transactions, such that a wrong-doer is imagined as taking excessively from a victim. But the identity of what is exchanged is left unclear. I argue that it is a record of having exercised one’s will. This leads to some surprising results, including the possibility that the actions of a living person might affect the disposition of the dead. I then apply this model to some examples from Homer, Aeschylus and Antiphon.
摘要:在《尼各马可伦理学》第五卷中,亚里士多德以一种有趣但又令人困惑的方式论述了非自愿纠正正义。尤其值得一提的是,他借用了一个市场交易的模型,将不法行为者想象成过度索取受害者的钱财。但交换的对象尚不清楚。我认为这是一个人行使意志的记录。这导致了一些令人惊讶的结果,包括活人的行为可能会影响死人的处置。然后,我将这个模型应用于荷马、埃斯库罗斯和安提芬的一些例子。
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引用次数: 0
Greeks and Romans on the Latin American Stage ed. by Rosa Andújar and Konstantinos P. Nikoloustos (review) 《拉丁美洲舞台上的希腊人和罗马人》,罗莎Andújar和康斯坦丁诺斯·p·尼古劳斯托斯主编(书评)
IF 0.1 3区 历史学 Q2 Arts and Humanities Pub Date : 2022-04-01 DOI: 10.1353/tcj.2022.0017
Edmund P. Cueva
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引用次数: 0
Roman Artists, Patrons, and Public Consumption: Familiar Works Reconsidered ed. by Brenda Longfellow and Ellen E. Perry (review) 罗马艺术家、赞助人和公共消费:重新思考熟悉的作品布伦达·朗费罗和艾伦·e·佩里主编(书评)
IF 0.1 3区 历史学 Q2 Arts and Humanities Pub Date : 2022-04-01 DOI: 10.1353/tcj.2022.0019
Carol C. Mattusch
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引用次数: 0
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