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Non Fit Morte Miser: Pompey The Great as Aristotelian Tragic Hero in Lucan’s Bellum Civile . 《非莫守财奴:伟大的庞培在卢坎的《公民战争》中扮演亚里士多德式的悲剧英雄。
3区 历史学 0 CLASSICS Pub Date : 2023-10-01 DOI: 10.1353/tcj.2023.a909264
Joseph Diproperzio
Abstract: Pompey’s character in Lucan’s Bellum Civile provokes the same emotions as the tragic hero. Like an Aristotelian tragic hero, Pompey is condemned by fate but also exhibits certain defects which lead to his defeat and murder. Lucan focuses on the flaws of indecision and ambition which contribute to the general’s fall from his illustrious position. Although Pompey is intellectually and morally imperfect after the Battle of Pharsalus, he shows signs of improvement in both respects. At his assassination, moreover, Pompey accepts his place within fate, faces death magnanimously, and carries on the resistance against Caesar even after death.
摘要:卢坎的《文明战争》中庞培的角色激发了与悲剧主人公同样的情感。就像亚里士多德的悲剧英雄一样,庞培受到命运的谴责,但也表现出某些缺陷,导致他的失败和谋杀。卢坎把重点放在优柔寡断和野心的缺点上,这些缺点导致了将军从他辉煌的位置上跌落。虽然庞培在法萨卢斯战役后在智力和道德上都不完美,但他在这两方面都表现出进步的迹象。而且,在他被暗杀时,庞培接受了命运的安排,宽宏大量地面对死亡,即使死后也继续抵抗凯撒。
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引用次数: 0
Author Unknown: The Power of Anonymity in Ancient Rome by Tom Geue (review) 作者未知:古罗马匿名的力量汤姆·格(书评)
3区 历史学 0 CLASSICS Pub Date : 2023-10-01 DOI: 10.1353/tcj.2023.a909268
Kathleen Burt
Reviewed by: Author Unknown: The Power of Anonymity in Ancient Rome by Tom Geue Kathleen Burt Author Unknown: The Power of Anonymity in Ancient Rome. By Tom Geue. Cambridge, MA and London, UK: Harvard University Press, 2019. Pp. i-xii + 364. Hardback, $48.00. ISBN: 978–0-67–498820–0. Author Unknown takes as its central premise the idea that unknown, un-named or otherwise unclear authors and subjects have considerably more meaning and power in ancient texts than most philologists and literary scholars have historically wanted to admit. The author uses readings of several texts notorious for ambiguity or uncertainty of authorial attribution, audience or subject definition, to demonstrate various ways in which the obscuring or omission of names and labels can actually create meaning. The book consists of an introduction, three sections, each with a brief introduction of their own and containing two to three chapters (totaling eight main chapters), a conclusion, acknowledgements, notes, references, a general index and an index locorum. The introduction, subtitled “Literature Unmastered,” argues for the utility of key terms such as “anonymity” and “authority” that inform the central approach. It also offers an overview of the rest of the book, explaining the three thematic sections, and how the various chapters and authors examined therein contribute to the theme under which it is placed and to the overall thesis. The introduction concludes with some explanation of the overall style and approach, noting, “This is a risky book. I don’t expect it to win over many readers. But I hope it will continue the important work of shepherding these texts more into the mainstream of a community… that had often not known what to do with them, apart from exercise a scholarly mastery over them and work to put them in their place[1]” (25). While the author is clear about focusing largely on a close-reading strategy, he also acknowledges risks that come with engaging exclusively with the literary text (21) when there is basis in previous scholarship, a hazard he mitigates with the twenty-page long references section. Thematic section one, “The Power of the Name,” addresses the “politics of anonymity from various angles” (22). Chapter 1 examines the Res Gestae of Augustus, alongside works of Suetonius, to argue that Augustus strategically includes and excludes names to bolster his own imperial authority, while Suetonius includes the power of using names but also makes use of universal nameless knowledge to similar effect. Chapter 2 takes a similar idea but applies it to Ovid’s Ibis and how both text and author use anonymity against their victims. Chapter 3 continues with the examination of antonomasia in the Octavia and how the erasure of names results in multiple possibilities for the author, main character, context, date and audience; the “everyman” possibilities of the effect of removing names creates “a true play of the Unknown” (114). [End Page 118] The second thre
书评:《无名作者:古罗马匿名的力量》作者:汤姆·格·凯瑟琳·伯特汤姆·格著。剑桥,马萨诸塞州和伦敦,英国:哈佛大学出版社,2019年。Pp. i-xii + 364。精装,48.00美元。ISBN: 978-0-67-498820-0。《未知作者》一书的中心观点是,未知的、未命名的或其他不清楚的作者和主题在古代文本中具有比大多数语言学家和文学学者历史上想要承认的更大的意义和力量。作者阅读了几篇因作者归属、读者或主题定义不明确而臭名昭著的文章,以证明模糊或遗漏名字和标签实际上可以创造意义的各种方式。本书由引言、三个部分组成,每个部分都有自己的简要介绍,包括两到三章(共八章)、结论、致谢、注释、参考文献、总索引和索引目录。副标题为“未精通的文学”的引言主张使用关键术语,如“匿名”和“权威”,为中心方法提供信息。它还提供了本书其余部分的概述,解释了三个主题部分,以及其中的各个章节和作者如何为主题做出贡献,并将其置于整体论文之下。引言最后解释了本书的整体风格和方法,并指出:“这是一本有风险的书。我不指望它能赢得很多读者。但我希望它能继续这项重要的工作,引导这些文本更多地进入一个经常不知道如何处理它们的社区的主流,除了对它们进行学术掌握并努力将它们置于其位置之外[1]”(25)。虽然作者很清楚地将重点放在了精读策略上,但他也承认,在有前人学术基础的情况下,只研究文学文本会带来风险(21),他用长达20页的参考文献部分减轻了这种风险。主题部分第一,“名字的力量”,讨论了“从不同角度的匿名政治”(22页)。第一章考察了《奥古斯都的历史》和苏埃托尼乌斯的著作,论证奥古斯都在战略上包括和排除名字以巩固自己的帝国权威,而苏埃托尼乌斯包括使用名字的权力,但也利用普遍的无名知识达到类似的效果。第二章采用了类似的想法,但将其应用于奥维德的《朱鹭》,以及文本和作者如何使用匿名来对付他们的受害者。第三章继续考察《奥克塔维亚》中的对象化以及名字的删除如何导致作者,主角,语境,日期和观众的多种可能性;去掉名字的“普通人”效应的可能性创造了“一场真正的未知游戏”(114)。第二条线索,“普遍的无名”,包括第四章到第六章。这里的主要论点是,这些文本使用了虚构的作者和语境。第四章认为费德鲁斯的《寓言》之所以有意义,是因为这些故事是由一个虚构的人物创作的,他试图获得认可,但不能以一个无名小卒的身份为基础。第五章讲述了劳斯·皮索尼斯,以及它如何以一个想成为诗人的人为背景,但匿名了作者、收件人和上下文。第六章引入了Calpurnius Siculus的牧歌来讨论无法证明,无法实现和循环的权威形式。第三部分,“何时何地”,包括最后两章,每一章讲述两个文本。第7章考察了《启示录》和《萨提里卡》,认为前者使用谚语权威来挫败作者身份的问题,后者使用写作的方式“成为一种误导性的语境(或段落)形式,与它所构建的现实不符”(24)。第八章认为塔西佗的(?)《对话录》用俗语和成语去人格化自身和历史时间,《论崇高》用匿名引语和自引语超越时间、历史和文化。对文本进行定义和标记的学术冲动所引起的注意是……
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引用次数: 0
Land Expropriation in Ancient Rome and Contemporary Zimbabwe: Veterans, Masculinity and War by Obert Bernard Mlambo (review) 古罗马与当代津巴布韦的土地征用:退伍军人、男子气概与战争作者:奥伯特·伯纳德·姆兰博
3区 历史学 0 CLASSICS Pub Date : 2023-10-01 DOI: 10.1353/tcj.2023.a909269
Jo-Marie Claassen
Reviewed by: Land Expropriation in Ancient Rome and Contemporary Zimbabwe: Veterans, Masculinity and War by Obert Bernard Mlambo Jo-Marie Claassen Land Expropriation in Ancient Rome and Contemporary Zimbabwe: Veterans, Masculinity and War. By Obert Bernard Mlambo. London, UK: Bloomsbury Academic, 2022. Pp. xxvi + 246. Hardcover, $103.50. ISBN: 978–1-3502–9185–0. Should military veterans be rewarded with land, and, if so, where? These questions are of particular importance within an agrarian (pre-industrial) economy. The author of this book is from Zimbabwe. He here attempts a comparison between military veterans as agents of land expropriation as he experienced it at first hand in his own country and similar activities in late Republican Rome. His explicit intention is to clarify readers’ understanding of ancient forces in play under various Roman generals such as Sulla, Julius Caesar and Octavian by illuminating similarities and differences with his own lived reality, at times citing the experiences of his own sister and father during the War of Liberation in Zimbabwe and its aftermath, also quoting copiously from the writings of African contemporaries. A variety of ancient sources is consulted, including, among others, Vergil, Appius and Dio Cassius. Mlambo’s exposition is well founded on theory and extremely persuasive. He starts by arguing for the validity of such a comparative approach, quoting a variety modern approaches, even some aspects of feminist theory. Using these as points of departure, Mlambo looks at points of similarity (and some, remarkably few, differences) between the many land expropriations perpetrated by Roman generals to reward veterans’ loyalty or to ensure their continued fealty to their leaders and a similar process in his native country under Robert Mugabe. In the latter case, a sense of entitlement and bitterness against the white farmers, who from the 1890s onwards had taken their ancestors’ lands, fuelled the violent expropriation of (mostly) agricultural [End Page 120] land by Zimbabwean veterans. In many cases the latter dispossessed even fellow-Africans working on white-owned farms, causing new hardship in the country. In the first of eight chapters, Mlambo discusses the theoretical underpinnings of his approach, including thorough exploration of the concept of masculinity as a factor in veterans’ world-view, which involved both natural biology and culture. He also explains his own application of “practice theory” and his use of ancient sources. He cites Appian for a definition of war veterans as “those who fought on behalf of another” (30). Veterans were clients and instruments of the elite of both societies, who used both their clients’ bodies and their desire for land in order to achieve their own ends. Chapter 2 draws a detailed comparison between ancient Rome and modern Zimbabwe, with emphasis on both differences and similarities in the concept of “war veteran” in the two societies, the role of colonization
《古罗马土地征用与当代津巴布韦:退伍军人、男子气概与战争》作者:Obert Bernard Mlambo Jo-Marie Claassen罗伯特·伯纳德·姆兰博著。伦敦,英国:布卢姆斯伯里学院,2022年。第二十六页+ 246页。精装书,103.50美元。ISBN: 978-1-3502-9185-0。退伍军人应该得到土地奖励吗?如果应该,在哪里?这些问题在农业(工业化前)经济中尤为重要。这本书的作者来自津巴布韦。在这里,他试图将退伍军人作为土地征用的代理人进行比较,因为他在自己的国家亲身经历了这一点,而在共和后期的罗马,他也经历了类似的活动。他的明确意图是通过阐明与他自己生活的现实的异同,阐明读者对在苏拉、朱利叶斯·凯撒和屋大维等各种罗马将军统治下的古代力量的理解,有时引用他自己的妹妹和父亲在津巴布韦解放战争及其后果中的经历,也大量引用非洲同时代人的著作。参考了各种古代资料,其中包括维吉尔、阿皮乌斯和迪奥·卡修斯。姆兰博的论述有很好的理论基础,非常有说服力。他首先论证了这种比较方法的有效性,引用了各种现代方法,甚至是女性主义理论的一些方面。以这些为出发点,姆兰博着眼于罗马将军为奖励退伍军人的忠诚或确保他们继续忠于他们的领导人而实施的许多土地征用与他的祖国罗伯特·穆加贝(Robert Mugabe)统治下的类似过程之间的相似点(以及一些明显的差异)。在后一种情况下,一种权利意识和对白人农民的怨恨,这些白人农民从19世纪90年代开始夺取了他们祖先的土地,助长了津巴布韦退伍军人对(主要是)农业土地的暴力征用。在许多情况下,后者甚至剥夺了在白人拥有的农场工作的非洲同胞,给这个国家带来了新的困难。在八章的第一章中,Mlambo讨论了他的方法的理论基础,包括深入探索作为退伍军人世界观因素的男子气概概念,这涉及自然生物学和文化。他还解释了自己对“实践论”的运用和对古代资料的使用。他引用了阿皮安对老兵的定义:“那些为他人而战的人”(30)。退伍军人是两个社会精英的客户和工具,他们利用客户的身体和对土地的渴望来达到自己的目的。第二章对古罗马和现代津巴布韦进行了详细的比较,重点是两个社会中“退伍军人”概念的异同,殖民在两者中的作用(罗马是积极的殖民者,津巴布韦是被动的殖民受害者),对尸体和伤口的“操纵”,社会上的伤疤和津巴布韦退伍军人背景下的“女性阳刚之气”与罗马女性的相对无助(有一些例外,比如马克·安东尼的妻子富尔维亚)。第三章讨论了土地所有权、男子气概(再次)和战争,特别引用了迪奥·卡修斯(Dio Cassius)对反对成功的罗马将军的城市公民的剥夺,而在津巴布韦,士兵,因此退伍军人,认为自己重新拥有了19世纪后期被英帝国主义殖民时期强行占领的土地。退伍军人是“夺回”祖先土地的斗争英雄,强调他们的英雄气概和权利意识,与罗马退伍军人的个人权利意识相比较,他们认为土地是对他们在为各自的将军战斗时所忍受的英勇苦难的奖励。第四章致力于姆兰博所称的“战争疯狂”——一种无意识的愤怒,这种愤怒会推动激烈的战斗,通常是肆意的破坏,正如卢坎、迪奥和阿皮安等作家所描述的那样,津巴布韦游击队也表现出来。在这两个社会中,女性往往是这种对战士的男子气概的断言的受害者。第五章的主题是……
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引用次数: 1
Rome, Parthia, and the Politics of Peace: The Origins of War in the Ancient Middle East by Jason M. Schlude (review) 《罗马、帕提亚与和平政治:古代中东战争的起源》作者:杰森·m·施卢德
3区 历史学 0 CLASSICS Pub Date : 2023-10-01 DOI: 10.1353/tcj.2023.a909266
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引用次数: 1
Augustus, Tiberius, and the Prediction of the Accession of Galba 奥古斯都、提比略和加尔巴登基的预言
3区 历史学 0 CLASSICS Pub Date : 2023-10-01 DOI: 10.1353/tcj.2023.a909265
David Woods
Abstract: Suetonius records that Augustus had predicted to the child Galba that he would taste imperial power, while Tacitus and Dio attribute a similar address to Tiberius. In this article I argue that Augustus addressed Galba as Suetonius claims, but that he did not intend his words to be understood in the way that they were, as a prediction that Galba would rise to the throne. I also argue that Tiberius was quoting Augustus when he addressed Galba in similar fashion, and that he did so to signify his belief that he had fulfilled the alleged ominous significance of Augustus’ words to him by his recent promotion of him.
摘要:苏埃托尼乌斯记载,奥古斯都曾向孩子加尔巴预言他将尝到皇权的味道,而塔西佗和迪奥则认为提比略也有类似的预言。在这篇文章中,我认为奥古斯都是像苏托尼乌斯所说的那样称呼加尔巴的,但他并不想让他的话被理解为加尔巴将登上王位的预言。我还认为,提比略在对加尔巴讲话时引用了奥古斯都的话,他这样做是为了表明他相信,通过最近对奥古斯都的提升,他已经实现了奥古斯都的话对他的不祥意义。
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引用次数: 0
Muses in the Sky: Lucretius’ Invocative Telestich and its Multiple Revivals in Latin Poetry 天空中的缪斯:卢克莱修的召唤性神思及其在拉丁诗歌中的多次复兴
3区 历史学 0 CLASSICS Pub Date : 2023-10-01 DOI: 10.1353/tcj.2023.a909262
Ábel Tamás
Abstract: In the first seven lines of his opening proem, where we notoriously find a Hymn to Venus, Lucretius compensates the Muses with an invocative Muse-telestich spelling MuSAS/MuSIS, which is signposted by caeli … labentia signa and thus connected to the Aratean tradition of both heavenly and written “signs”. Moreover, Lucretius’ telestich establishes a firm tradition including (so far) Catullus, Vergil, Horace, Ovid, and Lucan, who mark some of their most emphatic—predominantly, but not exclusively, proemial—passages with variants of the Lucretian Muse-telestich and adjust them to their respective poetic programs. The Muse-telestich thus became a textual device by which Latin poets watermarked their highest poetic aspirations in exceedingly creative ways.
摘要:在卢克莱修的开场曲的前七行中,我们发现了一首著名的《维纳斯的赞美诗》,卢克莱修用一个祈求的缪斯-telestich拼写MuSAS/MuSIS来补偿缪斯,这个拼写是由caeli…labentia signa标记的,因此与阿拉泰人的天堂和书面“符号”传统联系在一起。此外,卢克莱修的“缪斯”建立了一个坚定的传统,包括(到目前为止)卡图卢斯、维吉尔、贺拉斯、奥维德和卢坎,他们用卢克莱修的“缪斯”的变体标记了一些最强调的——主要的,但不是唯一的——原始的段落,并将它们调整为各自的诗歌程序。缪斯-泰斯克因此成为一种文字工具,拉丁诗人用极具创造性的方式标记他们最高的诗歌愿望。
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引用次数: 0
All That Glitters: The Golden Age of Rome in the Ars Amatoria 《闪闪发光:罗马帝国的黄金时代
3区 历史学 0 CLASSICS Pub Date : 2023-10-01 DOI: 10.1353/tcj.2023.a909263
Joshua M. Paul
Abstract: I argue that Ovid depicts Rome as a Golden Age at the beginning of Book 1 of the Ars Amatoria, long before he makes the comparison explicit in Books 2 and 3. My approach is largely comparative, as I consider motifs common across various representations of the aurea aetas , such as commerce between gods and men and the absence of sailing. I then consider this new vision of paradise on earth in the context of the four long-recognized treatments of the Golden Age in the Ars Amatoria. Ovid’s sense of irony exposes faults in supposed Golden Ages and instead praises modernity for reasons completely counter to the moralizing of the Augustan regime.
摘要:笔者认为,奥维德在《罗马史》第一卷的开头就把罗马描绘成一个黄金时代,而他在第二卷和第三卷中明确地进行了比较。我的方法在很大程度上是比较的,因为我考虑了在各种各样的aurea aetas代表中常见的主题,比如神与人之间的贸易和没有航行。然后,我在《阿玛托里亚》中对黄金时代的四种长期公认的论述的背景下,考虑这种对人间天堂的新看法。奥维德的讽刺揭露了所谓的黄金时代的错误,反而赞扬了现代性,理由与奥古斯都政权的道德化完全相反。
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引用次数: 0
Rome, Parthia, and the Politics of Peace: The Origins of War in the Ancient Middle East by Jason M. Schlude (review) 《罗马、帕提亚与和平政治:古代中东战争的起源》作者:杰森·m·施卢德
3区 历史学 0 CLASSICS Pub Date : 2023-10-01 DOI: 10.1353/tcj.2023.a909267
Peter Edwell
Reviewed by: Rome, Parthia, and the Politics of Peace: The Origins of War in the Ancient Middle East by Jason M. Schlude Peter Edwell Response to Everett L. Wheeler’s review of Jason M. Schlude, Rome, Parthia, and the Politics of Peace: The Origins of War in the Ancient Middle East (London and Routledge, 2020) (CJ 118.4). It is not my usual practice to engage with claims made in book reviews but the publication of a review by Everett Wheeler of J. Schlude, Rome, Parthia and the Politics of Peace (Routledge, 2020) in the Classical Journal in 2022 requires a response for a number of reasons. One could legitimately argue that the whole tone of Wheeler’s review is problematic with its inclusion of sarcastic statements designed to do little more than denigrate their target but most readers would agree that they reflect more on Wheeler than the book under review. An egregious claim in the review, however, must be refuted as it is not only insulting to Dr Schlude but has implications for my own reputation. Wheeler claims “Much of the work’s (Schlude’s) first half is recycled from published articles and a 2017 anthology (often touted) of dubious merit, whereas the second half relies on a revised 2005 Macquarie dissertation with its own problems.” The footnote in the review refers to the monograph I published in 2008, which was based on the PhD I completed at Macquarie University, Sydney in 2006; P.M. Edwell, Between Rome and Persia: The Middle Euphrates, Mesopotamia and Palmyra and the coming of Rome. There is no elaboration of [End Page 116] what the problems are that Wheeler identifies in my book but it is clear even from a cursory investigation of Dr Schlude’s book that the second half of it does not “rely” on my book and there is no reason why it would. If Wheeler had read my book in any detail he would know that. Between Rome and Persia is principally a regional study focussed on Palmyra and the Middle Euphrates (with a detailed analysis of Dura Europos) during Rome’s rivalry with the later Parthian rulers and the early Sasanians. The extent to which my book was of benefit to Dr Schlude’s much broader study of the political function of Rome’s rivalry with the Parthian Empire is accurately reflected in the endnotes to Dr Schlude’s book. There is one reference to my book in the Introduction and no other references to it until chapter 7 (of an 8 chapter book) and the most detailed reference only relates to the location of the Roman legions on the Upper Euphrates from Vespasian to the early 3rd century (Chapter 7, endnote 8, p. 152; see also chapter 8, endnote 1, p.177). In the last three chapters of Dr Schlude’s book there are some references to a chapter I published in the 2017 volume edited by Dr Schlude (with Dr Benjamin Rubin, Arsacids, Romans and Local Elites: Cross-Cultural Interactions of the Parthian Empire) that similarly incensed Wheeler but these are not numerous. Wheeler’s claim regarding Dr Schlude’s reliance on my book is not only incorre
《罗马、帕提亚和和平政治:古代中东战争的起源》,作者:彼得·埃德威尔。对埃弗雷特·l·惠勒对《罗马、帕提亚和和平政治:古代中东战争的起源》的评论的回应(伦敦和劳特利奇,2020)(CJ 118.4)。我通常不会对书评中的观点进行评论,但埃弗雷特·惠勒(Everett Wheeler)的一篇评论(J. Schlude, Rome, Parthia and Politics of Peace, Routledge, 2020)将于2022年在《古典期刊》(Classical Journal)上发表,出于一些原因,我需要对此做出回应。人们可以合理地认为,惠勒评论的整个语气是有问题的,因为它包含了讽刺性的陈述,目的无非是诋毁他们的目标,但大多数读者都会同意,他们更多地反映了惠勒而不是被评论的书。然而,评论中一个令人震惊的说法必须予以驳斥,因为它不仅侮辱了Schlude博士,也影响了我自己的声誉。惠勒称:“(Schlude)作品的前半部分大部分来自已发表的文章和2017年的选集(经常被吹捧),这些文章的价值不确定,而后半部分则依赖于2005年麦格理大学(Macquarie)的一篇经过修订的论文,该论文本身也存在问题。”评论中的脚注是指我在2008年发表的专著,该专著是基于我2006年在悉尼麦考瑞大学完成的博士学位;下午《罗马与波斯之间:幼发拉底河中部、美索不达米亚和巴尔米拉以及罗马的到来》。书中并没有详细说明惠勒在我的书中指出了哪些问题,但即使是粗略地研究一下Schlude博士的书,也可以清楚地看出,书的后半部分并没有“依赖”我的书,也没有理由这样做。如果惠勒仔细读过我的书,他就会知道。《罗马与波斯之间》主要是关于罗马与后来的帕提亚统治者和早期萨珊人竞争期间的帕尔米拉和幼发拉底河中部(详细分析了Dura Europos)的区域研究。我的书对Schlude博士更广泛地研究罗马与帕提亚帝国竞争的政治功能有多大程度的帮助,这在Schlude博士书的尾注中得到了准确的反映。在前言中有一次提到了我的书,直到第7章(一本8章的书的第7章)才提到它,最详细的参考只涉及从维斯帕先到3世纪初罗马军团在幼发拉底河上游的位置(第7章,尾注8,第152页;另见第8章,尾注1,第177页)。在Schlude博士的书的最后三章中,有一些引用了由Schlude博士编辑的2017年出版的一章(与Benjamin Rubin博士,Arsacids, Romans and Local Elites: parthia Empire的跨文化互动),同样激怒了Wheeler,但这些并不多。惠勒关于Schlude博士依赖我的书的说法不仅是不正确的,而且还暗示了Schlude博士没有充分进行他自己的独立研究,这必须被强烈驳斥。不幸的是,Everett Wheeler写过这样的评论。例如,惠勒对大卫·布劳德的《古代格鲁吉亚》的评论https://bmcr.brynmawr.edu/1995/1995.04.05/和布劳德完全合理的回应https://bmcr.brynmawr.edu/1995/1995.09.28/,现在已经臭名昭著了。埃弗雷特·惠勒为什么要写这样的评论,以及他写这些评论想要达到什么目的,我们一点也不清楚。虽然学术辩论必须是有力的、明智的和批判性的,但也必须是准确的、平衡的和建设性的。夸张、不准确和诋毁对谁都没有好处;我认为这是我们在日常新闻循环中痛苦而明显的观察结果。[End Page 117] Peter Edwell麦考瑞大学,peter.edwell@mq.edu.au版权所有©2023中西部和南部古典协会
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引用次数: 0
Apollonius in India: The Vita Apollonii and the Indo-Graphic Tradition 阿波罗尼乌斯在印度:阿波罗尼的生命和印度图形传统
IF 0.1 3区 历史学 0 CLASSICS Pub Date : 2023-04-01 DOI: 10.1353/tcj.2023.0011
M. Cobb
Abstract:In this article I examine Philostratus’ engagement with the Indographic tradition in books 2 and 3 of the Vita Apollonii. A number of interconnected arguments are presented here. The main argument is that Philostratus carefully adapted details from the Indographic and paradoxographical traditions, allowing him to make witty allusions, both explicit and oblique, to them. This also allowed him to parody the critical doxographic habit of later commentators. Similarly, he sought to invert expectations when it came to the presentation of Alexander and the mythic heroes Dionysus and Heracles, as well as India more broadly. In doing so, Philostratus was able to present a utopian land of the Sophoi (within India) grounded in time and space that could ironically act as source of true Hellenism which Apollonius spread to the West (rather than Alexander spreading it to the East).
摘要:在本文中,我考察了菲洛斯特拉托斯在《阿波罗的生活》第2卷和第3卷中与印图学传统的接触。这里提出了一些相互关联的论点。主要的论点是,菲洛斯特拉托斯仔细地改编了印图学和悖论学传统的细节,使他能够对它们进行诙谐的暗示,无论是明确的还是间接的。这也使他能够模仿后来评论家的批评文献习惯。同样,当谈到亚历山大和神话英雄狄俄尼索斯和赫拉克勒斯,以及更广泛的印度时,他试图扭转人们的期望。通过这样做,菲洛斯特拉托斯能够呈现出一个乌托邦的索菲亚(在印度境内)的土地,具有讽刺意味的是,它可以作为阿波罗尼乌斯传播到西方的真正希腊主义的来源(而不是亚历山大传播到东方)。
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引用次数: 0
Inscribed Athenian Laws and Decrees in the Age of Demosthenes: Historical Essays by Stephen D. Lambert (review) 德摩斯梯尼时代的铭文雅典法律和法令:斯蒂芬·d·兰伯特的历史论文(评论)
IF 0.1 3区 历史学 0 CLASSICS Pub Date : 2023-04-01 DOI: 10.1353/tcj.2023.0017
B. Cook
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CLASSICAL JOURNAL
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