Pub Date : 2021-06-20DOI: 10.12797/moap.22.2016.34.05
Aleksandra Jackiewicz
Norms in Poetry Translation: A Contrastive Study of the Poem Pierwsza przechadzka by Leopold Staff and Its Translations Into Spanish The aim of the article is to show the difficulties which might be encountered by the translator who revolves to transfer a specific features of the reality presented in the poem Pierwsza przechadzka by Leopold Staff. These difficulties stem from structural and cultural differences between Polish and Spanish. The contrastive study of the source text and their translations into Spanish will show to what extent the translators understood the uniqueness of Staff’s poem and if they managed to convey reality they depict to the Spanish reader. The present study is based on the theory of translation as “the experience of the foreign” (l’épreuve de l’étranger) put forward by Antoine Berman as well as on the selected theories of Efim Etkind. They are employed to determine which features typical of Staff’s poem were essential for their translators into Spanish and how the translation choices they made influenced the reality depicted in the source text.
{"title":"normas en la traducción poética","authors":"Aleksandra Jackiewicz","doi":"10.12797/moap.22.2016.34.05","DOIUrl":"https://doi.org/10.12797/moap.22.2016.34.05","url":null,"abstract":"Norms in Poetry Translation: A Contrastive Study of the Poem Pierwsza przechadzka by Leopold Staff and Its Translations Into Spanish\u0000The aim of the article is to show the difficulties which might be encountered by the translator who revolves to transfer a specific features of the reality presented in the poem Pierwsza przechadzka by Leopold Staff. These difficulties stem from structural and cultural differences between Polish and Spanish. The contrastive study of the source text and their translations into Spanish will show to what extent the translators understood the uniqueness of Staff’s poem and if they managed to convey reality they depict to the Spanish reader. The present study is based on the theory of translation as “the experience of the foreign” (l’épreuve de l’étranger) put forward by Antoine Berman as well as on the selected theories of Efim Etkind. They are employed to determine which features typical of Staff’s poem were essential for their translators into Spanish and how the translation choices they made influenced the reality depicted in the source text.","PeriodicalId":36042,"journal":{"name":"Miedzy Oryginalem a Przekladem","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-06-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66100882","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-06-20DOI: 10.12797/MOAP.20.2014.25.06
Anna Kowalcze-Pawlik
On Translating One Verse from Shakespeare’s The Tempest: Metaphor in Drama Translation The aim of this article is to discuss the existing Polish translations of one passage from The Tempest in the light of such essential components of the translation process as the need to include the situational context, metaphorical language as well as the socio‑historical background of the source text. The first part of the article discusses the history of drama translation in Poland with reference to The Tempest of William Shakespeare, while the second part describes translation strategies correlating to two divergent interpretations which link character construction in language with the overall meaning of the dramatic work.
{"title":"O tłumaczeniu jednego wersu Burzy Shakespeare’a","authors":"Anna Kowalcze-Pawlik","doi":"10.12797/MOAP.20.2014.25.06","DOIUrl":"https://doi.org/10.12797/MOAP.20.2014.25.06","url":null,"abstract":"On Translating One Verse from Shakespeare’s The Tempest: Metaphor in Drama Translation\u0000The aim of this article is to discuss the existing Polish translations of one passage from The Tempest in the light of such essential components of the translation process as the need to include the situational context, metaphorical language as well as the socio‑historical background of the source text. The first part of the article discusses the history of drama translation in Poland with reference to The Tempest of William Shakespeare, while the second part describes translation strategies correlating to two divergent interpretations which link character construction in language with the overall meaning of the dramatic work.","PeriodicalId":36042,"journal":{"name":"Miedzy Oryginalem a Przekladem","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-06-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66100749","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-06-20DOI: 10.12797/moap.22.2016.34.08
Barbara Bibik
The history of Polish translation of ancient tragedies begun in XIX century, when drama was considered to belong to the realm of literature rather than to the realm of theatre and when its theatrical values were considered as less important than those literary ones. But in V BC – in a century when the most distinguished ancient playwrights presented their plays – they were definitely regarded as works whose aim was to be presented on theatre stage. Thanks to some theatrical movements at the turn of XXth century, drama regained its due honours and place but still there is no unanimity among the scholars about many issues concerning translation of any ancient tragedy. They still raise questions about the connection between literature and theatre, or the connection between possible staging inserted in the words of drama and the stage possibilities from the translator’s time; how the literary or theatrical norms influence the translators’ decisions; should a translator facilitate the reception of a translated text or should he/she make it difficult; are there any borders or limits of a translation. I would like to dedicate the paper to some of those problems any translator of any ancient tragedy is supposed to solve, but especially to find the answer whether the existing norms or tradition of translation of those particular texts influence the translators and how they deal (discuss or change) with them.
{"title":"Przekłady starożytnych utworów dramatycznych – w zgodzie czy wbrew normom?","authors":"Barbara Bibik","doi":"10.12797/moap.22.2016.34.08","DOIUrl":"https://doi.org/10.12797/moap.22.2016.34.08","url":null,"abstract":"The history of Polish translation of ancient tragedies begun in XIX century, when drama was considered to belong to the realm of literature rather than to the realm of theatre and when its theatrical values were considered as less important than those literary ones. But in V BC – in a century when the most distinguished ancient playwrights presented their plays – they were definitely regarded as works whose aim was to be presented on theatre stage. Thanks to some theatrical movements at the turn of XXth century, drama regained its due honours and place but still there is no unanimity among the scholars about many issues concerning translation of any ancient tragedy. They still raise questions about the connection between literature and theatre, or the connection between possible staging inserted in the words of drama and the stage possibilities from the translator’s time; how the literary or theatrical norms influence the translators’ decisions; should a translator facilitate the reception of a translated text or should he/she make it difficult; are there any borders or limits of a translation. I would like to dedicate the paper to some of those problems any translator of any ancient tragedy is supposed to solve, but especially to find the answer whether the existing norms or tradition of translation of those particular texts influence the translators and how they deal (discuss or change) with them.","PeriodicalId":36042,"journal":{"name":"Miedzy Oryginalem a Przekladem","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-06-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47900006","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-06-20DOI: 10.12797/MOAP.22.2016.33.02
Ksenia Gałuskina
The Translator and the Translation From the Perspective of the Translation Standard (PN-EN 15038 and PN-EN ISO 17100) This article aims to look at the translator and the translation from the perspective of the translation standard, understood as a standardization document. Therefore, it is a look from the perspective of the translation market, which sees translation in terms of an economic phenomenon. The article discusses the assumptions of standard, its objective and subjective scope of application, requirements for translators and the course of the translation process based on the international standard ISO 17100 and its predecessor, the European Standard 15038.
从翻译标准(PN-EN 15038和PN-EN ISO 17100)的角度看译者和翻译，本文旨在从翻译标准的角度看译者和翻译，理解为标准化文件。因此，这是从翻译市场的角度来看，把翻译看作是一种经济现象。本文以国际标准ISO 17100及其前身欧洲标准15038为基础，讨论了标准的假设、客观和主观适用范围、对翻译人员的要求以及翻译过程。
{"title":"Tłumacz i tłumaczenie z perspektywy normy tłumaczeniowej","authors":"Ksenia Gałuskina","doi":"10.12797/MOAP.22.2016.33.02","DOIUrl":"https://doi.org/10.12797/MOAP.22.2016.33.02","url":null,"abstract":"The Translator and the Translation From the Perspective of the Translation Standard (PN-EN 15038 and PN-EN ISO 17100)\u0000This article aims to look at the translator and the translation from the perspective of the translation standard, understood as a standardization document. Therefore, it is a look from the perspective of the translation market, which sees translation in terms of an economic phenomenon. The article discusses the assumptions of standard, its objective and subjective scope of application, requirements for translators and the course of the translation process based on the international standard ISO 17100 and its predecessor, the European Standard 15038.","PeriodicalId":36042,"journal":{"name":"Miedzy Oryginalem a Przekladem","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-06-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66100861","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-03-15DOI: 10.12797/MOAP.27.2021.51.07
Hanna Zalewska-Jura
The Secret of Chloris. On the Greek Anthroponyms in Horace’s Odes The trend of poesis docta in Horace’s Odes manifests itself, inter alia, in the sphere of anthroponomy, as many of the names introduced by the poet into his works are of Greek origin. These are pseudonyms, the meaning of which refers to topography (e.g. Lydia, Lycidas, Lyca), to Greek literary tradition (e.g. Neobule, Telephus) and pseudonyms in which there are allusions essential for reading the sense of the work or its part (e.g. Glycera, Lalage, Chloe, Foloe, Chloris, Myrtale, Pyrrus). In poetic translations into Polish, these meaningful nomina propria are not translated, which means that the recipient of the translation is not conscious of the allusion hidden behind the name, and thus is deprived of the possibility of decoding a vastrange of subtexts. The article discusses possible translation solutions that can meet the expectations of various target groups of Polish readers, especially those who do not have linguistic preparation in the field of ancient languages.
{"title":"Sekret Chloris, czyli o greckich antroponimach w \"Pieśniach\" Horacego","authors":"Hanna Zalewska-Jura","doi":"10.12797/MOAP.27.2021.51.07","DOIUrl":"https://doi.org/10.12797/MOAP.27.2021.51.07","url":null,"abstract":"The Secret of Chloris. On the Greek Anthroponyms in Horace’s Odes \u0000The trend of poesis docta in Horace’s Odes manifests itself, inter alia, in the sphere of anthroponomy, as many of the names introduced by the poet into his works are of Greek origin. These are pseudonyms, the meaning of which refers to topography (e.g. Lydia, Lycidas, Lyca), to Greek literary tradition (e.g. Neobule, Telephus) and pseudonyms in which there are allusions essential for reading the sense of the work or its part (e.g. Glycera, Lalage, Chloe, Foloe, Chloris, Myrtale, Pyrrus). In poetic translations into Polish, these meaningful nomina propria are not translated, which means that the recipient of the translation is not conscious of the allusion hidden behind the name, and thus is deprived of the possibility of decoding a vastrange of subtexts. The article discusses possible translation solutions that can meet the expectations of various target groups of Polish readers, especially those who do not have linguistic preparation in the field of ancient languages.","PeriodicalId":36042,"journal":{"name":"Miedzy Oryginalem a Przekladem","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-03-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66102966","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-09-30DOI: 10.12797/MOAP.26.2020.49.01
A. Bednarczyk
Translated by Bruno Jasieński The article discusses Bruno Jasieński’s translation of poems by Russian futurists. Attention is primarily drawn to the reproduction of typical features of futuristic poetry (non-standard words and images, neologisms, sound design of the text), and to the distinctive features of the creativity of the translated poets. As a result, the author comes to the conclusion that the most essential characteristic of the poet’s translation activity is his creativity. Together with the futuristic nature of the work of Jasieński himself, it contributes to the implementation of translations that preserve the mentioned features of authentic texts.
{"title":"Przełożył Bruno Jasieński","authors":"A. Bednarczyk","doi":"10.12797/MOAP.26.2020.49.01","DOIUrl":"https://doi.org/10.12797/MOAP.26.2020.49.01","url":null,"abstract":"Translated by Bruno Jasieński \u0000The article discusses Bruno Jasieński’s translation of poems by Russian futurists. Attention is primarily drawn to the reproduction of typical features of futuristic poetry (non-standard words and images, neologisms, sound design of the text), and to the distinctive features of the creativity of the translated poets. As a result, the author comes to the conclusion that the most essential characteristic of the poet’s translation activity is his creativity. Together with the futuristic nature of the work of Jasieński himself, it contributes to the implementation of translations that preserve the mentioned features of authentic texts.","PeriodicalId":36042,"journal":{"name":"Miedzy Oryginalem a Przekladem","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66102921","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-06-15DOI: 10.12797/moap.26.2020.48.05
M. Piela
What One Can Do in Fear – A Symptomatic Escape into Literalness Proper interpretation of the expression used in Ezekiel 7:17; 21:12 is difficult, as the variety of meanings expressed the translations indicates. One of the obstacles to understanding these verses is a euphemism used by the prophet, namely mayim, literally “water”, here “urine”. Polish translators, in their desire to hide the coarse sense of the source text from a reader, replace the original non-verbal sign (involuntary urination as a symptom of terror) with milder symptoms of fear, or render the Hebrew euphemism literally as “water” what makes their translation incomprehensible. Translations into English and German clearly convey the coarse sense of the Hebrew expression, but not all of them seem to be acceptable in terms of a style. I suggest the expression zmoczą się ze strachu “they will wet themselves in fear” as the best Polish equivalent of the Hebrew euphemism.
{"title":"Co można zrobić ze strachu?","authors":"M. Piela","doi":"10.12797/moap.26.2020.48.05","DOIUrl":"https://doi.org/10.12797/moap.26.2020.48.05","url":null,"abstract":"What One Can Do in Fear – A Symptomatic Escape into Literalness \u0000Proper interpretation of the expression used in Ezekiel 7:17; 21:12 is difficult, as the variety of meanings expressed the translations indicates. One of the obstacles to understanding these verses is a euphemism used by the prophet, namely mayim, literally “water”, here “urine”. Polish translators, in their desire to hide the coarse sense of the source text from a reader, replace the original non-verbal sign (involuntary urination as a symptom of terror) with milder symptoms of fear, or render the Hebrew euphemism literally as “water” what makes their translation incomprehensible. Translations into English and German clearly convey the coarse sense of the Hebrew expression, but not all of them seem to be acceptable in terms of a style. I suggest the expression zmoczą się ze strachu “they will wet themselves in fear” as the best Polish equivalent of the Hebrew euphemism.","PeriodicalId":36042,"journal":{"name":"Miedzy Oryginalem a Przekladem","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-06-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47989936","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-06-15DOI: 10.12797/moap.26.2020.48.03
A. Gomola
The Functional Translation of Biblical Commentaries as a Decision- Making Process – a Case Study The article is a case study exploring the translation of one biblical commentary representing a specific type of texts from the threefold perspective of a translator, translation theorist and translation trainer. The Author utilizes a concept of the functional translation by C. Nord, an idea of the translation as a decision-making process by J. Levý, and principles of the translation of scientific texts by Z. Kozłowska. Selected aspects of translating of a contemporary English commentary on the Gospel of Luke into Polish are investigated, including the following decision-making levels: selection of an appropriate Polish translation of the Bible, necessary adjustments of the chosen biblical translation, decisions related to intertextuality of the Bible, lexical choices. Problems concerning other functions of the source text, apart from its exegetical function, are also discussed as well as solutions concerning quotations, references and the paratext. Furthermore, information on bibliographic sources useful for translators of biblical and patristic texts was presented.
{"title":"Przekład komentarza biblijnego jako ciąg decyzyjny tłumaczenia funkcjonalnego – studium przypadku","authors":"A. Gomola","doi":"10.12797/moap.26.2020.48.03","DOIUrl":"https://doi.org/10.12797/moap.26.2020.48.03","url":null,"abstract":"The Functional Translation of Biblical Commentaries as a Decision- Making Process – a Case Study \u0000The article is a case study exploring the translation of one biblical commentary representing a specific type of texts from the threefold perspective of a translator, translation theorist and translation trainer. The Author utilizes a concept of the functional translation by C. Nord, an idea of the translation as a decision-making process by J. Levý, and principles of the translation of scientific texts by Z. Kozłowska. Selected aspects of translating of a contemporary English commentary on the Gospel of Luke into Polish are investigated, including the following decision-making levels: selection of an appropriate Polish translation of the Bible, necessary adjustments of the chosen biblical translation, decisions related to intertextuality of the Bible, lexical choices. Problems concerning other functions of the source text, apart from its exegetical function, are also discussed as well as solutions concerning quotations, references and the paratext. Furthermore, information on bibliographic sources useful for translators of biblical and patristic texts was presented.","PeriodicalId":36042,"journal":{"name":"Miedzy Oryginalem a Przekladem","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-06-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66102908","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-08-26DOI: 10.12797/moap.25.2019.45.01
J. Bajda
Painting – Text – Translations. Representation of the Colour Blue in Descriptions of Paintings in Art Books Colour is a basic category for describing a painting. At the same time, it is one of the most problematic categories for an art historian who describes a real artefact as well as a translator who only works with a description of the artwork.The aim of this article is to present the terms used to refer to the colour blue that appear in descriptions of paintings reproduced in art books. The scope of the analysis was limited to French Impressionist paintings. The collected material was examined in terms of three fundamental issues:1. The functioning of two basic terms for the colour blue in the Polish language,2. The names of pigments used by Impressionist painters, and3. Descriptions of the intensity of the sky-blue colour in the French and Polish languages.
{"title":"Image – écrit – traduction","authors":"J. Bajda","doi":"10.12797/moap.25.2019.45.01","DOIUrl":"https://doi.org/10.12797/moap.25.2019.45.01","url":null,"abstract":"Painting – Text – Translations. Representation of the Colour Blue in Descriptions of Paintings in Art Books \u0000Colour is a basic category for describing a painting. At the same time, it is one of the most problematic categories for an art historian who describes a real artefact as well as a translator who only works with a description of the artwork.The aim of this article is to present the terms used to refer to the colour blue that appear in descriptions of paintings reproduced in art books. The scope of the analysis was limited to French Impressionist paintings. The collected material was examined in terms of three fundamental issues:1. The functioning of two basic terms for the colour blue in the Polish language,2. The names of pigments used by Impressionist painters, and3. Descriptions of the intensity of the sky-blue colour in the French and Polish languages.","PeriodicalId":36042,"journal":{"name":"Miedzy Oryginalem a Przekladem","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-08-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66102791","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-08-26DOI: 10.12797/moap.25.2019.45.06
E. Skibińska
The Back Cover as a Place for Creating an Image of Translated Literature: Polish Translations of French-Canadian Novels (2000-2016) The back cover of a book contains peritext added by the publisher, with a double function of information (about the author and the work) and invitation to read the book. That is why it also becomes the place where publishers decide on a certain image of the books. For this study, we have collected back cover texts from French-Canadian novels which were published in the Polish translation in the years 2000-2016, and we have considered them as a certain image of this literature given to the Polish reader by the publishers. These texts are also a source of information about this literature for the readers. The results of the analysis of the covers of 27 novels published in Poland in the studied period allow us to state that this image is deformed and simplified: it does not reflect the language and regional differences of Canadian literature today. The works themselves belong to such genres as fantasy, thriller or chick lit: they are attractive, pleasant to read, often awarded and adapted for the screen. The “cover image” of the French-Canadian literature given by Polish translations reflects rather the strategy of their publishers: it seems that their choices of translated works are directed mainly by economic prudence.
{"title":"Les quatrièmes de couverture comme lieu d’inscription d’une représentation de la littérature traduite : romans canadiens d’expression française en traduction polonaise (2000-2016)","authors":"E. Skibińska","doi":"10.12797/moap.25.2019.45.06","DOIUrl":"https://doi.org/10.12797/moap.25.2019.45.06","url":null,"abstract":"The Back Cover as a Place for Creating an Image of Translated Literature: Polish Translations of French-Canadian Novels (2000-2016) \u0000The back cover of a book contains peritext added by the publisher, with a double function of information (about the author and the work) and invitation to read the book. That is why it also becomes the place where publishers decide on a certain image of the books. For this study, we have collected back cover texts from French-Canadian novels which were published in the Polish translation in the years 2000-2016, and we have considered them as a certain image of this literature given to the Polish reader by the publishers. These texts are also a source of information about this literature for the readers. The results of the analysis of the covers of 27 novels published in Poland in the studied period allow us to state that this image is deformed and simplified: it does not reflect the language and regional differences of Canadian literature today. The works themselves belong to such genres as fantasy, thriller or chick lit: they are attractive, pleasant to read, often awarded and adapted for the screen. The “cover image” of the French-Canadian literature given by Polish translations reflects rather the strategy of their publishers: it seems that their choices of translated works are directed mainly by economic prudence.","PeriodicalId":36042,"journal":{"name":"Miedzy Oryginalem a Przekladem","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-08-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66102857","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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