Pub Date : 2022-12-18DOI: 10.12797/moap.28.2022.58.02
Paweł Siwiec
ADAM MICKIEWICZ’S FARYS IN ARABIC ‒ SECOND HAND TRANSLATION IN PROSE In 1830, the French version of Mickiewicz’s narrative poem Farys was published in a prose translation of the poet himself. On its basis, an Arabic translation was produced by a Cairo teacher named M. Jamali. In 1910, thanks to the efforts of the Mickiewicz’s son, Władysław, it appeared in a bilingual brochure together with the original French text. In the same year, the Egyptian monthly Az-Zuhūr also published an Arabic translation of this poem, without mentioning the translator’s name. This article presents a comparative analysis of both of these Arabic translations and shows that the version published by Az-Zuhūr is nothing else but an editorial revision of the Jamali’s work.
{"title":"Farys po arabsku z drugiej ręki prozą","authors":"Paweł Siwiec","doi":"10.12797/moap.28.2022.58.02","DOIUrl":"https://doi.org/10.12797/moap.28.2022.58.02","url":null,"abstract":"ADAM MICKIEWICZ’S FARYS IN ARABIC ‒ SECOND HAND TRANSLATION IN PROSE \u0000In 1830, the French version of Mickiewicz’s narrative poem Farys was published in a prose translation of the poet himself. On its basis, an Arabic translation was produced by a Cairo teacher named M. Jamali. In 1910, thanks to the efforts of the Mickiewicz’s son, Władysław, it appeared in a bilingual brochure together with the original French text. In the same year, the Egyptian monthly Az-Zuhūr also published an Arabic translation of this poem, without mentioning the translator’s name. This article presents a comparative analysis of both of these Arabic translations and shows that the version published by Az-Zuhūr is nothing else but an editorial revision of the Jamali’s work.","PeriodicalId":36042,"journal":{"name":"Miedzy Oryginalem a Przekladem","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66104506","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-18DOI: 10.12797/moap.28.2022.58.01
M. Hassoon
Our article deals with the complexities of the process of reception of American fiction in the Arab world, viewed as cultural transfer, closely related with the circulation of knowledge between the Arab countries and the Western world, in which the Arabic rendering mediates between cultures by a process of interpretation and paraphrasing of the text in the sourcelanguage. We carefully consider the process of Arabization, and the strategies of domestication and foreignization as defined by Lawrence Venuti. Ample space is devoted to the contributions of two emblematic translators from English into Arabic: dr. Ali Al-Qasimi and his theory of translation as naturalization, and Ihsan Abbas. The practical examples have been chosen from the Arabic renderings of Alan Lightman’s Einstein’s Dreams, Ernest Hemingway’s The Old Man and the Sea, Mark Twain’s The Adventures of Huckleberry Finn.
{"title":"American Fiction and Cultural Transfer: An Arabic Perspective to Alan Lightman, Ernest Hemingway, and Mark Twain","authors":"M. Hassoon","doi":"10.12797/moap.28.2022.58.01","DOIUrl":"https://doi.org/10.12797/moap.28.2022.58.01","url":null,"abstract":"Our article deals with the complexities of the process of reception of American fiction in the Arab world, viewed as cultural transfer, closely related with the circulation of knowledge between the Arab countries and the Western world, in which the Arabic rendering mediates between cultures by a process of interpretation and paraphrasing of the text in the sourcelanguage. We carefully consider the process of Arabization, and the strategies of domestication and foreignization as defined by Lawrence Venuti. Ample space is devoted to the contributions of two emblematic translators from English into Arabic: dr. Ali Al-Qasimi and his theory of translation as naturalization, and Ihsan Abbas. The practical examples have been chosen from the Arabic renderings of Alan Lightman’s Einstein’s Dreams, Ernest Hemingway’s The Old Man and the Sea, Mark Twain’s The Adventures of Huckleberry Finn.","PeriodicalId":36042,"journal":{"name":"Miedzy Oryginalem a Przekladem","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66104871","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-18DOI: 10.12797/moap.28.2022.58.03
Pi-Chun Chou
TRANSLATING RECIPES FROM CHINESE INTO POLISH: POTENTIAL PROBLEMS AND POSSIBLE SOLUTIONS Translation of culinary recipes has been a relatively understudied field and very little research has been done on the difficulties of translating recipes between Chinese and Polish. This paper attempts to classify and analyze problems which may be encountered by the Polish translators of Chinese recipes and suggests possible solutions to these problems, referring to earlier examples. The discussed problems include: culturally specific names and descriptions of Chinese dishes, the use of ingredients that are unknown in Poland, descriptions of cooking methods that are specific to Chinese cuisine, different units of weight used in Poland, China and Taiwan. The paper demonstrates that in order to fully understand and translate a recipe, the translator must possess an in-depth knowledge of both the source language and culture.
{"title":"Tłumaczenie przepisów kulinarnych z chińskiego na polski","authors":"Pi-Chun Chou","doi":"10.12797/moap.28.2022.58.03","DOIUrl":"https://doi.org/10.12797/moap.28.2022.58.03","url":null,"abstract":"TRANSLATING RECIPES FROM CHINESE INTO POLISH: POTENTIAL PROBLEMS AND POSSIBLE SOLUTIONS \u0000Translation of culinary recipes has been a relatively understudied field and very little research has been done on the difficulties of translating recipes between Chinese and Polish. This paper attempts to classify and analyze problems which may be encountered by the Polish translators of Chinese recipes and suggests possible solutions to these problems, referring to earlier examples. The discussed problems include: culturally specific names and descriptions of Chinese dishes, the use of ingredients that are unknown in Poland, descriptions of cooking methods that are specific to Chinese cuisine, different units of weight used in Poland, China and Taiwan. The paper demonstrates that in order to fully understand and translate a recipe, the translator must possess an in-depth knowledge of both the source language and culture.","PeriodicalId":36042,"journal":{"name":"Miedzy Oryginalem a Przekladem","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66104524","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-18DOI: 10.12797/moap.28.2022.58.04
P. Dybala
GENDER AMBIGUITY IN CHARACTERS’ STATEMENTS IN JAPANESE MANGA COMICS AND THEIR POLISH TRANSLATIONS The aim of this paper is to analyze how creators of Japanese manga comics utilize the fact that Japanese language lacks the grammatical category of gender. The analysis is preceded by theoretical background, explaining how gender can be expressed or hinted in Japanese texts. The analysis is performed on fragments of original mangas, which are presented alongside their Polish translations and explanations of translation strategies employed to reflect the original intentions.
{"title":"Niejednoznaczność płciowa w wypowiedziach postaci w japońskich komiksach manga oraz w ich polskich przekładach","authors":"P. Dybala","doi":"10.12797/moap.28.2022.58.04","DOIUrl":"https://doi.org/10.12797/moap.28.2022.58.04","url":null,"abstract":"GENDER AMBIGUITY IN CHARACTERS’ STATEMENTS IN JAPANESE MANGA COMICS AND THEIR POLISH TRANSLATIONS \u0000The aim of this paper is to analyze how creators of Japanese manga comics utilize the fact that Japanese language lacks the grammatical category of gender. The analysis is preceded by theoretical background, explaining how gender can be expressed or hinted in Japanese texts. The analysis is performed on fragments of original mangas, which are presented alongside their Polish translations and explanations of translation strategies employed to reflect the original intentions.","PeriodicalId":36042,"journal":{"name":"Miedzy Oryginalem a Przekladem","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66104583","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-18DOI: 10.12797/moap.28.2022.58.07
Tomasz Majtczak
SOME REMARKS ON THE JAPANESE TRANSLATION OF THE SONG OF THE MURDERED JEWISH PEOPLE BY YITSKHOK KATSENELSON The aim of the text is to present the Japanese translation of Yitskhok Katsenelson’s Song of the murdered Jewish people, authored by two Germanists, Masatomo Asukai and Kazuyuki Hosomi, published in 1999 under the title Horobosareta Yudaya no tami no uta by the Tokyo publishing house Misuzu. In addition to providing details of the publication itself, as well as the profiles of the translators and the background to the creation of the Japanese edition, the linguistic aspect of the translation is discussed in particular, focusing on problems of versification, the syntactic devices used and the choice of vocabulary. The article provides a more detailed analysis of selected, albeit representative, fragments of the translation, as varied in content and style as possible. Some space has also been given to the critical apparatus of the Japanese edition, i.e. comments, footnotes, afterwords etc., as well as to translations of the titles of individual parts of The song…
关于伊茨霍克·卡森纳尔森《被谋杀的犹太人之歌》日语翻译的几点意见本文旨在介绍伊茨霍克·卡森纳尔森的《被谋杀犹太人民之歌》的日语翻译，该书由两位日尔曼主义者明井正友和细尾和之撰写，1999年由东京出版社Misuzu以Horobosareta Yudaya no tami no uta的标题出版。除了提供出版物本身的细节，以及译者的简介和日文版的创作背景外，还特别讨论了翻译的语言方面，重点讨论了版本化、使用的句法手段和词汇选择等问题。这篇文章对翻译中的一些片段进行了更详细的分析，尽管这些片段具有代表性，但在内容和风格上尽可能多样化。日本版的评论工具，如注释、脚注、后记等，以及《the song…
{"title":"Kilka uwag o japońskim przekładzie Pieśni o zamordowanym żydowskim narodzie Jicchoka Kacenelsona","authors":"Tomasz Majtczak","doi":"10.12797/moap.28.2022.58.07","DOIUrl":"https://doi.org/10.12797/moap.28.2022.58.07","url":null,"abstract":"SOME REMARKS ON THE JAPANESE TRANSLATION OF THE SONG OF THE MURDERED JEWISH PEOPLE BY YITSKHOK KATSENELSON \u0000The aim of the text is to present the Japanese translation of Yitskhok Katsenelson’s Song of the murdered Jewish people, authored by two Germanists, Masatomo Asukai and Kazuyuki Hosomi, published in 1999 under the title Horobosareta Yudaya no tami no uta by the Tokyo publishing house Misuzu. In addition to providing details of the publication itself, as well as the profiles of the translators and the background to the creation of the Japanese edition, the linguistic aspect of the translation is discussed in particular, focusing on problems of versification, the syntactic devices used and the choice of vocabulary. The article provides a more detailed analysis of selected, albeit representative, fragments of the translation, as varied in content and style as possible. Some space has also been given to the critical apparatus of the Japanese edition, i.e. comments, footnotes, afterwords etc., as well as to translations of the titles of individual parts of The song…","PeriodicalId":36042,"journal":{"name":"Miedzy Oryginalem a Przekladem","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48562664","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-18DOI: 10.12797/moap.28.2022.58.08
Jolanta Szarlej
Identifying the forms of Semitic literature that underlie the biblical text is still a task to be undertaken – as important as it is complicated, which even very experienced researchers, such as Roland Meynet, assert. The authoress adopts the basic tools of rhetorical analysis, formulated by Meynet, and then examines selected texts of The Old Testament in search of a few specifically Semitic features of beauty in the remarkable Book of Books. Parataxis is, according to Meynet, the most important feature of biblical language, and it is based in binary, seen – in Meynet’s terminology – at all levels of the biblical message organization: at the first level, i.e., ‘language or grammar;’ at the second level, i.e., ‘words or discourse;’ at the third level, i.e., the entire Book. Therefore, the authoress has assumed three presuppositions of rhetorical analysis, believing them to be true not only in relation to textual units, i.e., distiches or tristiches, ‘excerpts,’ pericopes, sequences, chapters, and books, but also linguistic units ranging from phonemes, through morphemes and lexemes to sentences. Through the analysis of subsequent texts, the authoress wants to prove that binary does not presuppose a simple repetition, but the interplay of doubled form and doubled content – between them, a deep sense is hidden, which should be unveiled and brought up to date.
{"title":"On the Binary Principle of Biblical Texts Interpretation","authors":"Jolanta Szarlej","doi":"10.12797/moap.28.2022.58.08","DOIUrl":"https://doi.org/10.12797/moap.28.2022.58.08","url":null,"abstract":"Identifying the forms of Semitic literature that underlie the biblical text is still a task to be undertaken – as important as it is complicated, which even very experienced researchers, such as Roland Meynet, assert. The authoress adopts the basic tools of rhetorical analysis, formulated by Meynet, and then examines selected texts of The Old Testament in search of a few specifically Semitic features of beauty in the remarkable Book of Books. Parataxis is, according to Meynet, the most important feature of biblical language, and it is based in binary, seen – in Meynet’s terminology – at all levels of the biblical message organization: at the first level, i.e., ‘language or grammar;’ at the second level, i.e., ‘words or discourse;’ at the third level, i.e., the entire Book. Therefore, the authoress has assumed three presuppositions of rhetorical analysis, believing them to be true not only in relation to textual units, i.e., distiches or tristiches, ‘excerpts,’ pericopes, sequences, chapters, and books, but also linguistic units ranging from phonemes, through morphemes and lexemes to sentences. Through the analysis of subsequent texts, the authoress wants to prove that binary does not presuppose a simple repetition, but the interplay of doubled form and doubled content – between them, a deep sense is hidden, which should be unveiled and brought up to date.","PeriodicalId":36042,"journal":{"name":"Miedzy Oryginalem a Przekladem","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66104546","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-18DOI: 10.12797/moap.28.2022.58.09
G. Borowski
THE CONCEPT OF TRANSLATION IN INDIA: AN OVERVIEW This study aims to outline the most relevant contemporary critical remarks concerning the concept of translation and the presence of translational reflection in India, aiming to fill the gap perceived in Polish translatology.
{"title":"Pojęcie przekładu w Indiach","authors":"G. Borowski","doi":"10.12797/moap.28.2022.58.09","DOIUrl":"https://doi.org/10.12797/moap.28.2022.58.09","url":null,"abstract":"THE CONCEPT OF TRANSLATION IN INDIA: AN OVERVIEW \u0000This study aims to outline the most relevant contemporary critical remarks concerning the concept of translation and the presence of translational reflection in India, aiming to fill the gap perceived in Polish translatology.","PeriodicalId":36042,"journal":{"name":"Miedzy Oryginalem a Przekladem","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66104617","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-18DOI: 10.12797/moap.28.2022.58.05
Iwona Kordzińska-Nawrocka
POETICS OF THE FIRST POLISH TRANSLATION OF GENJI MONOGATARI, OR THE TALE OF GENJI BY MURASAKI SHIKIBU: THE TRANSLATOR’S POINT OF VIEW The article identifies the most important translation strategies and challenges faced by the translator of the first Polish translation of Genji Monogatari, or The Tale of Genji. The work, written in 1008, is a masterpiece of not only Japanese but also world literature and is widely included in the cultural heritage of humanity. Its author, Murasaki Shikibu (?978-1025 or 1031) is considered a forerunner of modern literary fiction with a profound humanistic approach. The work itself has been translated into modern Japanese and many European languages. Originally written in classical Japanese, it is distinguished by the ambiguity of expression, lexical polysemy, elaborate honorific language, and cultural hermeticism. The author discusses how, in light of the above, the Polish translation will balance the goal of making Murasaki’s work intelligible for the Polish reader with the need of preserving the elements of ‘foreignness’ of the old Japanese culture, for the translation is intended to fulfill not only a mediating and communicative function between Polish and Japanese cultures but also a cognitive one.
{"title":"Poetyka polskiego przekładu Genji monogatari, czyli Opowieści o księciu Genjim Murasaki Shikibu","authors":"Iwona Kordzińska-Nawrocka","doi":"10.12797/moap.28.2022.58.05","DOIUrl":"https://doi.org/10.12797/moap.28.2022.58.05","url":null,"abstract":"POETICS OF THE FIRST POLISH TRANSLATION OF GENJI MONOGATARI, OR THE TALE OF GENJI BY MURASAKI SHIKIBU: THE TRANSLATOR’S POINT OF VIEW \u0000The article identifies the most important translation strategies and challenges faced by the translator of the first Polish translation of Genji Monogatari, or The Tale of Genji. The work, written in 1008, is a masterpiece of not only Japanese but also world literature and is widely included in the cultural heritage of humanity. Its author, Murasaki Shikibu (?978-1025 or 1031) is considered a forerunner of modern literary fiction with a profound humanistic approach. The work itself has been translated into modern Japanese and many European languages. Originally written in classical Japanese, it is distinguished by the ambiguity of expression, lexical polysemy, elaborate honorific language, and cultural hermeticism. The author discusses how, in light of the above, the Polish translation will balance the goal of making Murasaki’s work intelligible for the Polish reader with the need of preserving the elements of ‘foreignness’ of the old Japanese culture, for the translation is intended to fulfill not only a mediating and communicative function between Polish and Japanese cultures but also a cognitive one.","PeriodicalId":36042,"journal":{"name":"Miedzy Oryginalem a Przekladem","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66104895","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-18DOI: 10.12797/moap.28.2022.58.06
Katarzyna Sonnenberg-Musiał
FROM A JAPANESE PERSPECTIVE: THE WESTERN INFLUENCES IN THE WORKS OF ŌGAI The article focuses on how Mori Ōgai (1862-1922), a Japanese writer, translator and literary critic, incorporated references to European literature and culture in his novellas: Maihime (The Dancing Girl, 1890), Mōsō (Delusion, 1911) and Hanako (1910). The hermeneutic approach sheds light on the Japanese author’s vivid interest in foreign languages, cultural symbols, philosophy and arts which contributes to the intricate image of foreign influences in his oeuvre and invite his readers and translators in Europe to revisit their own cultural tradition.
{"title":"Z japońskiej perspektywy","authors":"Katarzyna Sonnenberg-Musiał","doi":"10.12797/moap.28.2022.58.06","DOIUrl":"https://doi.org/10.12797/moap.28.2022.58.06","url":null,"abstract":"FROM A JAPANESE PERSPECTIVE: THE WESTERN INFLUENCES IN THE WORKS OF ŌGAI \u0000The article focuses on how Mori Ōgai (1862-1922), a Japanese writer, translator and literary critic, incorporated references to European literature and culture in his novellas: Maihime (The Dancing Girl, 1890), Mōsō (Delusion, 1911) and Hanako (1910). The hermeneutic approach sheds light on the Japanese author’s vivid interest in foreign languages, cultural symbols, philosophy and arts which contributes to the intricate image of foreign influences in his oeuvre and invite his readers and translators in Europe to revisit their own cultural tradition.","PeriodicalId":36042,"journal":{"name":"Miedzy Oryginalem a Przekladem","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66104979","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-09-20DOI: 10.12797/moap.28.2022.57.01
Martina Della Casa
FACE TO FACE: FRANCO BELTRAMETTI AND JUDITH DANCIGER: A COUPLE OF TRANSLATORS In 1973 Franco Beltrametti, a Swiss author strictly connected to both the authors of the Beat Generation and to those of the Italian neo-avant-garde (Gruppo 63), published a bilingual collection of poems in Italian and English that he significantly titled Face to face (Grosseteste, England). As stated in the book itself, the English versions are translations by the author and his American wife, Judith Danciger. They were later checked and revised by Cid Corman to whom the book is dedicated. By taking into consideration the different versions of these poems which are preserved in the Swiss Literary Archives (Bern), this paper continues a previous research on this still little known and studied author and aims to examine the different phases of this work between languages by the couple. Face to face emerges as strongly representative of the multilingual and collaborative dimension of the author’s work.
1973年，瑞士作家弗兰科·贝尔特拉梅蒂(FRANCO BELTRAMETTI)出版了一本意大利语和英语双语诗集，书名为《面对面》(FACE TO FACE, Grosseteste, England)，他与垮掉的一代作家和意大利新先锋派作家(Gruppo 63)都有着密切的联系。正如书中所述，英文版本是由作者和他的美国妻子朱迪思·丹吉格(Judith Danciger)翻译的。它们后来由希德·科曼(Cid Corman)检查和修改，这本书就是献给他的。通过考虑保存在瑞士文学档案馆(伯尔尼)的这些诗歌的不同版本，本文继续对这位仍然鲜为人知和研究过的作者进行先前的研究，旨在研究这对夫妇在不同语言之间工作的不同阶段。《面对面》是作者作品中多语言和合作维度的有力代表。
{"title":"Face to face","authors":"Martina Della Casa","doi":"10.12797/moap.28.2022.57.01","DOIUrl":"https://doi.org/10.12797/moap.28.2022.57.01","url":null,"abstract":"FACE TO FACE: FRANCO BELTRAMETTI AND JUDITH DANCIGER: A COUPLE OF TRANSLATORS \u0000In 1973 Franco Beltrametti, a Swiss author strictly connected to both the authors of the Beat Generation and to those of the Italian neo-avant-garde (Gruppo 63), published a bilingual collection of poems in Italian and English that he significantly titled Face to face (Grosseteste, England). As stated in the book itself, the English versions are translations by the author and his American wife, Judith Danciger. They were later checked and revised by Cid Corman to whom the book is dedicated. By taking into consideration the different versions of these poems which are preserved in the Swiss Literary Archives (Bern), this paper continues a previous research on this still little known and studied author and aims to examine the different phases of this work between languages by the couple. Face to face emerges as strongly representative of the multilingual and collaborative dimension of the author’s work.","PeriodicalId":36042,"journal":{"name":"Miedzy Oryginalem a Przekladem","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-09-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66104173","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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