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Value of epitaphic literature on Tang dynasty Chan history: case studies of Chan practices by aristocratic women 墓志文献对唐代禅宗史的价值——以贵族女性禅宗实践为例
IF 0.2 3区 哲学 Q3 Arts and Humanities Pub Date : 2023-01-02 DOI: 10.1080/23729988.2023.2210975
Hainu Jiang
ABSTRACT Over the past three decades, the use of newly published medieval Chinese epitaphs has informed our knowledge of society, culture and religion during the Tang Dynasty. There are only seven sporadic records of noble women’s Chan Practice in the Quan Tangwen 全唐文 [Compendium of Tang Prose Writings]. However, newly published epitaphs have greatly increased the number of these kinds of records available for scholars to study. In this article, the author compiles 90 records of noble women’s Chan practice from Quan Tangwen and newly (up to 2022) published epitaphic collections, studies noble women’s family backgrounds, life experiences, Chan practice and funeral arrangements, and discusses some important issues of Chan history in the Tang Dynasty, including the relationship between Chan Buddhism and women, historical facts of Shenxiu 神秀 (606[?]–706) and other chief Chan masters, and the influence of some Chan patriarchs. In addition, this article proposes the concept of Luoyang Chan 洛陽禪. The comprehensive research presented in this article will supplement, revise and enrich the scholarly understanding of Early Chan Buddhism and the history of Chan Buddhism in the eighth century.
摘要在过去的三十年里,新出版的中国中世纪墓志的使用为我们了解唐代的社会、文化和宗教提供了信息。《全唐文》中关于贵妇禅修的零星记载只有七篇全唐文 [唐散文简编]。然而,新近出版的墓志大大增加了可供学者研究的此类记录的数量。本文从全堂文和新近(截至2022年)出版的墓志文集中整理了90篇关于贵族女性禅修的记录,研究了贵族女性的家庭背景、身世、禅修和葬礼安排,并探讨了唐代禅修史的一些重要问题,包括禅佛与女性的关系,神秀史实神秀 (606[?]-706)和其他主要的禅宗大师,以及一些禅宗祖师的影响。此外,本文还提出了洛阳禅的概念洛陽禪. 本文的综合研究将对早期禅宗和八世纪禅宗史的学术理解进行补充、修正和丰富。
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引用次数: 0
Re-thinking the Trübner stele: pictorial forms and authenticity 重新思考特吕布纳石碑:图形形式与真实性
IF 0.2 3区 哲学 Q3 Arts and Humanities Pub Date : 2023-01-02 DOI: 10.1080/23729988.2023.2210977
Qing Chang
ABSTRACT The Trubner stele, a large Chinese Buddhist stele displayed in the Metropolitan Museum of Art, is carved from grayish black limestone and commemorates the building of a Buddhist monastery in Qi county, Henan province, China. According to the inscription, it is dated 533 to 543 C.E. It was named after the art dealer Jorg Trubner (1902?-1930) who acquired the stele for the museum in 1929. Engraved in high relief, the stele contains numerous images, including the preaching Buddha with attendants, pictorial representation of the Vimalakirti Sutra, donor figures, small seated Buddha niches, spirit guardian kings, grooms and lions. Because of the excellent craftsmanship of the stele and the complexity of the composition, it has been referred to by previous scholars as a monumental, antique work now preserved in the West. However, some scholars doubt its authenticity, and, in this case, the leading scholar is Wai-kam Ho who published his article in 1999, since when the stele has been the subject of considerable controversy. In this article, focusing on Ho’s arguments, I compared this stele to other dated steles and images, considering textual sources, thematic content, iconography and style, and I have come to the conclusion that this stele is genuine.
摘要:特鲁布纳石碑是大都会艺术博物馆展出的一块大型中国佛教石碑,由灰黑色石灰石雕刻而成,以纪念中国河南省杞县的一座佛教寺院。根据铭文,它的年代为公元前533年至543年。它是以1929年为博物馆获得这块石碑的艺术品经销商Jorg Trubner(1902?-1930)的名字命名的。碑上雕刻着高浮雕,包含了许多图像,包括有侍从的传教佛、《维摩诘经》的图像、供像、小坐佛龛、护神王、马夫和狮子。由于石碑的工艺精湛,构图复杂,以前的学者认为它是一件不朽的古董作品,现在保存在西方。然而,一些学者怀疑它的真实性,在这种情况下,领先的学者是1999年发表文章的Wai kam Ho,从那时起,这块石碑就一直备受争议。本文以何的论点为中心,从文本来源、题材内容、图像和风格等方面,将此碑与其他年代久远的石碑和图像进行比较,得出此碑为真迹的结论。
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引用次数: 0
The modern Buddhist studies of Zen priests at Tokyo Imperial University: considering perspectives on original Buddhism 东京帝国大学禅宗法师的现代佛学研究:对原始佛教的思考
IF 0.2 3区 哲学 Q3 Arts and Humanities Pub Date : 2022-10-02 DOI: 10.1080/23729988.2023.2171648
Daigo Isshiki
ABSTRACT While the study of Buddhism at universities in Japan since the Meiji period (1868–1912)—transplanted as a modern institution—produced many results using a critical and rational approach to Buddhist texts, many scholars of Buddhism, who were also Buddhists, were challenged to reconcile their own belief systems with those of Japanese Buddhism, which existed outside of the texts. In this context, Taiken Kimura 木村泰賢 and Hakuju Ui 宇井伯寿, both professors at Tokyo Imperial University, attempted to bridge the gap between primitive Buddhist studies and beliefs, or between objectivity and subjectivity, using the concepts of bodhisattva way 菩薩道 and a Zen tradition beyond the written words of scripture 教外別伝 as a framework for Buddhist studies, respectively. Therefore, although their research was always in consideration of its academic significance and did not directly link their belief and scholarship, they can be placed in the history of Buddhist thought.
自明治时期(1868-1912)以来,日本大学对佛教的研究作为一种现代制度进行了移植,通过对佛教文献进行批判性和理性的研究,产生了许多结果,但许多佛教学者(他们也是佛教徒)面临着将自己的信仰体系与存在于文献之外的日本佛教信仰体系相调和的挑战。在这种背景下,东京帝国大学的两位教授木村泰肯(Taiken Kimura)和井白菊(Hakuju Ui)试图弥合原始佛教研究与信仰之间的差距,或者客观性与主观性之间的差距,他们分别使用菩萨的概念和超越经书文字的禅宗传统作为佛教研究的框架。因此,虽然对他们的研究总是考虑其学术意义,并没有将他们的信仰与学术直接联系起来,但可以将他们置于佛教思想史之中。
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引用次数: 0
The intellectual history of Chan Buddhism in the Tang and Song Dynasties and Japanese Zen: borrowing the perspective of D.T. Suzuki 唐宋禅宗思想史与日本禅宗——借用铃木的视角
IF 0.2 3区 哲学 Q3 Arts and Humanities Pub Date : 2022-10-02 DOI: 10.1080/23729988.2023.2171651
T. Ogawa
ABSTRACT Under the common premise that everyone has buddha-nature (foxing 佛性) and original mind (benxin 本心), there are different ways of thinking about how to relate one’s ‘original self’ as a buddha to one’s living, physical ‘actual self’. There are four types of thought in the history of Tang-Song Chan Buddhism. The first is the so-called ‘Northern’ Chan 北宗禪, which seeks to overcome the ‘actual self’ and restore the ‘original self’ through seated meditation. The second is the Mazu 馬祖 (709–788) lineage of Chan, which treats the two as one. The third type of Chan is the Shitou 石頭 (710–790) lineage which, while criticizing the Mazu lineage, grasps the relationship between the two as one and one as two. The fourth is Dahui’s 大慧 (1089–1163) kanhua chan 看話禪 (Chan of Phrase-observing), which returns to the first type of thought and adds the new technique of koan 公案 to it. They each had a strong influence on Medieval Japanese Zen Buddhism, with Bankei 盤珪 (1622–1693) inheriting the second type, the Sōtō 曹洞 school inheriting the third type, Hakuin 白隱 (1686–1769) inheriting the fourth type, and Dōgen 道元 (1200–1253)—in order to transcend both the second and the fourth types—producing a unique reflection on the honshō myōshu 本證妙修 (‘Wondrous cultivation in fundamental realization’).
摘要在人人皆有佛性的共同前提下(福星佛性) 和初心本心), 关于如何将一个人作为佛的“原始自我”与一个人活着的、身体上的“真实自我”联系起来,有不同的思考方式。唐宋禅思想史上有四种类型。第一种是所谓的“北方”禅北宗禪, 它试图通过坐着冥想来克服“真实的自我”并恢复“原始的自我”。第二个是妈祖馬祖 (709-788)陈的世系,将二者视为一体。第三种禅是石头石頭 (710–790)世系,在批判妈祖世系的同时,把握二者为一、一者为二的关系。第四个是大辉的大慧 (1089-1163)陈干华看話禪 (观禅),回归第一种思维方式,增加了koan的新技巧公案 他们每个人都对中世纪的日本禅宗产生了强烈的影响,班基盤珪 (1622-1693)继承了第二种类型曹洞 继承第三种类型的学园白隱 (1686–1769)继承了第四种类型和Dōgen道元 (1200–1253)——为了超越第二种和第四种——对本书产生了独特的反思本證妙修 (“在根本实现中的巨大培育”)。
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引用次数: 0
On Jan Yün-hua’s (Ran Yunhua 冉雲華 [1923-2018]) scholarship in Chinese Buddhism 简云华(冉云华)对中国佛教的研究[1923-2018]
IF 0.2 3区 哲学 Q3 Arts and Humanities Pub Date : 2022-10-02 DOI: 10.1080/23729988.2023.2171650
Jian-Xia Li
ABSTRACT Jan Yün-hua is an internationally renowned scholar who has conducted exquisite research in the fields of Buddhist studies, Chan Studies, Dunhuang Studies, and Daoist Studies, among which Chinese Buddhism in particular is renowned. This paper discusses the life of Jan Yün-hua, his academic achievements, and his exploration of ‘transformation of Buddhism from India to China’ in three aspects. This paper argues that during his decades of academic career, Jan has focused on the ambitious academic goal of ‘the transformation of Buddhism from India to China and its process,’ which is the original purpose of his Buddhist studies and the theme of his lifelong exploration. According to Jan, the core idea of Chinese Buddhism, the idea of ‘one mind’, was formed in the eighth century. This idea was first established by Chengguan and finally completed by Zongmi and Yanshou. The concept of ‘one mind’ was first propagated by Tiantai, then supplemented and enriched by Huayan Buddhism, and after the incubation of the unification of meditation and doctrines, and the addition of Chan Buddhism, it became the mainstream development of Chinese Buddhism, and finally became the core thought of Chinese Buddhism.
Jan Yun-hua文摘是一个国际知名学者开展了精美的佛教研究领域的研究中,陈研究敦煌研究,中国佛教和道教研究,其中尤其著名。本文从三个方面论述了Jan yn -hua的生平、学术成就以及他对“佛教从印度传入中国”的探索。本文认为,在他几十年的学术生涯中,他一直专注于“佛教从印度到中国的转变及其过程”这一雄心勃勃的学术目标,这是他研究佛教的初衷,也是他一生探索的主题。根据Jan的说法,中国佛教的核心思想,“一心”的思想,形成于8世纪。这一思想最早由城管提出,最后由宗密和延寿完成。“一心”思想先由天台传播,再由华严佛教加以补充和丰富,经过禅法合一的孵化,加上禅宗的加入,成为中国佛教发展的主流,最终成为中国佛教的核心思想。
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引用次数: 0
Knotting the Banner: ritual and relationship in Daoist practice 结旗:道教实践中的仪式与关系
IF 0.2 3区 哲学 Q3 Arts and Humanities Pub Date : 2022-09-01 DOI: 10.1080/23729988.2023.2211414
Lucas A. Wolf
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引用次数: 0
A History of Chinese Buddhist Faith and Life 中国佛教信仰与生活史
IF 0.2 3区 哲学 Q3 Arts and Humanities Pub Date : 2022-08-18 DOI: 10.1080/23729988.2022.2092339
Wenli Fan
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引用次数: 0
Occupy This Body: A Buddhist Memoir 占领这个身体:佛教回忆录
IF 0.2 3区 哲学 Q3 Arts and Humanities Pub Date : 2022-08-18 DOI: 10.1080/23729988.2022.2092340
B. McGuire
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引用次数: 0
Social and ritual networks in Southeast China during the seventeenth and eighteenth centuries 17、18世纪中国东南部的社会和仪式网络
IF 0.2 3区 哲学 Q3 Arts and Humanities Pub Date : 2022-07-03 DOI: 10.1080/23729988.2022.2116856
Jacopo Scarin
ABSTRACT This article studies the Longmen Daoist communities of the Jiangnan area during the seventeenth and eighteenth centuries and it focuses especially on the social networks established there in the context of ritual training. The common representation of Quanzhen Daoists, including that of the Longmen branch, describes them as eminently interested in self-cultivation. This idea is not unfounded, but the analysis of coeval sources, produced both within and outside the Daoist milieus, reveals that those Daoists were also proficient ritualists. More importantly, ritual training within these communities appears to have sometimes relied on Daoist masters initiated both into the Longmen and the Zhengyi traditions as liturgical teachers for other Longmen Daoists. The second part of the article expands the focus of the study, suggesting the existence of a link between the regional liturgical traditions of Jiangnan and the broader religious landscape of late imperial China, effectively connecting the ritual curriculum of Longmen Daoists with court Daoism.
摘要本文以十七、十八世纪江南龙门道教为研究对象,着重探讨了其在礼仪训练中所建立的社会网络。全真道教的普遍代表,包括龙门派的代表,将他们描述为对修身养性非常感兴趣。这种观点并非没有根据,但对道教内外同时代来源的分析表明,这些道教者也是精通仪式的人。更重要的是,这些社区的仪式训练有时似乎依赖于龙门和正一传统中的道教大师,作为其他龙门道教的礼仪老师。文章的第二部分扩展了研究的重点,指出江南地区的礼仪传统与中国帝国后期更广阔的宗教景观之间存在着联系,有效地将龙门道教的礼仪课程与宫廷道教联系起来。
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引用次数: 0
The introduction of anthropomorphic imagery in Daoist Ritual 道家仪式中拟人意象的引入
IF 0.2 3区 哲学 Q3 Arts and Humanities Pub Date : 2022-07-03 DOI: 10.1080/23729988.2022.2116852
G. Raz
ABSTRACT Daoist ritual during the three centuries between the early Celestial Master community and the systemization of ritual and textual canon in the fifth century by Lu Xiujing was aniconic. The ritual protocols of the Celestial Master community and of the Lingbao scriptures simply had no use or place for iconic imagery. This remains the case in the Daoist compendium Wushang biyao 無上秘要, compiled at the behest of emperor Wu of the Northern Zhou in the late 570s. Yet, statues are an integral part of Daoist ritual as presented in the early seventh century ritual compendium Sandong fengdao kejie 三洞奉道科戒. Where and when did Daoist statues appear? How were they accepted and incorporated into orthodox Daoist ritual? This article traces the introduction of statues and iconic imagery into Daoist ritual and the changes in ritual practice entailed by the use of iconic imagery.
摘要从早期天师群体到五世纪陆秀晶的礼教系统化、经学系统化,三个世纪的道教礼教是一种永恒的礼教。天师团体和灵宝经的仪式规程根本没有标志性图像的用途或位置。道教简编《武商要略》中仍然是这样無上秘要, 公元570年代末,在北周武帝的授意下编纂而成。然而,雕像是道教仪式的一个组成部分,正如七世纪早期的仪式简编《三东丰岛克杰》中所述三洞奉道科戒. 道教造像是何时何地出现的?它们是如何被接受并融入正统道教仪式的?本文追溯了雕像和标志性意象在道教仪式中的引入,以及标志性意象的使用所带来的仪式实践的变化。
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引用次数: 0
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Studies in Chinese Religions
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