Pub Date : 2023-06-30DOI: 10.30687/ri/2037-6588/2023/01/003
Francesca Calamai
This article deals with the analysis of the works of the Italian Hispanist Dario Puccini. For this purpose, his publications on the magazine L’Europa letteraria, founded and directed by Giancarlo Vigorelli, have been examined alongside his correspondence with the major Spanish writers at the time: Rafael Alberti, Max Aub, Vicente Aleixandre, José Agustín Goytisolo and the Italian scholar Oreste Macrì. The letters with these last two are unpublished and kept in the Contemporary Archive ‘Alessandro Bonsanti’, Gabinetto G.P. Vieusseux in Florence. Thanks to these texts, new information about the projects of Dario Puccini will emerge.
{"title":"L'Europa letteraria a través de cartas inéditas de Dario Puccini","authors":"Francesca Calamai","doi":"10.30687/ri/2037-6588/2023/01/003","DOIUrl":"https://doi.org/10.30687/ri/2037-6588/2023/01/003","url":null,"abstract":"This article deals with the analysis of the works of the Italian Hispanist Dario Puccini. For this purpose, his publications on the magazine L’Europa letteraria, founded and directed by Giancarlo Vigorelli, have been examined alongside his correspondence with the major Spanish writers at the time: Rafael Alberti, Max Aub, Vicente Aleixandre, José Agustín Goytisolo and the Italian scholar Oreste Macrì. The letters with these last two are unpublished and kept in the Contemporary Archive ‘Alessandro Bonsanti’, Gabinetto G.P. Vieusseux in Florence. Thanks to these texts, new information about the projects of Dario Puccini will emerge.","PeriodicalId":36702,"journal":{"name":"Rassegna Iberistica","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42645380","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-30DOI: 10.30687/ri/2037-6588/2023/01/006
Albert Rossich, Pep Valsalobre
The article presents the recent discovery of a printed translation into Spanish of the two most important plays by the Catalan Baroque playwright Francesc Fontanella (1622‑1681). Both plays were performed in Madrid in 1738 on the occasion of the wedding of Charles of Bourbon (King of the Two Sicilies, future Charles III of Spain) to Maria Amalia of Saxony, daughter of the King of Poland. We will analyse the literary and operatic context of the celebration, the characteristics of the translation in relation to the Catalan originals, the musical aspect of the pieces (accentuated in the Spanish version), some aspects of the staging, and the possible involvement of Fray Agustín Eura.
{"title":"Una representació a Madrid de les obres dramàtiques de Francesc Fontanella (1738)","authors":"Albert Rossich, Pep Valsalobre","doi":"10.30687/ri/2037-6588/2023/01/006","DOIUrl":"https://doi.org/10.30687/ri/2037-6588/2023/01/006","url":null,"abstract":"The article presents the recent discovery of a printed translation into Spanish of the two most important plays by the Catalan Baroque playwright Francesc Fontanella (1622‑1681). Both plays were performed in Madrid in 1738 on the occasion of the wedding of Charles of Bourbon (King of the Two Sicilies, future Charles III of Spain) to Maria Amalia of Saxony, daughter of the King of Poland. We will analyse the literary and operatic context of the celebration, the characteristics of the translation in relation to the Catalan originals, the musical aspect of the pieces (accentuated in the Spanish version), some aspects of the staging, and the possible involvement of Fray Agustín Eura.","PeriodicalId":36702,"journal":{"name":"Rassegna Iberistica","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45219451","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-30DOI: 10.30687/ri/2037-6588/2023/01/002
V. Puchades
In this article, we examine how an Auto de fe from seventeenth-century Cuba shows us a historical mirror of life, society and imagination. Through it we witness the story of Paula de Eguiluz, a black slave owned by the Warden Mayor of Santiago de Cuba, who was tried under the accusation of witschcraft by the Inquisition in Cartagena de Indias between 1623 and 1635. The document, considered a contextual proof in its time, today becomes a proof of historicity. Its thematic, symbolic and anthropological scope connects it to the legacy of magical and hidden rituals that survived in the Hispanic Caribbean, and whose origin dates back to Classical Antiquity. Among the texts that testify this connection, we will consider the poem “The Sorceress” by Theocritus of Syracuse , author of the Idylls. This poem tells how Simeta prepares an elixir for the young man she desires, and describes the ritual, and the emotional circumstances that surround it, in detail. In this article, we introduce the connections between the magical imaginary described by Theocritus, and the beliefs that in seventeenth-century Christian Europe were still part of popular culture and that, transferred to America, were hybridizing with indigenous traditions and beliefs coming from Africa through the Atlantic slave trade.
在这篇文章中，我们考察了一辆来自17世纪古巴的汽车是如何向我们展示生活、社会和想象力的历史镜子的。通过它，我们见证了古巴圣地亚哥市长拥有的黑奴Paula de Eguiluz的故事，她在1623年至1635年间被卡塔赫纳德印第安宗教裁判所指控犯有欺诈罪而受审。该文件在当时被认为是一种上下文证明，今天却成为了历史性的证明。它的主题、象征和人类学范围将其与在西班牙裔加勒比地区幸存下来的神奇和隐藏仪式的遗产联系起来，这些仪式的起源可以追溯到古代。在证明这种联系的文本中，我们将考虑《Idylls》的作者、锡拉丘兹的Theocritus的诗《女巫》。这首诗告诉了Simeta如何为她渴望的年轻人准备灵丹妙药，并详细描述了仪式及其周围的情感环境。在这篇文章中，我们介绍了Theocritus描述的神奇想象与17世纪基督教欧洲仍然是流行文化的一部分的信仰之间的联系，这些信仰在转移到美国后，通过大西洋奴隶贸易与来自非洲的土著传统和信仰相融合。
{"title":"Paralelismos tematológicos e imaginarios entre «La hechicera» de Teócrito de Siracusa (III a.C) y el Auto de fe contra Paula de Eguiluz (1623-35)","authors":"V. Puchades","doi":"10.30687/ri/2037-6588/2023/01/002","DOIUrl":"https://doi.org/10.30687/ri/2037-6588/2023/01/002","url":null,"abstract":"In this article, we examine how an Auto de fe from seventeenth-century Cuba shows us a historical mirror of life, society and imagination. Through it we witness the story of Paula de Eguiluz, a black slave owned by the Warden Mayor of Santiago de Cuba, who was tried under the accusation of witschcraft by the Inquisition in Cartagena de Indias between 1623 and 1635. The document, considered a contextual proof in its time, today becomes a proof of historicity. Its thematic, symbolic and anthropological scope connects it to the legacy of magical and hidden rituals that survived in the Hispanic Caribbean, and whose origin dates back to Classical Antiquity. Among the texts that testify this connection, we will consider the poem “The Sorceress” by Theocritus of Syracuse , author of the Idylls. This poem tells how Simeta prepares an elixir for the young man she desires, and describes the ritual, and the emotional circumstances that surround it, in detail. In this article, we introduce the connections between the magical imaginary described by Theocritus, and the beliefs that in seventeenth-century Christian Europe were still part of popular culture and that, transferred to America, were hybridizing with indigenous traditions and beliefs coming from Africa through the Atlantic slave trade.","PeriodicalId":36702,"journal":{"name":"Rassegna Iberistica","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43990021","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-30DOI: 10.30687/ri/2037-6588/2023/01/005
Adriana Mancini
{"title":"Silvina Ocampo y el arte conjugado","authors":"Adriana Mancini","doi":"10.30687/ri/2037-6588/2023/01/005","DOIUrl":"https://doi.org/10.30687/ri/2037-6588/2023/01/005","url":null,"abstract":"","PeriodicalId":36702,"journal":{"name":"Rassegna Iberistica","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41544304","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-30DOI: 10.30687/ri/2037-6588/2023/01/011
Alice Favaro
Review of: Nanni, Susanna (2022). El desafío pedagógico en tiempos de pandemia. Memoria y derechos humanos entre Argentina y Mediterráneo desde un aula virtual. Roma: Nova Delphi Academia, 155 pp.
{"title":"Susanna Nanni. El desafío pedagógico en tiempos de pandemia. Memoria y derechos humanos entre Argentina y Mediterráneo desde un aula virtual","authors":"Alice Favaro","doi":"10.30687/ri/2037-6588/2023/01/011","DOIUrl":"https://doi.org/10.30687/ri/2037-6588/2023/01/011","url":null,"abstract":"Review of: Nanni, Susanna (2022). El desafío pedagógico en tiempos de pandemia. Memoria y derechos humanos entre Argentina y Mediterráneo desde un aula virtual. Roma: Nova Delphi Academia, 155 pp.","PeriodicalId":36702,"journal":{"name":"Rassegna Iberistica","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42736452","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-30DOI: 10.30687/ri/2037-6588/2023/01/013
E. Bou
Review of: Mira-Navaarro, I. (2021). La poètica dels espais en Vicent Andrés Estellés. Alacant; Barcelona: Institut Interuniversitari de Filologia Valenciana i Publicacions de l’Abadia de Montserrat.
审查：Mira Navarro，I.（2021）。Vincent Andres Estellés的空间诗。Alacant；巴塞罗那：巴伦西亚国际电影学院和蒙特塞拉特阿巴迪亚出版社。
{"title":"Irene Mira-Navarro. La poètica dels espais en Vicent Andrés Estellés","authors":"E. Bou","doi":"10.30687/ri/2037-6588/2023/01/013","DOIUrl":"https://doi.org/10.30687/ri/2037-6588/2023/01/013","url":null,"abstract":"Review of: Mira-Navaarro, I. (2021). La poètica dels espais en Vicent Andrés Estellés. Alacant; Barcelona: Institut Interuniversitari de Filologia Valenciana i Publicacions de l’Abadia de Montserrat.","PeriodicalId":36702,"journal":{"name":"Rassegna Iberistica","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46947274","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-30DOI: 10.30687/ri/2037-6588/2023/01/008
Marcela Croce
{"title":"Teoría en tránsito: exhumar es arrebatar al polvo","authors":"Marcela Croce","doi":"10.30687/ri/2037-6588/2023/01/008","DOIUrl":"https://doi.org/10.30687/ri/2037-6588/2023/01/008","url":null,"abstract":"<jats:p />","PeriodicalId":36702,"journal":{"name":"Rassegna Iberistica","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43295036","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-30DOI: 10.30687/ri/2037-6588/2023/01/007
A. Roca
The historiography of literature is a field of study that has undergone major changes in recent years. The revitalisation of this discipline following the introduction of concepts such as the canon (Pozuelo and Aradra 2000) or historical narrative (White 1992) has opened up new perspectives for the study of literary historical discourse.
{"title":"Ensayos de historiografía literaria: estudios sobre el discurso historiográfico-literario castellano, catalán, gallego y vasco","authors":"A. Roca","doi":"10.30687/ri/2037-6588/2023/01/007","DOIUrl":"https://doi.org/10.30687/ri/2037-6588/2023/01/007","url":null,"abstract":"The historiography of literature is a field of study that has undergone major changes in recent years. The revitalisation of this discipline following the introduction of concepts such as the canon (Pozuelo and Aradra 2000) or historical narrative (White 1992) has opened up new perspectives for the study of literary historical discourse.","PeriodicalId":36702,"journal":{"name":"Rassegna Iberistica","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48439268","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"José Joaquín Parra Bañón. Noé en imágenes. Arquitecturas de la catástrofe","authors":"Luis Gómez Canseco","doi":"10.30687/ri/2037-6588/2023/01/009","DOIUrl":"https://doi.org/10.30687/ri/2037-6588/2023/01/009","url":null,"abstract":"Review of: Parra Bañón, J. J. (2022). Noé en imágenes. Arquitecturas de la catástrofe. Girona: Atalanta, 392 pp.","PeriodicalId":36702,"journal":{"name":"Rassegna Iberistica","volume":"189 ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41309739","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-30DOI: 10.30687/ri/2037-6588/2023/01/004
Pedro J. Plaza González
This paper presents the figure of the Spanish writer Antonio Gala in his most unknown facet: as a poet. In doing so, we will focus on the research carried out within the “Phonodia” group of the Università Ca’ Foscari Venezia. This research consists of the description and analysis of the corpus of recorded poems by Antonio Gala, which add up to a total of eighty-four and are found in three audio publications: Testamento andaluz (1985), De viva voz (1997), and Miró a mi corazón (2014) – the last one in collaboration with the composer Rubén Jordán. With all this, not only the importance of Antonio Gala as a contemporary poet will be proven, but also the relevance of his poems in the framework of the relationship between the voice and poetry through sound files.
本文介绍了西班牙作家安东尼奥·加拉最不为人知的一面:诗人。在此过程中，我们将重点关注威尼斯大学的“Phonodia”小组进行的研究。本研究包括对安东尼奥·加拉(Antonio Gala)的诗歌记录语料库的描述和分析，这些诗歌总计84首，收录于三种音频出版物中:《安达卢兹的遗嘱》(1985年)、《万岁》(1997年)和Miró a mi corazón(2014年)——最后一篇是与作曲家rub n Jordán合作出版的。通过这一切，不仅可以证明安东尼奥·加拉作为当代诗人的重要性，而且可以通过声音文件证明他的诗歌在声音与诗歌关系框架中的相关性。
{"title":"«La poesía debe leerse en alto»: los archivos sonoros de Antonio Gala","authors":"Pedro J. Plaza González","doi":"10.30687/ri/2037-6588/2023/01/004","DOIUrl":"https://doi.org/10.30687/ri/2037-6588/2023/01/004","url":null,"abstract":"This paper presents the figure of the Spanish writer Antonio Gala in his most unknown facet: as a poet. In doing so, we will focus on the research carried out within the “Phonodia” group of the Università Ca’ Foscari Venezia. This research consists of the description and analysis of the corpus of recorded poems by Antonio Gala, which add up to a total of eighty-four and are found in three audio publications: Testamento andaluz (1985), De viva voz (1997), and Miró a mi corazón (2014) – the last one in collaboration with the composer Rubén Jordán. With all this, not only the importance of Antonio Gala as a contemporary poet will be proven, but also the relevance of his poems in the framework of the relationship between the voice and poetry through sound files.","PeriodicalId":36702,"journal":{"name":"Rassegna Iberistica","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48926177","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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