Pub Date : 2022-12-16DOI: 10.30687/ri/2037-6588/2022/19/016
Helena Rovira Cerdà
Review of: Martínez Romero, T. (ed.) (2022). Paula, Eustòquia i la Duquessa de Gandia: traduccions antigues d’obres de sant Jeroni sobre comportament femení. Alacant: Institut Interuniversitari de Filologia Valenciana; Barcelona: Publicacions de l’Abadia de Montserrat, 2022, 271 pp.
{"title":"Tomàs Martínez Romero (ed.). Paula, Eustòquia i la Duquessa de Gandia","authors":"Helena Rovira Cerdà","doi":"10.30687/ri/2037-6588/2022/19/016","DOIUrl":"https://doi.org/10.30687/ri/2037-6588/2022/19/016","url":null,"abstract":"Review of: Martínez Romero, T. (ed.) (2022). Paula, Eustòquia i la Duquessa de Gandia: traduccions antigues d’obres de sant Jeroni sobre comportament femení. Alacant: Institut Interuniversitari de Filologia Valenciana; Barcelona: Publicacions de l’Abadia de Montserrat, 2022, 271 pp.","PeriodicalId":36702,"journal":{"name":"Rassegna Iberistica","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42360231","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-16DOI: 10.30687/ri/2037-6588/2022/19/006
P. Pereira
Within the mare magnum of Sena’s poetry, the place occupied by haiku is undoubtedly discreet. Sena revisited the Japanese genre in his dual capacity of translator and poet, translating into Portuguese twenty poems by Bashô and later composing ten poems that he expressly classified as haikus. In this article, we propose to examine both the translations and the pastiches that the author wrote, seeking to justify the seduction that both the worldview and the constructive rigor underlying the poetic form have exercised upon him. In his pseudo-haikus, Sena, an accidental haijin, departed from a purely mimetic intent, opting instead for an ingenious ‘haikuisation’ of his own poetics.
{"title":"The Accidental haijin: Jorge de Sena and the Poetics of Haiku","authors":"P. Pereira","doi":"10.30687/ri/2037-6588/2022/19/006","DOIUrl":"https://doi.org/10.30687/ri/2037-6588/2022/19/006","url":null,"abstract":"Within the mare magnum of Sena’s poetry, the place occupied by haiku is undoubtedly discreet. Sena revisited the Japanese genre in his dual capacity of translator and poet, translating into Portuguese twenty poems by Bashô and later composing ten poems that he expressly classified as haikus. In this article, we propose to examine both the translations and the pastiches that the author wrote, seeking to justify the seduction that both the worldview and the constructive rigor underlying the poetic form have exercised upon him. In his pseudo-haikus, Sena, an accidental haijin, departed from a purely mimetic intent, opting instead for an ingenious ‘haikuisation’ of his own poetics.","PeriodicalId":36702,"journal":{"name":"Rassegna Iberistica","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47259653","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-16DOI: 10.30687/ri/2037-6588/2022/19/009
Mariana Oggioni
Contemporary Argentine women authors of crime literature – such as Claudia Piñeiro, Florencia Etcheves or Alicia Plante – are widely recognised by literary critics and the reading public. However, throughout history, the legacy of the authors who preceded them has been buried under the canonical names of authors such as Borges, Piglia or Mempo Giardinelli. This article aims at examining the impact of authors such as María Angélica Bosco, Syria Poletti and Silvina Ocampo, who wrote novels and detective stories in the mid-twentieth century, as well as Luisa Valenzuela in the 1990s, reaching up to the present day.
{"title":"¿Y las mujeres dónde están?\u0000 Literatura criminal argentina","authors":"Mariana Oggioni","doi":"10.30687/ri/2037-6588/2022/19/009","DOIUrl":"https://doi.org/10.30687/ri/2037-6588/2022/19/009","url":null,"abstract":"Contemporary Argentine women authors of crime literature – such as Claudia Piñeiro, Florencia Etcheves or Alicia Plante – are widely recognised by literary critics and the reading public. However, throughout history, the legacy of the authors who preceded them has been buried under the canonical names of authors such as Borges, Piglia or Mempo Giardinelli. This article aims at examining the impact of authors such as María Angélica Bosco, Syria Poletti and Silvina Ocampo, who wrote novels and detective stories in the mid-twentieth century, as well as Luisa Valenzuela in the 1990s, reaching up to the present day.","PeriodicalId":36702,"journal":{"name":"Rassegna Iberistica","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44356532","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-16DOI: 10.30687/ri/2037-6588/2022/19/007
Jordi Marrugat
This article proposes an analysis of some of the discourses that have taken place in Catalan literature on the Nobel Prize from the end of the Franco regime to the present day. These are discourses that function as a mirror of the situation of Catalan culture during the last fifty years. They reflect two major attitudes: the desire to build a ‘normal’ Catalan culture and the humorous distancing from this ideology of normalisation.
{"title":"The Nobel Prize in Literature in the Catalan Culture\u0000 Half a Century of Debates About the Possibility of a Catalan Winner (1971-2021)","authors":"Jordi Marrugat","doi":"10.30687/ri/2037-6588/2022/19/007","DOIUrl":"https://doi.org/10.30687/ri/2037-6588/2022/19/007","url":null,"abstract":"This article proposes an analysis of some of the discourses that have taken place in Catalan literature on the Nobel Prize from the end of the Franco regime to the present day. These are discourses that function as a mirror of the situation of Catalan culture during the last fifty years. They reflect two major attitudes: the desire to build a ‘normal’ Catalan culture and the humorous distancing from this ideology of normalisation.","PeriodicalId":36702,"journal":{"name":"Rassegna Iberistica","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48190845","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-16DOI: 10.30687/ri/2037-6588/2022/19/004
Irina Bajini
The article focuses on the challenge to the cultural industry and the book market posed by the Argentine cooperative publishing house Eloísa Cartonera, active in Buenos Aires since 2003. The name itself represents a provocation, because it brings together a ‘poetic’ feminine noun with a prosaic adjective. This is how the word cartonera acquires a new meaning, indicating not only a publishing style but also a cultural and political attitude, which transforms the cartonera woman into the inspiring muse of a literary, cooperative and solidarity project.
{"title":"From Trash to Books, from La Boca to the World: Women cartoneras in the Twenty-First Century","authors":"Irina Bajini","doi":"10.30687/ri/2037-6588/2022/19/004","DOIUrl":"https://doi.org/10.30687/ri/2037-6588/2022/19/004","url":null,"abstract":"The article focuses on the challenge to the cultural industry and the book market posed by the Argentine cooperative publishing house Eloísa Cartonera, active in Buenos Aires since 2003. The name itself represents a provocation, because it brings together a ‘poetic’ feminine noun with a prosaic adjective. This is how the word cartonera acquires a new meaning, indicating not only a publishing style but also a cultural and political attitude, which transforms the cartonera woman into the inspiring muse of a literary, cooperative and solidarity project.","PeriodicalId":36702,"journal":{"name":"Rassegna Iberistica","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43149186","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-22DOI: 10.30687/ri/2037-6588/2022/18/002
I. Resta
The aim of this article is to undertake a reflection on the caricatural character of Quevedo’s culta latiniparla and her inclusion in No hay burlas con el amor, urban comedy by Calderón de la Barca. The article will adopt a transnational and intertextual approach linked to the reception outside Iberian borders of educated woman who boast a pompous language. In particular, following a series of critical controversies on the possibility that Molière could have been inspired by this play for his work Les femmes savantes, a contrastive analysis will be carried out to assess the real entity of the Calderonian reverberations in Molière’s text, showing both points of contact and discrepancies related to reworking the wise and hembrilatina lady cliché.
本文的目的是对克维多的拉丁文化的讽刺特征进行反思，以及她在Calderón de la Barca的城市喜剧《No hay burlas con el amor》中的表现。这篇文章将采用一种跨国和互文的方法，与伊比利亚边界以外接受拥有浮夸语言的受过教育的妇女有关。特别是，在一系列关于莫丽可能受到这部戏剧启发的可能性的批评争议之后，他的作品Les femmes savantes，将进行对比分析，以评估莫丽文本中卡尔德隆回响的真实实体，显示与重新创作智慧和hemembratina女士clich相关的接触点和差异。
{"title":"No hay burlas con el amor and the Finicky Educated Lady from Calderón to Molière","authors":"I. Resta","doi":"10.30687/ri/2037-6588/2022/18/002","DOIUrl":"https://doi.org/10.30687/ri/2037-6588/2022/18/002","url":null,"abstract":"The aim of this article is to undertake a reflection on the caricatural character of Quevedo’s culta latiniparla and her inclusion in No hay burlas con el amor, urban comedy by Calderón de la Barca. The article will adopt a transnational and intertextual approach linked to the reception outside Iberian borders of educated woman who boast a pompous language. In particular, following a series of critical controversies on the possibility that Molière could have been inspired by this play for his work Les femmes savantes, a contrastive analysis will be carried out to assess the real entity of the Calderonian reverberations in Molière’s text, showing both points of contact and discrepancies related to reworking the wise and hembrilatina lady cliché.","PeriodicalId":36702,"journal":{"name":"Rassegna Iberistica","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41820261","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-22DOI: 10.30687/ri/2037-6588/2022/18/015
Silvia Lunardi
Review of Ferrer Calle, J. (2022). Las cadenas de la identidad. Poéticas del desarraigo y el viaje en la obra de Andrés Neuman. Madrid: Ediciones de Iberoamericana, 214 pp.
{"title":"Javier Ferrer Calle. Las cadenas de la identidad","authors":"Silvia Lunardi","doi":"10.30687/ri/2037-6588/2022/18/015","DOIUrl":"https://doi.org/10.30687/ri/2037-6588/2022/18/015","url":null,"abstract":"Review of Ferrer Calle, J. (2022). Las cadenas de la identidad. Poéticas del desarraigo y el viaje en la obra de Andrés Neuman. Madrid: Ediciones de Iberoamericana, 214 pp.","PeriodicalId":36702,"journal":{"name":"Rassegna Iberistica","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46180521","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-22DOI: 10.30687/ri/2037-6588/2022/18/020
Cèlia Nadal Pasqual
Review of Darici, K. (2021). Translaciones. Identidades híbridas en las literaturas ibéricas. Alessandria: Edizioni dell’Orso, 242 pp. Bibliotheca Iberica 13.
{"title":"Katiuscia Darici. Translaciones. Identidades híbridas en las literaturas ibéricas","authors":"Cèlia Nadal Pasqual","doi":"10.30687/ri/2037-6588/2022/18/020","DOIUrl":"https://doi.org/10.30687/ri/2037-6588/2022/18/020","url":null,"abstract":"Review of Darici, K. (2021). Translaciones. Identidades híbridas en las literaturas ibéricas. Alessandria: Edizioni dell’Orso, 242 pp. Bibliotheca Iberica 13.","PeriodicalId":36702,"journal":{"name":"Rassegna Iberistica","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44787236","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-22DOI: 10.30687/ri/2037-6588/2022/18/009
R. Londero
Review of Di Pastena, E. (a cura di) (2021). Gracia Morales, N.I. 12. Pisa: ETS, 174 pp. La maschera e il volto. Teatro ispanico moderno e contemporaneo 6.
{"title":"Enrico Di Pastena. Gracia Morales, N.I. 12","authors":"R. Londero","doi":"10.30687/ri/2037-6588/2022/18/009","DOIUrl":"https://doi.org/10.30687/ri/2037-6588/2022/18/009","url":null,"abstract":"Review of Di Pastena, E. (a cura di) (2021). Gracia Morales, N.I. 12. Pisa: ETS, 174 pp. La maschera e il volto. Teatro ispanico moderno e contemporaneo 6.","PeriodicalId":36702,"journal":{"name":"Rassegna Iberistica","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41811646","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：