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Margalida Pons Jaume. El codi torbat. De la poesia experimental a l’escriptura conceptual Margalida Pons Jaume。代码已损坏。从实验诗到概念写作
Pub Date : 2022-06-22 DOI: 10.30687/ri/2037-6588/2022/18/018
E. Bou
Review of Pons Jaume, M. (2021). El codi torbat. De la poesia experimental a l’escriptura conceptual. Palma de Mallorca: Lleonard Muntaner Editor, 392 pp.
Pons Jaume,M.评论(2021)。代码已损坏。从实验诗到概念写作。马略卡岛:Lleonard Muntaner编辑,392页。
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引用次数: 0
The Critic Profile of an Intellectual Formation 一种知识形态的批评家形象
Pub Date : 2022-06-22 DOI: 10.30687/ri/2037-6588/2022/18/005
Marcela Croce
This article proposes a review of the Uruguayan ‘critical generation’ or ‘generation of 45’, which is defined by their dissatisfaction with national conditions and a desire to produce a change in the cultural order of the Río de la Plata region. The brotherhood of historians, narrators, playwrights, poets and cultural critics is defined both in relation to the neighbouring city, Buenos Aires, and in terms of Latin American insertion promoted by the weekly magazine Marcha, in which most of the intellectuals involved collaborate. Ángel Rama is the outstanding figure summoned by this critical reconstruction. His work “La generación crítica (1939-1969)” is a landmark with which this article proposes a counterpoint.
本文建议对乌拉圭人的“关键一代”或“45岁一代”进行回顾,他们对国情的不满和改变拉普拉塔地区文化秩序的愿望。历史学家、叙述者、剧作家、诗人和文化评论家的兄弟情谊既与邻近城市布宜诺斯艾利斯有关,也与周刊《Marcha》推动的拉丁美洲插入有关,大多数参与其中的知识分子都在该杂志上合作。安吉尔·拉马是这次关键重建所召唤出来的杰出人物。他的作品“La generación crítica(1939-1969)”是一个里程碑,本文对此提出了反驳。
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引用次数: 0
Rosalba Campra. Archeologia provvisoria Rosalba Campra。临时考古学
Pub Date : 2022-06-22 DOI: 10.30687/ri/2037-6588/2022/18/010
Silvana Serafin
Review of Campra, R. (2020). Archeologia provvisoria. Prefazione di E. Martínez; trad. di C. Orlandi. Roma: Edizioni Ensemble, 148 pp.
Campra评论,R.(2020)。临时考古。E.Martínez的前言;传统。C.Orlandi。罗马:Edizioni合奏团,148页。
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引用次数: 0
Jazmina Barrera. Quaderno dei fari
Pub Date : 2022-06-22 DOI: 10.30687/ri/2037-6588/2022/18/011
Alice Favaro
Review of di Barrera, J. (2021). Quaderno dei fari. Trad. di F. Niola. Roma: La Nuova Frontiera, 126 pp.
巴雷拉评论,J.(2021)。前灯书。”。F. Niola报道。罗马:新边疆,126页。
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引用次数: 0
Tita Cepeda y Julio Olaciregui. Los años de aprendizaje de Álvaro Cepeda Samudio Tita Cepeda和Julio Olaciregui。阿尔瓦罗·塞佩达·萨穆迪奥的学习岁月
Pub Date : 2022-06-22 DOI: 10.30687/ri/2037-6588/2022/18/014
Santiago Alarcón-Tobón
Review of de Cepeda, T.; Olaciregui, J. (directores) (2021). Los años de aprendizaje de Álvaro Cepeda Samudio. Barranquilla: Universidad del Norte Editorial, 168 pp.
回顾de Cepeda, T.;(导演)(2021)。alvaro Cepeda Samudio的学徒生涯。= =地理= =根据美国人口普查,这个县的总面积为,其中土地和(0.984平方公里)水。
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引用次数: 0
For a Reading of Julio Llamazares’ La lluvia amarilla (1988) as a “Theatre of Ruins” 阅读胡里奥·萨雷斯的《黄雨》(1988年)作为“废墟剧院”
Pub Date : 2022-06-22 DOI: 10.30687/ri/2037-6588/2022/18/003
B. Greco
The article studies Llamazares’ novel La lluvia amarilla (1988) from a new perspective, which identifies the scenario of the work as a ‘theatre of ruins’. The essay opens with a reflection on the chromatic symbolism already suggested by the title and discernible also in Vilas’ novel Ordesa (2018), with which it seems to have a dialogical relationship. After a necessary reference to the lyricism of Llamazares’ prose, the Ainielle landscape is interpreted as a ‘literary landscape’, a concept that refers to the subjective experience of nature through the protagonist perceptive consciousness. In the second part of the article, the metamorphosis of Ainielle into a place of ruins (which also engulfs the narrator) is demonstrated, in a passage that is accomplished through the cemetery metaphor and the supernatural incursion. Finally, it illustrates the current state of Ainielle, a village in the Pyrenees, which has become a ‘place of memory’.
本文从一个新的视角研究了利亚马萨雷斯的小说《阿马里拉之旅》(La lluvia amarilla, 1988),它将作品的场景确定为“废墟剧院”。这篇文章以对标题所暗示的色彩象征主义的反思开始,这在维拉斯的小说《奥德萨》(2018)中也可以看出,它似乎与之有一种对话关系。在必要地参考了Llamazares散文的抒情性之后,Ainielle景观被解释为“文学景观”,这个概念指的是通过主人公的感知意识对自然的主观体验。在文章的第二部分,通过墓地的隐喻和超自然的入侵,在一段文字中展示了Ainielle变成废墟的过程(也吞没了叙述者)。最后,它展示了Ainielle的现状,Ainielle是比利牛斯山脉的一个村庄,它已经成为一个“记忆之地”。
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引用次数: 0
Bruno Vieira Amaral. Integrado Marginal: Biografia de José Cardoso Pires
Pub Date : 2022-06-22 DOI: 10.30687/ri/2037-6588/2022/18/012
Eugenio Lucotti
Review of Vieira Amaral, B. (2021). Integrado Marginal: Biografia de José Cardoso Pires. Lisboa: Contraponto, 599 pp.
Vieira Amaral评论,B.(2021)。综合边缘:若泽·卡多索·皮雷斯传记。里斯本:康特拉蓬托,599页。
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引用次数: 1
44 | 116 | 2021 44 | 116 | 2021
Pub Date : 2021-12-07 DOI: 10.30687/ri/2037-6588/2021/17
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引用次数: 0
44 | 115 | 2021 44 | 115 | 2021
Pub Date : 2021-06-29 DOI: 10.30687/ri/2037-6588/2021/16
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引用次数: 0
Enrico Di Pastena, Valerio Nardoni (a cura di). Federico García Lorca: Poema del cante jondo, seguito da Architettura del cante jondo 亨利·德·帕斯特纳,瓦莱里奥·纳多尼(编辑)。费德里科·加西亚·洛尔卡:《费德里科·加西亚·洛卡》的诗,接着是《费德里科·加西亚·洛卡》的建筑
Pub Date : 2020-12-21 DOI: 10.30687/RI/2037-6588/2020/114/015
R. Londero
Review of Di Pastena, E.; Nardoni, V. (a cura di) (2019). Federico García Lorca: Poema del cante jondo, seguito da Architettura del cante jondo. Firenze: Passigli, 186 pp.
意大利面评论,E.;纳多尼,V.(编辑)(2019)。费德里科·加西亚·洛尔卡:《费德里科·加西亚·洛卡》的诗,接着是《费德里科·加西亚·洛卡》的建筑。西施,186页。
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引用次数: 0
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