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Maurizio Fabbri. Nel “Giardino del Mondo”. Saggi su diari e relazioni di viaggio in Italia di spagnoli e novohispanos dal Settecento al Novecento 毛里齐奥·史密斯。在“世界花园”。从18世纪到20世纪,西班牙人和新西班牙人在意大利的旅行日记和报告
Pub Date : 2019-06-21 DOI: 10.30687/RI/2037-6588/2019/111/011
Giovanni Battista De Cesare
Recensione di Fabbri, Maurizio (2018). Nel “Giardino del Mondo”. Saggi su diari e relazioni di viaggio in Italia di spagnoli e novohispanos dal Settecento al Novecento. Rimini: Panozzo Editore, pp. 270.
法布里评论,毛里齐奥(2018)。在“世界花园”。从18世纪到20世纪,西班牙人和新西班牙人在意大利的旅行日记和报告。里米尼:paniozzo出版社,第270页。
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引用次数: 0
Mario Martín Gijón. Un segundo destierro. La sombra de Unamuno en el exilio español 马里奥·马丁·吉洪。第二次放逐。西班牙流亡中乌纳穆诺的影子
Pub Date : 2019-06-21 DOI: 10.30687/RI/2037-6588/2019/111/012
M. C. D. Gutiérrez
Reseña de Martín Gijón, Mario (2018). Un segundo destierro. La sombra de Unamuno en el exilio español. Madrid: Iberoamericana-Vervuert, pp. 352.
马丁·吉洪的评论,马里奥(2018年)。第二次放逐。乌纳穆诺在西班牙流亡中的影子。马德里:伊比利亚-美洲-Vervuert,第352页。
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引用次数: 0
From Duel to Dispute The Argument between Pacífico and Cupidio within Valerián de Hungría (1540) 从决斗到争端——瓦莱里安·德·亨格里亚内部的帕西菲科和库皮迪奥之争(1540)
Pub Date : 2019-06-21 DOI: 10.30687/RI/2037-6588/2019/111/001
Giulia Tomasi
This article highlights the variety that characterises the Spanish romances of chivalry as a genre. The uniqueness of Valerián de Hungría by Dionís Clemente (1540) is given by its rich content and lexicon. By the end of the book, the author includes a heated debate between two knights whose opinions about love contrast. They are Pacífico and Cupidio. Such a dispute needs to be studied in light of the bibliography about the genre within the Middle Ages and the Renaissance, in order to find out which elements Clemente re-elaborates. The investigation develops through the comparison with a few episodes taken from other romances of chivalry, but also with the ideology spread within contemporary works in which the same themes of Valerián are remarked.
这篇文章强调了西班牙骑士小说作为一种体裁的多样性。Dionís Clemente(1540)的《Valerián de Hungría》的独特之处在于其丰富的内容和词汇。在书的最后,作者讲述了两位骑士对爱情的看法截然不同的激烈争论。他们是Pacífico和丘比迪奥。这种争论需要结合中世纪和文艺复兴时期的文学体裁参考书目来研究,以便找出克莱门特重新阐述了哪些元素。调查通过与其他骑士小说中的一些情节的比较而发展,但也与当代作品中传播的意识形态相比较,其中Valerián的相同主题被评论。
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引用次数: 0
Juan José Millás. Que nadie duerma 胡安·何塞·米拉斯。没有人睡觉
Pub Date : 2019-06-21 DOI: 10.30687/RI/2037-6588/2019/111/017
A. Guarino
Recensione di Millás, Juan José (2018). Que nadie duerma. Madrid: Alfaguara, pp. 200
Recensione di Millas,胡安·何塞(2018年)。没有人睡觉。马德里:阿尔法瓜拉,第200页
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引用次数: 0
Mari Paz Balibrea (coord.). Líneas de fuga. Hacia otra historiografía cultural del exilio republicano español 玛丽·帕兹·巴利布雷亚(协调)。逃逸线。西班牙共和国流亡的另一种文化史学
Pub Date : 2019-06-21 DOI: 10.30687/RI/2037-6588/2019/111/013
M. C. D. Gutiérrez
Reseña de Balibrea, Mari Paz (coord.) (2017). Líneas de fuga. Hacia otra historiografía cultural del exilio republicano español. Madrid: Siglo XXI, pp. 814.
巴里布雷亚评论,Mari Paz (coord.)(2017)。逃逸线。西班牙共和国流亡的另一种文化史学。马德里:Siglo XXI,第814页。
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引用次数: 0
Jesús Ponce Cárdenas, Ángel Rivas Albaladejo. El jardín del conde de Monterrey. Arte, naturaleza y panegírico jesus Ponce cardenas, angel Rivas Albaladejo。蒙特雷伯爵的花园。艺术、自然和颂词
Pub Date : 2019-06-21 DOI: 10.30687/RI/2037-6588/2019/111/015
Guilermo Carnero
Reseña de Ponce Cárdenas, Jesús; Rivas Albaladejo, Ángel (2018). El jardín del conde de Monterrey. Arte, naturaleza y panegírico. Madrid: Delirio, pp. 318. 22 ilustraciones.
庞塞·卡德纳斯的评论,耶稣;里瓦斯·阿尔巴拉德霍,安赫尔(2018年)。蒙特雷伯爵的花园。艺术,自然和颂歌。马德里:妄想,第318页。22张插图。
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引用次数: 0
Paradoxes and the Scandals of Logic: a Borgesian Look Over Juan Rodolfo Wilcock Critical and Journalistic Articles 逻辑的悖论与丑闻:对胡安·鲁道夫·威尔科克评论与新闻文章的博尔赫斯式审视
Pub Date : 2019-06-21 DOI: 10.30687/RI/2037-6588/2019/111/006
Florencia Ferrante
In recent years Juan Rodolfo Wilcock has been the subject of renewed critical interest. This article focuses on the relations between some of Wilcock’s and Jorge Luis Borges’ philosophical conceptions, especially regarding their reflections on the concept of ‘paradox’ and its repercussions on literary representation. This article examines a series of texts that have remained, so far, practically unexplored: Wilcock’s newspapers and journal articles. It is in fact here, in this specific corpus, that the impact of Borges’ work on Wilcock’s thought becomes more explicit, therefore opening a new critical perspective for the interpretation of Wilcock’s place in the Italian literary field.
近年来,胡安·鲁道夫·威尔科克一直是评论界重新关注的对象。本文主要探讨威尔科克和博尔赫斯的一些哲学概念之间的关系,特别是他们对“悖论”概念的思考及其对文学表现的影响。这篇文章考察了一系列至今仍未被发掘的文本:威尔科克的报纸和期刊文章。事实上,正是在这里,在这个特定的语料库中,博尔赫斯的作品对威尔科克思想的影响变得更加明显,因此为解释威尔科克在意大利文学界的地位开辟了一个新的批评视角。
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引用次数: 0
A Life Novel: El dolor de los demás, by Miguel Ángel Hernández 《生活小说:他人的痛苦》,作者:Miguel angel hernandez
Pub Date : 2019-06-21 DOI: 10.30687/RI/2037-6588/2019/111/009
Javier Sánchez Zapatero
This article addresses the latest novel by Miguel Ángel Hernández, El dolor de los demás (2018), with the objective of studying it from a fourfold perspective. For this purpose, it analyses it thematically and formally, showing its condition as a memorial novel, not fictitious, criminal and metafictional.
本文介绍了MiguelÁngel Hernández的最新小说《El dolor de los demás》(2018),目的是从四个角度对其进行研究。为此,它从主题和形式上对其进行了分析,展示了其作为纪念小说的状况,而不是虚构的、犯罪的和元虚构的。
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引用次数: 0
Missing Information in the Fictional Worlds of Benito Pérez Galdós A Modern and Vital Experiment 贝尼托·佩雷斯·加尔多小说世界中的信息缺失——一个现代而重要的实验
Pub Date : 2019-06-21 DOI: 10.30687/RI/2037-6588/2019/111/002
Donatella Siviero
This paper will examine the use of missing information in some novels by Benito Pérez Galdós: the trilogy El doctor Centeno, Tormento, La de Bringas. Galdós’ plots are built on allusions and withheld information, and revealed by different narrative voices; they require an active participation on the part of the reader, who must put together different blocks of information as though they were tesseras in a mosaic. This missing information leads to subjective textual lacunas, that is, they are deliberately interlocutory and relational, in order to lead the reader to a continual collaboration and to make him/her create logical connections between the text’s different perspectives. The use of this reticence strategy creates an almost metafictional relationship between Galdós’ works and the reader, a bond that is surprisingly modern with respect to the latter’s horizons of expectation.
本文将研究贝尼托·佩雷斯·加尔多的一些小说中缺失信息的使用:《El doctor Centeno》、《Tormento》和《La de Bringas》三部曲。加尔多的情节建立在典故和隐瞒信息的基础上,并通过不同的叙事声音来揭示;它们需要读者的积极参与,他们必须把不同的信息块放在一起,就好像它们是马赛克中的镶嵌物。这种缺失的信息导致了主观的文本空白,即它们是有意的对话性和关系性的,目的是引导读者进行持续的合作,并使他/她在文本的不同视角之间建立逻辑联系。这种沉默策略的使用在Galdós的作品和读者之间创造了一种近乎元虚构的关系,就读者的期望视野而言,这种联系令人惊讶地现代。
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引用次数: 0
Horacio Luis González. La Argentina manuscrita. La cautiva en la conciencia nacional Cautivas, malones e intelectuales 霍雷肖·路易斯gonzalez。阿根廷手稿。俘虏在民族意识中的俘虏,马龙和知识分子
Pub Date : 2019-06-21 DOI: 10.30687/RI/2037-6588/2019/111/018
Susanna Regazzoni
Reseña de González, Horacio Luis (2018). La Argentina manuscrita. La cautiva en la conciencia nacional Cautivas, malones e intelectuales. Buenos Aires: Colihue, pp. 256.
冈萨雷斯评论,霍拉西奥·路易斯(2018年)。手写阿根廷。她在民族意识中俘虏了俘虏、马龙和知识分子。布宜诺斯艾利斯:科利休,256页。
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引用次数: 0
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