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“Chassez le national, il revient au galop…”. Eugenio d’Ors in the Decade of Pontigny of 1931 With Six Unpublished Letters from Paul Desjardins and One Back “把国家赶出去,它就会飞奔回来……”= =地理= =根据美国人口普查,这个县的面积为,其中土地面积为,其中土地面积为。
Pub Date : 2020-12-21 DOI: 10.30687/RI/2037-6588/2020/114/009
X. Pla
The French period of Catalan philosopher and writer Eugenio d’Ors (1881-1954) has not been sufficiently studied. The edition of six unpublished letters between D’Ors and Paul Desjardins, the famous director and organiser of the Décades of the abbey of Pontigny, which deal with the preparation and celebration of a seminar on the Baroque in the summer of 1931, offer a first reflection on the reception of D’Ors’s thought in Paris. He was a presence oscillating between the initial dazzle and the subsequent disappointment, between blind admiration and irritated disenchantment.
加泰罗尼亚哲学家和作家尤金尼奥·德奥尔(1881-1954)的法国时期没有得到充分的研究。D’Ors与著名导演兼蓬提尼修道院院长保罗·德贾丁之间的六封未出版信件的版本,涉及1931年夏天巴洛克研讨会的筹备和庆祝活动,首次反映了D‘Ors思想在巴黎的接受情况。他是一个在最初的眼花缭乱和随后的失望之间,在盲目的钦佩和愤怒的幻灭之间摇摆的存在。
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引用次数: 0
Valeria Luiselli. Desierto Sonoro 瓦莱里娅Luiselli。声音事故
Pub Date : 2020-12-21 DOI: 10.30687/RI/2037-6588/2020/114/021
Silvia Lunardi
Review of Luiselli, V. (2019). Desierto Sonoro. Trad. de D. Saldaña París y V. Luiselli. Madrid: Editorial Sexto Piso, 468 pp.
回顾Luiselli,V.(2019年)。声音沙漠。传统。来自D.萨尔达尼亚-巴黎和V.路易斯埃利。马德里:出版社六楼,468页。
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引用次数: 0
A Recovered Interview in Catalan with Michel de Certeau in Catalan Michel de Certeau在加泰罗尼亚语的恢复采访
Pub Date : 2020-12-21 DOI: 10.30687/RI/2037-6588/2020/114/012
Jordi Cerdà
This article rescues an interview with Michel de Certeau conducted in 1972 by Olivier Mongin and published in Catalan in the Andorran magazine Posobra the following year. Given the singularity of this magazine, its context is described, as well as the channels for the reception of de Certeau’s work in the Catalan culture of the 1970s.
这篇文章引用了奥利维尔·蒙金1972年对米歇尔·德·塞尔托的采访,并于次年在安道尔杂志《Posobra》上用加泰罗尼亚语发表。鉴于这本杂志的独特性,描述了它的背景,以及在20世纪70年代加泰罗尼亚文化中接受德塞尔托作品的渠道。
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引用次数: 0
Eduardo Varela. La marca del viento 爱德华多·瓦雷拉。风之印记
Pub Date : 2020-12-21 DOI: 10.30687/RI/2037-6588/2020/114/018
R. Lenarduzzi
Review of Varela, E. (2019). La marca del viento. La Habana: Fondo Editorial Casa de las Américas, 379 pp.
瓦雷拉评论,E.(2019年)。风的痕迹。哈瓦那:美洲之家出版基金,379页。
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引用次数: 0
43 | 114 | 2020 43 | 114 | 2020
Pub Date : 2020-12-21 DOI: 10.30687/ri/2037-6588/2020/15
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引用次数: 0
Afonso Reis Cabral. Mio fratello 阿方索·里斯·卡布拉尔。我哥哥
Pub Date : 2020-12-21 DOI: 10.30687/ri/2037-6588/2020/114/022
Patrizia Spinato B.
Review of Reis Cabral, A. (2019). Mio fratello. Roma: Nutrimenti, 335 pp.
Reis Cabral评论,A.(2019)。我的兄弟。罗马:营养,335页。
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引用次数: 0
Autobiography and Memorialism: Confissões de um Poeta by Lêdo Ivo 自传与记忆主义:Lêdo Ivo的《诗人自白》
Pub Date : 2020-12-21 DOI: 10.30687/RI/2037-6588/2020/114/011
Manuel Simões
An analysis of the confessional text by Lêdo Ivo, one of the greatest Brazilian poets of the 20th and 21st centuries, highlighting the autobiographical status, in which the category of pretence, of fiction that creates a narrative identity falls. At the same time, the aim of this study is to establish the internal relationships between autobiography and the ‘truth’ of memory.
对巴西20世纪和21世纪最伟大的诗人之一Lêdo Ivo的忏悔文本的分析,强调了自传体的地位,在这种地位下,虚构的伪装类别创造了一种叙事身份。同时,本研究的目的是建立自传与记忆“真相”之间的内在关系。
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引用次数: 0
Myth and Anthropogony in Latin American Literature 拉丁美洲文学中的神话与人种学
Pub Date : 2020-06-19 DOI: 10.30687/ri/2037-6588/2020/113/003
J. M. Losada
In Mayan civilization, collective imagination about the origin of human beings follows its own patterns. Quichean mythology tells of the hazardous process that, after various failed attempts, ended in the creation of first human beings from corn. Men of Maize (Hombre de maíz), by Miguel Ángel Asturias (1949), allows us to delve into this myth of anthropogony: the fight between indigenous people and exploiters of the land is presented as a metaphor for those difficult beginnings and for the commercial corruption of a particularly symbolic food. This article highlights two important debates: that of Deféric and Elda, and that of Hilario Sacayón and Ramona Corzantes; both allow to investigate the mythical themes of magic and nahual, indispensable in the construction of a great central myth in the novel: the creation of man.
在玛雅文明中,关于人类起源的集体想象遵循着自己的模式。基琴人的神话讲述了一个危险的过程,经过多次失败的尝试,最终用玉米创造了第一批人类。米格尔Ángel阿斯图里亚斯(1949)的《玉米之人》(Hombre de maíz)让我们深入研究了这个人类神话:土著人民和土地剥削者之间的斗争是对那些艰难开端的隐喻,也是对一种特别具有象征意义的食物的商业腐败的隐喻。这篇文章强调了两个重要的争论:德赛姆里奇和埃尔达的争论,希拉里奥Sacayón和雷蒙娜·科赞蒂斯的争论;两者都允许研究魔法和纳瓦尔的神话主题,这在小说中一个伟大的中心神话的构建中不可或缺:人类的创造。
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引用次数: 0
Aurora Egido. El diálogo de las lenguas y Miguel de Cervantes 极光Egido。语言的对话和米格尔·德·塞万提斯
Pub Date : 2020-06-19 DOI: 10.30687/ri/2037-6588/2020/113/012
A. Sáez
Review of Egido, A. (2019). El diálogo de las lenguas y Miguel de Cervantes. Zaragoza: Prensas de la Universidad de Zaragoza, 150 pp.
埃吉多评论,A.(2019年)。语言对话与米格尔·德·塞万提斯。萨拉戈萨:萨拉戈萨大学出版社,150页。
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引用次数: 0
José Joaquín Parra Bañón. El oído melancólico y Arquitectura de la melancolía jose joaquin Parra banon。忧郁的耳朵和忧郁的建筑
Pub Date : 2020-06-19 DOI: 10.30687/ri/2037-6588/2020/113/014
E. Bou
Review of Parra Bañón, J.J. (2018). El oído melancólico. Expresión e imágenes de la acufenolipemanía. Barcelona: Lumen. 234 pp.; Parra Bañón, J.J. (2019). Arquitectura de la melancolía. Sevilla: Athenaica Ediciones, pp. 312.
帕拉·巴农评论,J.J.(2018年)。忧郁的耳朵。Acuphenolipemania的表达和图像。巴塞罗那:流明。234页。;帕拉·巴农,J.J.(2019年)。忧郁的建筑。塞维利亚:雅典娜版,第312页。
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引用次数: 0
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Rassegna Iberistica
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