Pub Date : 2020-06-19DOI: 10.30687/ri/2037-6588/2020/113/022
Silvana Serafín
Review of Troanes, M.H. (2019). El límite y la gracia. Buenos Aires: Vinciguerra, pp. 130.
Troanes评论，M.H.（2019年）。极限和优雅。布宜诺斯艾利斯：文西格拉，第130页。
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Pub Date : 2020-06-19DOI: 10.30687/ri/2037-6588/2020/113/009
A. Ghignoli
This article examines the multiple conformation that a poetic text maintains with other disciplines such as painting. We will analyse the different internal values of an openly dialogical writing in the production of the Andalusian poet Rafael Alberti, through the study of lecturer Loretta Frattale, Il suono impossibile della poesia. Rafael Alberti e la poesia dipinta. We will verify how a poem can be configured in a set of not only verbal but also visual perspectives, thus constructing a text, in the most semiological sense, that can be read in a continuous meeting of a verbovisual nature. A later Albertian poetics that prevails within the different writings of the great Spanish poet.
{"title":"Poetry and Painting","authors":"A. Ghignoli","doi":"10.30687/ri/2037-6588/2020/113/009","DOIUrl":"https://doi.org/10.30687/ri/2037-6588/2020/113/009","url":null,"abstract":"This article examines the multiple conformation that a poetic text maintains with other disciplines such as painting. We will analyse the different internal values of an openly dialogical writing in the production of the Andalusian poet Rafael Alberti, through the study of lecturer Loretta Frattale, Il suono impossibile della poesia. Rafael Alberti e la poesia dipinta. We will verify how a poem can be configured in a set of not only verbal but also visual perspectives, thus constructing a text, in the most semiological sense, that can be read in a continuous meeting of a verbovisual nature. A later Albertian poetics that prevails within the different writings of the great Spanish poet.","PeriodicalId":36702,"journal":{"name":"Rassegna Iberistica","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-06-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46191376","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-06-19DOI: 10.30687/ri/2037-6588/2020/113/007
Maria Heloisa Martins Dias
This article explores two talented, controversial writers. One Portuguese, the other Brazilian, both fueled by irreverence and provocation in the way they focus on themselves and the world. Natália Correia, a poet, novelist and Azorean playwright (1923-93), whose work emerged in the midst of the Salazar regime, and with a militant political-literary performance with other leading figures in Portuguese culture and literature during the 1950s and 1960s. Her poetry maintains affinities with aesthetic tendencies of Surrealism, although she was not a strict follower of any literary movement. Hilda Hilst, a poet, prose and playwright from São Paulo (1930-2004), was a militant of different nature. She was not linked to any aesthetic programs or literary trends, a singularity that even today defies critics.
{"title":"Irreverent Views of Natália Correia and Hilda Hilst from an Autobiographical Perspective","authors":"Maria Heloisa Martins Dias","doi":"10.30687/ri/2037-6588/2020/113/007","DOIUrl":"https://doi.org/10.30687/ri/2037-6588/2020/113/007","url":null,"abstract":"This article explores two talented, controversial writers. One Portuguese, the other Brazilian, both fueled by irreverence and provocation in the way they focus on themselves and the world. Natália Correia, a poet, novelist and Azorean playwright (1923-93), whose work emerged in the midst of the Salazar regime, and with a militant political-literary performance with other leading figures in Portuguese culture and literature during the 1950s and 1960s. Her poetry maintains affinities with aesthetic tendencies of Surrealism, although she was not a strict follower of any literary movement. Hilda Hilst, a poet, prose and playwright from São Paulo (1930-2004), was a militant of different nature. She was not linked to any aesthetic programs or literary trends, a singularity that even today defies critics.","PeriodicalId":36702,"journal":{"name":"Rassegna Iberistica","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-06-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69565854","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-06-19DOI: 10.30687/ri/2037-6588/2020/113/001
Matteo Rei
The Portuguese playwright and poet Gil Vicente is celebrated as one of Western literature greatest playwrights, as well as the most important dramatic author of Portuguese literature. Cortes de Jupiter (1521) is an excellent example of his unique style and one of his most fascinating plays. This article is intended to analyse some excerpts of this work, that deal with such themes as the representation of crown prince D. João, the presence of a Moorish female character and of her peculiar jargon, the wedding of the infanta Beatriz that gave Vicente the opportunity to stage his play.
葡萄牙剧作家兼诗人吉尔·维森特被誉为西方文学最伟大的剧作家之一，也是葡萄牙文学中最重要的戏剧作家。《朱庇特的科尔特斯》(1521)是他独特风格的一个很好的例子，也是他最迷人的戏剧之一。本文旨在分析这部作品的一些节选，这些节选涉及的主题包括王储D. jo o的表现，一个摩尔女性角色的出现和她特有的行话，比阿特丽斯公主的婚礼，这给了文森特上演他的戏剧的机会。
{"title":"Gil Vicente’s Cortes de Jupiter: Some Reading Notes","authors":"Matteo Rei","doi":"10.30687/ri/2037-6588/2020/113/001","DOIUrl":"https://doi.org/10.30687/ri/2037-6588/2020/113/001","url":null,"abstract":"The Portuguese playwright and poet Gil Vicente is celebrated as one of Western literature greatest playwrights, as well as the most important dramatic author of Portuguese literature. Cortes de Jupiter (1521) is an excellent example of his unique style and one of his most fascinating plays. This article is intended to analyse some excerpts of this work, that deal with such themes as the representation of crown prince D. João, the presence of a Moorish female character and of her peculiar jargon, the wedding of the infanta Beatriz that gave Vicente the opportunity to stage his play.","PeriodicalId":36702,"journal":{"name":"Rassegna Iberistica","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-06-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69565774","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-06-19DOI: 10.30687/ri/2037-6588/2020/113/024
Frederik Verbeke
Review of Kortazar, J. (ed.) (2019). Bridge / Zubia: Imágenes de la relación cultural entre el País Vasco y Estados Unidos. Madrid; Frankfurt: Iberoamericana; Vervuert, pp. 410.
{"title":"Jon Kortazar (ed.). Bridge / Zubia : Imágenes de la relación cultural entre el País Vasco y Estados Unidos","authors":"Frederik Verbeke","doi":"10.30687/ri/2037-6588/2020/113/024","DOIUrl":"https://doi.org/10.30687/ri/2037-6588/2020/113/024","url":null,"abstract":"Review of Kortazar, J. (ed.) (2019). Bridge / Zubia: Imágenes de la relación cultural entre el País Vasco y Estados Unidos. Madrid; Frankfurt: Iberoamericana; Vervuert, pp. 410.","PeriodicalId":36702,"journal":{"name":"Rassegna Iberistica","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-06-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48310746","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Marco Neves. José Cardoso Pires e o leitor desassossegado","authors":"Eugenio Lucotti","doi":"10.30687/ri/2037-6588/2020/113/023","DOIUrl":"https://doi.org/10.30687/ri/2037-6588/2020/113/023","url":null,"abstract":"Review of Neves, M. (2018). José Cardoso Pires e o leitor desassossegado. Lisboa: Guerra e Paz, pp. 175.","PeriodicalId":36702,"journal":{"name":"Rassegna Iberistica","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-06-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41995853","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-06-21DOI: 10.30687/RI/2037-6588/2019/111/022
Fabienne Crastes
Ressenya de Sansano i Belso, Gabriel (ed.) (2018). Silenci, oblit i preservació de la memòria democrática. Una aportació interdisciplinària. València: Publicacions Institucionals Universitat d’Alacant; Universitat de València; Universitat Jaume I, pp. 217.
Ressenya de Sansano i Belso，Gabriel（编辑）（2018）。沉默、遗忘和保存民主记忆。跨学科的贡献。巴伦西亚：阿拉坎大学研究所；巴伦西亚大学；第一大学，第217页。
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Pub Date : 2019-06-21DOI: 10.30687/RI/2037-6588/2019/111/005
S. Carini
EnglishThis article deals with Italo Calvino’s work as reader Latin American writers for Einaudi during the 1970s. Through specific case studies of editorial mediation taken from Einaudi’s archive we will outline the principles used by Calvino to assure publication edition of Latin American works. That will help us to include Calvino’s activity into the field of Latin American literature reception and editorial mediation studies in Italy during the second half of the 20th century. italianoLe carte conservate presso il fondo della casa editrice Einaudi attestano come Italo Calvino seppe confrontarsi con la cultura e la letteratura ispanoamericana attribuendole un valore letterario e culturale non scontato per l’epoca nella quale svolse le sue funzioni di mediatore editoriale. Il presente studio prende in esame i pareri editoriali riguardanti testi ispanoamericani prodotti da Italo Calvino per la casa editrice Einaudi durante gli anni Settanta del secolo scorso. Attraverso l’analisi di alcuni casi, scelti tra le carte conservate presso l’archivio della casa editrice Einaudi, si proporra una riflessione sui principi con i quali Calvino diresse e controllo la pubblicazione dei testi provenienti dall’America Latina.
这篇文章是用英语写的通过编辑调解的具体案例研究，我们将打破卡尔维诺用来出版拉丁美洲作品的原则。这将帮助我们将卡尔维诺的活动纳入意大利20世纪第二中期的拉丁美洲文学领域。意大利埃诺迪出版社(Einaudi publica publica)持有的文件证实，意大利人卡尔维诺(Italo Calvino)在履行其作为图书经纪人的职责时，对西班牙裔美国人的文化和文学给予了一种文学和文化价值，这是不确定的。本研究考察了上世纪70年代Italo Calvino为Einaudi出版社制作的关于西班牙裔美国人文本的编辑意见。通过分析从保存在Einaudi出版社档案中的文件中挑选的一些案例，我们将对卡尔文指导和监督拉丁美洲文本出版的原则进行反思。
{"title":"Le «cose ispanoamericane». Italo Calvino lettore editoriale degli scrittori latinoamericani","authors":"S. Carini","doi":"10.30687/RI/2037-6588/2019/111/005","DOIUrl":"https://doi.org/10.30687/RI/2037-6588/2019/111/005","url":null,"abstract":"EnglishThis article deals with Italo Calvino’s work as reader Latin American writers for Einaudi during the 1970s. Through specific case studies of editorial mediation taken from Einaudi’s archive we will outline the principles used by Calvino to assure publication edition of Latin American works. That will help us to include Calvino’s activity into the field of Latin American literature reception and editorial mediation studies in Italy during the second half of the 20th century. italianoLe carte conservate presso il fondo della casa editrice Einaudi attestano come Italo Calvino seppe confrontarsi con la cultura e la letteratura ispanoamericana attribuendole un valore letterario e culturale non scontato per l’epoca nella quale svolse le sue funzioni di mediatore editoriale. Il presente studio prende in esame i pareri editoriali riguardanti testi ispanoamericani prodotti da Italo Calvino per la casa editrice Einaudi durante gli anni Settanta del secolo scorso. Attraverso l’analisi di alcuni casi, scelti tra le carte conservate presso l’archivio della casa editrice Einaudi, si proporra una riflessione sui principi con i quali Calvino diresse e controllo la pubblicazione dei testi provenienti dall’America Latina.","PeriodicalId":36702,"journal":{"name":"Rassegna Iberistica","volume":"42 1","pages":"87-100"},"PeriodicalIF":0.0,"publicationDate":"2019-06-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69565730","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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