This article explores the meaning of baseball in areas of New England where immigrants of French-Canadian descent settled permanently. It examines representations of the sport in the French-languag...
本文探讨棒球在法裔加拿大移民永久定居的新英格兰地区的意义。它考察了这项运动在法语中的表现。
{"title":"Le base ball, Assimilation, and Ethnic Identity: The National Pastime in Franco-America","authors":"Jonathan K. Gosnell","doi":"10.3828/QS.2018.16","DOIUrl":"https://doi.org/10.3828/QS.2018.16","url":null,"abstract":"This article explores the meaning of baseball in areas of New England where immigrants of French-Canadian descent settled permanently. It examines representations of the sport in the French-languag...","PeriodicalId":36865,"journal":{"name":"Quebec Studies","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41449034","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Le 3 septembre 1783, le Traite de Paris clot la guerre de l’Independance etatsunienne. Les Treize Colonies echappent au joug britannique alors que la vieille Province de Quebec et la Nouvelle-Ecoss...
{"title":"Le cas particulier de la famille Mignault: prospection d’une histoire transnationale","authors":"P. Lacroix","doi":"10.3828/qs.2018.4","DOIUrl":"https://doi.org/10.3828/qs.2018.4","url":null,"abstract":"Le 3 septembre 1783, le Traite de Paris clot la guerre de l’Independance etatsunienne. Les Treize Colonies echappent au joug britannique alors que la vieille Province de Quebec et la Nouvelle-Ecoss...","PeriodicalId":36865,"journal":{"name":"Quebec Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45661142","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Drawing on archival collections of diaries and letters held at the New York Public Library, Yale University, Bryn Mawr College, and Libraries and Archives Canada, as well as published memoirs and c...
{"title":"Marie-Claire Blais chez les autres","authors":"Oriel C. L. MacLennan","doi":"10.3828/QS.2018.2","DOIUrl":"https://doi.org/10.3828/QS.2018.2","url":null,"abstract":"Drawing on archival collections of diaries and letters held at the New York Public Library, Yale University, Bryn Mawr College, and Libraries and Archives Canada, as well as published memoirs and c...","PeriodicalId":36865,"journal":{"name":"Quebec Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49356389","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Jo-Anne Elder is a leading Canadian translator of Quebecois and Acadian French poetry into English. Conducted by email and in person over the Spring and Summer of 2017, this interview uses Tony Tremblay’s ideas about intercultural work in New Brunswick as a frame to examine Elder’s work with French writers within and outside the province. Writers considered in the interview include Hermenegilde Chiasson, Fred Cogswell, and Serge Patrice Thibodeau. The interview also covers Elder’s experience as editor of ellipse and concludes by considering the part spirituality plays in the act of translation.
乔-安妮·埃尔德是加拿大著名的魁北克语和阿卡迪亚法语诗歌英译翻译家。本次采访于2017年春夏通过电子邮件和面对面的方式进行，以托尼·特伦布莱对新不伦瑞克省跨文化工作的看法为框架，考察埃尔德与省内外法国作家的合作。接受采访的作家包括Hermenegilde Chiasson, Fred Cogswell和Serge Patrice Thibodeau。采访还涵盖了埃尔德作为《ellipse》编辑的经历，并考虑了灵性在翻译行为中的作用。
{"title":"Alternate Universe of the Same Place: An Interview with Jo-Anne Elder","authors":"S. Neilson","doi":"10.3828/QS.2018.3","DOIUrl":"https://doi.org/10.3828/QS.2018.3","url":null,"abstract":"Jo-Anne Elder is a leading Canadian translator of Quebecois and Acadian French poetry into English. Conducted by email and in person over the Spring and Summer of 2017, this interview uses Tony Tremblay’s ideas about intercultural work in New Brunswick as a frame to examine Elder’s work with French writers within and outside the province. Writers considered in the interview include Hermenegilde Chiasson, Fred Cogswell, and Serge Patrice Thibodeau. The interview also covers Elder’s experience as editor of ellipse and concludes by considering the part spirituality plays in the act of translation.","PeriodicalId":36865,"journal":{"name":"Quebec Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45276980","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article examines three films by Quebecois film director Xavier Dolan (Tom at the Farm, Mommy, It’s Only the End of the World) in terms of “displacement,” understood in the sense of movement fr...
{"title":"Displacement or the Deconstruction of Place in Three Recent Xavier Dolan Films","authors":"Steve Urquhart","doi":"10.3828/QS.2018.9","DOIUrl":"https://doi.org/10.3828/QS.2018.9","url":null,"abstract":"This article examines three films by Quebecois film director Xavier Dolan (Tom at the Farm, Mommy, It’s Only the End of the World) in terms of “displacement,” understood in the sense of movement fr...","PeriodicalId":36865,"journal":{"name":"Quebec Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.3828/QS.2018.9","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49532757","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Book Reviews","authors":"Elizabeth Blood, L. Choquette, Anne Trépanier","doi":"10.3828/qs.2018.11","DOIUrl":"https://doi.org/10.3828/qs.2018.11","url":null,"abstract":"","PeriodicalId":36865,"journal":{"name":"Quebec Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47272124","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This essay examines Denis Villeneuve’s 2015 border thriller Sicario through a comparative study of his works and other representations in the genre, as well as through border and spatial studies. I...
{"title":"South of the 49th Parallel: Denis Villeneuve’s Sicario (2015)","authors":"N. C. Brookes","doi":"10.3828/QS.2018.10","DOIUrl":"https://doi.org/10.3828/QS.2018.10","url":null,"abstract":"This essay examines Denis Villeneuve’s 2015 border thriller Sicario through a comparative study of his works and other representations in the genre, as well as through border and spatial studies. I...","PeriodicalId":36865,"journal":{"name":"Quebec Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.3828/QS.2018.10","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42508707","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Although his films have not garnered the same level of popular success in Quebec and Hollywood recognition as those of “new generation” directors Philippe Falardeau, Jean-Marc Vallee, or Denis Villeneuve, Denis Cote’s unique body of work has earned him praise from local film critics and on the international art film circuit. This essay examines how his films, notably Les etats nordiques/Drifting States (2005), Elle veut le chaos/All That She Wants (2008), Carcasses (2009), Curling (2010), Vic + Flo ont vu un ours/Vic + Flo Saw a Bear (2013), and Boris sans Beatrice/Boris without Beatrice (2014), explore the tensions between center and periphery in francophone Canadian cultures. Their marginal settings, idiosyncratic characters, and open-ended narratives featuring violence and uncertainty represent the threat posed by the hegemonic forces of urbanization and globalization and their impact on individuals living in cultural conditions of exiguity.
{"title":"Violence and Uncertainty on the French-Canadian Margins: The Films of Denis Côté","authors":"Amy J. Ransom","doi":"10.3828/QS.2018.8","DOIUrl":"https://doi.org/10.3828/QS.2018.8","url":null,"abstract":"Although his films have not garnered the same level of popular success in Quebec and Hollywood recognition as those of “new generation” directors Philippe Falardeau, Jean-Marc Vallee, or Denis Villeneuve, Denis Cote’s unique body of work has earned him praise from local film critics and on the international art film circuit. This essay examines how his films, notably Les etats nordiques/Drifting States (2005), Elle veut le chaos/All That She Wants (2008), Carcasses (2009), Curling (2010), Vic + Flo ont vu un ours/Vic + Flo Saw a Bear (2013), and Boris sans Beatrice/Boris without Beatrice (2014), explore the tensions between center and periphery in francophone Canadian cultures. Their marginal settings, idiosyncratic characters, and open-ended narratives featuring violence and uncertainty represent the threat posed by the hegemonic forces of urbanization and globalization and their impact on individuals living in cultural conditions of exiguity.","PeriodicalId":36865,"journal":{"name":"Quebec Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.3828/QS.2018.8","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43134626","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Sebastien Pilote’s first three films form a territorial and thematic trilogy, which chronicles the decline of Quebec’s peripheral regions. The main characters of his 2007 short Dust bowl Ha! Ha! an...
{"title":"Laid-off Workers and Farms for Sale: The Faces and Spaces of Post-Industrial Devastation in Sébastien Pilote’s Films","authors":"Matthieu Dalle","doi":"10.3828/QS.2018.7","DOIUrl":"https://doi.org/10.3828/QS.2018.7","url":null,"abstract":"Sebastien Pilote’s first three films form a territorial and thematic trilogy, which chronicles the decline of Quebec’s peripheral regions. The main characters of his 2007 short Dust bowl Ha! Ha! an...","PeriodicalId":36865,"journal":{"name":"Quebec Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42247174","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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