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Multiple Hamitic Theories and Black Egyptians: Negotiating Tensions between Standards of Scholarship and Political Imperatives in UNESCO’s General History of Africa (1964–1998) 多元哈密理论与埃及黑人:联合国教科文组织《非洲通史》(1964-1998)中奖学金标准与政治要求之间的紧张关系
Q2 Arts and Humanities Pub Date : 2021-09-01 DOI: 10.1086/715866
Larissa Schulte Nordholt
UNESCO’s eight-volume General History of Africa (GHA) was a politically engaged but scholarly endeavor that aimed to Africanize the writing of African history. It did so partly through an expulsion of historical explanations that hinged on the idea that greatness had been transported into Africa from the outside. This article shows how the GHA developed scholarly standards while at the same time grappling with the political tension inherent in a move away from European colonialist historiography. It was specifically during the editing of the chapter written by Cheikh Anta Diop on the origins of the ancient Egyptians that political imperatives seemed to clash with standards of academic rigor and scholarly methods. This article offers an analysis of reports produced by the GHA during the editing of the series to show how the GHA navigated these tensions and why they chose to include the Diop chapter even if not all historians working on the GHA agreed with it. The article thereby shows how a decolonization of history took place in historiographical practice.
联合国教科文组织的八卷本《非洲通史》(GHA)是一部政治参与但学术努力的著作,旨在使非洲历史的写作非洲化。它之所以能做到这一点,部分原因是它摒弃了一些历史解释,这些解释依赖于伟大是从外部传入非洲的观点。本文展示了GHA是如何在发展学术标准的同时,与远离欧洲殖民主义史学所固有的政治紧张局势作斗争的。特别是在编辑谢赫·安塔·迪奥普写的关于古埃及人起源的章节时,政治要求似乎与学术严谨的标准和学术方法发生了冲突。本文分析了GHA在编辑该系列丛书期间所产生的报告,以展示GHA如何应对这些紧张局势,以及为什么他们选择包括迪奥普章节,即使不是所有从事GHA工作的历史学家都同意这一章。这篇文章由此展示了历史的非殖民化是如何在史学实践中发生的。
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引用次数: 0
Circulating Knowledge in Public Arenas 公共竞技场中的知识流通
Q2 Arts and Humanities Pub Date : 2021-09-01 DOI: 10.1086/715945
Jan Östling
The purpose of this essay is to demonstrate how a new history of the postwar humanities could be written. Drawing on approaches from the history of knowledge and other adjacent fields, it outlines a study of the conditions of the circulation of knowledge in the public sphere during the 1960s and 1970s. By introducing “arena of knowledge” as an analytical concept, the essay highlights certain media platforms where circulation of knowledge occurred, such as newspapers, paperback series, and early television. All in all, the essay underlines the importance of the humanities for a kind of public knowledge during these years, thereby challenging a crisis narrative of the humanities of the postwar period that is prevalent in established historiography.
这篇文章的目的是展示如何书写一部新的战后人文史。它借鉴了知识史和其他邻近领域的方法,概述了对20世纪60年代和70年代公共领域知识流通条件的研究。通过引入“知识舞台”作为一个分析概念,本文强调了知识传播的某些媒体平台,如报纸、平装系列和早期电视。总之,这篇文章强调了这些年来人文学科作为一种公共知识的重要性,从而挑战了战后人文学科的危机叙事,这种叙事在现有史学中很普遍。
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引用次数: 0
Decentralizing the Origin of Civilization: Early Archaeological Efforts in China 文明起源的分散:中国早期考古工作
Q2 Arts and Humanities Pub Date : 2021-09-01 DOI: 10.1086/715935
P. Peng
In the early 1920s, J. G. Andersson discovered the Yangshao culture of prehistoric China and, in the name of science, reiterated the age-old postulation that “Chinese culture had a ‘Western’ origin.” In Andersson’s time, archaeology was frequently explained using the framework of diffusionism to understand human prehistory and civilization. To the hyperdiffusionists, civilization was perceived to have originated in the Middle East before it spread elsewhere and acquired regional variations. The archaeological work at Anyang from 1928 onward substantially changed scholars’ understanding of human civilization in general and Chinese civilization in particular. Is Chinese civilization a secondary and derivative one, with its ultimate origin in the Middle East? Should the Chinese civilization be properly comprehended in the singular, referring to the Han civilization only? Is it correct to conceive of the origin of Chinese civilization—and of its central layer, huaxia—from a decentralized perspective? By investigating early archaeological endeavors in China and related historical discourses, this essay shows how human civilization, Chinese civilization and huaxia civilization eventually became decentralized in the scholarly understanding, particularly regarding their origins. In this decentralization of the origins of civilization, the underlying archaeology was driven by both science and politics, both rationalism and nationalism. Archaeology during the Republic of China (1912–49), which had the special mission of reconstructing Chinese national history, was guided by this dual tendency.
20世纪20年代初,安德森发现了史前中国的仰韶文化,并以科学的名义重申了“中国文化有‘西方’起源”的古老假设。在安德森的时代,考古学经常用扩散论的框架来解释人类史前史和文明。对于超扩散论者来说,文明被认为起源于中东,然后才传播到其他地方,并获得了地区差异。从1928年起,安阳的考古工作极大地改变了学者们对人类文明,特别是中国文明的认识。中华文明是否是一种最终起源于中东的次生衍生文明?中国文明是否应该以单数来理解,仅仅指汉文明?从一个去中心化的角度来看待中国文明的起源——以及它的中心层面——华夏,对吗?本文通过考察中国早期的考古工作和相关的历史话语,揭示了人类文明、中华文明和华夏文明最终在学术理解上是如何分散的,特别是在它们的起源上。在这种文明起源的分散中,潜在的考古学受到科学和政治、理性主义和民族主义的双重驱动。民国考古肩负着重构中国民族历史的特殊使命,正是在这种双重倾向的指导下进行的。
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引用次数: 0
From Germany with Love 来自德国的爱
Q2 Arts and Humanities Pub Date : 2021-09-01 DOI: 10.1086/715942
Isak Hammar
The article traces the circulation of the pedagogical notion of formale Bildung from Germany to Sweden during the first decades of the nineteenth century. At that time, educators and scholars agreed that the goal of secondary education was not to provide practical knowledge, but to train the mind and cultivate moral character. This notion, formulated in full by Friedrich Gedike in the late eighteenth century, proved resilient and shaped Swedish educational policies for much of the century. Yet Gedike was never identified as the source, not by his contemporaries nor by later historians. Moreover, the questions of how, when and why this knowledge appeared in Sweden and how it became part of a general consensus have never been explored. In this essay, it is argued that an important node of circulation between Germany and Sweden was influential educator Carl Ulric Broocman and that the concept of circulation offers a means of revealing previously obscured patterns of knowledge.
本文追溯了19世纪头几十年,从德国到瑞典的形式教育观念的循环。当时,教育家和学者们一致认为,中等教育的目标不是提供实用知识,而是训练心灵和培养道德品质。这一概念由弗里德里希·格代克(Friedrich Gedike)在18世纪晚期全面阐述,在20世纪的大部分时间里,它被证明是有弹性的,并塑造了瑞典的教育政策。然而,无论是他同时代的人,还是后来的历史学家,都从未将葛代克认定为源头。此外,这些知识是如何、何时以及为何在瑞典出现的,以及它如何成为普遍共识的一部分,这些问题从未被探讨过。本文认为,德国和瑞典之间流通的一个重要节点是有影响力的教育家卡尔·乌尔里克·布罗克曼,流通的概念提供了一种揭示以前模糊的知识模式的手段。
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引用次数: 2
A Comparative Approach to Textual Philology: Germany and China around 1800 文本文献学的比较研究——1800年前后的德国与中国
Q2 Arts and Humanities Pub Date : 2021-09-01 DOI: 10.1086/715934
D. Stumm
Approaches equivalent to philology developed in different textual traditions. While Chinese scholarship, especially as it developed since the seventeenth century, has long been described as being similar to European philology, no comparative study of the European and Chinese practices has been undertaken yet. This article compares philological texts from China and Germany written in the late eighteenth and early nineteenth centuries and shows that there is a significant overlap between the two: in both traditions, one finds challenges to the idea of a recoverable urtext, detailed examinations of the layer structure of received texts, and a focus on lexical analysis. These questions are constitutive of two of the most important traditions of philology, and their emergence can be explained as a reaction to extended histories of textual transmission. This comparative study therefore helps us refine how we characterize philology and builds toward a global research framework.
相当于文献学的方法在不同的文本传统中发展起来。尽管中国学术,尤其是自17世纪以来发展起来的学术,长期以来一直被描述为类似于欧洲的文献学,但迄今为止还没有对欧洲和中国的实践进行比较研究。本文比较了18世纪末和19世纪初中国和德国的文献学文本,发现两者之间有很大的重叠:在这两种传统中,人们都发现可恢复的urtext的想法受到了挑战,对接收文本的层结构进行了详细的检查,并侧重于词汇分析。这些问题是两个最重要的文献学传统的组成部分,它们的出现可以解释为对文本传播的扩展历史的反应。因此,这项比较研究有助于我们完善文献学的特征,并建立一个全球研究框架。
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引用次数: 0
Unmaking Africa—the Humanities and the Study of What? 解构非洲——人文科学与什么研究?
Q2 Arts and Humanities Pub Date : 2021-09-01 DOI: 10.1086/715863
Elísio Macamo
This essay addresses what I take to be a paradox in Africa’s constitution as a scholarly object of inquiry. The study of Africa renders Africa both visible and invisible. When the humanities—and the social sciences—appear beleaguered, solving this paradox may hold the key to understanding what we need to say we are studying for us to say what we are good for. What is left over when we remove Africa from the stock of knowledge the humanities produce?
这篇文章阐述了我认为非洲宪法中的一个悖论,作为一个学术研究对象。对非洲的研究使非洲既可见又不可见。当人文科学和社会科学似乎陷入困境时,解决这个悖论可能是理解我们需要说什么,我们正在学习什么,以便我们说出我们擅长什么的关键。当我们把非洲从人文学科产生的知识储备中剔除时,剩下的是什么?
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引用次数: 6
Haunted by Historicism: 被历史主义所困扰:
Q2 Arts and Humanities Pub Date : 2021-09-01 DOI: 10.1086/715947
Jilt Jorritsma
he Anthropocene has become the latest master narrative that challenges the very foundations on which the humanities have been built. Even though this new “Age of Humanity”might, by definition, encourage a new emphasis on humanities scholarship, the concept of the Anthropocene places upon “humanity” the responsibility for having radically and profoundly changed the ecology of the planet, to a point where several tipping points may soon be breached with incalculable but likely catastrophic consequences for the future of the Earth. An essential part of this epochal consciousness is the realization thatmany of the categories used to grasp the relationship between humans and nature have become obsolete. In this way, the Anthropocene asks us to rethink the principle that has traditionally formed the core of the humanities (as the study of human civilizations and culture): the verum/factum principle, as it was envisioned by Giambattista Vico (1668–1744). Since Vico, the humanities have staked their fundamental claim to be disciplines characterized by the same scholarly rigor as the sciences, and their right to exist as distinguished from the natural sciences, on the
人类世已经成为挑战人文学科赖以建立的基础的最新主流叙事。尽管从定义上讲,这个新的“人类时代”可能会鼓励人们重新重视人文学科,但人类世的概念把从根本上深刻改变地球生态的责任推给了“人类”,以至于几个临界点可能很快就会被突破,给地球的未来带来无法估量但很可能是灾难性的后果。这种划时代意识的一个重要部分是认识到,过去用来把握人与自然关系的许多范畴已经过时了。这样,人类世要求我们重新思考传统上构成人文学科核心的原则(作为对人类文明和文化的研究):詹巴蒂斯塔·维科(Giambattista Vico, 1668-1744)所设想的真理/事实原则(verum/factum principle)。自维科以来,人文学科已经确立了自己的基本主张,即与科学一样具有学术严谨性的学科,以及与自然科学区别存在的权利
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引用次数: 0
Saint Confucius, the Chinese Adam, and a Broken Mirror: Writing World History in the Seventeenth-Century Netherlands 孔子、中国亚当与碎镜——十七世纪荷兰的世界史书写
Q2 Arts and Humanities Pub Date : 2021-09-01 DOI: 10.1086/715867
T. Weststeijn
Early European attempts at writing a comprehensive history of the world struggled in particular with China, whose greater antiquity was difficult to accommodate with the biblical chronology of Creation and the Flood; the Chinese might also have traveled to the Americas before the Europeans. The fulcrum of this debate was the Dutch Republic, where innovative schools of historiography and biblical criticism went hand in hand with interest in East Asian material culture, antiquities, and books. Around 1650, Jacob Golius, Georg Hornius, and Isaac Vossius quarreled about China in relation to Egypt, Israel, and the Americas. The debate flared up again fifty years later when Nicolaes Witsen and Gijsbert Cuper confronted the Republic of Letters with a rare bronze mirror from Han Dynasty China. Dutch attempts to engage with Chinese written and material sources, and even with a handful of early Chinese visitors to Europe, arguably made this exchange an early example of global history.
早期欧洲人试图撰写一部全面的世界史,尤其是与中国的斗争,因为中国的历史更悠久,很难与《圣经》中关于创世和洪水的年表相吻合;中国人也可能在欧洲人之前到过美洲。这场辩论的支点是荷兰共和国,在那里,创新的史学和圣经批评学派与对东亚物质文化、古物和书籍的兴趣齐头并进。大约在1650年,雅各布·戈利乌斯、乔治·霍尼乌斯和艾萨克·沃修斯就中国与埃及、以色列和美洲的关系进行了争吵。五十年后,当尼古拉斯·威森和吉士伯特·库珀向文学院提出一面罕见的中国汉代铜镜时,争论再次爆发。荷兰人试图接触中国的文字和材料来源,甚至是少数早期到欧洲的中国游客,可以说这是全球历史的早期例子。
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引用次数: 1
From Orientalism to Cultural Nationalism: Decentralizing European Buddhology in Early Twentieth-Century China 从东方主义到文化民族主义:二十世纪初欧洲佛教的分散化
Q2 Arts and Humanities Pub Date : 2021-09-01 DOI: 10.1086/715936
Huaiyu Chen
This essay examines how modern Chinese scholars came to terms with “scientific” Buddhology as a European knowledge system in the early twentieth century. Unlike Japan, where some leading Buddhists who were educated in Europe attempted to transform Buddhism into a modern religion and even a unique national spirit to accommodate the needs of Japanese modernization, in modern China, Buddhism in crisis was considered less of an intellectual and spiritual resource for reviving the national spirit. By focusing on Chen Yinke, a pivotal scholar of modern Buddhology, the essay looks into the intermingling of Orientalism and cultural nationalism among Chinese intellectuals who faced the challenge of modern European humanistic knowledge as compared to Chinese traditional knowledge on Buddhism and India.
本文考察了现代中国学者如何在20世纪初接受“科学”佛学作为一种欧洲知识体系。与日本不同,一些在欧洲接受教育的佛教领袖试图将佛教转变为一种现代宗教,甚至是一种独特的民族精神,以适应日本现代化的需要,而在现代中国,处于危机中的佛教被认为不是复兴民族精神的智力和精神资源。本文以现代佛学的核心学者陈寅恪为研究对象,探讨了面对现代欧洲人文知识挑战的中国知识分子与中国传统的佛教和印度知识分子之间的东方主义和文化民族主义的融合。
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引用次数: 0
“Potentially the Pompeii of East Africa”: “可能是东非的庞贝”:
Q2 Arts and Humanities Pub Date : 2021-09-01 DOI: 10.1086/715865
Vera-Simone Schulz
Focusing on a quotation by Mortimer Wheeler from the year 1955, when he called the ruined Swahili stone town of Kua on Juani island in the Mafia archipelago in today’s Tanzania “potentially the Pompeii of East Africa,” this article unravels some of the many layers encapsulated in this statement. The article contextualizes the passage by Wheeler with regard to the history of archaeology, colonialism, and tourism in the region. It interrogates ways how the discipline of art history can contribute to studies of the built environment along the East African coast. And it illuminates both the necessity and the potentials of decentralizing studies of the humanities on empirical-historical and methodological levels for future scholarship on the art and architecture along the Swahili coast as well as within the field of transcultural art history more generally.
莫蒂默·惠勒(Mortimer Wheeler)在1955年引用了一段话,当时他把位于今天坦桑尼亚黑手党群岛的胡安尼岛上被毁坏的斯瓦希里石城库阿(Kua)称为“潜在的东非庞贝”,这篇文章揭示了这句话中包含的许多层面。这篇文章将惠勒的文章与该地区的考古学、殖民主义和旅游业的历史联系起来。它探讨了艺术史学科如何有助于研究东非沿海的建筑环境。它阐明了在经验-历史和方法论层面上分散人文学科研究的必要性和潜力,这对未来斯瓦希里海岸艺术和建筑的学术研究以及更广泛的跨文化艺术史领域都是如此。
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引用次数: 0
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History of Humanities
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