Pub Date : 2022-12-31DOI: 10.4312/elope.19.2.169-194
Jiřina Dunková, Veronika Quinn Novotná
With the globalization of English, multilingual speakers of other languages have started to influence it linguistically and culturally, potentially challenging its established norms and standards. This paper first addresses terminological issues related to the area of Global Englishes and English as a lingua franca, then upon reviewing curricular documents relevant to the Czech educational context it summarizes findings from a pilot study conducted at local academically oriented high schools, which reveal that the English teachers still seem to associate “English” literature with inner circle creative production. Intending to bridge the gap between theory and practice, we designed and piloted several lesson plans taking heed of a broader conception of the anglophone literary canon inclusive of works from across all Kachruvian circles. We postulate that extended exposure to such literary creativity may help raise a generation of transcultural communicators, i.e., language users who thrive in dynamic language interactions across cultures.
{"title":"The Role of English Literature in Teaching Englishes: Moving Towards Educating Transcultural Communicators","authors":"Jiřina Dunková, Veronika Quinn Novotná","doi":"10.4312/elope.19.2.169-194","DOIUrl":"https://doi.org/10.4312/elope.19.2.169-194","url":null,"abstract":"With the globalization of English, multilingual speakers of other languages have started to influence it linguistically and culturally, potentially challenging its established norms and standards. This paper first addresses terminological issues related to the area of Global Englishes and English as a lingua franca, then upon reviewing curricular documents relevant to the Czech educational context it summarizes findings from a pilot study conducted at local academically oriented high schools, which reveal that the English teachers still seem to associate “English” literature with inner circle creative production. Intending to bridge the gap between theory and practice, we designed and piloted several lesson plans taking heed of a broader conception of the anglophone literary canon inclusive of works from across all Kachruvian circles. We postulate that extended exposure to such literary creativity may help raise a generation of transcultural communicators, i.e., language users who thrive in dynamic language interactions across cultures.","PeriodicalId":37589,"journal":{"name":"ELOPE: English Language Overseas Perspectives and Enquiries","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73770989","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-31DOI: 10.4312/elope.19.2.211-221
A. Mrak
The article examines the liminal nature of the two central female characters in Louise Erdrich’s novel Tracks. Despite appearing as opposites, Fleur and Pauline, members of the Chippewa tribe, are both portrayed as socially abject and victims of the inexorable social transformation brought about by American imperialism to establish patriarchy and capitalism. Enhanced through magical realism, their animality and monstrosity call attention to a liminal femininity trapped in a social order that seeks to subjugate it. The novel also considers female sexual agency and different modes of exerting and losing control in encounters defined by sexual objectification and the male gaze. Fleur’s and Pauline’s stories demonstrate how the female body becomes a site of colonial enterprise, which devalues, exploits, and nearly eradicates the Native American community, their culture, and philosophies.
{"title":"Liminal Femininity: Magical Realism and the Abject in Louise Erdrich’s Tracks","authors":"A. Mrak","doi":"10.4312/elope.19.2.211-221","DOIUrl":"https://doi.org/10.4312/elope.19.2.211-221","url":null,"abstract":"The article examines the liminal nature of the two central female characters in Louise Erdrich’s novel Tracks. Despite appearing as opposites, Fleur and Pauline, members of the Chippewa tribe, are both portrayed as socially abject and victims of the inexorable social transformation brought about by American imperialism to establish patriarchy and capitalism. Enhanced through magical realism, their animality and monstrosity call attention to a liminal femininity trapped in a social order that seeks to subjugate it. The novel also considers female sexual agency and different modes of exerting and losing control in encounters defined by sexual objectification and the male gaze. Fleur’s and Pauline’s stories demonstrate how the female body becomes a site of colonial enterprise, which devalues, exploits, and nearly eradicates the Native American community, their culture, and philosophies.","PeriodicalId":37589,"journal":{"name":"ELOPE: English Language Overseas Perspectives and Enquiries","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72605097","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-23DOI: 10.4312/elope.19.1.107-119
Simon Zupan, Jason A. Blake
This paper provides an overview of Alice Munro’s first sentences from her 149 stories published in her 14 collections. Despite the epithet “Munroesque,” there is a remarkable variety to the typical Munro story and Munro’s style. Many of her stories begin with short, mundanely declarative sentences of a few words; many other first sentences stretch over several lines; many foreground time or, more accurately, time past. The variety of these first sentences might lead the cataloguer to despair or to proclaim fatuously that the Munroesque quality of her fiction lies in how different it all is …. Though generalizations are dangerous, there is one constant: for all their stylistic diversity, Munro’s first sentences tend to establish a tension between what is realistic and tangible and the seeming, what lies beneath or hidden.
{"title":"Thresholds and What Seems to Be: Munro’s First Sentences","authors":"Simon Zupan, Jason A. Blake","doi":"10.4312/elope.19.1.107-119","DOIUrl":"https://doi.org/10.4312/elope.19.1.107-119","url":null,"abstract":"This paper provides an overview of Alice Munro’s first sentences from her 149 stories published in her 14 collections. Despite the epithet “Munroesque,” there is a remarkable variety to the typical Munro story and Munro’s style. Many of her stories begin with short, mundanely declarative sentences of a few words; many other first sentences stretch over several lines; many foreground time or, more accurately, time past. The variety of these first sentences might lead the cataloguer to despair or to proclaim fatuously that the Munroesque quality of her fiction lies in how different it all is …. Though generalizations are dangerous, there is one constant: for all their stylistic diversity, Munro’s first sentences tend to establish a tension between what is realistic and tangible and the seeming, what lies beneath or hidden.","PeriodicalId":37589,"journal":{"name":"ELOPE: English Language Overseas Perspectives and Enquiries","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-06-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90698522","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-23DOI: 10.4312/elope.19.1.15-27
M. Gadpaille
Foregrounded reports of remembered speech habits typify Alice Munro’s short fiction. In one story, the author refers to this, almost casually, as “country speech.” I will examine instances of generalized speech tags (such as “As they used to say”) to explore their relation to the creation of spatial and temporal depth in the fictional landscape. Distinctions are established between types of these foregrounded speech tags, and the category of “country speech” is extended to include a related concept of “country manners.” These combine to help create the subtly layered distinctions between place (city, country, small town) and time (decades and generations) that add texture to Munro’s narratives.
对记忆语言习惯的前瞻性报道是爱丽丝·门罗短篇小说的典型特征。在一个故事中，作者几乎随意地将其称为“乡村演讲”。我将研究广义语音标签的实例(如“as they used to say”)，以探索它们与虚构景观中空间和时间深度的创造之间的关系。在这些前景语标签的类型之间建立了区别，并将“乡村语”的范畴扩展到包括“乡村礼仪”的相关概念。这些结合在一起，有助于在地点(城市、乡村、小镇)和时间(几十年和几代人)之间创造微妙的分层区别，为门罗的叙事增添了质感。
{"title":"“Country Speech”: Regional and Temporal Linguistic Layering in Alice Munro’s Fiction","authors":"M. Gadpaille","doi":"10.4312/elope.19.1.15-27","DOIUrl":"https://doi.org/10.4312/elope.19.1.15-27","url":null,"abstract":"Foregrounded reports of remembered speech habits typify Alice Munro’s short fiction. In one story, the author refers to this, almost casually, as “country speech.” I will examine instances of generalized speech tags (such as “As they used to say”) to explore their relation to the creation of spatial and temporal depth in the fictional landscape. Distinctions are established between types of these foregrounded speech tags, and the category of “country speech” is extended to include a related concept of “country manners.” These combine to help create the subtly layered distinctions between place (city, country, small town) and time (decades and generations) that add texture to Munro’s narratives.","PeriodicalId":37589,"journal":{"name":"ELOPE: English Language Overseas Perspectives and Enquiries","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-06-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90116472","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-23DOI: 10.4312/elope.19.1.93-106
Katja Težak
Alice Munro, the first female Canadian to have been awarded the Nobel Prize for literature, is a literary challenge and delight for the reader also with regards to the usage of references to time and their linguistic construction. Her literary work comprises short stories and one novel, which can more accurately be described as a short story cycle. She takes interest in everyday, small-town life and the human relationships in it, all described in concise, down-to-earth language. The settings in most of her stories are limited communities in a typically Canadian context. This paper deals with her short story “Dance of the Happy Shades” from the collection of the same name (1968), and focuses on a stylistic analysis of time expressions, tense shifts and adverbials of time. Munro has been praised for constructing moods of familiarity, home and small-town safety. The paper attempts to show that she achieves this not solely through the plot and themes, but also with the meticulous care with which she uses time expressions, time adverbials and tense shifts.
{"title":"Adverbials of Time, Time Expressions and Tense Shifts in Alice Munro’s “Dance of the Happy Shades”","authors":"Katja Težak","doi":"10.4312/elope.19.1.93-106","DOIUrl":"https://doi.org/10.4312/elope.19.1.93-106","url":null,"abstract":"Alice Munro, the first female Canadian to have been awarded the Nobel Prize for literature, is a literary challenge and delight for the reader also with regards to the usage of references to time and their linguistic construction. Her literary work comprises short stories and one novel, which can more accurately be described as a short story cycle. She takes interest in everyday, small-town life and the human relationships in it, all described in concise, down-to-earth language. The settings in most of her stories are limited communities in a typically Canadian context. This paper deals with her short story “Dance of the Happy Shades” from the collection of the same name (1968), and focuses on a stylistic analysis of time expressions, tense shifts and adverbials of time. Munro has been praised for constructing moods of familiarity, home and small-town safety. The paper attempts to show that she achieves this not solely through the plot and themes, but also with the meticulous care with which she uses time expressions, time adverbials and tense shifts.","PeriodicalId":37589,"journal":{"name":"ELOPE: English Language Overseas Perspectives and Enquiries","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-06-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86869756","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-23DOI: 10.4312/elope.19.1.67-80
A. Penjak
Every society and culture has its own social conventions that provide specific models for ways of behaving, thinking, and communicating. According to Cordelia Fine (2012), such values are shared and reflected on and by our body (through our social roles and positions, expressions, and behaviour). This paper elicits and compares shared (hi)stories told on and by the bodies of two female characters – Del Jordan in Alice Munro’s short story cycle Lives of Girls and Women (1971) and Eveline Hill from James Joyce’s short story “Eveline” from the collection Dubliners (1914). The paper approaches Del’s and Eveline’s body as a source for a broader semantic notion: a (re)source for (re)creating and understanding both characters’ sociocultural and family surroundings that, consequently, act as a (re)source for all their silenced desires, life choices and identities. Although geographically set in different spatiotemporal contexts, the stories and their characters share other elements.
{"title":"Female Body as a Source of Shared (Hi)stories: On Munro’s Del and Joyce’s Eveline","authors":"A. Penjak","doi":"10.4312/elope.19.1.67-80","DOIUrl":"https://doi.org/10.4312/elope.19.1.67-80","url":null,"abstract":"Every society and culture has its own social conventions that provide specific models for ways of behaving, thinking, and communicating. According to Cordelia Fine (2012), such values are shared and reflected on and by our body (through our social roles and positions, expressions, and behaviour). This paper elicits and compares shared (hi)stories told on and by the bodies of two female characters – Del Jordan in Alice Munro’s short story cycle Lives of Girls and Women (1971) and Eveline Hill from James Joyce’s short story “Eveline” from the collection Dubliners (1914). The paper approaches Del’s and Eveline’s body as a source for a broader semantic notion: a (re)source for (re)creating and understanding both characters’ sociocultural and family surroundings that, consequently, act as a (re)source for all their silenced desires, life choices and identities. Although geographically set in different spatiotemporal contexts, the stories and their characters share other elements.","PeriodicalId":37589,"journal":{"name":"ELOPE: English Language Overseas Perspectives and Enquiries","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-06-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90413957","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-23DOI: 10.4312/elope.19.1.29-40
Iris Lucio-Villegas Spillard
As indicated by many critics, the death of children features prominently in Alice Munro’s short fiction. This paper approaches the theme in six of her short stories from the standpoint of her personal experience to establish shared elements that combine to build the narratives, reverberating in her writing. These elements are the past, water, and photography. The argument and literary exploration are grounded on previous literature on the author, short story theory, and photography theory, and ultimately pursue a double objective, i.e., to develop an interpretation of the figure of the lost child in Munro’s work, while providing supporting evidence for the autobiographical nature of her literature.
{"title":"“Honey, Where Are the Kids?”: Motifs of the Past, Water, and Photography in Munro’s Stories Featuring Dead Children","authors":"Iris Lucio-Villegas Spillard","doi":"10.4312/elope.19.1.29-40","DOIUrl":"https://doi.org/10.4312/elope.19.1.29-40","url":null,"abstract":"As indicated by many critics, the death of children features prominently in Alice Munro’s short fiction. This paper approaches the theme in six of her short stories from the standpoint of her personal experience to establish shared elements that combine to build the narratives, reverberating in her writing. These elements are the past, water, and photography. The argument and literary exploration are grounded on previous literature on the author, short story theory, and photography theory, and ultimately pursue a double objective, i.e., to develop an interpretation of the figure of the lost child in Munro’s work, while providing supporting evidence for the autobiographical nature of her literature.","PeriodicalId":37589,"journal":{"name":"ELOPE: English Language Overseas Perspectives and Enquiries","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-06-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76756215","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-23DOI: 10.4312/elope.19.1.81-91
Gertrúd Szamosi
In her semi-autobiographical collection, The View from Castle Rock (2006), Alice Munro claims to portray the history of her ancestors by traveling through time and space and putting her fictional self at the centre of the narrative. This paper explores a set of complex relationships between space, place, and identity formation with the help of various spatial trajectories. At the thematic and structural centre of the narrative there are two recurring spatial trajectories that most commonly manifest themselves in the form of deathscapes and homes. This paper will map the different deathscapes and homes in relation to their physical locations in Scotland, the United States, and Canada, in the timeframe of the past 400 years, but more importantly in the context of their fictional meaning and the formative role they play in the protagonist’s self-quest.
{"title":"The Human Geometry of Deathscapes and Homes in Alice Munro’s The View from Castle Rock","authors":"Gertrúd Szamosi","doi":"10.4312/elope.19.1.81-91","DOIUrl":"https://doi.org/10.4312/elope.19.1.81-91","url":null,"abstract":"In her semi-autobiographical collection, The View from Castle Rock (2006), Alice Munro claims to portray the history of her ancestors by traveling through time and space and putting her fictional self at the centre of the narrative. This paper explores a set of complex relationships between space, place, and identity formation with the help of various spatial trajectories. At the thematic and structural centre of the narrative there are two recurring spatial trajectories that most commonly manifest themselves in the form of deathscapes and homes. This paper will map the different deathscapes and homes in relation to their physical locations in Scotland, the United States, and Canada, in the timeframe of the past 400 years, but more importantly in the context of their fictional meaning and the formative role they play in the protagonist’s self-quest.","PeriodicalId":37589,"journal":{"name":"ELOPE: English Language Overseas Perspectives and Enquiries","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-06-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79846370","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-23DOI: 10.4312/elope.19.1.53-65
M. Oner
Alice Munro stitches a patchwork of short stories in her 1968 short story collection, Dance of the Happy Shades. The collection is constructed as a rhizomatic multiplicity wherein stories relate to each other in a rhizomatic pattern, as off-shoots of the same organic body. Each story in Dance of the Happy Shades is also internally constructed in the same way as a multiplicity, where micro-narratives are assembled as pieces of a patchwork to form a whole. This paper, however, explores only the opening story “Walker Brothers Cowboy” through a geocritical and geophilosophical lens and shows how Munro builds it through the same pattern. The story comprises multiple micro-narratives of different lengths and forms, each of which functions as part of this organic growth. The essay also shows how the juxtaposition of such micro-narratives, and of smoothing and striating images, creates a heterochronian heterotopia at the climax of the story.
{"title":"Whispers and Dances: Construction of Heterochronism in Alice Munro’s “Walker Brothers Cowboy”","authors":"M. Oner","doi":"10.4312/elope.19.1.53-65","DOIUrl":"https://doi.org/10.4312/elope.19.1.53-65","url":null,"abstract":"Alice Munro stitches a patchwork of short stories in her 1968 short story collection, Dance of the Happy Shades. The collection is constructed as a rhizomatic multiplicity wherein stories relate to each other in a rhizomatic pattern, as off-shoots of the same organic body. Each story in Dance of the Happy Shades is also internally constructed in the same way as a multiplicity, where micro-narratives are assembled as pieces of a patchwork to form a whole. This paper, however, explores only the opening story “Walker Brothers Cowboy” through a geocritical and geophilosophical lens and shows how Munro builds it through the same pattern. The story comprises multiple micro-narratives of different lengths and forms, each of which functions as part of this organic growth. The essay also shows how the juxtaposition of such micro-narratives, and of smoothing and striating images, creates a heterochronian heterotopia at the climax of the story.","PeriodicalId":37589,"journal":{"name":"ELOPE: English Language Overseas Perspectives and Enquiries","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-06-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85899644","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The contribution introduces the special issue of ELOPE (Vol. 19, No. 1, 2022) and the collection of articles in honour of the doyenne of Canadian short fiction: Alice Munro.
{"title":"Celebrating the Precise, the Paradoxical and the “Pret-ty-Trick-y” in Alice Munro’s Fiction","authors":"M. Gadpaille, Tjaša Mohar","doi":"10.4312/elope.19.1.9-12","DOIUrl":"https://doi.org/10.4312/elope.19.1.9-12","url":null,"abstract":"The contribution introduces the special issue of ELOPE (Vol. 19, No. 1, 2022) and the collection of articles in honour of the doyenne of Canadian short fiction: Alice Munro.","PeriodicalId":37589,"journal":{"name":"ELOPE: English Language Overseas Perspectives and Enquiries","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-06-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76303137","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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