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Miscellanea on classical Irish: 1 cadad at -s s- boundaries. 2 the conjunctionless comparative. 3 the appositional genitive 古典爱尔兰杂记:1 cadad at -s -边界。2无连接的比较级。3 .同位语属格
Q1 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.3318/eriu.2016.66.9
D. Mcmanus
Abstract:This set of miscellanea investigates a number of metrical and grammatical features of Classical Irish, in particular (1) the sandhi feature involving the collision of two s- sounds across word boundary, in both unstressed ~ stressed and stressed ~ stressed environments; (2) a brief analysis of the Classical Irish conjunctionless comparative construction corresponding to Old Irish maissiu máenib ‘more splendid than treasures’; and (3) an analysis of the reflexes in Classical Irish of the appositional genitive constructions of the Early-Irish type senóir cléirig ‘an old man who is a cleric’, that is ‘an old cleric’ and demon caillige ‘a demon of a hag’, that is ‘a terrifying hag’.
摘要:这组杂记研究了古典爱尔兰语的一些韵律和语法特征,特别是(1)在非重读~重读和重读~重读环境中,涉及两个s-音跨词边界碰撞的连读特征;(2)古爱尔兰语maissiu máenib“比珍宝更灿烂”对应的古典爱尔兰语无连词比较结构的简要分析;(3)分析古典爱尔兰语中早期爱尔兰语类型senóir的对位属格结构的反射:clairig是“牧师老人”,即“老牧师”,demon caillige是“女巫的恶魔”,即“可怕的女巫”。
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引用次数: 1
Varia II. Classical Irish miscellanea Varia II。古典爱尔兰杂烩
Q1 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.3318/eriu.2014.64.4
D. Mcmanus
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引用次数: 2
Celebrating the canine II: the hunt in Medieval Ireland, with special reference to the evidence of Classical Irish poetry 庆祝犬II:中世纪爱尔兰的狩猎,特别参考爱尔兰古典诗歌的证据
Q1 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.3318/eriu.2018.68.4
D. Mcmanus
Abstract:This paper investigates the nature of the hunt in Medieval Ireland. It confirms from the evidence of Fianaigecht material backed up by contemporary Classical Irish poetry that the hunt was in the nature of a drive and ambush rather than a chase; that two types of hound were used in the hunt, the gadhair to drive the quarry from its covert and the coin to hem it in by securing the corridor to the ambush site, where the latter were slipped on the quarry; that this practice was common in Scotland as well as in continental Europe at the time; and that the deployment of the hunt was an important part of the training of a young nobleman in Ireland. Crossover material reflecting parallels between hound and hero celebration is also investigated.
摘要:本文考察了中世纪爱尔兰狩猎的性质。它从Fianaigecht材料的证据和当代古典爱尔兰诗歌中证实,狩猎的本质是一种驱赶和伏击,而不是追逐;打猎时用了两种猎犬,一种是牛毛猎犬,用来把猎物从隐蔽的地方赶出来;另一种是金币猎犬,用来把守通往埋伏地点的走廊,把猎物围起来;这种做法在苏格兰和当时的欧洲大陆都很普遍;在爱尔兰,狩猎是培养年轻贵族的重要环节。交叉材料反映猎犬和英雄庆祝之间的相似之处也进行了调查。
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引用次数: 0
Varia III. 1. On the preposition for with the negative particle in Old Irish; 2. The River Níth 杂文集III。1. 古爱尔兰语介词for与否定助词的关系2. 河流Níth
Q1 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.3318/eriu.2017.67.9
Liam Breatnach
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引用次数: 1
VARIA II: The ainm coimhleanamhna VARIA II:连续名称
Q1 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.1353/eri.2012.0000
Damian McManus
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引用次数: 1
Varia I. The use of an overt subject with a third-person verb + nota augens Varia I.使用第三人称动词+nota augens的显性主语
Q1 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.3318/eriu.2015.65.7
Chantal Kobel
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引用次数: 0
Agent Phrases with the Autonomous Verb in Modern Irish 现代爱尔兰语中带有自主动词的代理短语
Q1 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.1353/eri.2006.0007
Diarmuid Ó Sé
Abstract:This article describes the use of agent phrases with the so-called autonomous forms of the verb in Irish since the seventeenth century. As in earlier stages of the language, three prepositions were used to mark the agent: le, ag and ó. Of these, le (earlier la) had been predominant since the Old Irish period and it remained so in eighteenth-century verse; its use to mark agents declined rapidly thereafter. The use of ag to form agent phrases lingered into the mid-twentieth century in spoken narration, and ó remains in use locally to the present day. Despite the decline in their spoken use, agent phrases (with ag) became well established again in some genres of written Irish in the course of the twentieth century, especially in official documents and in journalism. The linguistic implications of these developments are discussed briefly.
摘要:本文描述了自17世纪以来爱尔兰语中所谓动词自主形式的代理短语的使用情况。在语言的早期阶段,三个介词被用来标记代理:le, ag和ó。其中,le(早期的la)自古爱尔兰时期以来一直占主导地位,在18世纪的诗歌中仍然如此;此后,用它来标记代理人的做法迅速减少。在口语叙述中使用ag来构成代理短语一直延续到20世纪中期,ó在当地一直使用到今天。尽管口头使用有所减少,代理短语(带ag)在20世纪的某些爱尔兰书面语体裁中再次得到了很好的确立,尤其是在官方文件和新闻报道中。本文简要讨论了这些发展的语言学含义。
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引用次数: 0
DINDṠENCHAS AND THE TECH MIDCHÚARTA DINDṠENCHAS和技术MIDCHÚARTA
Q1 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.3318/ERIU.2010.60.1
Clodagh Downey
Abstract:The banqueting hall (tech midchúarta) of Tara is vividly described in a variety of medieval Irish sources. This paper examines descriptions of the physical layout and social regulation of the banqueting hall in some of these sources with a view to retrieving how their authors understood its form and function, and assesses evidence associating the banqueting hall with the cursus monument in Tara known today as Tech Midchúarta.
摘要:塔拉的宴会厅(tech midchúarta)在中世纪爱尔兰的各种文献中都有生动的描述。本文考察了这些资料中对宴会厅的物理布局和社会规范的描述,以期检索其作者如何理解其形式和功能,并评估了将宴会厅与塔拉的cursus纪念碑(今天称为Tech Midchúarta)联系起来的证据。
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引用次数: 6
THE POETIC BREHON LAWYERS OF EARLY SIXTEENTH-CENTURY IRELAND 十六世纪早期爱尔兰的诗歌律师兄弟
Q1 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.3318/ERIU.2007.57.121
K. Simms
Abstract:Many of the most eminent judges of Brehon Law in late medieval and early modern Ireland were proficient poets also, and the poetic art was studied in their law schools. It is argued here that this practice arose on a number of grounds. The poets taught the correct grammar and spelling of classical Irish, used by the lawyers in their pleadings. Irish literature supplied a fund of past mythical judgements customarily cited in the Old Irish law tracts as precedents. Poetic utterance was seen as an invocation of divine judgement, and traditionally the early poets were said to have functioned as judges. The law tracts also refer to a 'judge of poetic speech' (brithem bélrai filedachtae), though the precise meaning of the phrase is open to discussion.
摘要:中世纪晚期和现代爱尔兰早期,布莱洪法的许多杰出法官都是精通诗歌的诗人,他们的法学院对诗歌艺术进行了研究。这里有人认为,这种做法产生的原因有很多。诗人们教授了律师在辩护中使用的古典爱尔兰语的正确语法和拼写。爱尔兰文学为过去的神话般的判决提供了资金,这些判决通常在古爱尔兰法律中被引用为先例。诗歌话语被视为神圣审判的召唤,传统上,早期诗人被认为是法官。法律条文还提到了“诗歌言论的法官”(brithem bélrai filedachtae),尽管该短语的确切含义有待讨论。
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引用次数: 4
TWO EARLY EXAMPLES OF THE PREPOSITION "ACHT" FOLLOWED BY THE ACCUSATIVE CASE OUTSIDE THE LAW TEXTS AND AN EXAMPLE OF "ACHT INGE" 两个早期的介词" acht "的例子后面跟着法律文本之外的宾格还有一个" acht inge "的例子
Q1 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.1353/eri.2010.0004
R. de Vries
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引用次数: 0
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Eriu
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